|Written by Eric Reynolds | Filed under art||10 May 2008 10:39 PM|
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Archive >> May 2008
This weekend is the big Emerald City Con in Seattle, and we'll be hosting signings with Jordan Crane (all day Sat. & Sun), Peter Bagge (Sat. 1PM) and Ellen Forney (Sunday at noon). We'll also have new books like Bottomless Belly Button, Explainers, Rebel Visions, Most Outrageous, Amor Y Cohetes and Mome 11. But, if you do one thing this weekend, do this, it's gonna be fun and the Jordan Crane art is fantastic and goes well with beer:
I had to report to jury duty last week, and in the "jury assembly room" that had a large wall of posters for theater and art shows around town. They also had a sheet where you could sign up to reserve a poster when it came down. Only two posters had been reserved, apparently by a hippie who can't spell (I blocked out the guy's last name and phone number):
I tease; the guy had good taste. All the other posters were lame.
One of the strange things about editing MOME is that we're always sending an issue to the printer simultaneous to the previous issue hitting stores. So while Vol. 11 just hit stores this week, we're also sending MOME 12 off to the printer as well. I thought I'd give you all a sneak peek of the cover:
The cover is by Olivier Schrauwen, who contributes an original 13 page story to the issue (his first written in English). It's amazing, absurdist delight titled "Hair Types". If you haven't read his book, MY BOY, you should.
MOME 12 also features new work by Jon Vermilyea, Nate Neal, Sophie Crumb, Al Columbia, Ray Fenwick, Dash Shaw, Tom Kaczynski, Derek Van Gieson, Killoffer, Sara Edward-Corbett, Paul Hornschemeier, and the return of David B. Look for it at Comicon, where it will debut...
With our forthcoming opus STRANGE & STRANGE: THE WORLD OF STEVE DITKO hitting in just a few weeks, I thought I would share a brief Steve Ditko story. About ten years ago we had the great fortune of publishing a new series by Mr. Ditko, STEVE DITKO'S STRANGE AVENGING TALES. This was incredibly exciting to me, having been a lifelong Ditko fan. Unfortunately, I did not get to interact much with Mr. Ditko. See, I do all of our promotion, and to say that Mr. Ditko is not big on promotion is like saying the Pope is not big on gay marriage. And, he preferred snail mail to phone. As such, I did not have many opportunities to interact with one of the greatest comic book artists of all-time. Except one.
At the time, the venerable fan publication COMICS BUYERS GUIDE was very excited about Mr. Ditko's new series, and CBG Editor Maggie Thompson was kind enough to offer us the cover of an issue to promote the book, but asked if Mr. Ditko would provide an original cover for CBG. As I recall, Gary Groth ran the idea by Ditko and, somewhat surprisingly, he was game. So, I mailed Mr. Ditko all of the appropriate specifications for creating an original CBG cover. A week or so later, I received the following postcard in the mail:
I have to say, getting a postcard in the mail from Steve Ditko was just about the coolest thing ever. I was jazzed. I of course promptly wrote him back with enthusiasm, hoping to cement our acquaintanceship, telling him that I looked forward to the piece.
Soon thereafter, as promised, Ditko delivered the cover, and it was great -- a beautiful, greytoned wash illustration tying into the new series.
And here's where I made my mistake. As I recall, I wrote him back even more enthusiastically, thanking him for the piece. In an effort to be as thorough as possible, and since we still had some time before CBG's deadline, I reminded him (in case he hadn't seen an issue recently) that CBG had just switched from a B&W newspaper format to a tabloid format with color covers , and so color did remain an option if he was so inclined -- I just wanted to make sure he wasn't limiting himself to B&W because he thought he had to.
Anyway, a week or so later I got this postcard:
Reading the card now, I'm not even sure if he was actually that upset. I mean, he still sent his "regards," so maybe he was just trying to be as clear as possible, but at the time, I was convinced I'd royally pissed him off and felt terrible about it. I still do. Shortly after this, Ditko quit the series over other disagreements with Gary Groth, and only the first issue was published. So I never got the chance to prove to Mr. Ditko that I wasn't a moron.
I suppose, given Mr. Ditko's philosophical worldview, I never should have doubted that B&W cover. Maybe it was the shades of grey that threw me off. Either way, the pure white, economic postcards should have been a reminder that Mr. Ditko knew exactly what he was doing and I never should have questioned him.
STRANGE & STRANGER hits early next month. Apologies in advance, Mr. Ditko.
Fantagraphics 2014 Spring Season: 39 Graphic Novels & Books
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Brian Ralph, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, 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