• Review: "...Artichoke Tales and The Squirrel Mother have established Kelso as one of the most original talents in comics. The dozen stories in Queen of the Black Black show an emerging talent, but not a fully-formed one; Kelso tries out a variety of styles here, from primitivist to expressionistic, and tries out a variety of genres too, from slice-of-life to historical fantasy. This book isn’t the best introduction to Kelso — that would be The Squirrel Mother — but it’s essential for fans..." – Noel Murray, The A.V. Club
• Review: "Now collected and translated into English, Approximate Continuum Comics is almost more valuable now than it was at the time, serving as a historical document of one of some of the most significant cartoonists in Eurocomics. The book also exemplifies Trondheim’s distinctive autobiographical style, which allows plenty of room for dream sequences, slapstick, digressions, and all the virtues that make his fiction work such a delight." – Noel Murray, The A.V. Club
• Review: "For Isle of 100,000 Graves, Norwegian cartoonist Jason works his animal-headed characters into a rip-roaring pirate tale written by Fabien Vehlmann. The result is a little more dialogue-heavy and a little less existential than Jason’s usual books, but it’s still funny and imaginative, telling the story of a young girl who joins a band of buccaneers to look for her father and ends up meeting a hapless lad who’s enrolled in school for executioners. The action barrels straight ahead to a sweet finish, but the highlights of Isle of 100,000 Graves come in that school, where kids dispassionately learn to maim and torture in ways that perfectly suit Jason’s deadpan style." – Noel Murray, The A.V. Club
• Review: "Isle of 100,000 Graves is the first work of Jason's to be written by someone other than himself. Boy, did he choose a good one!... Visually it is much the same as Jason's other works, which in my opinion are stunning in their simplicity. The sparse composition of the panels, the 'ligne claire' art style (yeah, I just got pretentious on yo' ass) and the fantastic use of negative space all add to the understated, dead pan wit of the tale. A fun and entertaining adventure that just goes towards further proving the talent of these men." – 2 Bad Guys from an 80s Movie
• Review: "...Woodring returns with Congress of the Animals, a 100-page book focused on Frank. The style and format will be familiar to Woodring devotees — wordless and surreal, with each panel packed with thick, squiggly lines — but the story’s more clearly allegorical than usual, following the buck-toothed, easygoing Frank as he moves into a new home and learns what it means to work a soul-crushing job to maintain a standard of living. The theme is heavy, but there’s a strong slapstick comedy element too, which endures right up to the point where things take a turn from the merely weird to the mind-meltingly weird." – Noel Murray, The A.V. Club
• Review: "If Mauldin’s World War II strips were a needed corrective to the public’s glorification of war, then his post WWII work fulfilled the same function for those who thought of post-war America as some kind of euphoric utopia.... The production values for this volume, like the hardcover edition for The WWII Years, are impeccable.... DePastino’s introduction is jammed with illustrative biographical details and is livened up with promotional materials.... Back Home is a study of an artist in transition, both in terms of his art and his life. At the same time, it’s a study of a nation in transition, where the political and cultural ground was shifting and a battle over the nature of that national discourse was being waged." – Rob Clough, The Comics Journal
• Plug: "I re-read both the Hernanadez brothers collected works about once a year and there’s not a lot between them. But somehow the subject matter and sheer storytelling verve of Locas tips the balance for me. I’m constantly in awe of how they both can chronicle the lives of huge casts of characters. The hardback collections of Locas and Palomar are absolutely essential." – Oli Barratt, Lost At E Minor
Drew Weing gave an illuminating talk about his career and the creation of his debut graphic novel Set to Sea a short while ago at the behest of the Pennsylvania Center for the Book in Philadelphia after the book received the 2011 Lynd Ward Prize for Best Graphic Novel Honor Award (runner-up to the main prize) earlier this year. Watch the complete talk, with introduction and follow-up Q&A session, embedded above or on YouTube here; also, in this video, you can watch the jurors for the Lynd Ward Prize discuss their selection of the book.
You've got another chance to bid on the eye-popping Josh Kirby print set The Voyage of the Ayeguy, now listed at a reduced price on eBay. Our eBay jockey Eric Buckler tells me he's got an onslaught of more treasures from our attic to be listed over the next couple of weeks, so stay tuned to our seller page and add us to your favorite sellers to keep on top of it all.
Look for this stunning portrait of Groucho Marx by Drew Friedman on "the forthcoming second edition of Raised Eyebrows: My Years Inside Groucho's House, Steve Stoliar's memoir of working for the comedian during the mid-1970s" — or hanging on your wall if you're one of the lucky 15 to pick up one of the ultra-limited-edition prints of the artwork from the Drew Friedman Art shop.
• Review: "There is no one remotely like Jim Woodring. I admire dozens of living cartoonists, but Jim's wordless comic book stories... are some of the most mindbending books I've ever read.... Is there a lesson to be learned from Congress of the Animals? What is the meaning behind it, and Woodring's other books? That's the question I'm unable to answer. His comics affect the part of my brain that can think and feel, but cannot verbalize. His comics change me, but I can't say why or how." – Mark Frauenfelder, Boing Boing
• Review: "Every step along the way is documented thoroughly and honestly, effectively killing any romantic notions I still had about my final years.... Reading [Special Exits] was like watching an incredibly slow train wreck, where you got to know everyone on board before it crashed... Laura was inspiring in that she continued to respond with love and wanted to help." – Dawn Rutherford, The Unshelved Book Club
• Review: "Fantagraphics Books has put out a lot of amazing collections. Most notably, their year-by-year reprinting of the works of America’s greatest philosopher: Charles Schulz. But my new favorite project of theirs has to be the multi-volume Steve Ditko Archives.... The Steve Ditko Archives lovingly and chronologically reproduce large swaths of both Ditko’s pre- and post-code output, highlighting his ability to draw gallons of emotion and inner turmoil in tiny sequential frames.... Ditko is one of the most elusive and complex characters of comics’ golden age, but these volumes (two so far, Strange Suspense and Unexplored Worlds, both with illuminating forwards by Blake Bell) at least give a compelling glimpse into the creative development of the man behind the panels." – singer/songwriter Chris Mills, guest editor at Magnet
Martin Terrier, ice-cold mercenary-turned-contract-killer, has his future all mapped out: He has just executed what he intends to be his final job and is ready to move on to the next phase of his life, which involves discreet retirement accompanied by a long-lost girlfriend. But Terrier’s employers are emphatically not pleased with his decision, old enemies begin to re-emerge, and soon Terrier is forced to once again ply his brutal trade.
Five years after West Coast Blues, his acclaimed adaptation of Jean-Patrick Manchette’s Le Petit bleu de la côte ouest (a.k.a. Three to Kill), Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller. Manchette himself claimed to have written the novel in an attempt to emulate the ultraviolent, hellbent-for-leather, pitch-black ambiance of Robert Aldrich’s Kiss Me Deadly, and Tardi matches him bullet for bullet and blow for blow. As The Village Voice noted of the original novel (La Position du tireur couché, released in English under the title The Prone Gunman by City Lights in 2001), “Thirty pages before the finale, it’s hard not to wonder how the book could possibly end... But the book does end, in circumstances far worse than you might easily imagine, on a note of extraordinary bleakness.”
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!