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Archive >> November 2011

Daily OCD: 11/8/11
Written by Mike Baehr | Filed under Walt KellyTony MillionairereviewsPirus and MezzoOlivier SchrauwenLove and RocketsLos Bros HernandezKevin HuizengaJoe SaccoJaime HernandezinterviewsGilbert HernandezGary GrothGahan WilsonDisneyDaily OCDCarl BarksBest of 2011 9 Nov 2011 2:18 AM

Today's Online Commentary & Diversions:

Pogo Vol. 1 Love and Rockets: New Stories #4 King of the Flies Vol. 2: The Origin of the World

List: Three of our titles have landed in Amazon.com's Best Books of 2011: Comics & Graphic Novels top 10: Pogo: Through the Wild Blue Wonder – Vol. 1 of the Complete Syndicated Strips by Walt Kelly at #5; Love and Rockets: New Stories #4 by the Hernandez Brothers at #7; and King of the Flies Vol. 2: The Origin of the World by Mezzo & Pirus at #8

The Man Who Grew His Beard

Review: "This collection of stories [The Man Who Grew His Beard] is a wonderful example of how an animator’s eye, artist’s hand, and storyteller’s vision can combine in a series of stylistic experiments that harken to a previous age of comics, but speak to the contemporary world we live in.... What’s impressive is the ease with which Schrauwen moves among various styles, affording him an extraordinarily wide range of visual tools... Sometimes looking like a throwback to vintage comics and sometimes like a clever homage to the Kama Sutra, this collection is, at all times, the work of a master storyteller." – Publishers Weekly (Starred Review)

Ganges #4

Review: At Robot 6, Graeme McMillan compares and contrasts Kevin Huizenga's Ganges with the work of Eddie Campbell, concluding "Ganges #4 isn’t a quick read, and it isn’t necessarily an easy read. But it’s a great one, and it’s something that everyone should be picking up and reading. It’ll keep you awake at nights." McMillan also discusses Ganges #4 with co-host Jeff Lester on the new episode of the Wait, What? podcast

Walt Disney's Donald Duck: Lost in the Andes

Interview: At Publishers Weekly, James Romberger (who also happens to be a contributor to Mome) talks with Gary Groth about our series of Carl Barks collections and all things Barks: "Barks’ comics somehow flourished within the strictures he was given. His imagination allowed him to either use or ignore those boundaries to his advantage, just as, in a more interior way, [Charles] Schulz’s imagination allowed him so much play within the strictures he chose. Barks’ work could be absurdist, satirical, or farcical within an adventure setting, a travelogue, a domestic comedy while maintaining those small, innate human values that reposed within his characters."

Nuts

Profile: At Publishers Weekly, Steve Bunche, who says "Fantagraphics has done readers a great favor by releasing the first full collection of Nuts, the hilarious cult strip by famed Playboy and National Lampoon cartoonist Gahan Wilson," chats with Wilson about the strip: "...[P]eople seal off as they become adults and are no longer open to understanding. It's really sad to see happening. They get to take in less and less of what's around them and become more isolated. I mean, you go to your high school reunion and see the once-alive faces of the people you grew up with and you say, 'My god! What happened to Bob and Susan!' and whomever and it's just incredibly sad. Neil Gaiman's phrase, 'being surrounded by mad giants,' pretty succinctly sums it all up."

Pogo Vol. 1

Plug: "A few weeks ago, I wrote a column about the comic strip Pogo. I lamented the lack of current Pogo anthologies — the old ones are practically rare books, and priced to match. Well, dog my cats, now comes a brand-new book, a compilation of the entire first year of strips, daily and Sunday, from Fantagraphics Books. Pogo: Through the Wild Blue Wonder by Walt Kelly may not be available in bookstores yet, but your friendly neighborhood bookseller would be happy to order it for you. It's a hefty volume, and will leave even the most dyspeptic Pogo fan wide-eyed with wonder and gratitude." – Jon Carroll, San Francisco Chronicle

