• Review: "Punk and the movies met when the former was very young. When punk eventually grew up, the movies still insisted on viewing it as a child. Their union, nowadays perverted by mutual materialistic bloat, has been rather like an arranged marriage: long-lasting, with moments of real understanding, but fundamentally fraudulent. Zack Carlson and Bryan Connolly's hefty new tome Destroy All Movies!!! The Complete Guide to Punks on Film chronicles this tragicomedic marriage in A-Z encyclopedic form encompassing more than 1,100 movies, 450 pages, and lots of vintage promotional imagery." – Dennis Harvey, San Francisco Bay Guardian
• Review: "The artwork is as beautiful, subtle, and well-crafted as the stories. [...] Significant to Hagio’s stories is her ability to so masterfully communicate emotions in the artwork. Hagio uses body language as well as facial expressions. Her artistic genius is seen in character’s eyes alive with emotions radiating off the page. [...] A Drunken Dream and Other Stories is a wonderful collection of stories for mature readers. The stories embody a complex mix of emotions. Hagio isn’t offering us easily digestible pap, but solid food that will take time to process and absorb properly." – Ed Sizemore, Manga Worth Reading
• Plug: "It's... wonderful to note the imminent publication of Joyce Farmer's Special Exits. It speaks well to comics as an art form that there's a prominent place for powerful work from an older cartoonist that may have more to offer in terms of underground cred than in a modern marketplace track record." – Tom Spurgeon, The Comics Reporter
Destroy All Movies!!! contributing writer and former Scarecrow Video employee Andrew Toms writes about his involvement with the book on the Scarecrow blog: "Let me start off by saying that it’s not a requirement to have a fondness or even familiarity with punk or new wave music to really appreciate this book. While Destroy All Movies is rooted in being the ultimate (and only) record of punk appearances in film, this hilarious premise is more a testament to the decade and its influence on the films that were born from it. The 80′s, along with the few years that bled into and out of it, were responsible for an incredible cache of brash, wildly subversive and ridiculous films as well as spawning the video rental culture that places like Scarecrow still embody." Read the whole thing (and get more info about the book signing at Scarecrow on Friday) here.
Femke Heimstra, High Priestess of European Low Brow, opens a new exhibition, "The Bone Shaped Bone," at Roq la Rue in Seattle this Friday, November 12 [along with "Super Things" by Ryan Heshka, whom you may remember from Blab Vol. 18 – Ed.]. I was able to get a preview of the show on Monday, and her new work is breathtaking. While the entire exhibit is already sold out — natch — Femke will be on hand to sign a limited number of copies of her wonderful picture book, ROCK CANDY, which includes an introduction by Roq la Rue proprietor Kirsten Anderson.
Chris Diaz is back with another adorable video from the floor of APE 2010. See me and Janice acting goofy, Tony Millionaire, Dan Clowes and a bunch of other happy comics people. Ah, nostalgia. Thanks Chris!
The only thing possibly harder than being a parent is being an adult child watching your parents' health deteriorate. On this Sunday, Nov. 14 at noon, graphic novelist JOYCE FARMER and author Beth Harpaz will discuss their roles in this "Sandwich Generation" at the Painted Bride Art Center as part of the First Person Arts Festival in Philadelphia. Go HERE for further details and ticketing information.
Attendees will enjoy a lunch of bánh mi (Vietnamese hoagies) from Bridget Foy's.
This should be a very special event. In her new graphic memoir SPECIAL EXITS, Joyce Farmer chronicles the decline of her parents' health, their relationship with one another and with their daughter, and how they cope with the day-to-day emotional fragility of the most taxing time of their lives. It's a brutally honest look at transitioning into the role of caretaker for the loved ones who always took care of you.
R. Crumb says Special Exits is "One of the best long-narrative comics I've ever read, right up there with Gen of Hiroshima and Maus. It had a powerful effect on me... towards the end I actually found myself moved to tears."
Publisher's Weekly, in a starred review, says "The story is stunning for its antisentimental realism, as well as for the glimpses of fantasy (Lars's hallucination of Hades' ferryman, Charon, rowing by in the hallway) that flicker by like ghosts."
1160-page black & white/color 2-volume hardcover 7.5" x 11" x 3" slipcased set • $100.00 ISBN: 978-1-60699-154-1
Ships in: December 2010 (subject to change) — Pre-Order Now
Created in 1984 as a supporting character for the Teenage Mutant Ninja Turtles, Stan Sakai’s Usagi Yojimbo has vaulted to the very forefront of iconic modern comics characters and is a perennial favorite amongst young boys and adult fans. Usagi Yojimbo chronicles the action-packed wanderings of a masterless samurai (a “ronin”) in feudal Japan — as told with funny-animals. (If PIXAR and the late Akira Kurosawa were to collaborate on a movie, it might very well look like this.)
For the first ten years of his career, the battling bunny was published by Fantagraphics Books. In honor of his 25th anniversary, Fantagraphics is releasing a deluxe slipcase set collecting the seven first Usagi books. With over 1000 pages of story, this is the complete, definitive, early Usagi. This Special Edition will also be brimming with extra material, including a complete full-color gallery of the more than 50 Usagi covers from that period (never-before-collected); preparatory sketches, including Sakai’s original first draft of the “Samurai” story; two “non-canon” Usagi stories by Sakai co-starring the Teenage Mutant Ninja Turtles (with whom Usagi also shared screen time in the TMNT TV series); the rare behind-the-scenes "How I Draw Usagi Yojimbo" strip; Introductions by Stan Sakai and Stan Lee; and a feature-length, career-spanning interview with Sakai.
