[The Comics Journal interns Andrew Davis and Chi-Wen Lee put together a series of discussion questions about Stephen DeStefano & George Chieffet's Lucky in Love Book 1: A Poor Man's History for use in book clubs. As these questions are intended for those who have read the book, please be warned that they may contain mild spoilers. – Ed.]
At age 15, the only things on Lucky's mind are women, sex, movies, and, to some degree, the war. He fantasizes about being a hero, much like in the Tex Stengler films his friends and he watch. When he does enlist, however, it appears his "heroic" adventures consist of nothing more than removing guns from warplanes and failed attempts to get a girl. But the war has still changed Lucky in some way; whether he is conscious of it or not, he becomes more aware of social and racial perceptions.
What function does the book's disclaimer about characters' usage of racial slurs serve? Did the characters' usage of these terms affect your perception of the story?
How racially accepting is Lucky? Does he grow more fair-minded throughout the book?
In the story, has Lucky actually been "lucky" in any sense of the word?
Is Lucky ever "in love"?
Can you detect influences in Stephen DeStefano's artwork?
How is Lucky's encounter with the prostitute significant beyond being his first sexual experience?
Is Lucky a hero for serving in the U.S. Armed Forces during World War II?
Why is the third chapter entitled "Lucky Triumphant"?
Since the war had ended, Lucky's life in "Lucky Triumphant" takes a different tone compared to the first two chapters. Does the third chapter continue any threads begun earlier?
Did Lucky accomplish anything during his early years (the course of this book)? Does it matter?
• List:East Bay Express's Anneli Rufus names Jim Woodring's Weathercraft one of the Best Books of 2010: "It's a wordless masterpiece from a Harvey Award-winning autodidact who executes his rhapsodically weird yet somehow relatable surrealistic visions with a lush, lifelike, retro-tinged precision that recalls Edward Lear and Winsor McCay. In an age when too many cartoonists draw with a lazy, defiantly fuckoffish lack of skill, Woodring's museum-quality mastery puts most of his colleagues to shame."
• Review: "Comic book historians Greg Sadowski and John Benson edited this fun time capsule [Four Color Fear], compiling over three dozen spine-tingling tales from the likes of Frank Frazetta, Al Williamson, Iger Studio, Joe Kubert, Basil Wolverton and others. Also included is a beautiful cover section, plus background commentary on each entry and an introduction by John Benson. Grade: A-" – Mike Sebastian, Campus Circle Newspaper
• Plug: "Bent... is more beautiful red and black ink drawings and hazy, lush, desaturated oil paintings of mostly pillowy girls." – Matt Forsythe, Drawn
• Plug: "Castle Waiting Vols. 1 and 2 HCs (Fantagraphics) — These two huge hardcovers can currently be had for less than 50 bucks, and offer up a whole new world of wonder. Perfect for anyone who loves to be transported to another place and time." – Alan David Doane's Holiday Gift Guide, Trouble with Comics
• Plug: "Some reference books will tell you all about movies that won Oscars or about movies that come from certain countries. Who needs that? Destroy All Movies is the only book in the world that will tell you all about every single movie that contains a punk. And I mean every single movie. Editors Zack Carlson and Bryan Connolly have done exhaustive years of research, and they’ve located every liberty spike wearing extra, every mohawked background actor and every safety pinned day player in cinema history. And then they wrote a whole bunch of funny, interesting stuff about those movies, and did some interviews with filmmakers and punks for good measure." – Dennis Faraci, Badass Digest "Badass Gift Guide"
Fantagraphics Bookstore & Gallery curator Larry Reid takes a break from reading comix to be an interview subject in a documentary film about legendary Northwest rock photographer Jini Dellaccio. At the youthful age of 93, it's about time she got some recognition. Reid authored the introduction to Dellaccio's recent exhibition catalogue, and the documentary is being co-produced by Fantagraphics friend and neighbor Gabe Kean at Belle & Wissell. Note the cinematographer in the foreground is John Jeffcoat, director of the independent film "Outsourced," which was adapted into a new hit comedy show airing Thursdays on NBC after "The Office." For a short story on the artist and the documentary visit: http://www.hasselbladusa.com/promotions/jini-dellaccio.aspx
Coming soon (and debuting this coming weekend at the Brooklyn Comics & Graphics Fest, where Johnny'll be) from our buds at the phoenix-like Pigeon Press: a softcover collection of Johnny Ryan's New Character Parade! Soon to join The Klassic Komix Klub and Comic Book Holocaust on your bookshelf. More info at Johnny's blog.