Commentary: "Not sure I'd seen the final-final cover design for Fantagraphics' shot at a complete Pogo series. I think it looks nice, and it's strangely reminiscent of the covers from their previous attempt at reprinting the series. It's very odd to live in times where something as monumental as a complete run at Pogo can almost be greeted as just another reprint project." – Tom Spurgeon, The Comics Reporter

500 Portraits

Plug: Last night when John Hodgman was in town on his current book tour we presented him with a copy of Tony Millionaire's 500 Portraits, in which a drawing of him appears and about which he subsequently had this to say in part: "This makes me astonished and happy and embarrassed, for Tony Millionaire is one of our true genii. And too, look, right there on the same page is my old friend John Sellers! And Borges! And you were there, too, Cthulhu! I don’t know how those other guys crashed our party, though. In any case, you should go out and get this book. It’s absolutely beautiful, painstaking, and weird, inside and out, just like I imagine Tony is himself: the ORIGINAL deranged millionaire."

Safe Area Gorazde: The Special Edition

Commentary: At Comic Book Resources, Laura Sneddon, who is documenting her experiences in the postgraduate Comic Studies program at the University of Dundee in Scotland, looks at Joe Sacco's Palestine and Safe Area Gorazde as the course turns its focus to "Documentary Comics"

Things to See: A cut scene from Richard Sala's The Hidden
Written by Mike Baehr | Filed under Things to seeRichard Sala 8 Nov 2011 11:17 PM

The Hidden outtake - Richard Sala

At his Here Lies Richard Sala blog, Richard Sala (natch) explains this page created for his new graphic novel The Hidden which wound up on the cutting room floor and the scene it was to have been part of. He also hints at a possible sequel to the book!

[Follow our Tumblr blog for lots more Things to See every day.]

Things to See: Robert Crumb's rejected gay marriage cover for The New Yorker
Written by Mike Baehr | Filed under Things to seeRobert Crumbinterviews 8 Nov 2011 6:33 PM

rejected cover for The New Yorker by Robert Crumb

At Vice, Nadja Sayej has a brief chat with Robert Crumb in an attempt to find out why this cover illustration was rejected by The New Yorker.

[Follow our Tumblr blog for lots more Things to See every day.]

Kevin Avery Hits the Road with Everything Is an Afterthought: The Life and Writings of Paul Nelson
Written by janice headley | Filed under rockPaul NelsonKevin Averyevents 8 Nov 2011 4:01 PM

Everything Is an Afterthought: The Life and Writings of Paul Nelson by Kevin Avery

"Kevin Avery has done something heroic here. Avery has rescued the work and the passion, the life and the meaning of the great Paul Nelson. Nelson was a deep and beautiful writer, mysterious and painstaking and brilliant. Thanks to Avery and Everything Is an Afterthought, Paul Nelson's work finally has a home." - Cameron Crowe

What happened to legendary music critic Paul Nelson?

Fantagraphics Books Inc. invites you to find out as we present author/editor Kevin Avery on tour for the unique anthology-biography, Everything Is an Afterthought: The Life and Writings of Paul Nelson — a collection that's been called "music book of the year" by DangerousMinds.net.

In the '60s, Paul Nelson pioneered rock & roll criticism with a first-person style of writing that would later be popularized by the likes of Tom Wolfe and Norman Mailer as "New Journalism." As co-founding editor of The Little Sandy Review and managing editor of Sing Out!, he'd already established himself, to use his friend Bob Dylan's words, as "a folk-music scholar"; but when Dylan went electric in 1965, Nelson went with him.

During a five-year detour at Mercury Records in the early 1970s, Nelson signed the New York Dolls to their first recording contract, then settled back down to writing criticism at Rolling Stone as the last in a great tradition of record-review editors that included Jon Landau, Dave Marsh, and Greil Marcus. Famously championing the early careers of artists like Bruce Springsteen, Jackson Browne, Rod Stewart, Neil Young, and Warren Zevon, Nelson not only wrote about them but often befriended them. Never one to be pigeonholed, he was also one of punk rock's first stateside mainstream proponents, embracing The Sex Pistols and The Ramones.

