Boy, ever since we got on that Tumblr thing we've been seeing vintage Hernandez Bros. goodies left and right. Case in point: the above sketch by Gilbert from 1988 depicting an imagined meeting in which a certain familiar figure is about to get a hammer to his noggin. On a hunch I just looked in my copy of the Love & Rockets Sketchbook Vol. 1 and found it on page 170 with the caption "Rejected from Blab! #3 (due to space restrictions)."
For more video action from Paul, check out this video trailer for Life with Mr. Dangerous which he commissioned from director Bruce Parsons. It's beautifully produced and depicts a bit of "offscreen" backstory in live action. Nice. And Paul shows off someone else showing off his forthcoming postcard set from Chronicle, So-So Heroes, here. Busy guy, that Paul.
• Review (Audio): On the inaugural episode of Boing Boing's Gweek podcast, co-host Mark Frauenfelder talks about Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson: "Gottfredson really turned Mickey into this adventuring character who has really fun experiences... It's got that great '30s look to the art... It is very dense, but well-done, with a good sense of composition, so it flows along. The characters really have great emotion. There's nothing stiff about it — it's really lively... it's just beautiful. ...Carl Barks is always the first artist most comic book aficionados think of when they think of great Disney artists, but Gottfredson — this book might give him a chance to be up there with Barks and have people be able to fully appreciate how cool his stuff is."
• Review: "The story is spooky and confusing in ways that aren’t boring or stupid. Gilbert is one of the best people out there at telling stories with dream logic and this one bonks you over the head with it, so if you are a nut for dream logic then [Love from the Shadows] is right up your dream alley. This book reminds me very much of David Lynch’s movies Lost Highway and Mulholland Drive. It also reminds me of Carnival of Souls. It might even remind me of those things too much. I’m not sure yet but I have yet to read a comic by either Jaime or Gilbert Hernandez that made me feel bored, cheated, or like I wasn’t given something to think about at the end. Gilbert’s art is simple but never generic." – Nick Gazin, Vice
• Interview: Nick Gazin follows his Vice review above with a Q&A with Gilbert Hernandez: "Fritz is a character that rarely shows who she really is inside, and the characters she plays reveal bits of her we can’t normally see. She’s not necessarily passive aggressive, but there’s a lot of anger and viciousness that comes out in her roles. Fritz has become my favorite character to write and draw because she has no restrictions to where I can take her. And she’s willing to go the distance.... Dude, she’s nuts, I’m not shittin’ you."
• Review: "Johnny Ryan’s one of the best and only people making funny comics these days.... I don't know if he cares what people thought, but I do know that once you master something it gets boring. Johnny's modern comics are dark and based more in a mixture of Lovecraftian horror and certain manga sensibilities. What's in [Take a Joke] is the bend before the break.... It seems like Johnny has turned to the dark side and is trying to make comics that are more upsetting." – Nick Gazin, Vice
• Interview: As above, Nick Gazin's Vice review is followed by a Q&A with Johnny Ryan : "Things just change, bro."
