Next weekend, April 5th and 6th at the regal 69th Regiment Armory Fantagraphics will be participating and doing a little dance for the MoCCA Arts Fest. Gary Groth will be presiding on his court with Frank Santoro at the Fantagraphics tables for MoCCA fest on April 5-6th. We'll be on the slight right just as you enter the convention at tables A20-A23!
Two butchers arrive at work to find their shop empty of meat and their minds empty of how to do their job. As customers arrive, events become increasingly disastrous. A surreal, debut graphic novella of horror and humor with one huge, hanging question. This often hilarious, enigmatic, and uncomfortable book establishes Stechschulte as an exciting new talent.
He's back! Now in his 30s and married with child, onetime slacker hero Buddy Bradley gets a "real" job, shaves his head, dons an eyepatch, quits his "real" job and buys the local dump - because what better place to raise a toddler? Peter Bagge's iconic character is to alternative comics what Homer Simpson has been to television animation over the past quarter-century: a generation-defining slacker and the greatest comedic character of its form and era.
This 32 page floppy comic is a sweet & sour, sad & funny story that follows the adventures of Annie and Verti as they shoot homemade movies for YouTube, guerilla-style, and face some unexpected consequences. What could possibly go wrong? A one-shot dose of humor and melancholy from the creator of New School, BodyWorld, and Bottomless Belly Button.
Summer vacation is here and Tammy Pierce is back with more sometimes ordinary, often humiliating, occasionally poignant, and usually hilarious exploits from the pages of Bust magazine! Her hopes, dreams, agonies, and defeats are brought to vivid, comedic life by Watson's lovingly grotesque drawings, filled with all the eighties essentials - too much mascara, leg warmers with heels, and huge hair, etc.
Vol. 1 (paperback) by Charles M. Schulz This first volume, covering the first two and a quarter years of the strip, features hundreds of strips rarely reprinted before this series. Three major cast members - Schroeder, Lucy, and Linus - initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!
Friday night be sure to check out Robert Williams' Mr. Bitchin', a documentary about his career, showing at SVA's Beatrice Theater in collaboration with the Society of Illustrators.
2:00 Drinking Ink: Art Spiegelman and Joost Swarte in Conversation (Room One) Art Spiegelman and Joost Swarte have a long association, dating back to the earliest days of Spiegelman and Françoise Mouly's RAW Magazine, to which Swarte was a frequent contributor. Both artists have distinguished themselves with artwork both witty and profound, both have produced expressive comics and striking single images, and both have worked in multiple media including architecture and performance. Together, the pair will discuss their careers, their shared histories, comics and more in a conversation moderated by Bill Kartalopoulos. (90 minutes)
3:30 Drew Friedman Presents Old Jewish Comedians (Room One) Drew Friedman is an iconic cartoonist and illustrator whose intensely rendered, caricatural work first gained notice in the pages of publications including RAW and Spy, and whose illustrations regularly appear on the front page of the New York Observer. His upcoming book, Heroes of the Comics, will feature portraits of cartooning legends. Currently the subject of an exhibit at the Society of Illustrators, Friedman will discuss his Old Jewish Comedians series of books in this special presentation, revealing the concept and process behind these books, as well as their reception among the "Old Jewish Comedians" themselves. Broadcasting legend Joe Franklin will be co-hosting this auspicious panel.
1:00 Robert Williams Q+A (Room Two) Robert Williams has enjoyed a diverse and profoundly influential career expressing a singular artistic vision. Emerging from the West Coast hot rod scene (where he produced graphics for Ed "Big Daddy" Roth), Williams produced some of the finest underground comix of his era in the pages of Zap. Williams proceeded to produce a body of intense, phantasmagorical paintings and jumpstarted the so-called "lowbrow" art movement, founding the influential Juxtapoz Magazine in 1994. He will discuss his career in comics and fine art with critic and curator Carlo McCormick (Paper Magazine).
2:00 How Comics Are Queer (Room Two) As long as there have been comics there have been queer cartoonists. Comics that authentically engaged queer experience in America emerged in the radical underground comix milieu of the 1960s and '70s, fueled by the social liberation movements of the era. Comics' status in American culture echoes queer experience: once marginalized, now accepted, but still contested-while some of the most acclaimed comics of the day speak to and from queer experience. Howard Cruse, Edie Fake, Justin Hall and L. Nichols will consider the historical and contemporary intersections of queer experience and comics with moderator Margaret Galvan (The Graduate Center, City University of New York).
SUNDAY PANELS: 1:00 Comics, Illustration and the Conceptual Image (Room One) What does it mean to express an abstract idea in a concrete drawing? What is the difference between an idea that can be expressed in a single image and one that requires sequential exposition? Internationally acclaimed artists Marion Fayolle (In Pieces), Joost Swarte (Is That All There Is?), and Brecht Vandenbroucke (White Cube), work in both comics and illustration, addressing subtle emotional and intellectual concepts in each form. They will consider these questions and more in conversation with New York Times Art Director Alexandra Zsigmond.
I came in to work to find Twelve Gems on my desk this morning. No, not actual precious jewels, but something almost as valuable: an advance copy of Lane Milburn's glorious, hilarious sci-fi comedy epic! Three mercenaries hired by an enigmatic scientist traverse the galaxy in search of a dozen legendary stones with mysterious powers. Fast spaceships, exotic worlds, grody aliens, cosmic mysteries, and blazing action blend with sly satire and all-out laughs, zapping your eyeballs with Milburn's dense, detailed, rough-hewn artwork, printed in midnight blue on white.
We're ahead of schedule with this book and it's not scheduled to be in stores until July, but we'll have limited copies for sale on the festival and convention circuit this Spring and Summer, and of course you can pre-order your copy right now.