Download an EXCLUSIVE 31-page PDF excerpt (2.9 MB) containing the first 3 parts of the origin flashback story "Samurai"!
This single panel from Neal Adams' BATMAN ODYSSEY #4 sums up what strikes me as being the most unintentionally hilarious mainstream comic I've possibly ever read. It's bafflingly crazy.
I should note that the subsequent panel, not pictured, reveals that Alfred is not actually showing Bruce how to bounce the ol' pogo stick, but instead is playing the "World's Smallest Violin".
You all know the "World's Smallest Violin" joke, right? Everyone does. So I ask you, is this how you would draw the act? Is that how you would draw the person on the receiving end?
Also, note the cleavage at top from the adjoining panel, and Bruce Wayne oogling his own penis in the lower-right.
How much of this is conscious? And if so, to what end? This is craziest comic I've come across in years. Please, someone smarter than me, review this series.
Enjoy "Good Grief: The Story of Peanuts", a half-hour BBC Radio 4 audio documentary on Charles M. Schulz and Peanuts, hosted by Pete Paphides, who talks to Jean Schulz and members of Schulz's family as well as fans like Chris Ware, Chip Kidd and Russell T. Davies, interspersed with vintage clips of Schulz himself and audio from the Peanuts TV specials. (Via Bleeding Cool.)
Our own Zak Sally used to be in a band on that label, Low, and to help raise money for the Andy Kotowicz Family Foundation, he's auctioning off this beautiful original work of art on eBay. I'll let him explain it:
this is zak sally: what we have here is the original art for a flyer i did while i was in the band Low; copied this image on nice paper and sent it to all the promoters on some long-ass national tour that i can't remember which one now (maybe Songs For a Dead Pilot or Secret Name?). anyway, it's about 11x 17 image area, pen and ink (but you can see the non-repro blue pencil underneath) one corner where i overpasted is coming up but i'll glue that down for FREE. i wanted it to look like wallpaper and it looks like wallpaper but it's not it's a real live drawing. comics fans-- there's some lightly pencilled page on the back of the drawing called "Pig in: Shit." that i have no recollection whatsoever of drawing.
100% of the sale will go to the Andy Kotowicz family fund, so bid often and high.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators are saying about our releases this week, and contact your local shop to confirm availability.
96-page full-color 8.5" x 11.5" hardcover • $24.99 ISBN: 978-1-60699-382-8
"Being Fantagraphics’ fourth entry in its current effort at bringing the great Jacques Tardi to English, this time starting up a full-scale sub-series dedicated to the artist’s long-running, rather droll evocation of turn-of-the-century fictions, centered on an awesomely controlled, never-smiling heroine prepared to tangle with any peril, be it a prehistoric creature or mad science." – Joe McCulloch, Comics Comics
"The first American volume = the first two French volumes of Jacques Tardi's semi-parodic 'adventuress in the weird Paris of 1911' series..." – Douglas Wolk, Comics Alliance
"Fantagraphics' Tardi roll-out reaches new heights with this first in a series of books translating Tardi's fun and of course beautiful-looking turn-of-century adventure series." – Tom Spurgeon, The Comics Reporter
"There's several noteworthy, oddball trades out Wednesday. ...Fantagraphics is reprinting Jacques Tardi's The Extraordinary Adventures Of Adele Blanc-Sec in English — the first installment features the adventurer battling a pterodactyl..." – Cyriaque Lamar, io9
"Jacques Tardi’s mystery adventure stories set in pre-WWI Paris are being retranslated and republished by Fantagraphics in a new series of books. I’ve only read The Eiffel Tower Demon, but if Pterror Over Paris is anything like that, then this should be a great package." – J. Caleb Mozzocco, Newsarama
"My top choice of a splurge item is Fantagraphics first volume of The Extraordinary Adventures of Adele Blanc Sec... I can’t resist a French, turn-of-the-century pterodactyl hunter." – Michael May, Robot 6
32-page full-color 8.5" x 11.25" hardcover • $14.99 ISBN: 978-1-60699-402-3
"Also Fanta, also French..., a sort of plastic-body-horror take on Toy Story in which a pair of costumed ankle-biters journey to a land of mutilated playthings. At 32 pages, I believe this qualifies as the first-ever longform Blanquet work released on its own in English." – Joe McCulloch, Comics Comics
"Stéphane Blanquet draws this uncharacteristically kid-friendly, Toy Story-gone-sour tale of a secret sanctuary for abused toys invaded by a pair of kids who haven't always treated their stuffed animals as kindly as they ought to have." – Joe McCulloch, Comics Comics
"[A] graphic novel... that [is] more slipping out than arriving on the stands with fanfare, ...from [a] quality cartoonist... with [an] impressive creative pedigree... I look forward to reading [it]." – Tom Spurgeon, The Comics Reporter
"I’m extremely curious about Fantagraphics’ new kids eurocomic line, which kicks off this week with the release of Stephane Blanquet’s Toys in the Basement. I’m especially curious in this case as Blanquet isn’t up till this point an author known for his all-ages friendly material. In fact, it’s quite the opposite; his work is usually typified by ugly, sweaty people doing horrible, disturbing things. So, yeah, I want to see how he dials it down (if at all) for the kiddies." – Chris Mautner, Robot 6
"...I like the idea of a kid-friendly comic that isn’t afraid to be creepy, and this one — in which a boy dressed in a pink bunny suit stumbles into some weird French version of the Island of Misfit Toys — looks like a challenging read." – Brigid Alverson, Robot 6
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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