Party in the city where the heat is on. All night on the beach til the break of dawn Welcome to Miami (bienvenido a Miami)
Ain't no party like a Miami Book Fair International party, which kicked off this past Sunday, November 11th. Yes, they party all week long when it comes to books! And, things get even hotter this weekend as our Fantagraphics artists take the scene for the Graphic Novel programming!
Saturday, November 17th
2:30 PM // Graphic Lives: Aline Crumb, Drawn Together: The Collected Works of Aline & R. Crumb, in conversation with scholar, Hillary Chute, author of Graphic Women
3:30 PM // On Comics: A Conversation:Charles Burns on The Hive, Chip Kidd on Batman: Death By Design and Chris Ware on Building Stories
Sunday, November 18th
1:00 PM // Comics and Social Change: with Marjorie Liu, Dan Parent, Ellen Forney, Stephanie McMillan, and Riva Hocherman. Moderated by DC Comics/Vertigo editor Joan Hilty.
The first rain-free (HA!) day of Online Commentaries & Diversions:
• Review:The Comics Journal looks at Ron Rege Jr.'s The Cartoon Utopia. Katie Haegel writes, "Almost impossible to categorize, the work in Cartoon Utopia is both fully realized in a formal sense and wonderfully idiosyncratic. Like, it’s really out there. . . to me the work is much stronger when it depicts magic in action, which Regé accomplishes by telling us stories about historical figures and their relationship to the natural world."
• Review:Robot 6 reviews The Cartoon Utopia by Ron Rege Jr. Chris Mautner writes "with Rege drawing science, new age spiritualism, the occult, astrology and Jungian archetypes to come up with a personal grand unification theory. There are no plots or characters in the book to speak of, instead Rege merely muses and illustrates his theories, which mainly have to on the interconnectedness of all living matter."
• Plugs: Best covers of the week by Andy Khouri on Comics Alliance. Ron Regé Jr'sThe Cartoon Utopia: "This cover really makes me smile, and maybe gives me a sense of four-color spiritual well-being. But cartoon utopia looks more outdoorsy than I expected."
• Review:Page 45 enjoys the gentle pages of The Cartoon Utopia. Stephen L. Holland states, "Regé is back with a spiritual manifesto and ode to creativity: a singular, secular vision delivered with all the fervour of a religious sermon. It’s a call not to arms but to peace and perception unshackled from the conditioning of ages, exhorting all to see new possibilities, infinite possibilities, so enabling one’s full potential to be realised in both senses of the word."
• Review:Barack Hussein Obamaby Steven Weissman is reviewed on Bookslut. Martyn Pedler says, "His Obama begins as a kind of smug, stoner everyman: telling 'your momma' jokes, discussing old movies with visiting dignitaries . . . Weissman’s pages -- drawn in ballpoint into a moleskin notebook -- use a four-panel gag structure that makes the book immediately addictive."
• Review:Publishers Weekly takes on Barack Hussein Obama by Steven Weissman.". . . readers will likely have to be content with being one part giddy and three parts puzzled. . . Perhaps that’s Weissman’s point: that the farce of contemporary politics has the capacity to make one simultaneously giddy, confused, and disenchanted."
• Interview (audio): Speaking of Steven Weissman, Obama and the elections, he is interviewed on KPFK 90.7 FM's show Beneath the Surface.
• Review: Cartoonist Lilli Carré finds herself Boing-Boing-ed. Brian Heater describes Heads or Tails collection, "These strips, which originally in the pages of places like The Believer and Mome, find the artist dipping her toes into new pools, the sort of freedom afforded by the low commitments of the short story form, often to truly wonderful effect."
• Interview: Eddie Wright of MTV Geek interviews Johnny Ryan about Prison Pit 4 and why us humans love it so much. "Well, I think it connects to comic fans because it's the stripped down essence of what popular superhero comics are, which is men beating the living shit out of each other. People love it."
• Review:Reglar Wiglar spit takes while reading Johnny Ryan's Prison Pit 4. Chris Auman says, "This is Ryan’s depraved ID unleashed in its purest form: blood, guts, genitalia and fecal matter abound—actually they don’t abound so much as they’re sprayed all over absolutely everything in a fantastical sci-fi orgy of digustedness."
