|Best author photo ever?|
|Written by Mike Baehr | Filed under Wilfred Santiago||25 May 2011 4:22 PM|
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Walt Disney's Uncle Scrooge and Donald Duck: The Son of the Sun (The Don Rosa Library Vol. 1) [Pre-Order - U.S./CANADA ONLY]
An Age of License [Pre-Order]
Snoopy's Thanksgiving [Pre-Order]
more upcoming titles...
Archive >> May 2011
The opening reception for the Taking Punk to the Masses exhibition on May 14 was a stellar affair - a reunion of misfits and miscreants from Seattle's grunge era together with a new generation of counterculture mavens. The show documents Seattle's grunge scene in its formative period from 1983 - 1985. I often equate Seattle's youth culture in the mid-80s to San Francisco's hippie movement in the mid-60s. Both had a singular music style, provocative graphics, and an anti-fashion sensibility. Beyond that, these movements benefited from a community of gifted cartoonists that disseminated unfiltered observations. Fitting, then, that Peter Bagge was the special guest at the event on the occasion of the release of Hate Annual # 9 and the Yeah! collection.
It's remarkable how Peterson's early works display sophisticated formal qualities while capturing the energy of the era. The halo of light in many of the candid concert shots is used to stunning effect. Also evident is the advent of his signature cinematic approach to still photography.
Comix enthusiast Bruce Pavitt's Sub Pop fanzine of the early-80s featured the work of cartoonists like Lynda Barry and Charles Burns. His commitment to the emerging "Seattle Sound' in this period led to the phenomenal success of bands like Nirvana, Soundgarden, Mudhoney and others — all of whom released early recordings on his fledgling Sub Pop record label.
Notable horror writer Wilum Hopfrog Pugmire, editor of seminal Seattle zine Punk Lust, pictured here between low brow art collectors Marlow Harris and Jo David.
A rare public appearance by Art Chantry, perhaps the most influential graphic designer of his generation. He helped develop the aesthetics associated with grunge.
Look at this line up of kickass kuties: artist Lisa Petrucci, tattooist Sunny Buick visiting from Paris, and their art dealer extraordinaire Kirsten Anderson of Roq la Rue.
You can view the Peterson exhibition, and pick up the companion book, through July 5 at Fantagraphics Bookstore & Gallery. See you all soon.
"What makes this volume so special," says Blake, "is that meteoric improvement in Ditko’s work as he toils in obscurity for a company that treated their comic books like toilet paper for their more profitable magazine and song books. Such is the irony of one of the great living artists of the 20th century – working with stories churned out for an audience of children, Ditko produced the highest quality material in the industry with no editorial oversight at an amazing pace (all the stories within were produced in 1957 alone)."
Oh snap, Johnny Ryan dropped a bomb on Facebook last night — this brand new cover art for Prison Pit: Book 3, coming this September! (You may remember the previous version of the cover with the horned demon-looking dude.) Word is he's finished the book and it's even more insane than the first two volumes so gird yourselves!
208-page black & white/color 7" x 9.5" hardcover • $19.99
Ships in: June 2011 (subject to change) — Pre-Order Now
The fifth grade. The threshold to puberty, and the beginning of the end of childhood innocence. Shuichi Nitori and his new friend Yoshino Takatsuki have happy homes, loving families, and are well-liked by their classmates. But they share a secret that further complicates a time of life that is awkward for anyone: Shuichi is a boy who wants to be a girl, and Yoshino is a girl who wants to be a boy. Written and drawn by one of today’s most critically acclaimed creators of manga, Shimura portrays Shuishi and Yoshino’s very private journey with affection, sensitivity, gentle humor, and unmistakable flair and grace. Volume one introduces our two protagonists and the friends and family whose lives intersect with their own. Yoshino is rudely reminded of her sex by immature boys whose budding interest in girls takes clumsily cruel forms. Shuichi’s secret is discovered by Saori, a perceptive and eccentric classmate. And it is Saori who suggests that the fifth graders put on a production of The Rose of Versailles for the farewell ceremony for the sixth graders — with boys playing the roles of women, and girls playing the roles of men.
