|The Best American Comics Criticism Discussion - audio download|
|Written by Mike Baehr | Filed under The Comics Journal, Sammy Harkham, Ben Schwartz, audio||7 Jun 2010 5:20 PM|
Search / Login
Sign up for our email newsletters for updates on new releases, events, special deals and more.
Archive >> June 2010
I'm back from taking a couple of days off and catching up on things that I missed during that time, including the arrival of new comics in stores last Thursday (a day late due to the U.S. holiday), including:
32-page full-color 6.75" x 9.5" comic book • $4.95
"The best alternative comic book series right now? It's certainly some of the funniest comics going, even if I have little to say other than apparently spout broad, positive clichés on its behalf," said Tom Spurgeon at The Comics Reporter last week.
Hopefully your local shop hasn't sold out already — maybe give them a jingle and have them put one on hold for you if you didn't already pick it up last week.
C. Tyler has a couple of great public appearances coming up in Cincinnati and environs over the next couple of weeks. First she'll be reading from her book You’ll Never Know Book 1: A Good and Decent Man at the Cincinnati Art Museum, Sunday, June 13 at 12:30, with a book signing to follow. Then, she'll be presenting a comics workshop for teens called "Rated G for Graphic" at the Clermont County Public Library's Ameila & Williamsburg branches on Monday & Tuesday, June 21-22. Space is limited — you can pre-register at the library website.
This interview was conducted via telephone and transcribed by Comics Journal editorial intern Ian Burns and proofread by TCJ's Kristy Valenti and myself. Thanks to all! –Ed.
IAN BURNS: One of the new features [in The Search for Smilin’ Ed] is this huge fold-out here, and I was wondering, now that there’s over one hundred characters in your own personal universe, does having it that large affect how you create new stories at all?
KIM DEITCH: Well, it certainly gives me a lot of advantage in terms of I’ve got all these characters and I can use them in stories, but I’ll tell you, bein’ a character of mine isn’t all that great [Burns laughs]. If I haven’t got a good idea for ‘em, forget about it. A character’s only as good as he is contributing to the storyline that I want to tell. The only one that’s really lasted all this time is Waldo, and even him I’ll lay him off for years at a time if I don’t feel I’ve got a good story.
That’s why I think those stories are pretty good is because I never tried to force one. I never got up in the morning and go [adopts southern drawl]: “Hmm, I’m gonna make me a Waldo story!” [Burns laughs]. I don’t do that: to me, the play’s the thing, and it’s got to be a good yarn.
DEITCH: God knows that’s a gimmick that’s gotten plenty of mileage.
I will say this: in “The Sunshine Girl,” the long story in Deitch's Pictorama, that character Eleanor — I got to like her so much that I’d say the story I’m working on now was suggested by the fact that by the time I was nearing the end of that story, I got to like that character so much I hated to give her up. But ironically, now that I’m doing the story she doesn’t really have that much to do with it [Burns laughs]. At the beginning, discovering this manuscript, and then there’s an epilogue at the end and this woman occasionally mentions her by name as she’s describing something she did, so....Well, you just have to see where things go, you know? I had it in my mind that I’d like to do another story with her and maybe I will but, oddly, I didn’t really do that at all. I just used it as a jumping-off point for another story with a new character.
BURNS: Great. Back on the fold-out: Did you go through any in-depth laying-out process for all these characters, or...?
DEITCH: When I submitted the idea to Kim that we do The Search for Smilin’ Ed, the reason I did it is I figured this one I’m working on now is going to take me so long, I’d like to have something come out in the meantime, so people don’t forget about me. But, he said, “OK, I think this will make a good book, but you know what, I’d like to have an article in there talking about ‘The Kim Deitch Universe.’”
Now, I didn’t make that term up. But you know the Marvel Universe: it just means the interconnectedness of all my characters. And when he said that, I immediately, feeling cocky [Burns laughs], said: “Well, hell, if you guys are going to have an article about The Kim Deitch Universe, the least I can do is draw it!” [Burns laughs.]
Having said this, then I’m going, “Oh my God what have I said? How the hell am I gonna draw that?” [Laughter.] But, in a way that worked out, because I even spun off my own uncertainty: I was proud of the thing I worked up, it’s almost like a story but it isn’t a story. It leads you into it. Along the way I got the high concept: “let’s have it all happening inside my head.”
BURNS: Right, that’s what I was just going to say: it’s all centered around that image.
