|Does not compute!|
|Written by Eric Reynolds | Filed under Gary Panter||13 Mar 2008 10:41 AM|
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Walt Disney's Uncle Scrooge and Donald Duck: Return to Plain Awful (The Don Rosa Library Vol. 2) [U.S./CANADA ONLY - Pre-Order]
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Archive >> March 2008
Sean T. Collins interviews Gary Panter for... Marvel.com?! Everything I thought I knew to be true in this world is suddenly in question.
When I heard the news of Dave Stevens' passing this week, at the much too young age of 52, the first two people I thought about were my pals Gilbert and Jaime Hernandez. I knew they were close to Dave so I sent them my condolences. Gilbert wrote me the following email, which I thought some of Dave's fans might enjoy, so he kindly consented to let me share it. R.I.P., Mr. Stevens.
Dave was always Dave. No matter where I saw him, at the premiere of THE ROCKETEER in Hollywood, or when he was mobbed by fans at GLAMOURCON, he would turn his head to me and ask "what do ya think? " Jaime and I met Dave at his studio in 1984. It was next to a gas station that was later used in David Lynch's LOST HIGHWAY. The studio that Dave shared with Bill Stout and Richard Hescox was a matress outlet by then. Right away we hit it off having similar interests, most notably the subject of curvy women. That's one thing he never outgrew. God bless him.
He was neurotic as any perfectionist when it came to finishing an art project, but when he delivered, he delivered. One of the few pieces of original art I own and cherish is the one he did for GIRL CRAZY #1, and not because he did it for free, either. Actually, he refused payment for it because he said he did it for fun. That was Dave and he lived for fun. That's the way I like it.
- Gilbert Hernandez, March 2008
I really enjoyed this CBR feature on Wilfred Santiago's forthcoming graphic novel, 21 (which is still many months away), a biography of baseball legend Roberto Clemente. I'm a big baseball nerd, and was already looking forward to this book, but after reading this feature I'm even more sold. Santiago's clear grasp of Clemente's place not only in baseball history but also the Civil Rights movement and Puerto Rican history is palpable, and is sure to make for an engaging, important read. And the images I've seen, including those in this piece, are dazzling.
The news of Dave Stevens' passing today was as sad as it was unexpected. It's difficult to appreciate today how special The Rocketeer was when it came out. I'm not going to pretend that it was a totally brilliant comic book or anything, but when it first came out during my formative years in the '80s, it really was something else. Its retro chic style was, paradoxically, ahead of its time, and there's little arguing that Stevens was one of the very best craftsmen of the post-Frazetta school of illustrators (see above). I haven't re-read any of The Rocketeer in close to 20 years, but I think I will have to dig them out tonight and rectify that.
For a warm remembrance of Mr. Stevens, read Mark Evanier's blog.
More "Shit from from my walls that will fit on my (very small) scanner"...
I bought this small Jimmy Swinnerton drawing on eBay over ten years ago when things like this were still cheap on eBay:
A sketch from the great Spanish cartoonist Santiago Sequeiros, obtained in a restaurant in Grenada, Spain several years ago:
Two panels I bought for my wife from the "Don Quixote" story in Ted Stearn's awesome Fuzz & Pluck collection. Ted drew this story as individual panels rather than whole pages:
A lovely little Kevin Scalzo color drawing:
You may or may not be aware that last week Fantagraphics co-sponsored a "bookwarming" party for Drew Friedman at NYC's exclusive Friars Club, on the occasion of the release of More Old Jewish Comedians from Fanta. I say you might not be because it was a private affair by invitation only, so it wasn't publicized in advance, although you may have seen some of the "postgame" coverage. Despite it being a private affair, by all accounts it was one of the most successful events the Club has ever thrown, with an estimated 400 people cramming into the Milton Berle Room and joining a cavalcade of comedy legends in honoring Drew, including Mickey Freeman, Freddie Roman, Jerry Stiller, Gilbert Gottfried, Jeffrey Ross, Joe Franklin, Larry Storch and others.
We should be getting a slew of pics that we'll upload soon into a Flickr set, but in the meantime, don't miss these great write-ups (with photos):
ABOVE PHOTO: (Left to right) Gilbert Gottfried, Jerry Stiller and Larry Storch, at the Friars Club. Photo by Brian Heater from our pals at The Daily Crosshatch.
Here's the fourth in a continuing series I like to call "Cool shit from my walls that will fit on my (very small) scanner."
This first one didn't scan so well, probably because I'm too lazy to take any of these pieces out of their frames before throwing them on the glass. But also because the detail in this Jim Blanchard portrait of motivational speaker Tony Robbins is enough to cause my scanner to melt. I don't seem to have an "inifinity DPI" setting. Jim gave my wife Rhea and I this as a wedding present; Tony keeps us on a righteous path.
This Mat Brinkman drawing is from an issue of Jordan Crane's NON. It didn't scan so hot, either, I should have beefed up the contrast to make it more readable. Oh, well. But it makes me laugh every time I look at it:
This is a portrait of yours truly by the great Steve Brodner, and it's the only piece of art on my walls that my dad has ever expressed liking. I love that.
I can't remember what the right term for this pinwheel animation thing is, but Al Columbia made it back around 1994:
Speaking of Al, this is the original art he made for a single cover by our old band the Action Suits recorded back in 1996. Al didn't play on the single, he'd moved out of Seattle by then, but he stayed in the family:
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Brian Ralph, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, CCI, Charles Burns, Charles Forsman, Charles M Schulz, Charles Rodrigues, Charles Schneider, Chip Kidd, Chris Ware, Chris Wright, Chuck Forsman, classics, Colleen Coover, comic strips, comics industry, comics journal, Coming Attractions, comiXology, Conor OKeefe, Conor Stechschulte, contests, Crag Hill, Craig Yoe, Critters, Crockett Johnson, Daily OCD, Dale Yarger, Dame Darcy, Dan DeCarlo, Dan Nadel, Daniel Clowes, Danny Bland, Dash Shaw, Dave Cooper, Dave McKean, David B, David Collier, David Greenberger, David Lasky, David Levine, david sandlin, David Wojnarowicz, Debbie Drechsler, Denis The Menace, Dennis the Menace, Derek Van Gieson, Design, Destroy All Movies, Diaflogue, Diamond, Diane Noomin, Dick Briefer, digital comics, Disney, DJ Bryant, Doctors, Don Flowers, Don Rosa, Down with OPP, Drawing Power, Drew Friedman, Drew Weing, Drinky Crow Show, Dylan Horrocks, Ebay, EC Comics, EC Segar, Ed Luce, Ed Piskor, Editors Notes, Edward Gorey, Eisner, Eldon Dedini, Eleanor Davis, Ellen 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