|Things to See: Ivan Brunetti covers The New Yorker|
|Written by Mike Baehr | Filed under Things to see, Ivan Brunetti||12 Mar 2012 2:24 PM|
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Archive >> March 2012
Today's Online Commentary & Diversions:
• Review: "Perhaps confusion is the probable reaction upon finding the complete works of a great cartoonist taking up such a small package, but the likely thought after finishing Is That All There Is? is absentmindedly wondering why there haven’t been more like Swarte, cartoonists who said their bit in no more than a few pages at a time. And of course, there have been. But... Swarte stands alone as the one who pulled off an entire fantastic career in something the length of a film screenplay or a longer novella. This book is a document of a true original’s contribution to comics, one that well outweighs its fifteen ounces and outstrips its 144 pages. Yes, that’s all there is, and it’s all you could possibly need." – Matt Seneca, The Comics Journal
Just arrived in our warehouse and ready to ship to our mail-order customers:
144-page black & white 7.5" x 11" softcover • $19.95
Like a Velvet Glove... collects all 10 chapters of Eightball's terrifying and fascinating journey into madness that makes Twin Peaks look like Teletubbies. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters, including a pair of sadistic cops who carve a strange symbol into the heel of Clay's foot; a horny over-the-hill suburban woman whose sexual encounter with a mysterious water creature produced a grotesquely misshapen, but no less horny, mutant daughter; a dog with no orifices whatsoever (it has to be fed by injection); two ominous victims of extremely bad hair implants; a charismatic Manson-like cult leader who plans to kidnap a famous advice columnist and many more! This edition has a brand new cover, new title and end pages — PLUS — Clowes being the perfectionist that he is, there are tweaked and re-drawn panels that really make this a transcendent piece of storytelling art!
"Stunning, eerie, hilarious and surreal." – Spin
"Essential." – I-D
"Brilliant." – Village Voice
"Must be seen to be believed." – The Washington Post
"Incoherent, but engrossing." – World Art
"A genre-defining masterwork." – Bookforum
"A solid contender for best graphic novel of all time." – Giant"A nightmare told with absolute clarity: Little Nemo in Slumberland as written by Samuel Beckett. Grade: 'A'." – Entertainment Weekly
Today's Online Commentary & Diversions:
• Review: "Bill Griffith, the one prominent figure of underground comix to reach the daily comic page mainstream, has delivered again with a phone book-sized volume both odd and pleasing.... Griffith, with his Zippy the Pinhead cartoon, which has been carried in dozens of daily newspapers since 1984, has had numerous reprint books, but none so exhaustive as Lost and Found. Day by day, week by week, year by year, Zippy reveals the oddness of post-modernity and opens up a large view of civilization both berserk and humorous, when viewed from what has been called 'the Zen of stupidity.' Nor has any previous collection contained such a substantial memoir as the artist’s introduction to this volume, 'Inside the Box.' Not even Griffophiles (or is it Zippophiles?) like this reviewer knew most of the details offered here..." – Paul Buhle, The Jewish Daily Forward
• Review: "...It is splendid news that a book compilation of Joe Simon and Jack Kirby's romance comics has appeared. Young Romance: The Best of Simon & Kirby's Romance Comics is both significant for its content and memorable for its quality of production." – Santiago García, Mandorla (translated from Spanish)
• Profile: Jim Woodring's in Homer, Alaska again for another residency at the Bunnell Street Arts Center; Michael Armstrong at HomerNews.com finds out what Jim's up to up there: "Sit down before him, and he might draw you. Hang with him, and he'll talk about art and cartooning. Walk around town on a nice day, and you can join him on an sketch tour, looking for cool things to draw."
We like the way the Cottesloe Theatre (the smallest of the 3 stages in London's National Theatre) labels their rechargable batteries with the names of Love and Rockets, Hate, Angry Youth Comix and Ghost World characters. Instagram photo (via Twitter) by Mike Winship, who informs us "Sadly, Maggie & Luba have been lost to the great battery dump in the sky*... (*ground)."