But in 1982, he walked away from it all — Rolling Stone, his friends, and rock & roll. By the time he died in his New York City apartment in 2006 at the age of seventy — a week passing before anybody discovered his body — almost everything he'd written had been relegated to back issues of old music magazines.

How could a man whose writing had been so highly regarded have fallen so quickly from our collective memory?

With Paul Nelson's posthumous blessing, Kevin Avery spent four years researching and writing Everything Is an Afterthought: The Life and Writings of Paul Nelson, which compiles Nelson's best works (some of it previously unpublished) while also providing a vivid account of his private and public lives. Avery interviewed almost 100 of Paul Nelson's friends, family, and colleagues, including several of the artists about whom he'd written.

For additional information and a preview, please visit:
http://www.fantagraphics.com/kevinavery
http://www.fantagraphics.com/paulnelson

Kevin Avery Tour Dates for Everything Is an Afterthought: The Life and Writings of Paul Nelson

Wednesday, November 9th at 7:00 PM
Kevin Avery will be joined on stage by Dave Marsh, a rock critic, historian, anti-censorship activist, talk show host and "Louie Louie" expert who has written more than 20 books about rock and popular music. This event will be held in the Rare Book Room on the 3rd Floor of the Strand.

Strand Bookstore
828 Broadway (at 12th St.)
New York City, NY 10003

Sunday, November 13th at 4:00 PM
Kevin Avery discuss the life and writings of Paul Nelson in conversation with local author (Moon, All Hopped Up And Ready To Go: Music From The Streets of New York) Tony Fletcher.

The Golden Notebok
29 Tinker Street
Woodstock, NY 12498

Thursday, December 1st at 7:00 PM
Join Kevin Avery for a signing and discussion.

Barnes & Noble Park Slope
267 7th Avenue
Brooklyn, NY 11215

Saturday, December 3rd at 1:00 - 4:00 PM
Join Kevin Avery for a signing and discussion.

Farley's Bookshop
44 South Main Street
New Hope, PA 18938

Tuesday, December 13th at 7:00 PM
Join Kevin Avery for a signing and discussion. Avery will be joined by musician Elliott Murphy, who will play a few tunes.

BookCourt
163 Court Street
Brooklyn, NY 11201
















21: The Story of Roberto Clemente nominated for CASEY Award
Written by Mike Baehr | Filed under Wilfred Santiagoawards21 8 Nov 2011 2:12 PM

21: The Story of Roberto Clemente by Wilfred Santiago

Wilfred Santiago's graphic biography 21: The Story of Roberto Clemente has been named a finalist for the CASEY Award for Best Baseball Book by Spitball: The Literary Baseball Magazine! 21 is, as near as I can tell, the first comic to be nominated in the 29-year history of the award, and the trophy is a genuine Louisville Slugger — how cool is that? Congratulations and good luck Wilfred!

CASEY Award logo

Daily OCD: 11/7/11
Written by Mike Baehr | Filed under Steve DitkoreviewsPrince ValiantMichael KuppermanLove and RocketsLos Bros HernandezJaime HernandezinterviewsHal FosterGilbert HernandezGahan WilsonDisneyDaily OCDCarl BarksBlake BellBest of 2011 8 Nov 2011 3:12 AM

Today's Online Commentary & Diversions:

Love and Rockets: New Stories 2-Issue or 4-Issue Pack

List: Thus beginneth the Best of 2011 links, as Publishers Weekly names Love and Rockets: New Stories #4 by Gilbert & Jaime Hernandez one of their top 10 Best Comics of 2011: "Even in a long career of masterpieces, Jaime's story about missed opportunities for happiness is a revelation, while Gilbert continues to cement his place as the Jorodowsky of comics with a vampire tale."

