We're excited to show off this advance copy of our handsome hardcover presentation of Bread & Wine by Samuel R. Delany and Mia Wolff, coming in about 2 months. Here's what some people had to say about the original, long out of print 1999 edition:
"Samuel R. Delany is one of the finest living American writers. In this revealing autobiographical love story, told in collaboration with fine artist Mia Wolff, Delany's brilliance shines." – Neil Gaiman
"Wildly eccentric artwork, a storyline that'd make Capote blush... Bread & Wine is smoking-gun proof that comics can go anywhere - and do anything." – Frank Miller
"Told simply and methodically like Delany's 1996 memoir, The Motion of Light in Water, the story is subdued yet acutely emotional. It reaches across the boundaries of race and class — as well as across hilariously opposed standards of personal hygiene — to capture two people in the process of building a life together." – Publishers Weekly
More previews are forthcoming, including a look at the spectacular surprise under the dust jacket. Preview a 6-page excerpt and pre-order a copy right here.
Comprising a full two and a half years' worth of dailies and full-color Sundays, The Dingburg Diaries is the third Zippy book featuring tales of "Dingburg, the City Inhabited Entirely by Pinheads" — Zippy’s home town. There’s even a long series of "Historical Dingburg" strips, chronicling the pinhead population through the years, from 1840, when Dingburg’s "Town Fool" accidentally invented disco, to 1958 when Dingburg Beatniks flourished in the town’s Bohemian neighborhood. Like, Yowl, man.
God also has his own chapter (and verse). In the guise of a clip art "authority figure," he dispenses unwanted advice and conditional love upon the citizens of Dingburg. His tendency to cross-dress reaches new heights when he appears in a performance of "Swine Lake," wearing a tutu. Sacrilegious, yet sensitive.
There are large chunks of Mr. The Toad, Zerbina, Little Zippy and the rest of Griffith's cast of characters throughout this expanded collection. Published in a larger 8" by 10" format, The Dingburg Diaries also features a big color section, showcasing Griffith's inventive palette. There are parodies of the paintings of Edward Hopper and Film Noir, and "Griffy’s Top Ten List On Comics and Their Creation," a semi-serious mini-tutorial on everything (well, ten things) he’s learned in over forty years at the drawing board.
"Contemporary readers of Bill Griffith’s comic strip, Zippy the Pinhead, know with certainty that the illustrator is one of the most accomplished draftsmen working in comics today, his talents on a par with those of Robert Crumb. His art — nuanced shading; economical linework; evocative textures; fidelity to dress, gesture, expression, architecture, automotive design, and the thousand and one other accoutrements of modern life — is an unfailing daily marvel, especially considering the speed and regularity at which the strip is produced.” – Paul Di Filippo, Barnes & Noble Review
"If you're already a fan, you'll love this new collection. If you're not afraid to dip into Zippy's unique style of humor, philosophy and social critique, this book may make you a fan." – S.C. Ringgenberg, Heavy Metal
"I am so thankful for these collections... they're so good I wonder if Griffith isn't in the middle of one of those late-period renaissances that sometimes grip strip cartoonists, where everything kind of comes together in a considered fashion that's somehow more vital than the dozen or so years of comics that precede it." – The Comics Reporter
Wandering Son has garnered extensive praise (from the GLBT community, from manga fans, and from comics fans in general) for its uniquely funny, warm, and sensitive treatment of the travails of two Japanese tweens who find themselves coping with the knotty issue of gender identification as they slowly realize that maybe they aren't who they were meant to be.
In this latest volume, love is in the air. It's in the trees and on the streets. It's hanging on the walls and piled in great heaps on the floor. Or is it really love? These sixth and seventh graders don't really know. But something is definitely amiss. They can't sleep, and when they do sleep they have strange dreams. They get angry and cry for no reason. They blush and grin like idiots for no reason. And it isn't even spring. But the standard rules apply: If A is in love with B, B is certain to be in love with C, and C is likely to be in love with D, or possibly A.
And now it seems a good third of the alphabet is in love with our shy protagonist, Nitori-kun. But the flip-side of love is jealousy, and hate. The simple friendships of childhood develop into the complex, tense relationships of adolescence. Friends become strangers, or worse. But while everyone seems to have caught the bug — even characters whose names you can't remember — Volume 4 revolves solidly around the triangle of Nitori-kun, Takatsuki-san, and Chiba-san. Yet centrifugal force seems to push the three away from each other, and there is a certain grimness as they say goodbye to elementary school, and put on the (highly gendered) uniforms of junior high school…
Hot on the heels of Gene Deitch's The Cat on a Hot Thin Groove comes another collection of jazzy midcentury music illustrations, The High Fidelity Art of Jim Flora. Lovingly compiled and authored by Flora doyens Irwin Chusid and Barbara Economon, and designed by Laura Lindgren, this softcover coffee-table book will be swingin' and be-boppin' its way to you this Summer. Take it away, Irwin:
"It features all of Flora's known album and EP covers (including back cover illustrations) from 1947 to 1961 for Columbia, RCA Victor, and their affiliated labels, along with music-themed fine art works, illustrations, and sketches. The book was completed last week and will head shortly to the printer. (Despite what it says at Amazon, the publication date will be sometime in August, not June 30. We dawdled a bit.)"