DEITCH: Yeah, and once that happened, then I really started catching fire. I did several elaborate sketches of it, and it wasn’t exactly pure fun, but it was happening. I knew I was onto something good and it came out pretty good, I think. It was hell: I had two computers cave in under me because that was a huge file. I had to get Paul Baresh to cut it in half. If you look at the Universe ones that they printed separately, you look really careful in the middle you can see where there’s a slight differentiation, ‘cause we were doing it in two hunks. Pretty much the biggest file I ever worked on. “Sex, Drugs, and Rock ’n’ roll” for Kramers [Ergot]; those were bigger, but they didn’t give me the trouble that this one did. “Kim Deitch Universe” was really blood, sweat and tears. But not the concept, so much, once I got going on that.
But the real bitch was colorin’ it, which usually is sort of fun for me. But I never had such a big busy thing. Like I said, first I started on my wife’s computer and it crashed, and then I went over to the other computer...it was giving me all kinds of trouble till I cut it in half.
Daily clips & strips -- click for improved/additional viewing at the sources:
Online Commentary & Diversions:
• Review: "Rather than a narrative arc, with ascensions and declines, Artichoke [Tales] feels like a series of expansions. The characters and their world grow to envelop the reader in a singular, charming way." – Paul Constant, The Stranger
• Review: "Without a single word, Woodring tells an enormous tale of redemption and heartbreak. Weathercraft crackles with the power of myth, and it extends far beyond its pages with a life of its own; one could imagine a postapocalyptic culture forming an entire religion based on this one thin book. You've never read anything quite like Weathercraft, but at the same time it feels eerily familiar, like a dream you had last night." – Paul Constant, The Stranger
• Review: "Weathercraft is at once far wilder and more subtle than I could have imagined. The imagery and the surroundings are more hallucinatory, the mixture of cartoon-cute and skittering, undulating grotesquerie more effectively creepy, and the characterizations and themes more layered and nuanced than any version of this book that played out in my head. ... Weathercraft paints small moments of beauty and mystery on a huge canvas of twisted wonder." – Jason Michelitch, Comics Alliance
• Review: "...[Wally] Gropius is more concerned with verbal jazz and abstract gags, all presented in an innocent-looking approximation of the bright, clean style of ’60s Harvey Comics. ... I liked enough of the gags, and Hensley’s overall confidence in putting them over in such a currently declassé comics art style, that I would recommend it." – Christopher Allen, Comic Book Galaxy
• Review: The French edition of Daniel Clowes 's The Death Ray (Eightball #23) was examined on Le Grand Journal on French television network Canal+ last month (YouTube link) — for non-Francophones Kim Thompson summarizes it thusly: "The guy can't stop gushing about the beauty of the drawings, the coloring, the design, the thematic elements of ennui (yes, he actually says 'ennui') and violence 'even against squirrels.'"
• Roundtable: Speaking of our own multilingualist Kim Thompson, he participates in The Comics Journal's roundtable discussion on comics translation
Peter Bagge fans in the Northwest can get a double dose this weekend. First, Peter's band Can You Imagine? plays at the Sunset Tavern in scenic downtown Ballard, in Seattle, on Friday night. Also on the bill: The Tom Price Desert Classic, which is studded with Fantagraphics staff past and present, and more special guests. Get more info and RSVP on Facebook. Then on Saturday Peter appears as a special guest of the Olympia Comics Festival (where our own Jason T. Miles will also be tabling with his Profanity Hill concern). Good times!
Daily clips & strips -- click for improved/additional viewing at the sources:
Online Commentary & Diversions:
• Review: "Whether you love the swords and sorcery genre, high adventure, romance, or any or all of the above, Hal Foster’s early work on Prince Valiant is well worth reading. ... Fantagraphics has done a remarkable job remastering these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were first published 70 years ago. This second volume from Fantagaphics is due to ship in June 2010." – James Henry, Mid-Ohio-Con
• Review: "In form, content and effect, [Muzzlers, Guzzlers and Good Yeggs] is a hell of a book. Coleman's intricate line drawings capture phantasmagorical scenes of horror and pathos, mixing nightmares with satire and surreal portraiture. There a strange and powerful sense of vitality at play, and a feeling of obsession mixed with a furious sort of joy." – Oliver Ho, PopMatters
• Interview: The Daily Cross Hatch's Brian Heater continues his conversation with Gene Deitch: "When it rained, we had to shove the drawings under our coats and run from one room to another. But it was exciting. We really felt we were pioneers, no question about it. These people were very intelligent and were very cultured in art."
• Road trip: At Waymarking.com you can find a crowdsourced guide to real-life locations and landmarks featured in Zippy the Pinhead strips — it's pretty remarkable, and a great way to plan your next road trip! Thanks to Patrick Rosenkranz for the tip.