• Profile: "Joyce Farmer is a surprise. The gentle, white-haired 71-year-old, whom you’d half expect to greet you at the door with a pan of steaming muffins, recently has emerged as one of the most provocative voices in the comics and graphic-literature landscape. Her debut book, the 208-page illustrated memoir Special Exits, chronicling the slow, freaky decline and ultimate death of her elderly parents, comes out next week from Fantagraphicscarrying the enthusiastic endorsement of no less than R. Crumb. 'It’s a completely unique work,' he says. 'Nobody else will ever do anything like that again.' [...] The book... is an almost uncomfortably honest memoir that’s dense with details. It’s also layered with meaning and sub-themes. [...] Like many memoirists, Farmer wrestled with guilt over airing her family’s stories; she even changed all the names in the book, including her own. 'I felt like I was really invading their privacy.' But she’s since come to terms with it. 'I just worked through it. I know what I did, and I take responsibility for it.'" – Deborah Vankin, The Los Angeles Times
• Review: "Destroy All Movies!!!is that very rare thing in publishing, a book you didn’t know you needed until someone wrote it. I certainly didn’t, and now I’m finding it indispensable. It’s an absolute must-have for cult-movie fans, movie trivia buffs, aspiring filmmakers and everyone who feels that punk never got its fair due for revolutionizing music and shaking up the status quo." – John G. Nettles, Flagpole
• Plug: "Destroy All Movies is a book on cult cinema... that is kind of the end all be all of ridiculous B-movies involving punks in any way, shape or form. It's at once a collection of titles, a love letter and a historical document. [...] It's a hell of an off beat and quite brilliant gift for the movie nerd or punk in your family!" – Quint, Ain't It Cool News
• Review: "...[Fire & Water,] Blake Bell's biography of Bill Everett (among other things the father of the Sub-Mariner but also the co-creator of Daredevil) helps to rectify an injustice by shining a spotlight on a cartoonist those importance and personality have never been properly recognized. A book which, without going into excessive detail, begins to clear the ground and, in particular, focuses heavily on the human element..." – Xavier Fournier, Comic Box (this is an improved translation by Kim Thompson of a previously-posted link)
• Review: "So, does it all mean anything? Who knows? But [Weathercraft] is certainly a fascinating read, full of arresting images that seem like they are triggering some deep impulse in our lizard brains, and that’s a pretty significant achievement in itself. If nothing else, it’s often quite funny... If you can accept that as something entertaining and play along with its dreamlike logic, you should be able to enjoy the book at the very least, and maybe you’ll even feel like you get something out of it. I know I did, and even if it was just confusion, it was worth it." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "The absence of words is matched by the most crazy drawings that depict surreal, unbelievable moments that make us stop to look again — and again. It's all so wacky and unusual that not infrequently we find ourselves laughing, reflecting on the silliness that we keep inside us all. For large and small, Weathercraft is sure to [bring] multiple pleasures." – Gilberto Custódio Junior, Soma (translated from Portuguese)
• Review: "Peanuts wasn't in its first flowering in the mid-70s... but it was still a smart, perceptive, deeply funny and humanistic strip. [...] The Complete Peanuts: 1975-1976 is the lucky thirteenth volume in Fantagraphics' reprinting of the entirely of Schulz's great strip; it's also the halfway point between 1950 and 2000. And the more interesting question about Peanuts circa 1975 isn't 'How come it wasn't as good then as in 1952 or 1967,' but instead 'How come Peanuts was still this good after twenty-five years?'" – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Gilbert and Jaime Hernandez are not just two of the best and most consistent comics creators of their generation, they're so far out in front that the only question is which of the two is preeminent. [...] Year after year, they keep expanding and deepening their worlds, telling new stories as powerful as they've ever done — they're our Balzacs, our Trollopes. Besides their various sidebar projects... they're still providing a yearly dose of the mothership, in the annual Love and Rockets: New Stories trade paperback." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "I originally posted this review on January 18, 2008. This was before I’d read much, if any, of Gilbert’s Fritz material from Love and Rockets. I think the review holds up, which is why I’m re-running it; but with all of Beto’s post-Palomar Palomar-verse work under my belt now, if anything I find Chance in Hell, both its content and its very existence, even more disturbing." – Sean T. Collins, Attentiondeficitdisorderly