Review: "Another great issue, with the continuation and ending of 'The Love Bunglers,' from Jaime Hernandez. It's a real knockout and quite touching for those that have followed the strip and these characters since the eighties. You almost have to remind yourself that, yes, these are characters, not real people! Apparently, nobody told Jaime that the quality of one's work is supposed to go down after working on a strip that long." – Jason, at his Cats Without Dogs blog

Commentary: "I've been thinking a lot about Jaime Hernandez's conclusion to his Locas story 'The Love Bunglers' (from L&R New Stories vol. 4) -- mainly b/c it was such an incredible piece that I cry every time I read it. I even recently threatened to force a friend to read all the Locas stuff, because it's so freaking good. But then I started wondering -- is it as awesome if you read it all at once?" – Alicia K., Wordnerdy

Review: "Readers and admirers, myself included, often think of Gilbert as the better writer of the two brothers and Jaime as the better artist. With only a few exceptions, Gilbert has been the best writer in American comic books over a three decade period. No one has produced more beautiful art for black and white comics the way Jaime has over that same period, a period in which he has been the best comic book artist in North America. 'Browntown' is one of the stories in which Jaime shows that he can write as well as draw comic books better than most and as good as the very best.... 'Browntown' is an incredible story with a sense of realism and gravity unseen in most comic books. 'Browntown' alone makes Love and Rockets: New Stories #3 one of the best comic books of 2010." – Leroy Douresseaux, I Reads You

Review: "Love and Rockets: New Stories #2 reminds us, as the first issue did, that comic books from the Hernandez Brothers are always a welcome thing. A year may be a long wait, but when it comes to Los Bros’ coolness and greatness, time is neutral. I can always reread this and enjoy it just as much as I did the first time." – Leroy Douresseaux, I Reads You

Nuts

Review: "...Nuts, which ran in National Lampoon throughout the ’70s, ...offered a largely autobiographical look at the way childhood actually is: a perpetually confusing state of existence, in which kids are jostled to and fro by adults who don’t seem to know what they’re doing (but want to make sure that their offspring are parked somewhere out of the way while they do it).... They’re wonderful pieces of comic art..., applying Wilson’s usual sense of the grotesque and macabre to phenomena like summer camp and sick days. And they’re not all bitter either... He mixes the sour and the sweet exceptionally well." – Noel Murray, The A.V. Club

Plug: "I’ve written at length about this strip [Nuts] before, but it’s worth reiterating I think just how goddamn wonderful this comic is, and how great it is to have a decent collection available after lying fallow for so long. Wilson captures the anxieties and traumas of childhood as few cartoonists have before or since." – Chris Mautner, Robot 6 (for their weekly "What Are You Reading?" column which features our own Jacq Cohen this week)

Prince Valiant Vol. 4: 1943-1944

Review: "Again, stunning drawings. And quite bloody! Valiant is being tortured, people are killed left and right [in Prince Valiant Vol. 4]. There's a strange sequence in the book involving another knight, Tristram, who I don't think has been introduced earlier, that looks like a double of Valiant, but with a mustache! He is killed by a jealous king, but instead of Valiant and Gawain, who are there, seeking vengeance they just ride off. Not quite sure what was going on in Foster's mind there." – Jason, at his Cats Without Dogs blog

Mark Twain's Autobiography 1910-2010

Interview: Michael Kupperman is the guest on this week's Boing Boing "Gweek" podcast. He's interviewed by Reuben Bolling about Mark Twain's Autobiography 1910-2010 and sticks around to weigh in on other topics

Pogo Vol. 1

Plugs: At The Beat, Torsten Adair spotlights a whole mess of our recent and upcoming releases, declaring "If you’re going to ship your book bucks to Washington, it’s better to send them to Fantagraphics than Amazon!"

Walt Disney's Donald Duck: Lost in the Andes

Plug: "Carl Barks was a genius when it came to turning Donald Duck and company into comic book characters, and his creation of Uncle Scrooge continues to delight and amuse countless generations. Thankfully, that trend will continue thanks to Fantagraphics’ release of Carl Barks’ Walt Disney’s Donald Duck: Lost in the Andes." – Kevin Kelly, Wizard World

Mysterious Traveler: The Steve Ditko Archives Vol. 3

Plug: As every month, Comic Book Resources' Greg Burgas is "Flippin' through Previews": "You can get more creepy pre-Spider-Man work from Steve Ditko on page 280, as Fantagraphics has Mysterious Traveler: The Steve Ditko Archives volume 3."