Cute Boys Alert: Simon Hanselmann, Michael DeForge and Patrick Kyle on Tour. Click here for tour details!
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, An Age of License, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Brian Ralph, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, CCI, Charles Burns, Charles Forsman, Charles M Schulz, Charles Rodrigues, Charles Schneider, Chip Kidd, Chris Ware, Chris Wright, Chuck Forsman, classics, Colleen Coover, comic strips, comics industry, comics journal, Coming Attractions, comiXology, Conor OKeefe, Conor Stechschulte, contests, Crag Hill, Craig Yoe, Critters, Crockett Johnson, Daily OCD, Dame Darcy, Dan DeCarlo, Dan Nadel, Daniel Clowes, Danny Bland, Dash Shaw, Dave Cooper, Dave McKean, David B, David Collier, David Greenberger, David Lasky, David Levine, david sandlin, David Wojnarowicz, Debbie Drechsler, Denis The Menace, Dennis the Menace, Derek Van Gieson, Design, Destroy All Movies, Diaflogue, Diamond, Diane Noomin, Dick Briefer, digital comics, Disney, DJ Bryant, Don Flowers, Don Rosa, Down with OPP, Drawing Power, Drew Friedman, Drew Weing, Drinky Crow Show, Ebay, EC Comics, EC Segar, Ed Luce, Ed Piskor, Editors Notes, Edward Gorey, Eisner, Eldon Dedini, Eleanor Davis, Ellen Forney, Emile Bravo, Eric Reynolds, Ernie Bushmiller, Eros Comix, Eroyn Franklin, errata, Esther Pearl Watson, Eve Gilbert, events, fan art, Fantagraphics Bookstore, Fantagraphics history, fashion, FBI MINIs, FCBD, Femke Hiemstra, Field Trip, Flannery OConnor, Fletcher Hanks, flogcast, Floyd Gottfredson, Four Color Fear, Francesca Ghermandi, Francisco Solano López, Frank Santoro, Frank Stack, Frank Thorne, Freddy Milton, Fredrik Stromberg, Fredrik Strömberg, From Wonderland with Love, Fucking Nice Guy, Gabriella Giandelli, Gabrielle Bell, Gahan Wilson, Gary Groth, Gary Panter, Gast, Gene Deitch, George Carlson, George Chieffet, George Evans, George Herriman, Gil Kane, Gilbert Hernandez, Gilbert Shelton, Gipi, Glenn Bray, Glenn Head, God and Science, good deeds, Graham Chaffee, Graham Ingels, Greg Irons, Greg Sadowski, Guy Peellaert, Hal Foster, Hank Ketcham, Hans Rickheit, Harvey Kurtzman, Harvey Pekar, heiko mueller, Hergé, Hernán Migoya, Ho Che Anderson, hooray for Hollywood, Hotwire, Humbug, Humorama, Ignatz Series, Igort, In-joke Central, Inio Asano, Inspiration, interns, interview, interviews, Irwin Chusid, Ivan Brun, Ivan Brunetti, J Otto, Jack Cole, Jack Davis, Jack Jackson, Jack Kamen, Jack Kirby, Jacques Boyreau, Jacques Tardi, Jaime Hernandez, James Romberger, James Sturm, Janet Hamlin, Jason, Jason T Miles, Jean Schulz, Jeff Smith, jefferson machamer, jeffrey brown, Jeremy Eaton, Jeremy Tinder, Jerry Dumas, Jesse Moynihan, Jesse Reklaw, Jessica Abel, Jim Blanchard, Jim Flora, Jim Rugg, Jim Woodring, JIS, Joe Coleman, Joe Daly, Joe Kimball, Joe Kubert, Joe Orlando, Joe Sacco, Joe Simon, John Benson, John Cuneo, John Hankiewicz, john kerschbaum, John Liney, John Pham, John Severin, Johnny Craig, Johnny Gruelle, Johnny Ryan, Jon Adams, jon vermilyea, Jonathan Barli, Jonathan Bennett, Joost Swarte, Jordan Crane, Joseph Lambert, Josh Cochran, Josh Simmons, Joshua Glenn, Joyce Farmer, JR Williams, Jules Feiffer, Julia Gfrörer, Justin Green, Justin Hall, Kaz, Ken Parille, Kevin Avery, Kevin Huizenga, kevin scalzo, Kickstarter, Killoffer, Kim Deitch, Kim Thompson, Kipp Friedman, Kovey Korner, Krazy