Today's Online Commentary & Diversions:
• Review: "Michel Gagné... worked with Fantagraphics to produce this beautiful volume [Young Romance: The Best of Simon & Kirby's Romance Comics].... Clearly, Simon and Kirby tried to bring as much excitement to primarily psychological and interpersonal goings on as to punching and flying, but the action can’t help but be more grounded and, therefore, limited. It’s impressive that any of the stories manage to sweep one up, and a few do, pulling the reader in rather than leaving him/her assessing art and writing from an appreciative distance. The variety on display here is impressive as well." – Hillary Brown, Paste
• Review: "There are strange things going on in Nordic comics. And when I say 'strange,' what I really mean is bug-eyed gibbering crazy. And when I say 'bug-eyed gibbering crazy,' I mean shit verging either on lurid incomprehensibility or sweet unfathomable genius.... If you're tired of traditional comic book fare and are looking to expand your horizons in your comic reading, Kolor Klimax is a pretty good place to go. After all, I can't imagine that your local comic shop stocks too many Nordic comic books on its shelves, and this anthology may be your only available on-ramp to a whole different world of comic book possibilities." – Daniel Elkin, Comics Bulletin
• Review: "The 'autobio' strip in [Athos in America] is my hands-down full-stop favorite thing Jason has ever done, earning this book the EXCELLENT rating for that reason alone. The rest of the book is totally satisfying, but I can’t pretend I didn’t read all of it with my brain obsessing over all the little beats in 'A Cat From Heaven.' There isn’t a dead moment in the thing. 'Hey, Fuckface'…so funny, this thing." – Tucker Stone, The Savage Critics
• Review: "Everything I feel comfortable saying about [Is That All There Is?] right now already came stumbling out on this Inkstuds podcast I did..., but it deserves some kind of Savage rating. How about EXCELLENT? There’s stuff in here that I wish was bigger in size, but…so what? I hope every single person who complains about the size of this book gets buried in shit after being murdered by their family, and I hope they get murdered with Lou Gehrig’s disease. If they’re a cartoonist, I hope it happens to them twice." – Tucker Stone, The Savage Critics
Just arrived in our warehouse and ready to ship to our mail-order customers:
208-page black & white/color 8.5" x 11" softcover • $24.99
This long out-of-print first volume of the multiple Harvey and Eisner award- winning Complete Crumb Comics series has been one of our most demanded reprints. Now, this landmark volume of Robert Crumb’s formative years not only returns, but also boasts a major discovery not included in prior editions: a never-before-published, 60 page “home-made” Arcade comic from 1962.
Growing up, Robert and his brother Charles often created their own comic books. These “home-made” editions were usually produced in editions of one. As such, many have been lost to time or private collections. What hasn’t comprises much of the first two volumes of The Complete Crumb series. Their creation continued throughout the 1950s and into the early ’60s and eventually the content of Crumb’s work gradually matured from the light-hearted, funny animal antics of earlier years to stories that flashed signals of what we now recognize as “true Crumb.”
This previously undiscovered Arcade “issue,” from May, 1962, shows many flashes of where Crumb was heading (whereas Charles had all but abandoned drawing comics by the ’60s). The 17-page strip “Jim” is the most emotionally-charged work of Crumb’s young life to that point, a gentle and psychologically astute look at a boy who needs a mother, and also brimming with signs of his increasing frustration with Catholicism. It also features the first quintessential “Crumb girl,” Mabel.
This volume also includes several early Fritz the Cat stories (a.k.a. “Animal Town Comics”), and the classic “Treasure Island Days” (as seen in the Crumb film) and is rounded out with other strips, diary entries and sketches that will be a treasure trove for Crumb fans, all defining work from Crumb’s formative years as a cartoonist, spanning the years 1958-1962 (when Crumb was ages 15-19) and featuring material from other “home-made” comics of the era. This is Ground Zero for a man who may well be the greatest cartoonist who ever lived.
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