Wandering Son is a sophisticated work of literary manga translated with rare skill and sensitivity by veteran translator and comics scholar Matt Thorn.
Download a 20-page PDF excerpt of the entire first chapter (3.3 MB).
Video & Photo Slideshow Preview (view in new window):
Exclusive Savings: Order Wandering Son Vol. 1 together with A Drunken Dream and Other Stories by Moto Hagio — the first two books in our manga line — and save 20% off the combined cover price!
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
160-page black & white 6.75" x 10.25" softcover • $18.99
"An earlier stab than Little Nothings at comics-as-diary from the prolific cartoonist (and constantly hilarious comics-diarist) Lewis Trondheim, who draws himself as a slightly ruffled bird." – Douglas Wolk, Comics Alliance
"Lewis Trondheim’s Approximate Continuum Comics were some of the first autobiographical works to come out of France. This volume from Fantagraphics collects the first three chapters from The Nimrod (which were originally released in English as regular American floppies) as well as a bunch of previously untranslated stuff, plus a section at the back in which the real life characters pick fault with Trondheim’s depictions of themselves. David B. has got something to say, as does Trondheim’s Mum. How often does that happen?" – Gosh! Comics
"It’s a great little book, sharp and witty, and a good place for Trondheim newbies to dive in." – Chris Mautner, Robot 6
"On the graphic novel front, I am eager to read Approximate Continuum Comics, a new collection of Lewis Trondheim’s autobiographical pieces." – Johanna Draper Carlson, Comics Worth Reading
"International comics master Trondheim delivers an excellent collection of autobiographical comics. It's a look inside a cartoonist's life. And trust me, it's far more interesting than that may sound." – Benn Ray (Atomic Books), Largehearted Boy
"I greatly enjoyed this English-language edition of a key Trondheim work, a collection of four comic book-sized memoir comics that blend fantasy and reality in an attempt to capture the way the mega-successful cartoonist regarded his life on either side of 30 years old. I found particularly affecting just how funny and poignant its set-pieces were, and how they might connect with lives that have very little big-picture overlap with Trondheim's own." – Tom Spurgeon, The Comics Reporter
128-page black & white/color 7" x 10" softcover • $18.99
"...Take a Joke! [is] the latest and arguable greatest (and also last) collection of material taken from Johnny Ryan’s finished-for-now series, Angry Youth Comix." – Chris Mautner, Robot 6
"There’s all manner of potty-mouthed things you’d expect from Johnny Ryan." – Gosh! Comics
"The master of the yuks that disturb, Johnny Ryan is back with a new collection of his hilarious Angry Youth Comix. You'll laugh a lot and feel weird about doing it. Genius!" – Benn Ray (Atomic Books), Largehearted Boy
"Johnny Ryan is a very funny man." – Tom Spurgeon, The Comics Reporter
224-page black & white 7" x 10.25" softcover • $19.99
"...[C]ome on, if you found out that Robert Altman and Woody Allen had collaborated on a kids' TV show, you'd want to watch that too." – Douglas Wolk, Comics Alliance
"...Fantagraphics collects Peter Bagge and Gilbert Hernandez's all-ages graphic novel Yeah! for the first time in a decade. This title was initially published on Wildstorm [Homage, actually – Ed.] and is about the foibles of an intergalactic Josie and the Pussycats-style girl group." – Cyriaque Lamar, io9
"...[T]he new Yeah! book... collect[s] the short-lived all ages series that Peter Bagge and Gilbert Hernandez collaborated on, about an all-girl rock group that’s popular throughout the galaxy, but not at home..." – Chris Mautner, Robot 6
"Back in 1999/2000 Peter Bagge (Hate) and Gilbert Hernandez (Love & Rockets) teamed up for Yeah! – a nine-issue all-ages series about an intergalactically famous girl group who were totally unknown on their home planet Earth." – Gosh! Comics