Things to See: Jason's new work in progress
Written by Mike Baehr | Filed under Things to seeJasonComing Attractions 7 Nov 2011 5:32 PM

detective story panel by Jason

At his blog Jason has begun posting panels from his new as-yet-untitled book in progress, saying "For the moment it looks like it will be around 150-160 pages. So I guess this will be my first graphic novel. That means I'm a... I'm a... graphic novelist! Woo hoo!" The dialogue above translates as "Fucking hell..."

[Follow our Tumblr blog for lots more Things to See every day.]

 

New York Welcomes MAD Legend Jack Davis in December!
Written by Eric Reynolds | Filed under Jack DavisGary Grothevents 7 Nov 2011 3:10 PM

Jack Davis: Drawing American Pop Culture – A Career Retrospective

One of America's most beloved and best known cartoonists, Jack Davis, will make a series of extremely rare appearances in New York City and Brooklyn in early December, to promote his new art book, JACK DAVIS: DRAWING AMERICAN POP CULTURE (published by Fantagraphics Books). These personal appearances will be a once-in-a-lifetime opportunity to meet a living legend and one of medium's greatest practicioners.

On Thursday, Dec. 1 at 7PM, Davis will appear at New York's renowned Strand Bookstore, in conversation with Fantagraphics Books Publisher Gary Groth. The event will feature the world premiere of JACK DAVIS: DRAWING AMERICAN POP CULTURE.

On Friday, Dec. 2 at 6PM, Davis will be in attendance for an exhibition of his original art at the Scott Eder Gallery in Brooklyn.

On Saturday, Dec. 3, Davis will appear with Fantagraphics at the Brooklyn Comics & Graphics Festival, signing copies of JACK DAVIS: DRAWING AMERICAN POP CULTURE throughout the day and participating in a panel discussion with Gary Groth about his life and career (exact times t.b.a.).

Jack Davis arrived on the illustration scene in the euphoric post-war America of the late 1940s when consumer society was booming and the work force identified with commercial images that reflected this underlying sense of confidence and American bravado. Advertising agencies were looking for new ways to tap a rich and expanding market, and there was a vast array of media that needed illustrations. Davis' animated and exuberant images possessed a sense of spontaneous energy that proved to have universal appeal in every medium he worked in.

Beginning with his masterful pen and ink cartooning at EC Comics, he quickly forged a reputation as one of the most versatile artists in comics, drawing humor, horror, and war stories. In Harvey Kurtzman's MAD, especially, Davis made a mark as a master of caricature, composition, and wild, anarchic crowd scenes, practically vibrating with energy.

After stints at MAD, Trump, and Humbug — three humor magazines that defined the satirical zeitgeist of the '50s — Davis went on to become the most successful commercial illustrator of his generation, illustrating movie posters, magazine articles, magazine fiction, LP jackets, and more.

Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection — in terms of both quantity and quality — of Jack Davis' work ever assembled!

For more information and a preview, please visit
www.fantagraphics.com/artofjackdavis

Listing information:

Thursday, Dec. 1, 7PM:
WHO: Jack Davis (with Gary Groth)
WHAT: Q&A and book signing
WHERE: The Strand Bookstore, 12th & Broadway, New York, NY

Friday, Dec. 2, 6PM:
WHO: Jack Davis
WHAT: Exhibition of Original Art and Artist's Reception
WHERE: Scott Eder Gallery, 18 Bridge St. 2-I, Brooklyn, NY

Saturday, Dec. 3, 12PM-9PM:
WHO: Jack Davis
WHAT: The Brooklyn Comics & Graphics Festival
WHERE: Our Lady of Mt. Carmel Church, 275 N. 8th St., Brooklyn, NY









Femke Hiemstra at Roq La Rue Seattle This Friday
Written by janice headley | Filed under Femke Hiemstraevents 7 Nov 2011 1:59 PM

Femke Hiemstra at Roq La Rue

We're excited to announce that Dutch artist and designer Femke Hiemstra is returning to Seattle for a show at Roq La Rue, opening this Friday, November 11th!