• Plugs: Best covers of the week by Andy Khouri on Comics Alliance. continues with Wallace Wood's Came the Dawn: "And while we're talking smart use of interior art, here's another superb example. This collection is all about the mastery of Wally Wood, so the cover presents a taste of his work in an uncluttered and respectful way, while also establishing a trade dress for Fantagraphics' new EC artists line." Chris Wright's Blacklung: "I see a lot of Joann Sfar in this densely demonic and stylishly constructed cover, and that's enough to convince me to investigate the work of newcomer Chris Wright." Spacehawk mini-comic by Basil Wolverton: "Basil Wolverton may be best known for his grotesque caricatures in MAD Magazine, but he worked in a lot of genres. Spacehawk was evidently one of his early works, and if this gorgeously lurid cover is anything to go by it was a delightfully daffy sci-fi pulp."
• Review:Booklist Online carves out a place in their hearts for Wallace Wood's Came the Dawn. Ray Olson writes, "This volume presenting all his horror and crime stories chronologically shows him refining what is at first a crude though powerful sense of mise-en-scène into one that is assured, highly detailed, and lightly caricatural."
• Review:AV Club reviewed all our new books Came the Dawn by Wallace Wood and Corpse on the Imjin by Harvey Kurtzman. Noel Murray writes, "in writer/artist-driven volumes, printed in black and white, with additional essays and archival material . . . [and] both immediately reveal the value in the artist-driven approach. . . Feldstein’s stories were like the comic-book equivalent to some of the seediest B-movies, and Wood’s art fit Feldstein’s text, with lots of deep shadows and wrinkles reflecting a complicated world." On Basil WolvertonSpacehawk, "As with Kurtzman’s war comics, it’s remarkable to see art so twisted applied to such vivid pulp tales—almost as though Wolverton was trying his hardest to be Alex Raymond, but couldn’t help turning out images to rival Salvador Dalí." Gary Panter's "Dal Tokyo would evolve, strip-by-strip, into a distinctly Panter-esque swirl of science fiction and pure abstraction, in keeping with the artist’s one-of-a-kind sense of design, and his pursuit of comics that resemble music and poetry."
•Plug:Web Cast Beacon reviews all free Halloween Comics Fest freebies. They enjoy Tales from the Crypt and Spacehawk. YES, mail in those ad coupons, people.
• Interview:Jim Woodring is interviewed by Peter Bebergal on hippies, hallucinations and all the good stuff that goes into his latest work, Problematic, a skechbook. "I frequently saw things at night — silently jabbering heads at the foot of my bed, distorted animals and objects hanging in the air over me. Often I saw a huge staring eye that made me vomit with fear."
• Plug: On Boing-Boing, Mark Frauenfelder tips his digi-hat to Floyd Gottfredson: "Gottfredson's Mickey is a plucky, goodhearted imp, bursting with energy and impulsively eager for adventure. . . [Carl] Barks will always have a special place in my heart, but I've added Gottfredson to my short list of great American cartoonists."
• Review: Page 45 looks at The Lost Art of Ah Pookand Stephen L. Holland ponders "Malcom Mc Neill has taken the time to put this eye-frazzling book of art – some of it sequential – into context, for the work itself is very much lost. . . There are vast scenes of ancient ritual, carnal lust and very modern warfare transcending time just as they were always intended."
• Review:Booklist Online likes Walt Disney's Uncle Scrooge: Only a Poor Old Manby Carl Barks. Ian Chipman states, "from the bitter cold of the Klondike to the bottom of the Caribbean. . . Barks’ comics are an absolute treasure that have aged remarkably well, and are finally getting wide-scale publication to introduce them to a new generation of readers."
• Review: Gene Ambaum of Unshelved happily views covers from Action! Mystery! Thrills!, edited by Greg Sadowski. "Beautiful full-color reproductions of unblemished comic book covers show the amazing art and the breadth of genres on the newsstands before Fredric Wertham screwed everything up in the 1950s. . . The colors are bright, and the art is just plain fun."
