THE COMPLETE COMICS JOURNAL ARCHIVES JOIN THE UNDERGROUND AND INDEPENDENT COMICS ARCHIVE FROM ALEXANDER STREET PRESS
Fantagraphics Books, publisher of The Comics Journal, has announced a partnership with Alexander Street Press to make the complete archive of the The Comics Journal available as part of its Underground and Independent Comics online collection. This is the first-ever scholarly online collection for researchers and students of literary and underground comic books and graphic novels, and the inclusion of more than 25,000 pages of interviews, commentary, theory and criticism from the 35 year history of The Comics Journal marks a significant contribution to the academic study of the comics form.
“Most back issues of The Comics Journal are sold out and unavailable,” says Comics Journal founder and Fantagraphics President Gary Groth. “This will allow academics, critics, and historians access to the magazine that's covered the widest range of cartooning for the longest period of time. We believe Alexander Street Press' project serves an important cultural function and we're very pleased to be part of it.”
The Underground and Independent Comics online collection covers the works that inspired the first underground comix from the 1960s (such as works by Basil Wolverton and Harvey Kurtzman), to the first generation of underground cartoonists (including R. Crumb, Gilbert Shelton, Spain Rodriguez and many others) and encompasses modern sequential artists like Gilbert Hernandez, Jaime Hernandez and Daniel Clowes, with over 75,000 pages of comics from the 1950s to present. With the inclusion of The Comics Journal archives, scholars can now similarly trace the roots of comics criticism and have access to the Journal’s incomparable oral history of the field.
Institutions who have already subscribed or purchased the archive include the Library of Congress, British Library, Harvard, Yale, Columbia, Notre Dame and many others.
Comics have become an increasingly popular area of academic study, and yet the typical library has only a small selection of graphic novels in the catalog. Underground and Independent Comics solves this problem, collecting thousands of comics and related texts in one, easy-to-use online collection. With multiple combinable search fields, users can sort the materials in the collection by type, coloring, publication date, writer, penciler, inker, character, genre, publisher and more. Scholarship never before possible is now just a few keystrokes away.
“The chance to have access to 100,000 pages of underground and new wave comics in ways that were unimaginable a short time ago should change the face of comics research completely.” — James Danky, faculty of the School of Journalism and Mass Communications, University of Wisconsin-Madison
Sooooo, I'm at Seattle's Pike Place Market yesterday morning with my daughter near the fish-throwing guys. We're standing out on the curb next to an empty cop car, waiting for a friend. The back seat windows in the cop car are rolled down and I just happen to catch something out of the corner of my eye. I look closer, between the bars, the backseat is completely empty aside from a large ziplock bag with something familiar inside...
Evidence of a crime scene? Something more nefarious? If there are any Seattle law enforcement officials who can shed some light on this mystery, do tell. Ellen, if you need a good lawyer referral, talk to Gary.
I've been going to Comic-Con for almost 30 years now, god help me. Sometimes I think I know downtown San Diego better than any town I've actually lived in. These are some of the things I think of when I think about Comic-Con:
• The Picadilly
• HateBall Tour 1993
• Scary bail bondsmen offices
• When you could easily park in the convention garage
• When Hall H was just a grassy knoll where you could hang out before the con opened
• When I cared about the Marvel and DC booths
• When I first met Gary Groth and he had a pony tail
• When I first met Dan Clowes and he charged me $10 for a sketch but not the cute girl in front of me
• When I showed Dick Giordano my portfolio as a teenager and he was incredibly encouraging
• Drunk late-night walks with Jaime back to the hotel
• Eisner Retailer Judging with Sergio Aragonés, who brought his guitar to kill time
• Sin Alley Cats, The Ol' Prospectors, and Action Suits with Rube Reuben at that Fanta golf course party
• Danzig's stripper room
• Riding elevators with Lou Ferrigno, the guy who played Chewbacca, and Stan Lee
• Being told on at least three separate occasions over three separate years "NO PHOTOS!" by an off-the-clock Lou Ferrigno (including in the elevator)
• Selling comics to Leonardo DiCaprio, who had just flown in via helicopter with Gaston from Meltdown
• Eisner tears
• Jack Kamen's kiss
• When I realized that the Playboy back issue dealers didn't check ID
• Me, Jane Wiedlin, The Eisners
Brooklyn Book Fest 2014
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