An unsung cartooning master, Floyd Gottfredson produced the newspaper-strip adventures of Disney's flagship character in near-anonymity for decades, and our series finally gives him the spotlight he deserves. The newest volume, Walt Disney's Mickey Mouse Vol. 5: Outwits the Phantom Blot, finds our intrepid rodent hero getting into and out of dangerous scrapes on the open seas, in the urban underworld, on a remote tropical island (or is it?), and in his own back yard.
Our downloadable excerpt includes 8 weeks of the "Mighty Whale Hunter" continuity, wherein Mickey's thirst for adventure leads him and Goofy into hot water and hijinks on the high seas, plus the Table of Contents and a few introductory pages. We expect the book to be available in June; pre-order now to reserve your copy.
For their 11th annual University of Florida Conference on Comics and Graphic Novels, the Graduate Comics Organization will look at "Traumics: Comics Narratives of Trauma."
And presenting one of their keynote speakers is noneother than our very own Carol Tyler, and on Saturday, April 5th, she will present a talk on "Graphic Emotion: Weighted Words and Moving Marks" at 7:00 PM, with a reception to follow at 8:30 PM with drinks and hors d’oeuvres. Surely, anyone who has read Tyler's series, You'll Never Know, her graphic memoir focusing on the artist's father and his experiences in World War II, knows that she's an expert on graphic emotion!
On Sunday, April 6th, Carol will lead an artist's workshop titled "Comics: Getting Down to Basics" at 11:15 AM.
Keynote lectures and receptions will be held in Ustler Hall. All other events will be held in Pugh Hall. Ustler Hall is located on the University of Florida at the intersection of East West Drive and Fletcher Drive. The conference is FREE and open to the public.
Annie and Verti are two teen cosplayers with too much time on their hands. Annie wants to act, and Verti wants to be a photographer/filmmaker. Together, they embark on making a film starring themselves and featuring an unsuspecting cast of extras they record via hidden camera. What could possibly go wrong? A one-shot dose of humor and melancholy from the creator of New School, BodyWorld, and Bottomless Belly Button.
Call it a Love Hate relationship: Visitors to the Fantagraphics booth #207 at this weekend's sold-out Emerald City Comicon in Seattle will be the first in the country to get copies of Buddy Buys a Dump. The third volume of Peter Bagge's Buddy Bradley stories includes the Hate Annual adventures with a new 20-page conclusion. Come see.
Ellen Forney and David Lasky will sign at our booth today at 4:30 following their informative panel discussion on health care in the comix community. Don't miss the panel on Fantagraphics' future on Saturday at 1:00 PM in room TCC 301 with panelists Gary Groth, Eric Reynolds, Michael Catron and Kristy Valenti moderated by Paul Constant of The Stranger. (Check out this week's issue for Constant's panel preview.) This fascinating discussion will continue after the panel when the editors drop by our booth. Then meet the editor of Simon and Kirby's Young Romance series, Michel Gagné, at 3:00 PM.
Don't miss the booth appearance by Stan Sakai on Sunday at 11:00 AM. He'll be signing the first seven volumes of Usagi Yojimbo collections — a spectacular series brought to print by the late Kim Thompson. Here's a chance to meet one of America's most extraordinary artists. We'll have some seasonal Usagi treats in store for adoring fans.
We're so excited to have the legendary Dutch cartoonist, illustrator and designer Joost Swarte joining us in New York City in April!
And in conjunction with his appearance at the 2014 MoCCA Fest, the Society of Illustrators presents Joost Swarte: Urban and Urbane, an exhibition of original artwork, sketches, prints and documentation that survey multiple facets of Swarte’s career — from RAW to The New Yorker to his architectural projects — with a special emphasis on his images of urban life, real and imagined.
The exhibit will be on view through April 26th in the MoCCA Second Floor Gallery at the Society of Illustrators, located at 128 East 63rd Street.
And, don't miss your chance to meet this legend at MoCCA! Priority seating is sold out for his Saturday, April 5th conversation with Art Spiegelman and moderator Bill Kartalopoulos, but remaining seating will be filled on a first-come, first-served basis.
Peanuts enters its final decade, and The Complete Peanuts enters its homestretch, with material that is perhaps the most overlooked of Schulz’s career and soon to be reconsidered by scholars with this volume. Schulz’s cartooning has never looked more confident, and his sense of humor never more unrestrained. This is the 21st volume (of 25) of the perennial, bestselling series that collects every single one of the 18,000-plus Peanuts strips created by Charles M. Schulz, from its debut in 1950 to the end in 2000.
At last we can reveal the slipcase artwork for our two-volume complete collection of witzend, coming this Summer. Occupying the fertile but seldom-trod ground between the undergrounds and the "overground" mainstream (sometimes called "groundlevel comics"), witzend was created in 1966 by Wallace Wood and ran for 13 issues over nearly two decades, providing a forum for unfettered expression by creators used to toiling under commercial restrictions — in other words, a place for Wood and his friends to let their freak flags fly. And oh, what a list of friends he had. We'll get into that later... in the meantime, see how many of them you can identify in this dazzling design! (Presale is pending — there's a Gordian Knot we're still untangling.)
"I love Hate, particularly the increasingly oddball Buddy Bradley stories.... Every comics fan should have the vast majority of whatever Peter Bagge has in print..." – Tom Spurgeon, The Comics Reporter
"...Bagge’s vivid caricatures animate the most routine of actions, effectively suggesting how cozily, in this life, the mundane cohabits with the outrageous." – Rich Kreiner, The Comics Journal
"...Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate." – Rob Clough, High-Low
"Peter Bagge is the funniest cartoonist in existence." – John Kricfalusi
"It's a laff riot, what can I tell ya?" – R. Crumb
"Folk hero Buddy Bradley defined and transcended grunge-era slackerdom." – Playboy
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