Kat, Kremos, Kristy Valenti, Kurt Wolfgang, Lane Milburn, Last Vispo, Laura Park, LB Cole, Leah Hayes, Leila Marzocchi, Leslie Stein, Lewis Trondheim, library, life imitates comics, Lilli Carré, Linda Medley, Liz Suburbia, Lizz Hickey, Lorenzo Mattotti, Lorna Miller, Los Bros Hernandez, Lou Reed, Love and Rockets, Lucy Knisley, Lyonel Feininger, Maakies, Mack White, Malachi Ward, Malcolm McNeill, manga, marc bell, Marc Sobel, Marco Corona, Marguerite Van Cook, Mario Hernandez, Mark Bode, Mark Fertig, Mark Kalesniko, Mark Martin, Mark Newgarden, Mark Todd, Marschall Books, Marti, Martin Cendreda, Martin Kellerman, mary fleener, Matt Broersma, Matt Danner, Matt Thorn, Matthias Lehmann, Matthias Wivel, maurice fucking sendak, Maurice Tillieux, Max, Max Andersson, McSweeneys, Meg Hunt, Megahex, Megan Kelso, merch, meta, Mia Wolff, Michael Chabon, Michael Dowers, Michael J Vassallo, Michael Kupperman, Michel Gagne, Mickey Mouse, Milt Gross, Mineshaft, misc, miscellany, Miss Lasko-Gross, Mister Wonderful, MK Brown, Molly Kiely, Mome, Monte Schulz, Mort Meskin, Mort Walker, Moto Hagio, Nancy, Nate Neal, Neil Gaiman, Nell Brinkley, New Comics Day, new releases, Newave, Nick Drnaso, Nick Thorburn, Nico Vassilakis, nicolas mahler, Nijigahara Holograph, No Straight Lines, Noah Van Sciver, Norman Pettingill, OCD, office fun, Oil and Water, Olivier Schrauwen, Original Art, Pat Moriarity, Pat Thomas, Patrick Rosenkranz, Paul Hornschemeier, Paul Karasik, Paul Nelson, Peanuts, Peter Bagge, Peter Kuper, Pirus and Mezzo, Playboy, podcast, Popeye, Portable Grindhouse, press, previews, Prince Valiant, production, queer, R Kikuo Johnson, Rand Holmes, Ray Fenwick, Raymond Macherot, RC Harvey, Rebel Visions, Renee French, reviews, Rich Tommaso, Richard Sala, Rick Altergott, Rick Griffin, Rick Marschall, RIP MD, rip-offs, Rob Walker, Robert Crumb, robert fiore, Robert Goodin, Robert Pollard, Robert Williams, Roberta Gregory, rock, Roger Langridge, Ron Regé Jr, Rory Hayes, Rosebud Archives, Roy Crane, Russ Heath, S Clay Wilson, sales specials, Sammy Harkham, Samuel R Delany, Sara Edward-Corbett, Sequential, Sergio Ponchione, Seth, Shag, Shannon Wheeler, shelf porn, Shilling, Shimura Takako, Short Run, signed bookplates, Significant Objects, Simon Deitch, Simon Hanselmann, slimy marketing, Some Douchebag, Sophie Crumb, Souther Salazar, spain, Spain Rodriguez, staff, Stan Sakai, Stephane Blanquet, Stephen DeStefano, Stephen Dixon, Stephen Weissman, Steve Brodner, Steve Ditko, Steve Duin, Steven Brower, Steven Weissman, Storm P, Supermen, T Edward Bak, Taking Punk to the Masses, tales designed to thrizzle, tattoos, Ted Jouflas, Ted Stearn, television, Terry Zwigoff, The Comics Journal, The Go-Gos, The Love Bunglers, The Stranger, Things to see, Thomas Ott, Tim Hensley, Tim Kreider, Tim Lane, TMNT, Tom Kaczynski, Tommi Musturi, Tony Millionaire, Tori Miki, toys, Trina Robbins, TS Sullivant, Tyler Stout, Ulli Lust, Umpteen Millionaire Club, Under the Covers, UNLOVABLE, Usagi Yojimbo, Vaughn Bode, Victor Kerlow, Victor Moscoso, video, Virgil Partch, VIVA LA COMIX, Wallace Wood, wallpapers, Wally Wood, walt holcombe, Walt Kelly, Wandering Son, Warren Bernard, webcomics, Wendy Chin, Wilfred Santiago, Will Elder, Willard Mullin, William S Burroughs, Willie and Joe, witzend, Wuvable Oaf, Zak Sally, Zap, Zippy the Pinhead
The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.