• Review: Is That All There Is? by Joost Swarte gets reviewed on Bookgasm. JT Lindroos states, ". . . it’s impossible not to enjoy this ultimately all-too-brief volume for every single panel it presents. Swarte is consistently projecting an incisive and curious mind at work, perfectly tuned to his showstopping skills as an artist nonpareil."
• Review: Rod Lott of Bookgasm spends a long, loooong time checking out Sexytime. "[Editor Jacque Boyreau] has a knack for picking images; much like Supreme Court Justice Potter Stewart and hardcore porn, Boyreau knows it when he sees it. And luckily, he shares it, this time from the visual-presentation experts of Fantagraphics Books — a match made in poster-art heaven."
• Plug: Matt Bielby writes about The Complete Crumb Volume 1 by R. Crumb in Comic Heroes Magazine: "It's incredible stuff, much of it obviously for completists only, but even the most obscure volumes track a fascinating, and developing, world view."
• Interview: Charles Burns is interviewed on Cult Montreal by Emily Raine about The Hive, his creepy artwork and the Black Hole movie. "It’s not my intention to be creepy per se, or that’s not the reason I’m writing stories. I think they end up being whatever they are. Maybe I’m just a creepy guy, I don’t know."
• Interview (audio): One of our favorite creators, Ellen Forney, speaks to KUOW/NPR on bi-polar disorder, comics and her new work, Marbles.
• Plug:Jaime Hernandez will be at the Copenhagen Comics Fest in Copenhagen, Denmark in June of 2013. Mark them calendars!
Jack Jackson loved American history and creating comics. He combined these into a single vocation and created a legacy of historical graphic novels that has never been equaled.
Jackson is credited with creating what many consider the first underground comic, God Nose, in 1964. He co-founded Rip-Off Press in 1969, and made some of the most scathing satirical comics about contemporary America ever seen. But, Jackson was a Texan, and in the 1970s he returned to his roots and began writing and drawing short historical comics about Texas history. He then went on to produce six graphic novels chronicling 19th century Western history focusing on his beloved Texas and the Plains Indians. Fantagraphics, which published Los Tejanos originally in 1981, is proud to bring his graphic histories back into print in a series of three volumes, each reprinting two of his long narratives.
The first volume features Los Tejanos, which Fantagraphics published as a solo book in 1981, and Lost Cause (1998) — chronicling Texas history before and after the Civil War.
Los Tejanos is the story of the Texas-Mexican conflict between 1835 and 1875 as seen through the eyes of tejano (literally Texan of Mexican, as distinct from anglo, heritage) Juan Seguín. It is through Seguín, a pivotal and tragic figure, that Jackson humanizes Texas’ fight for independence and provides a human scale for this vast and complex story.
Lost Cause documents the violent reaction to Reconstruction by Texans. As Jackson wrote, “Texas reaped a bitter harvest from the War Between the States. Part of this dark legacy was the great unrest that plagued the beaten but unbowed populace.” The tensions caused by Reconstruction are told through the Taylor-Sutton feud, which raged across South Texas, embracing two generations and causing untold grief, and the gunslinger John Wesley Hardin, who swept across Texas killing Carpetbaggers, Federal soldiers, and Indians.
Jackson’s work is as known for its rigorous research — he became as good an historian as he was a cartoonist — as well as its chiseled, raw-boned visual approach, reproducing the time and place with an uncanny verisimilitude.
This edition includes an essay by and interview with Jackson about the controversy Lost Cause generated, and an introduction by the novelist Ron Hansen.
This past Saturday, the Fantagraphics Bookstore & Gallery was proud to co-present an event at the Seattle Public Library Central Branch as Ellen Forney debuted her brand-new graphic memoir, Marbles: Mania, Depression, Michelangelo, & Me, out now on Penguin Books' Gotham imprint. Thank you to everyone who came out!
Comics readers are more good-looking that regular readers.
