This Stan Sakai Usagi Yojimbo/Wolverine mashup sketch cover is on auction to benefit the Inkwell Awards, and — how perfect is this — the Japanese American National Museum is having an exhibit and benefit sale of customized Labbit toys this summer for the Year of the Rabbit and Stan (recently honored by the museum) has contributed the adorable customized Usagi Labbit below.

Two weeks to catch up on!

• Percy Gloom changed his Facebook profile picture to this portrait I hadn't seen before

• Andrei Molotiu posted a big batch of sketchbook drawings to his blog

• A new image from Ben Catmull's current project

• Matthias Lehmann shares a few pieces from his current art show and some photos of the installation

• Dig Paul Hornschemeier's new logo for the Comedy Bang! Bang! (formerly Comedy Death Ray) podcast/comedy show

• A newly-drawn splash page (along with the original version from 15 years ago) by Tim Lane for the upcoming 3rd issue of Happy Hour in America, along with some musings on craft

• Sergio Ponchione's Professor Hackensack returns to discuss matters scientifical in the new issue of Linus

• Kevin Huizenga's jaw-dropping comic from Kramer's Ergot 7 is now up at the newly-revived What Things Do; Kevin offers some notes and commentary on it at his New Construction blog; also, a possibly new Glenn Ganges glimpse

• A recent drawing by Renee French, who it should be noted seems to have moved her more extemporaneous sketches and photos over to her new Posterous blog

• A sneak peek of something by Josh Simmons

• Anders Nilsen is working on some collaborative paintings with Sonnenzimmer for an upcoming exhibit — more glimpses at Anders's blog, more info here

• Hey, I know those dogs! It's Robert Goodin's Idget & Toaster fending quite well for themselves in the zombie apocalypse in a panel from Rob's story in the banned-in-Canada anthology Black Eye

• Tony Millionaire posts Drinky Crow's first published appearance , from 1993

• Unexplained illustration by Johnny Ryan

• Nate Neal draws Hans Rickheit's Cochlea & Eustachia

• Eleanor Davis draws Aphasia from C.F.'s Powr Mastrs for the Picturebox fan forum — see the amazing hair salon mural she did with David Mack too

And more Things to See from the past week:

• At Jason's Cats Without Dogs blog, sketches, illustrations, movie reviews and a great series of posts on his cartooning heroes, some of which may surprise you

• Steven Weissman's latest "I, Anonymous" spots on his Chewing Gum in Church blog

• A new print by John Hankiewicz

• Artwork, dolls, prints, and hey, they're on sale in the latest Dame Darcy blog update

• Drew Friedman spotlights recent illustrations and pays tribute to some of his favorite fellow cartoonists at his blog

• Vintage Jim Flora artwork and illustrations at the Jim Flora blog

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• A recent current-event sketch by Steve Brodner

• A Mome outtake page and lots more drawings by Derek Van Gieson at his These Days I Remain blog

• New sketch, new illustration by Tom Kaczynski

• New Trubble Club!

The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:

• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."

(The following links are via the Largehearted Boy link above:)

• Review: "The graphic novel [21] is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets

• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You

• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!

• Plug: "21: The Story of Roberto Clemente by Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News

• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal

• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot

• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel

• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read

• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."

• Feature: The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."

• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special

• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat

• Plug: "The 63-page conversation between mad geniuses Al Jaffee and Michael Kupperman in the new issue of The Comics Journal" lands on the "Lowbrow/Brilliant" quadrant of New York magazine's "Approval Matrix"

• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca

• Essay: Twilight of the Assholes cartoonist/writer Tim Kreider recounts his experiences with internet dating for Nerve

• Feature: Friday was the last day of Joyce Farmer's "Cartoonist's Diary" at The Comics Journal

• History: At Torontoist, Jamie Bradburn looks back to the 1954 debut of a little comic strip called Peanuts in the Toronto Telegram

Shannon Wheeler recently tweeted this photo of his drawing table with pages in progress of our upcoming book Oil & Water. Learn more about the book at the link.

At Comics Alliance, David Brothers throws the spotlight on our ongoing series of Jacques Tardi translations, presenting 7 pages from The Arctic Marauder and writing "Jacques Tardi is a living legend in France, but is somewhat obscure over here. Thanks to Fantagraphics and their aggressive reprint schedule, Jacques Tardi is finally getting a proper American catalog.... The Arctic Marauder isn't what you think it is. I came into it with only the barest idea of what it would feature (high-sea antics, mystery, old-school diving suits), and while it fulfilled all those expectations, it went on to twist what I was expecting into new, and sometimes ugly, shapes. It's a pleasant surprise, really, and the twists and turns are not only believable, but genuinely interesting."

Tim Kreider doesn't mince words — or images — in his opinion on the British royal family in the latest ruling of Matt Taibbi's Supreme Court of Assholedom at Rolling Stone.

(Taibbi also notes: "I would be remiss if I didn’t remind readers who like Tim Kreider’s drawings to check out his new book, the appropriately-named Twilight of the Assholes , a kind of epic review of the later Bush years. My own mother picked up this book when visiting me not long ago and at first I thought I should probably take it away from her before she started worrying about what kind of friends I have these days, but before I could grab it she started laughing out loud at the cartoons. Anyway, I definitely recommend you all check it out.")

Daily OCD Extra: Wilfred Santiago was the guest on Bob Andelman's Mr. Media interview program on BlogTalkRadio yesterday, talking about his new graphic novel 21: The Story of Roberto Clemente. Listen via the embedded player above or download the MP3 here.

Johnny Ryan has a horrorlarious new comic up at Vice — read it!

The new issue of Booklist contains a review of Roy Crane's Buz Sawyer Vol. 1: The War in the Pacific, excerpted below:

"Although the wartime setting of the strip makes it inherently more serious than Wash Tubbs — the Japanese troops, even as racially caricatured as they are here, are a deadlier foe than the often-buffoonish antagonists of the earlier strip — Buz Sawyer features the same seamless blend of derring-do and humor, both in its story lines and in Crane’s economical, slightly cartoonish artwork, which had made Wash Tubbs one of the most popular strips of the era and which would keep Buz flying for more than four decades." — Gordon Flagg

Our weekly strips from Kupperman (who notes that "Moon 69" will resume next week) & Weissman, plus two weeks worth of links to other strips from around the web:

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Up All Night by Michael Kupperman (view at original size):

Barack Hussein Obama by Steven Weissman (view at original size):

And elsewhere:

Amazing Facts... and Beyond! with Leon Beyond by Kevin Huizenga:

Belligerent Piano by Tim Lane:

Ectiopiary by Hans Rickheit:

Lucky by Gabrielle Bell:

Maakies by Tony Millionaire:

What happens when Tony is too drunk to draw:

Mugwhump the Great by Roger Langridge (at Act-i-vate):

The Pain — When Will It End? by Tim Kreider (from 1997, with artist's statement):

Les Petits Riens by Lewis Trondheim:

Smashing Crayons by Steve Brodner at SlateV:

Truth Serum by Jon Adams:

Underworld by Kaz & co. (click for animated strip):