• Interview:Robot 6's Tim O'Shea talks to Nate Neal: "Even in the conceptual stage, I knew The Sanctuary didn’t need any words to get the story across. With a made up language the words would take on a symbolic stance that they otherwise wouldn’t have. That helps get across one of the important ideas of the book: how things get fucked up when a society thinks too symbolically. Or at least thinks too symbolically without being aware that that’s what they’re doing. As far as I’m concerned, that’s the world we live in now!"
• Plug: "I finally cracked What Is All This?, Stephen Dixon’s mammoth collection of previously unpublished stories — and it’s terrific stuff. The book itself is also quite pleasing. Dixon still composes his stories on a typewriter (a Hermes Standard, the same brand Douglas Adams used), and Fantagraphics’ whiz art director, Jacob Covey, has mimicked the unevenness and smudges of typewritten text on the cover and section pages. It’s great design porn." – Nicole Rudick, The Paris Review
• Plug: "Thanks to the arrival this week of Castle Waiting 2, Linda Medley's second subversive collection of fairy tales, I'm on yet another kick of traditional fairy tales retold." – Nathalie Atkinson, National Post
• Plug: "...Mark Kalesniko’s Freeway is still a book I’m really, really looking forward to. It’s the continuing adventures of Kalesniko’s semi-autobiographical character Alex. I loved that book, I reckon I’m going to love Freeway just as much." – Richard Cowdry, The Forbidden Planet International Blog Log
Since opening in December 2006, Fantagraphics Bookstore & Gallery has become a treasured civic asset. In addition to feeding Northwest residents' insatiable appetite for challenging contemporary culture, the space has attracted visitors from across the country and around the world. Saturday, December 11 marks the bookstore's 4th anniversary, and to celebrate the occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano 21 imprint. This event will mark the debut of his ambitious Kim Deitch File portfolio project, among other recent La Mano offerings. Zak will be joined by Fantagraphics friend Mark Pickerel, who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
An exhibition of comix art curated by Jason T. Miles and Max Clotfelter, in association with Friends of the Nib, features promising emerging cartoonists. together with masters of the medium. "Medieval Thinkers" includes original works by Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. According to Friends of the Nib co-curator Miles, "Many of these artists work with antiquated materials most commonly associated with 19th and 20th century cartooning, specifically the metal dip pen or crowquill pen nibs, although use of these tools was not a requisite for inclusion. What brings these artists together is an imagist approach to picture-making and a willful ignorance of the aesthetics, fashion, and politics of the fine art industry. Medieval thinkers organize their experience by executing lessons in perspective, balance, humor and alchemy."
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. This event coincides with the colorful holiday version of the Georgetown Art Attack with amazing visual and performing arts presentations throughout the historic arts community.
Fantagraphics Bookstore & Gallery's 4th Anniversary Celebration Music, Comix, Art and More!
Saturday, December 11, 6:00 to 9:00 PM
Music by ZAK SALLY and MARK PICKEREL
Medieval Thinkers original comix exhibition featuring Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. Curated for Friends of the Nib by Jason T. Miles and Max Clotfelter.
Exhibition continues through February 8, 2011.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street, Seattle, WA 98108 206.658.0110 Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM
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