Today's America knows Mickey Mouse as a gentle do-gooder. But in his 1930s heyday, Mickey rose to fame as an epic hero — a bold, adventurous scrapper battling mobsters, kidnappers, and spies! And Mickey’s greatest feats of derring-do took place in his daily comic strip, crafted by one of history's greatest cartoonists — Floyd Gottfredson.
For 25 years, Gottfredson’s Mickey Mouse was a trendsetting adventure serial that led where other adventure comics would follow. But famed as Gottfredson's life's work is, it has never been comprehensively collected in English... until now!
Dive into this book and see Mickey’s race to a gold mine with Pegleg Pete; Mickey’s life on the lam after being framed for bank robbery; even Mickey’s fight with a huge heavyweight champ. You wouldn't expect to find a mouse in the middle of such chilling thrills and spills. But he's always there!
Enjoy Mickey Mouse in unmatched quality — remastered straight from Disney proof sheets and prized private collections. You'll also explore more than 50 pages of fascinating supplementary features — from rare behind-the-scenes art to tributes by Warren Spector (Disney Epic Mickey) and Disney Legends award recipient Floyd Norman.
Mickey Mouse is among the world's most recognizable icons. But do you know the wild, unforgettable personality behind the icon? Start reading... you might be wearing mouse ears before you're through.
Download an EXCLUSIVE 19-page PDF excerpt (4.1 MB) which includes the full Table of Contents, David Gerstein's first chapter introduction, and 15 pages of strips!
Fantagraphics is thrilled to be heading across the border for the Toronto Comic Arts Festival, this weekend, Saturday, May 7th and Sunday, May 8th! Mike Baehr and I will be on hand, and, yes, it's true... we're bringing The Mouse to Canada! In fact, just look at all the new titles we're bringing with us:
Indeed, we will have The Raven after all, just in time for you to get your copy signed by artist Lorenzo Mattotti, making the trip all the way from Italy for a very rare international appearance! And he's just one of the many amazing artists signing this weekend!
Where can you find all this awesome-ness? Swing on by tables #162-163.
[ click the map to open a larger version ]
And don't forget to take in some of the great panels organized by TCAF! Listed below are the panels involving Fantagraphics artists, but, really, check out the entire schedule, 'cause there are tons of really interesting talks going on! (Mike, for instance, is especially excited about that "Adventure Time" panel!)
Saturday, May 7th
10:15 – 11:15 am // A15: Root Rot Release Featuring: T. Edward Bak, Michael DeForge, Ines Estrada, Bob Flynn, Jesse Jacobs, Hellen Jo, Joseph Lambert, Diana McNally, Robin Nishio, Angie Wang and Mickey Zacchilli Moderated by Anne Koyama Location: Learning Center 1 Koyama Press is proud to announce a launch party to celebrate the release of the Root Rot anthology. Ten of the artists will be in attendance for the book’s debut. Come and meet them! Plus live drawing, signings, giveaways and more!
11:30 – 12:15 pm // A16: Spotlight: Lorenzo Mattotti Moderated by Robin McConnell Location: Learning Center 1 Lorenzo Mattotti is recognized today as one of the most outstanding international exponents of comics art. His books have been translated all over the world. Mattoti, a Featured Guest of TCAF, appears here to discuss his life and his work, including his most recent graphic novels Stigmata and The Raven. Mattotti will be interviewed by the host of Inkstuds, Robin McConnell.
1:00 – 2:00 pm // A4: Creator Roundtable Panelists: Paul Pope, Brandon Graham, and Sam Hiti Moderated by Robin McConnell Location: The Pilot Paul Pope, Sam Hiti and Brandon Graham are creating modern comics built on a wealth of influences. Joined by Inkstuds host Robin McConnell, they will be exploring the tableau of work that inspires them and how that affects the creative processes in work such as Death Day, Tiempos Finales, King City, Multiple Warheads, 100%, THB and more.
Sunday, May 8th
12:30 – 1:30 pm // U2: Illustration Panelists: Lorenzo Mattotti, Jillian Tamaki, Adrian Tomine Moderated by Caitlin McGurk Location: The Pilot Many cartoonists also have a career in illustration. Come listen to four prestigious comics artists and illustrators discuss the difference between creating in a narrative form (comics) and a static one (illustration).
1:15 – 2:00 pm // U13: Print Culture Panelists: Tom K., John Porcellino and Dylan Williams Moderated by Zak Sally Location: Learning Center 1 From Comic Books to ‘Graphic Novels,’ from the Undergrounds to Art Comics, Fanzines to Zine Culture — the names may change, but one thing remains constant: they are all reproduced, on paper. No matter the decade, subject matter, or economics involved, comics have always been linked to print. With physical objects no longer being a necessity (and the book form itself on the decline), what will be the role of print culture in the next decade and beyond?
