128-page black & white 7.5" x 11" softcover • $18.99 ISBN: 978-1-60699-413-9
Ships in: April 2011 (subject to change) — Pre-Order Now
Eye of the Majestic Creature is a collection of semi-autobiographical and fantasy-based comics that combine dry humor, psychedelia, and emotion to show the viewpoint of one person’s world internally and externally. The story follows a young girl, Larrybear, and her talking acoustic guitar Marshmallow on their adventures through the countryside, Chicago, San Francisco and New York. While Larrybear struggles to connect with strangers, her friends, and her family to various degrees of success, her growing population of anthropomorphic friends have adventures of their own.
Larrybear is in a constant struggle between the desire to connect with those around her and to be left to her own devices. You get a glimpse of her past life when she visits her home town of Chicago, trying to relate to old friends who have not matured since high school, as well as her family (which includes her Hippopotamus father and his harem of ex-wives, two brothers, and Salsa-dancing mom). In the present, she moves to New York to find work for a time, resulting in many hilarious and drunken adventures with her new coworkers at a cell phone decorating shop, and her old friend Boris, who shares with her his P.G. Wodehouse books, as well as his “Incredible Hulk” weed. Drawn in shades of gray using the near-deceased practice of stippling, Stein’s imagery draws you into her world for a complete and engrossing experience.
Download an EXCLUSIVE 12-page PDF excerpt (1.9 MB).
“Leslie Stein’s comics inhabit a charming and semi-autobiographical (in the most ‘semi’ sense of the word) yet surreal, insular world where her best friend and closest confidant is an acoustic guitar. What’s not to relate to?” — Peter Bagge
“Early in the 20th Century, a beautiful cartoonist, Marcel Duchamp, pretended to be a marginally attractive woman and spent considerable time watching dust accumulate. Early in the 21st Century a beautiful cartoonist, Leslie Stein, pretended to be a funky dweeb and spent considerable time counting sand. Catch my drift?” — Gary Panter
“Visual inventiveness combined with a high level of wit.” — Michael Kupperman
• Review: "Does this make Special Exits seem like a downer? Good. It is a downer. It's also funny and touching, and gratifyingly cleareyed about the messy emotions involved in caring for aging parents. [...] It's no spoiler to reveal that Special Exits doesn't have a happy ending. After all, no one gets a happy ending. But thanks to the hard work and loving care of Laura — and some heaven-sent hospice workers — her parents die more gracefully than many. And thanks to the thoughtful writing and art of Joyce Farmer, their lives and deaths will be a comfort to readers beginning to consider the end of their parents' lives — or their own." – Dan Kois, The Washington Post
• Commentary: Almost missed this — Sequential's Bryan Munn comments on the launch of the new TCJ.com and gives a brief history of The Comics Journal
Michael Kupperman (a.k.a. @MKupperman) will follow you on Twitter for 90 days (maybe more if he likes your tweets, I guess), retweet you once, mention you in a tweet, and draw your portrait if you are a) a UK resident and b) the winner of this eBay auction benefitting the UK's great charity organization (or should I say "organisation") Comic Relief. Cor blimey, guv'nor!
We found out about this event too late to notify you about it in advance, but Drew Friedman had a book release extravaganza for his new book Sideshow Freaks from Blast Books at The Drama Book Shop in NYC last week where he was interviewed on stage by Irwin Chusid, with special guest appearances by Todd Robbins, Larry Storch, and James Taylor (not the singer) and an introduction by the one and only Joe Franklin! The whole thing was captured on video in 6 parts — part 1 is embedded above and here are part 2, part 3, part 4, part 5 and part 6. It can only be described, as Drew does, as "A once in a lifetime get-together!"
"It is astonishing how well Shimura brings things to a slow boil, until the story is bubbling with emotion. You really feel the pain that Shuichi is going through as he deals with the fact that he is, well, you know, a she. There is a real sensitivity to this work that I found extremely appealing. Shimura really captures the awkwardness of it all... The whole book is adorable. This is a great, all ages take on a very difficult to express subject. Shimura’s art has so much life to it and expresses so much emotion that it is just amazing to read."
Yep, yet another way for you to follow us! In additon to Flog, Twitter, Facebook, Flickr, etc. we now have a Tumblr blog. We've noticed a bit of a burgeoning community there and it seemed like it might be fun what with the "liking" and "reblogging" and whatnot, so what the heck. We're still getting into the swing of things and learning as we go (and we may yet change our design theme) but I think hopefully we're doing it right so far and we invite you to check it out and maybe follow along.
(I should also note that we're on the brink of having 10,000 followers on Facebook, which is amazing.)
The back page of the 2011 edition of the Comic-Con Annual magazine features the great moment at last year's San Diego con when Inkpot Award-winning manga-ka Moto Hagio met one of her inspirations, the great Ray Bradbury, and presented him with a copy of her book A Drunken Dream and Other Stories. Click the image for a larger scan and see another snapshot here.
"Leopard Women of Venus is a mind-melting pulp science fiction role-playing game inspired by the works of Fletcher Hanks. Hanks wrote and drew bizarre and memorable work in the earliest days of American comic books. His work is boldly drawn, frequently ugly, and strangely fascinating. Leopard Women of Venus gives you the tools you need to recreate the magic and lunacy of a Fletcher Hanks comic with your gaming group."
If any of our readers play this game we would love a report on it.
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