"I’m curious to see if this re-release... title finds a new audience from quite a different publisher, one more typical of the creators." – Johanna Draper Carlson, Comics Worth Reading
"The summer of Peter Bagge continues! Yeah! collects the comic series from years ago that was a collaboration between Bagge and Hernandez (Love & Rockets). The result is a rollicking intergalactic Josie & The Pussycats-esque all-ages yarn." – Benn Ray (Atomic Books), Largehearted Boy
"This... feels like a notably sturdy volume and seems priced more cheaply than anyone could be expected to find copies of the original funnybooks. It also and probably needed to be re-presented to its potential audience for folks to pay it any attention, in a format that many young readers now prefer. I'm happy to see these comics again." – Tom Spurgeon, The Comics Reporter
And as ever, Joe McCulloch at TCJ.com:
"CONFLICT OF INTEREST RESERVOIR: Approximate Continuum Comics collects some nice autobiographical early work by Lewis Trondheim, previously seen in part in The Nimrod and Expo 2000... Take a Joke collects (among other things) the remainder of Johnny Ryan’s Angry Youth Comix, covering its fascinating lunge into increasingly horror-informed material... And Yeah! collects the entirety of a 1999-2000... outer space pop band series from writer Peter Bagge and artist Gilbert Hernandez, in b&w..."
Today's Online Commentary & Diversions:
• Review: "It's a smart-looking book, and the choice to go color-free really allows Gilbert Hernandez's cartooning to shine. But make no mistake: this is vintage Bagge. Sure, we're minus the delicious Buddy Bradley angst, and the goofiness is rated PG, but the increasingly ridiculous situations that the girls of Yeah!... get themselves into [are] very much in Bagge's wheelhouse.... Yeah! also has in spades something that HATE! rarely, if ever, did: cuteness. Some of the hijinx and situations that the band finds itself in are, well, adorable. Hernandez's pen is as much to credit for that as is Bagge's turn to the 'pop side.'" – Jeremy Nisen, Under the Radar
• Review: "This slim graphic novel [Toys in the Basement] is nominally for children, but the art of the Frenchman Blanquet takes a children's story to an unexpected level.... This surrealist book by writer-artist Blanquet brings to the young reader a simple message: retribution will come, and you never know from which side." – Ray Garraty, Endless Falls Up
• Interview: At Comic Book Resources, Chris Mautner talks to Dave McKean about his new erotic graphic novel Celluloid: "The depressing majority of comics seem to be about violence of one sort or another, yet how much violence does the average person have to deal with in their everyday lives?... But sex is happily part of most people's lives, and crosses the mind most days, I would say, even if it's just watching your partner get out of bed in the morning."
• Interview: Time Out Chicago's Web Behrens goes back for a second helping with Paul Hornschemeier: "'I remember — well, I don’t actually remember this, but my mom told me this story many times: I was walking with her when I was little, 3 or 4. I looked up at her and said, 'Mom, sometimes I miss you even when you’re here.' What a sad — well, it’s cute, but gosh, I was lonely even then, walking with my mom! It’s just kind of how I’m wired."
• Panel: The Daily Cross Hatch begins transcribing the MoCCA panel on political cartooning that Tim Kreider was on: "My early cartoons were surreal non-sequiturs, but I feel like I was kind of conscripted into duty as a political cartoonist. I didn’t feel like the Bush years were just the opposition in charge. It felt like a true aberration in history, like the McCarthy years. It’s something I just couldn’t keep my mouth shut about. Once it was over, I was very, very happy to quit, but I wasn’t going to quit before George did."
Chicago Comics is located at 3244 N. Clark Street, and the signing starts at 3:00 pm!
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