So, our ol' pal Jacques Boyreau, he of the cinefantastic tomes PORTABLE GRINDHOUSE and the forthcoming SEXYTIME: THE POST-PORN RISE OF THE PORNOISSEUR (a collection of remarkably awesome movie posters from the Golden Age of adult cinema) from Fantagraphics, curated what looks to be an incredible art show in Anchorage, Alaska, of all places. I wanted to spotlight it on the blog, and figured the best way was to simply ask Jacques about. Here's what he had to say.
I've been involved with Fantagraphics for a few years now...as author-editor and all-around-nuisance. I suspect a reason for my insistency is that Gary G. is like the Travis Bickle-friend I always wanted. This association would be easier to make if G. had a buzz mohawk and was popping a red with a smile and several loaded handguns suckling the lean teat of his body, which is NOT out-of-the-question; it is, as they say, in the realm, where all visions are a'chomp.
But realm needs coin, and tomorrow's today's coin is gonna be SuperTrash. And that's what this little fucking blog's entry is gonna tell you a little something about. But back to Taxi Driver...I have always felt very resonant with the character of Easy Andy--the drug-Cadillac-Magnum.44 dealer--and his credo: "I'm just trying to get the right product to the right people"; with the risible connotation that Travis is alright...(and certainly you gotta wonder at least once: What If Travis had bought that pink slip from Andy?). See, Andy and I have the same credo it turns out. I experience selling as Compulsion, and that sutures with what Breton said about Beauty: it must be Convulsive. Society really should, and does take a step back and twist a funny thought out of its head when the Unacceptable becomes Accepted.
Our group mind does not entirely suck. The answer I'm afraid is so simple it's attainable. But why tell you when I cannot and SuperTrash can and you should find out if you can. Let's just say that: an art show purporting to be a portrait of the 20th century told through movie posters was built at the Andy Warhol Museum and is now in Alaska in the quite-enormous Anchorage Museum.
My god, that's a beautiful baby, right? His name is Elliot, and we'd like to congratulate his wonderful parents, Jonathan and Amy Bennett , on their great fortune. They were already one of the most talented couples I know, but this is their greatest work yet!
One of America's most beloved and best known cartoonists, Jack Davis, will make a series of extremely rare appearances in New York City and Brooklyn in early December, to promote his new art book, JACK DAVIS: DRAWING AMERICAN POP CULTURE (published by Fantagraphics Books). These personal appearances will be a once-in-a-lifetime opportunity to meet a living legend and one of medium's greatest practicioners.
On Thursday, Dec. 1 at 7PM, Davis will appear at New York's renowned Strand Bookstore, in conversation with Fantagraphics Books Publisher Gary Groth. The event will feature the world premiere of JACK DAVIS: DRAWING AMERICAN POP CULTURE.
On Friday, Dec. 2 at 6PM, Davis will be in attendance for an exhibition of his original art at the Scott Eder Gallery in Brooklyn.
On Saturday, Dec. 3, Davis will appear with Fantagraphics at the Brooklyn Comics & Graphics Festival, signing copies of JACK DAVIS: DRAWING AMERICAN POP CULTURE throughout the day and participating in a panel discussion with Gary Groth about his life and career (exact times t.b.a.).
Jack Davis arrived on the illustration scene in the euphoric post-war America of the late 1940s when consumer society was booming and the work force identified with commercial images that reflected this underlying sense of confidence and American bravado. Advertising agencies were looking for new ways to tap a rich and expanding market, and there was a vast array of media that needed illustrations. Davis' animated and exuberant images possessed a sense of spontaneous energy that proved to have universal appeal in every medium he worked in.
Beginning with his masterful pen and ink cartooning at EC Comics, he quickly forged a reputation as one of the most versatile artists in comics, drawing humor, horror, and war stories. In Harvey Kurtzman's MAD, especially, Davis made a mark as a master of caricature, composition, and wild, anarchic crowd scenes, practically vibrating with energy.
After stints at MAD, Trump, and Humbug — three humor magazines that defined the satirical zeitgeist of the '50s — Davis went on to become the most successful commercial illustrator of his generation, illustrating movie posters, magazine articles, magazine fiction, LP jackets, and more.
Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection — in terms of both quantity and quality — of Jack Davis' work ever assembled!
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