The show is entitled "The Timid Cabbage," and features a series of brand new drawings, including an illustration of a poem by Seattle's own Charles Krafft!  She will also be joined by artist Ryan Heshka.

The reception runs from 6:00 - 9:00 PM, so drop by Roq La Rue [ 2312 2nd Avenue, Seattle ] and say hi to Femke for us!

Daily OCD: 11/4/11
Written by Mike Baehr | Filed under Warren BernardRobert CrumbRick MarschallreviewsPaul NelsonMickey MouseMarschall BooksLove and RocketsLos Bros HernandezKevin AveryJesse MoynihaninterviewsFloyd GottfredsonDisneyDaily OCD 4 Nov 2011 7:31 PM

Today's Online Commentary & Diversions:

Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island

Review: "Gottfredson is in much stronger form here [in Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island] than in the first volume, drawing upon the early Mickey cartoons for ideas — mad scientists, treasure hunts, mail pilots — but then expanding and developing them in a way those early Disney shorts were incapable of doing. Over time, Mickey’s personality becomes more refined as well; scrappier, tougher and more determined to seek justice (or an adventure) regardless of the odds. Again, part of the enjoyment for me with this series is the rich amount of historical material editors Gary Groth and David Gerstein are able to provide. From foreign material to biographies of various ancillary contributors, supplemental art, character histories and more, this series is rich with detail, both in the strip itself and in the editorial handling of the material, that puts other reprint projects to shame." – Chris Mautner, Robot 6

Love and Rockets: New Stories #1

Review: "What is good about Love and Rockets: New Stories [#1], however, is that it throws readers and fans a curve. Just what are Los Bros. going to do now? By going back to their early styles, in essence, they’ve allowed themselves a re-launch or at least a chance to throw many surprises at our expectations. Whatever they choose to do, it’ll still be the most interesting comics coming from America’s most literate, experimental, and adventurous comic book creators." – Leroy Douresseaux, I Reads You

The Complete Crumb Comics Vol. 1 [Softcover Ed. - Sold Out]

Reviews: At Now Read This! Win Wiacek examines The Complete Crumb Comics Vol. 1 (coming back into print next year) and Vol. 2 (still out of print)

Drawing Power: A Compendium of Cartoon Advertising 1870s-1940s

Plug: "In these days of precious art comics and highfalutin graphic novels, it’s often forgotten that comic strips evolved for one (now quaint) reason: to sell newspapers. Cartoonists were commercial artists, not auteurs. [In Drawing Power: A Compendium of Cartoon Advertising] you’ll find Peter Arno, the sophisticated New Yorker cartoonist, endorsing Rheingold Extra Dry Beer; Mickey Mouse and pals flogging just about everything under the sun except, maybe, mousetraps; and Krazy Kat selling Gulfsteel Nails. They are all Joe Camel’s ancestors." – Dana Jennings, The New York Times

 Everything Is an Afterthought: The Life and Writings of Paul Nelson

Interview: At Our Town Downtown, Cullen Gallagher, who says "...Everything Is an Afterthought: The Life and Writings of Paul Nelson [is] a deeply moving biography that captures not only Nelson’s tragedy, but also celebrates the ardor and artistry of his life and work," talks to the book's author/editor, Kevin Avery: "In the mid-to-late ’70s, rock music was still being discovered. There were no hard and fast rules, so in a way criticism was an act of discovery for these writers and they were just expressing what they liked. Paul was able to do that in a way that was not only personal, but also he would draw from film, books and his knowledge of folk music. You also got the feeling that he was a mysterious character. There would be hints dropped that there was an unhappy guy behind all these reviews. His writing was beautiful. This was music criticism that could be read as literature."

Mome Vol. 22: Fall 2011 - Jesse Moynihan

Interview: Newsarama's Zack Smith chats with Mome contributor Jesse Moynihan about his webcomic Forming and his work on Adventure Time


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