• Review: "There are many, many nicely taken photos of Kurt Cobain's guitars. I'm teasing a little because I think [Taking Punk to the Masses] is a goofy book but I like it and you probably will too. This book rules. It is very, very fun to read if you care about this stuff. I am not trying to tell you that this book isn't a good, easy read. There's something really silly to me about a full page photo of this shirt Kurt Cobain wore on the cover of Spin, lit dramatically like it's the Shroud of Turin.... I might be overthinking this. If you bought Fantagraphics' book about punk movies and have an interest in punk or the Seattle indie rock scene then you'll love this thing to death." – Nick Gazin, Vice
• Review: "Tardi's a drawing and storytelling genius and a quote of me saying as much is quoted in the press release for this book. It's fun to see Tardi draw highly technical fantasy machines, but I think [The Arctic Marauder] had too much text and the wood cut drawing style that Tardi uses here turns me off. Tardi's still great but this book didn't grab me the way his other books have." – Nick Gazin, Vice
• Review: "Perhaps the strangest revelation? In their own depraved way, the Bradleys have transformed into adults, with the interplay between Buddy and Harold especially heartwarming. Hate Annual #9, in fine, earns this column’s highest recommendation." – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "I really think that Bagge’s artwork in this issue marks a high point of the series thus far, and I’m not just saying that. I actually dug out a few of my old issues of Hate, and a few of the annuals, and I swear that his style has become more and more refined over the years. Hate Annual #9 is a fantastic and unmissable chapter in the lives of Buddy, Lisa, and friends. Old feuds are put to rest, new friendships are made, and we are introduced to a slew of new characters and new storylines. I’m really excited to see were Bagge takes Buddy and co. next year! Here’s to another 26 years of Hate!" – Edward Kaye, Hypergeek
Bleeding Cool reports that this piece by Mark Bodé, titled Tag Dis, was stolen from a San Francisco art gallery. If you come across it, please notify the proper authorities. (I just picked up an issue of his Miami Mice comic last weekend!)
In a brave new world where practically every cartoonist by now scans his or her original art and sends us discs or drops files on our server, Gilbert Hernandez remains staunchly stuck in the 20th century, whence he FedExes us fat packages of art every time we have a new book of his to release. And thus today we were blessed with a FedEx carton containing his 50 count 'em 50 pages for the next issue of Love and Rockets: New Stories, premiering in San Diego in July.
Here's one of 'em. (Click for a bigger version.) You'll get to see the other 49 later this summer.
I'm excited to head off tomorrow for my first trip to Scandinavia. I live in Seattle's Ballard neighborhood, a Scandinavian hotbed where seemingly everyone on my block is named either Thor or Bjorn, and Norwegian and Swedish flags hang on every few houses. So I'm excited to be able to tell my neighbors I made a pilgrimage to the homeland. But I'm even more excited to attend my first-ever Swedish SPX, courtesy Johannes Klenell and the fine folks at GALAGO, and pal around for a few days in Stockholm with the great Dash Shaw. If you're gonna be there (and if you are, here's the full program), please look me up!
Eye of the Majestic Creature is a collection of semi-autobiographical and fantasy-based comics that combine dry humor, psychedelia, and emotion to show the viewpoint of one person’s world internally and externally. The story follows a young girl, Larrybear, and her talking acoustic guitar Marshmallow on their adventures through the countryside, Chicago, San Francisco and New York. While Larrybear struggles to connect with strangers, her friends, and her family to various degrees of success, her growing population of anthropomorphic friends have adventures of their own.
Larrybear is in a constant struggle between the desire to connect with those around her and to be left to her own devices. You get a glimpse of her past life when she visits her home town of Chicago, trying to relate to old friends who have not matured since high school, as well as her family (which includes her Hippopotamus father and his harem of ex-wives, two brothers, and Salsa-dancing mom). In the present, she moves to New York to find work for a time, resulting in many hilarious and drunken adventures with her new coworkers at a cell phone decorating shop, and her old friend Boris, who shares with her his P.G. Wodehouse books, as well as his “Incredible Hulk” weed. Drawn in shades of gray using the near-deceased practice of stippling, Stein’s imagery draws you into her world for a complete and engrossing experience.
Praise for Leslie Stein:
“Leslie Stein’s comics inhabit a charming and semi-autobiographical (in the most ‘semi’ sense of the word) yet surreal, insular world where her best friend and closest confidant is an acoustic guitar. What’s not to relate to?” — Peter Bagge
“Early in the 20th Century, a beautiful cartoonist, Marcel Duchamp, pretended to be a marginally attractive woman and spent considerable time watching dust accumulate. Early in the 21st Century a beautiful cartoonist, Leslie Stein, pretended to be a funky dweeb and spent considerable time counting sand. Catch my drift?” — Gary Panter
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