No surprise to anyone, Ellen gave a fantastic, and brave, performance. Marbles is her graphic memoir about being diagnosed with bipolar disorder. She told the audience that she had hid this from her friends when she first found out, so for Ellen to talk about it years later in front of a packed auditorium filled with strangers was truly inspiring!
Ellen had "Club Van Gogh" membership cards printed up for us to hand-out! (We still have some at the store, if you missed out.) Alas, it does not get you free miles on Alaska Airlines flights, despite what Larry might have told you!
Speaking of Larry, his introduction for Ellen was especially sweet. He reminisced about the days when he was the PR Director for Fantagraphics, and Ellen came to the office saying she wanted to be a cartoonist!
After her amazing presentation, Ellen headed out to the lobby of the Seattle Public Library to sign books...
...the line wrapped around the corner!
Local artists David Lasky and Greg Stump stopped by, seen here with the lovely Leeann Bowen! Megan Kelso was also in the audience, but I didn't manage to get a snap of her.
Thank you so much to the wonderful staff of the Seattle Public Library, who are always a joy to work with! And thanks again to everyone who made it out for the event. There are more camera-phone-snaps of the event at the Fantagraphics Flickr page!
If you couldn't make it, Larry will have signed (yes!) copies of Marbles: Mania, Depression, Michelangelo, & Me at the store later this week. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
Today marks the same-day release of Prison Pit Book 4 from Fantagraphics in bookstores and at comiXology, we're getting into the giving swing of things. In Johnny Ryan's latest 'raging flume of blood and cum' as Joe McCullough says, we find Cannibal Fuckface has just about had it with prisoners messing with him. He discovers the only way to escape the Caligulon is to brainfuck the Slorge and create a giant, brainless oafchild that only knows how to annihilate everything in its path.
116 gristly pages of smackdowns, foaming villians and unsympathetic bowel movements can be yours in the $12.99 book thrillbent on making sure you never touch your genitals again in the same way. Without puking.
"There's no point in trying to explain Prison Pit. You can only experience it to understand it. Start buy buying all of them at once if you haven't yet. . . It wears its intentional stupidness and violence on its sleeve while also showing off Johnny Ryan's sophisticated sense of composition and black and white ink prettiness." -Nick Gazin, VICE
"Hey are you doing any more scary guys made out of tar ripping each other's dicks off? You know why I like those? Because you don't have to read all them stupid words and stuff. Right? Haa ha, hey Johnny wanna come over and play? Ha Ha!" - Tony Millionaire
Have you ever wished for a miniature effigy of Fletcher Hanks's Stardust the Super Wizard (as seen in the hit books I Shall Destroy All the Civilized Planets and You Shall Die by Your Own Evil Creation), or, perhaps, desire one now that we've planted the idea in your head? You could help make it happen if you apply your willpower (and money)! Jared Zichek has created this 3D computer model of everyone's favorite godlike vengeance meter-outer clutching the literally disembodied head of the villain DeStructo, and is now taking pre-orders via Kickstarter to realize it as a cast-metal collectible miniature. I don't know much about tabletop miniature games but if anybody uses this in their D&D campaign I want to hear about it.
Fantagraphics and comiXology add to your digital Love and Rockets Library today with the release of Book 2 from Locas storyline by Jaime Hernandez, The Girl from H.O.P.P.E.R.S.
The 30th anniversary Love and Rockets celebration continues with this second of three volumes collecting the adventures of the spunky Maggie; her annoying, pixie-ish best friend and sometime lover Hopey; and their circle of friends, including their bombshell friend Penny Century, Maggie's weirdo mentor Izzy -- as well as the aging but still heroic wrestler Rena Titaon and Maggie's handsome love interest, Rand Race. After Maggie the Mechanic, the first volume in this series, Hernandez refined his approach, settling on the more naturalistic environment of the fictional Los Angeles barrio, Hoppers, and the lives of the young Mexican-Americans and punk rockers who live there. At $14.99, these 290 pages will keep you entertains and intrigued for hours on end.