Available with a limited-edition bookplate signed by R. Crumb for an additional $30. The bookplate has been uniquely designed for this book, and each bookplate is printed on acid-free cardstock and hand-signed by the author. Please indicate your preference when adding the item to your shopping cart.
Another year's worth of prize Crumb here, folks — including the second issue of Zap!, the introduction of Angelfood McSpade, lots and lots of Mr. Natural, the long Fritz story "Fritz the No-Good," and plenty of little-seen and rare art, plus all of Crumb's contributions to the legendary Snatch comics, possibly the raunchiest book in the raunchy history of the undergrounds. There's also a jam or two with some of the other Zap! artists, the little-seen alternate version of the famous Janis Joplin Cheap Thrills album cover, the alternate version of the cover to Zap #3... all wrapped up with Crumb's hilarious new cover and an extensive set of photographically illustrated biographical notes from Crumb himself.
"Fantagraphics' Crumb project advances into wilder, woolier, scarier, more fantastic, and lewder and still lewder territory in [Volume 5]... This is definitely X-rated material — make that triple-X! — but it's brilliant, scabrously hilarious, absolutely basic to understanding the 1960s American counterculture, and authentically mind-blowing." – Booklist
1991 Harvey Award Winner, Best Domestic Reprint Project
One of the world's great cartoonists, Jacques Tardi, revisits the subject which drives some of his most passionate work in Goddamn This War!, a chronological, infantry-eye view of the first World War.
Our edition of Goddamn's predecessor, It Was the War of the Trenches, was one of the most acclaimed graphic novels of 2010, earning two Eisner awards and a spot on numerous "best of the year" lists. Here's just a sampling of the praise, which could just as well apply to Goddamn:
"The potency of the soldiers' tragic stories is enhanced by the elegance of Tardi's lucid drawing and keen compositions... This masterful condemnation of the cruelty and stupidity of war... is a cri de coeur that stands out even amid Tardi's impressive body of work." - Gordon Flagg, Booklist (Starred Review)
"This is war as hourly apocalypse, Expressionist and agonizing." – Joe Gross, Austin American-Statesman
"Originally inspired by his grandfather's first-person stories, Tardi has created not a formal history but a masterful graphic and visceral tone poem about war." – Library Journal
"Few people alive today are old enough to remember World War I, and as it recedes into the past, the 'war to end all wars' becomes more abstract. But French cartoonist Jacques Tardi's graphic novel, It Was The War of the Trenches..., brings the Great War to life in all its mud- and blood-soaked misery. Without a trace of sentimentality, Tardi's richly detailed and grimly rendered vignettes depict the horror, illness, cruel manipulations, and stupidity of this giant black spot in human history." - Mark Frauenfelder, Boing Boing
Stand by for more previews; read a 16-page excerpt and pre-order your copy right here.
Wandering Son fans will be happy to know that we're catching up on our release schedule and Volume 5 is off to the printer now for release in August (barring any calamities), just 3 months after Volume 4, which is due later this month after a slight delay.
Which gender-specific uniform is a gender-questioning teen to wear to the junior-high entrance ceremony? Can new and old friendships survive romantic jealousy? These and other questions are addressed with uncommon insight in this volume of Shimura Takako's delightful, acclaimed dramedy.
"...[L]ike the best coming-of-age stories — comics or otherwise — Wandering Son is meticulously accurate in its details, but universal in its emotions. Gay or not, readers shouldn't find it too difficult to identify with kids who feel like their bodies and their friends are equally culpable in the worst kind of betrayal, preventing them from realizing the potential they see in themselves." – Noel Murray, The A.V. Club
We'll have more sneak peeks for you in the weeks to come; you can pre-order the volume right now. And it's not too late to get in on our 3-volume subscription, which gets you Vols. 4-6 with a smart discount and free shipping, with each volume sent to you as soon as they are released!
This one-shot comic book features three all-new, full-color short stories that explore varied dystopian societies. From a Sherlock Holmes-style investigator who must complete his high school degree to filmed "voluntary" nudity to prison camps full of jaded children, Shaw pens each story with his signature style and unique spin, all in 32 pages.
"A former student of the genius artist-seer-cartoonist Gary Panter, Dash, it's fair to say, is something of a genius as well." — Chris Ware
"Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization." – Bill Howard, Only the Cinema
"Kaleidoscopic... Shaw has a deft touch... Like the very best illustrated fiction, Shaw's work moves between pathos and humor, between the fantastic and the familiar." – The Christian Science Monitor
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