• Review: "It may seem hard to believe today, but Gottfredson’s strip was a fluid, rubber-limbed, sassy, slangy, breathless, seamless mix of absurdity and adventure. The proof is here. Fantagraphics intends to reprint the whole shooting match, and here in [Walt Disney's Mickey Mouse] Volume One are the first two years.... The various inkers and pencillers who worked on the strip are profiled, and intelligent remarks are made on the strip’s economic and cultural issues. We could only wish the reproduction on these dailies were larger; otherwise it’s pretty much an ideal volume. Rating: 9/10" – Michael Barrett, PopMatters
• Review: "...I am a complete sucker for history and particularly graphic biographies — especially when they are as innovative and imaginative as this superbly passionate and evocative account of the life of a groundbreaking sports star, quietly philanthropic humanitarian and culture-changing champion of ethnic equality.... Rather than a dry accounting of his life, author Wilfred Santiago’s tale skips forward and back, illustrated in a studied and fiercely expressionistic melange of styles which sketch in tone and mood, and feel the life of a true frontrunner and a very human hero.... Lusciously realised in sumptuous earth-tones and powerfully redolent of the spirit of Unjust Times A-Changin’, [21: The Story of Roberto Clemente] is a fabulous book for every fan of the medium and not simply lads and sports-fans." – Win Wiacek, Now Read This!
• Review (Video): The hosts of The Backroom Comics Podcast discuss Jacques Tardi's The Arctic Marauder (starts about 33:16): "It can't be denied that this is gorgeous, gorgeous comic... the artwork is incredible....[It's] incredible in its pacing, its artistry, its storytelling..." "It is an incredibly well-done book and the quality of it for the price — it's amazing, honestly.... Don't cheat yourself. Read the thing."
• Review (Audio): On The Savage Critics' Wait, What? podcast, cohost Graeme McMillan discusses Dave McKean's Celluloid (starts at 50:28): "Looking through it, I was like 'oh, this is really Dave McKean-y, but I don't really see it as porn' — until there was a part where I was like 'oh, yes it is.' There's actually a part where he manages to meld the two really, realy well, and in a way that I did not expect — from him, but also just in general. Like I was surprised to see it.... If you just like McKean, it's got some stunningly good work in there, and it's very much in keeping with a McKean-ness... so on that level, even if you have no interest in the story or the concept, just as a piece of McKean's work I think it's really worth seeing."
• Plug: "Taking Punk to the Masses: From Nowhere to Nevermind and Beyond... is not a graphic novel, it's more of a gallery/ cultural history book but it's published by Fantagraphics (mostly a comics publisher). Fantagraphics was every bit as important to the sub-culture scene of Seattle in the '90s as Sub Pop Records was. This book traces the history of Grunge and the punk sub-culture of Seattle from the '70s through the '90s. Did I mention it comes with a DVD loaded with interviews from underground luminaries?" – Benn Ray (Atomic Books), Largehearted Boy
Jason shares this uncolored page from his forthcoming book Athos in America. See the original handwritten script (in English) and thumbnail sketch at Jason's blog. It's the first page from the story "The Brain That Wouldn't Virginia Woolf." Great title, or greatest title?
Stan Sakai and Gahan Wilson were table neighbors at last weekend's Boston Comic Con. I'm maintaining my composed exterior but inside I can't stop jumping up and down. (Image lifted from Stan's Facebook page, with some color correction by me.)
Pick up a copy of this and other goodies including Drawn & Quarterly's Free Comic Book Day offering John Stanley's Summer Fun, featuring the further adventures of Tubby, Nancy, Sluggo and other characters on Saturday from 11:30 to 8:00 PM at Fantagraphics Bookstore & Gallery. Support local comic book stores everywhere. Buy comix!
Readers of the “Frank” stories know that the Unifactor is in control of everything that happens to the characters that abide there, and that however extreme the experiences they undergo may be, in the end nothing really changes. That goes treble for Frank himself, who is kept in a state of total ineducability by the unseen forces of that haunted realm. And so the question arises: what would happen if Frank were to leave the Unifactor?
That question is answered in Congress of the Animals, Jim Woodring's much-anticipated second full-length graphic novel following 2010's universally acclaimed Weathercraft, and first starring his signature character Frank. In this gripping saga an act of casual rudeness sets into motion a chain of events which propels Frank into a world where he is on his own at last; and like so many who leave home, Frank finds himself contending with realities of which he had no previous inkling.
In Congress of the Animals we are treated to the pitiful spectacle of Frank losing his house, taking a factory job, falling in with bad company, fleeing the results of sabotage, escaping the Unifactor in an amusement park ride, surviving a catastrophe at sea, traveling across hostile terrain toward a massive temple seemingly built in his image, being treated roughly by gut-faced men and intervening in an age-old battle in a meadow slathered in black and yellow blood. And when he finally knocks on opportunity's door he finds... he finds...
Suffice to say he finds what most of us would like to find. Can he bring it back with him? Will the Unifactor accept him as he has become? Are his sins forgiven? Is love real? Is this the end of Frank as we know him?
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