"Jaime's characters are so convincing and his stories so compelling that it is easy to overlook his greatest strength: the most economically handsome drawing style in comics." - Booklist
"No one in comics has ever used the comics longform, the number of pages and the years between books, to such beautiful effect. Jaime Hernandez is comics' poet laureate of memory and meaning." - Tom Spurgeon, The Comics Reporter
The Hollywood Reporter reports that Jean-Patrick Manchette's novel The Prone Gunman, from which Jacques Tardi adapted the graphic novel Like a Sniper Lining Up His Shot (we gave it a different name for our edition), is on the way to a major-motion-picture adaptation with Sean Penn in negotiations to play the lead, ruthless assassin Martin Terrier. No director yet; our own Kim Thompson suggests Nicolas Winding Refn or William Friedkin in French Connection flashback mode, if the producers are listening.
We trust that Jefferey Wright is in talks for the Stanley role.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
56-page three-color 5.75" x 5.75" hardcover • $9.99 ISBN: 978-1-60699-624-9
"WOW, CHARLIE BROWN – a pair of ’60s holiday treats for Good Housekeeping and Woman’s Day form the bulk of Charlie Brown’s Christmas Stocking, a 56-page, 5.75" x 5.75" seasonal fancy." – Joe McCulloch, The Comics Journal
"I’m... eager for Charlie Brown’s Christmas Stocking." – Michael May, Robot 6
"I'm a fairly obsessive Peanuts reader, so I'll be glad to have this. It looks like it would be a nice little gift book." – Tom Spurgeon, The Comics Reporter
two 280-page black & white/color 10.5" x 8.75" hardcovers with slipcase • $49.99 ISBN: 978-1-60699-576-1
"WOW, MICKEY MOUSE – Floyd Gottfredson & co. return for another 280 big gulp of vintage newspaper strips in Walt Disney’s Mickey Mouse Vol. 4: House of the Seven Haunts, which sees large birds running amok, ghosts spreading terror, and Goofy finally addressed by his proper Christian name." – Joe McCulloch, The Comics Journal
"The publisher has pulled out all the stops on these wonderful collections.... Highly Recommended." – Bud Plant
"...[P]robably where my money will go is Walt Disney’s Mickey Mouse, Volume 4: House of the Seven Haunts ($29.99). I’m heading to Disney World next week and that would be great reading on the plane." – Michael May, Robot 6
"More of that Floyd Gottfredson, inky goodness, now in the long stretch of its prime." – Tom Spurgeon, The Comics Reporter
"Oh, dear, which volume of classic Disney material to get? Do I go with Vol. 4 of Floyd Gottfredson’s sublime daily Mickey Mouse strip, House of the Seven Haunts? Or do I choose the unparalleled genius of Carl Barks and get Donald Duck: A Christmas for Shacktown? The Donald Duck volume has the edge since it contains 'The Golden Helmet,' a favorite story of mine from childhood, but since I’m splurging I’ll just get both." – Chris Mautner, Robot 6
240-page full-color 7.5" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-574-7
"WOW, DONALD DUCK – Carl Barks is in charge of 240 pages of re-colored comic book stories in Walt Disney’s Donald Duck: A Christmas for Shacktown, gathering up some fine early ’50s material." – Joe McCulloch, The Comics Journal
"This is super-pretty work from a comics master and on my reading stand right now. ...[T]he comics here sure are a lot of fun, and read well today as kind of valentines mailed from the Land Of Narrative." – Tom Spurgeon, The Comics Reporter
116-page black & white 6.5" x 8.5" softcover • $12.99 ISBN: 978-1-60699-591-4
"WOW, CANNIBAL FUCKFACE – motherfuckers are gonna get ripped to shit in Prison Pit Book Four, a 116-page continuation of Johnny Ryan’s raging flume of blood and cum, and a top-notch example of the manga influence on Comics for Everyone today." – Joe McCulloch, The Comics Journal
"Johnny Ryan's -- I first wrote out 'Johnny Riot's,' which I think I may prefer -- manga-influenced fight comic pushes into the second half of its run with more of the same. It's one of the few series where more of the same is perfectly acceptable." – Tom Spurgeon, The Comics Reporter
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