|Jim Blanchard's Icon Soup art show|
|Written by Mike Baehr | Filed under rock, Jim Blanchard, events, art shows||19 Mar 2010 4:37 PM|
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Archive >> March 2010
My original title for this post was "R. Crumb FUCKs Wallets." Maybe I should've stuck with that.
It's probably a sign that I'm too cynical that my reaction to this was mild surprise that it's an authorized design (licensed by Supreme for Porter, or something like that) rather than a ripoff, which would have been pretty easy to do.
UPDATE: Our super-sleuth in residence Janice Headley comments:
no! in new york!
Jeez, was it really only last weekend that Gilbert Hernandez was in town? We've got a set of photos documenting his signing and art opening at our flagship store, including shots of all the artwork in the exhibit for those of you who can't make it to view the show in person. Look for a guest appearance by L.A.-based pop-surrealist artist Camille Rose Garcia, too. Browse the whole set here, or sit back and let the slideshow roll here.
Daily clips & strips — click for improved viewing at the sources:
• Floating Moats is a new abstract minicomic/art zine from our own Tony Remple, available at Profanity Hill
Online Commentary & Diversions:
• Review: "It’s vaudevillian and it’s Old Hollywood. It’s rock n’ roll and beat poetry. It’s introspective and depressing and quite often funny, and depicts a world that exists on the fringes of society where the American Dream meets the cold, harsh reality of life as viewed through a grimy windshield. ... When you put all the pieces together, you don’t simply get a story or a group of stories, you get a book that pulls back the curtain on the collective unconscious of a nation. ... Like the myths that it is inspired by, Abandoned Cars lingers long after reading and grows in stature as you re-live and re-tell it." – Chad Derdowski, Mania
• Review: "Part of Pim & Francie’s disconcerting effect is that it confounds easy categorization, leaving the reader uncertain what exactly this book is, or how to approach it. It doesn’t contain discrete, coherent stories, but it’s also more unified and linear than a sketchbook; there are continuing characters, recurring images and situations, even a discernable arc. It’s possible to piece together narratives from the fragments here, the way you might reconstruct a crime scene from bits of evidence, or a nightmare from fading details. These stories may even be all the more potent for having to be inferred, like the phantasms we imagine when we listen to horror stories on the radio." – Tim Kreider, The Comics Journal
•Profile/Review: Thought Balloonists' Charles W. Hatfield has a doozy of a report from Robert Williams's March 10 lecture at Cal. State Northridge, with plenty of insight into the artist, the talk, and the Conceptual Realism exhibit at the CSUN gallery: "Williams and his academic audience met halfway; the bracing, not to say ass-kicking, potency of the paintings seemed to wow most of the crowd. This was a fine performance, enlivened from the start by Williams' genuine gratitude and enthusiasm for being there."
• Plug: Library Journal spotlights Jason's Werewolves of Montpellier among notable July graphic novel releases: "Having subjected zombies to the witty vagaries of his goofy, humanized animals, Eisner Award winner Jason tackles werewolves mixed up in re-creational burglary and romance. It’s the pretender vs. the professionals — who are not happy about amateur competition."
• Television: Adult Swim will start re-running The Drinky Crow Show starting March 30, so mark your calendars and set your DVRs now. Even if you caught it the first time, it merits repeat viewings
We thought we wouldn't get them until next week, but lo, the delivery man dropped off our advances of Dungeon Quest Book 1 by Joe Daly earlier this afternoon.
Erin go Online Commentary & Diversions:
• Review: "There’s an immediate laugh to be had with the extended title of Ho! The Morally Questionable Cartoons of Ivan Brunetti. This is a slyly hilarious understatement, a clever counterpoint to contents as there’s nothing “questionable” about these jokes. That’s their strength, although I say that within the clinically quarantined confines of a cartoon laboratory. They are as unconscionable, uninhibited and unimpeded as can be imagined and the fact that you couldn’t have imagined them unaided only adds to their stature (and yours)." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal
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