Fantagraphics is proud to present the follow-up to Jacques Tardi's double Eisner Award-winning masterpiece It Was the War of the Trenches, which was hailed by critics as "harrowing and ruthlessly affecting" (NPR), "a masterful and visceral tone poem about war" (Library Journal), and "a cri de coeur that stands out even from Tardi's impressive body of work" (Booklist).
In terms of pure fun, Gahan Wilson Sunday Comics is hard to beat. Our wide-format volume, coming late next month, collects the full run of Wilson's little-seen mid-1970s weekly newspaper strip. Each installment contains 5 or so gags in signature Gahanian style — droopy, lumpy and slightly twisted.
Find out what you're in for with our excerpt containing the first 15 strips. View the preview in the embedded reader here (full-screen viewing recommended) or get the PDF directly, and pre-order the book here.
Created 15 years after the completion of his Eisner Award-winning World War I masterwork It Was the War of the Trenches, Tardi's Goddamn This War! is no mere sequel or extension, but a brand new, wholly individual graphic novel that serves as a companion piece to Trenches but can be read entirely on its own.
Vastly different sequentially (eschewing Trenches' splintered narrative, Goddamn is split into six chronological chapters, one for each year of the war), graphically (Tardi deploys his more recent pen-ink-and-watercolor technique, with the bold colors of the early chapters fading into a grimy near-monochrome in the later ones as the war drags on), and narratively (all of Goddamn is told, with insight, dark wit and despair, as a first-person reminiscence/narration by an unnamed soldier), Goddamn This War! shares with Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude.
In fact, Goddamn This War! includes an extensive year-by-year historical text section written by Tardi's frequent World War I research helpmate, the historian and collector Jean-Pierre Verney, including dozens of stunning rare photographs and visual documents from his personal collection.
As you can see, Jason's new graphic novel Lost Cat (coming in July) is presented in the same handsome hardcover format as his story collections Low Moon and Athos in America and the reprint volumes What I Did and Almost Silent. His longest, and dare we say one of his best, works to date deserves no less.
A detective story with multiple mysteries, romantic longing, and a head-spinning finale all delivered in trademark understated Jason style, it's a thrilling, heart-tugging, satisfying read. And there's a cute kitty cat. See for yourself with our free 15-page excerpt, and pre-order yours right here.
Here's your first sneak peek of an advance copy of The Love and Rockets Companion, edited by Marc Sobel & Kristy Valenti and coming in July. This book fits nicely on your shelf with the Love and Rockets Library volumes and serves as your guide to the L&R universe, with 3 major interviews with the Hernandez brothers, character guides, previously unpublished artwork, Locas and Palomar timelines, a complete bibliography, and letter column excerpts. All this wrapped in a fold-out jacket with a poster on one side and character family trees on the other! We'll show you that in action along with more views of the book soon.
Our free 32-page preview assembles short excerpts from each of the major sections; read it here, where you can also place your pre-order. And you can pre-order a set of the Companion, Covers, and Reader books at a nice discount here.
Advance copies are in and here's a quick peek at The Daniel Clowes Reader: A Critical Edition of Ghost World and Other Stories, with Essays, Interviews, and Annotations. True to the title, it's got the whole Ghost World graphic novel in it, plus a bunch more stories, interviews with Clowes, and a bunch of smart people writing a bunch of smart stuff about the stories, all wrangled and partly written by Ken Parille and packaged up in this smart-looking compact flexi-bound softcover designed by Alvin Buenaventura. It's a must for every Clowes fan and for any serious reader of comics, which means you!
The book's due out in July; you can pre-order and sample the contents with a free 31-page excerpt right here.
Good Dog marks the welcome return of alternative cartoonist Graham Chaffee, who, after his successful 2003 collection of short stories, The Most Important Thing and Other Stories, took a detour to devote himself to the art of tattooing, before charging back with his new, beautifully conceived graphic novel.
Ivan, who is plagued by terrible nightmares about chickens and rabbits, is a good dog — if only someone would notice. Readers accompany the stray as he navigates dog society, weathers pack politics, and surveys canine-human interactions.
Good Dog's story and pen-and-ink art are deceptively simple, but Chaffee uses the approachability of the subject matter as a device to explore topics such as independence, security, assimilation, loyalty, and violence. Preteen-and-up dog fanciers, especially, will warm to the well-meaning Ivan and his exploits with a motley assortment of Scotties, Bulldogs, and mutts. Chaffee combines illustrative gravitas with cartooning verve and creates a richly textured, dog’s-eye view of the world. The story is a rousing Jack London-esque adventure as well as a moral parable.
"Graham Chaffee has been one of my favorite cartoonists since I fell in love with his 1997 debut graphic novel, Big Wheels. Combining tremendous empathy towards his characters, concise storytelling and exquisite detail, Chaffee's comics are sublime. I am eagerly awaiting Good Dog. I'll plan my week around reading it." – James Sturm (Market Day)
"Good Dog is a book as seemingly lost in time as its canine hero Ivan. Graham Chaffee has a real talent for charming anthropomorphic cartooning and his clean, appealing storytelling and expressive brushwork evoke the work of an alternative golden age of comics; an age perhaps in which superheroes never existed and the medium told more straightforward, poignant stories." – James Romberger
"Getting into the mind of a dog — that's a real trick. I know, I've tried. Getting into the whole heart and soul of a dog is another whole feat. Graham Chaffee not only does it with aplomb (he draws GREAT dogs), he gets into the whole dog's life — and so should you." – Nick Abadzis (Laika)
"I got choked up a couple of times which is the one of the best things a comic can do to me. Compliments to Mr. Graham Chaffee. Really solid storytelling and excellent art. Reminiscent the best way of Jack London's The Call of the Wild." – Farel Dalrymple (Pop Gun War)
On the long road to becoming an Oscar-winning animation director, Gene Deitch became an intense jazz fan. At the age of 21, he discovered The Record Changer magazine, a jazz collector's magazine filled with fanatical, scholarly, and purist essays about jazz as well as listings of hard-to-find jazz albums. Every jazz swinger in the '40s was called a cat (as in "cool cat"), so Gene Deitch created a cartoon feature for Record Changer titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951 along with "The Cat." Deitch's stylistically virtuoso images exquisitely embodied the essence of jazz and became a visual paean to the joy of collecting and appreciating jazz.
Fantagraphics Books is proud to collect all of Deitch's Record Changer covers and "Cat" cartoons in one coffee-table, landscape-format art book, reproducing his covers in the same gorgeous colors in which they first appeared as well as the black-and-white Cat cartoons, with commentary and reminiscences by Deitch himself. Originally published in 2003 in hardcover and out of print for years, this redesigned, first-ever paperback edition will delight a new generation of fans.
A century ago in sleepy Lumberton, the moving pictures, with their daring heroines, were the most exciting thing to happen to young Katherine Whaley. When a movie production came to town, her life took a most unexpected turn.
Decades later, Whaley recounted her wild, weird years in the company of the mysterious eccentric Charles Varnay and his uncannily intelligent dog Rousseau. Varnay aimed to produce a movie serial, with Katherine as its destined star, propounding a message about the future of the human race — a message he claimed was recorded on ancient artifacts in the voice of Jesus Christ himself!
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