264-page black & white 7.25" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-749-9
The team of Harvey Kurtzman and John Severin was one of the most fruitful collaborations in the history of comics. The work they did combines the taut emotional and psychological insights of Stephen Crane with a verisimilitude so gritty that it seems as if they are reporting from the scene. Together with inker and friend Will Elder, whose own obsession for detail perfectly heightened the impact of every line, they produced 34 war stories — emotionally draining and dramatically eloquent — in just under three years. This book collects them all. Settings include: the Roman empire; the Revolutionary War; the American-Indian Wars; the Alamo; the Civil War; World War I (in the trenches and in the air); World War II (in the Pacific and in Europe, including the D-Day invasion); and the Korean War.
224-page black & white/color 7.75" x 11" hardcover • $29.99 ISBN: 978-1-60699-752-9
Frank is, as everyone knows, Jim Woodring's bestselling cartoon character. Jim, on the other hand, is Woodring's cartoon alter ego, the fictional doppelganger who has for 30 years inhabited Woodring's alternate universe where shifting, phantasmagoric landscapes, abrupt, hallucinatory visual revelations, and unexpected eruptions of uninhibited verbal self-flagellation are common- place. Jim is a mind-bending collection of all of Woodring's best non-Frank creative work — comics stories, prose stories, drawings, and paintings, with a new introduction and afterword by the man himself. Abounding in metaphors if you choose to see them and naked self-disclosure if you don't, this volume of comics, prose, and images — collected here for the first time and including an all-new 24-page story — is a bounty of Woodring's inspired artistry.
In the fourth volume of Fantagraphics' Captain Easy series, our eponymous hero and his loyal sidekick Wash Tubbs answer a newspaper ad that they don’t know is years out of date, and wind up stranded in Guatemala with a busted landing gear and only five dollars to their name. Whoops! They need all their wits and ingenuity to get them out of this fix. Which they manage to do by the skin of their teeth, only to stumble onto a lost city in the jungle. Lost cities in the jungle are never good news, and so it is with our two boisterous heroes. Against all odds, they extricate themselves from this dastardly peril and head for home on a ship carrying tigers (Roy Crane loved to draw tigers). They’re out of danger, right? Wrong! What kind of a Captain Easy adventure would this be without our boys getting stranded on a desert island and encountering the beautiful but savage Wolf Girl (Crane loved to draw Wolf Girls!)?
Don’t miss the last volume of Fantagraphics' glorious reprint of Roy Crane's full color Captain Easy Sunday pages.
Embedded here and in downloadable form is a substantial smattering of pages from our upcoming book Perfect Nonsense: The Chaotic Comics and Goofy Games of George Carlson. The most amazing early 20th century illustrator, comics artist, and creator of absurd whimsy you've probably never heard of, Carlson is finally getting his due in this beautiful and hefty volume. Our excerpt includes portions from throughout the book to give you a sampling of his gorgeous and delightful work for various media. One look and you're certain to fall in love! Pre-order now for projected delivery in mid-to-late January.
Fantagraphics is thrilled to be part of the third annual Short Run Small Press Fest here in Seattle on Saturday, November 30th at historic Washington Hall in the Central District. Even though Short Run is a festival spotlighting self-published works, limited editions, and handmade books, Fantagraphics will have a presence in many, many ways, as you will see below...
• Visit the Fantagraphics Bookstore & Gallery at Table L-51 on the first floor of Washington Hall! We'll have an excellent array of independent comics in stock from publishers who weren't able to make the trek to Seattle, like Koyama Press, Uncivilized Books, PictureBox, and more.
Plus, throughout the day, Manager/Curator Larry Reid will be joined by special guests who got their start in small press: our own Ellen Forney, who self-published her title I Was Seven in '75 with a Xeric Grant, and Bruce Pavitt, co-founder of Sub Pop Records, which started as a zine back in 1979. Stop by the table for a chat -- all three of them have tons of experience and knowledge about self-publishing that they'd love to share with you!
• All throughout the day, Short Run will be screening animation, including pieces from our own Dash Shaw and Lilli Carré, alongside Reel Grrls, SEAT (Seattle Experimental Animation Team), and dozens of other animators from around the country. Screenings take place on the balcony level of Washington Hall.
• Fantagraphics staffers Jason T Miles [C-11] and Jen Vaughn [landing] will be exhibiting with comics of their own!
• And then there's the panels (all taking place on the first floor)!
---> 12:20 PM: Women in Comics // Our own Megan Kelso will lead and moderate a panel focused on the females with panelists Geneviève Castrée, Gabrielle Gamboa, Roberta Gregory, Julia Gfrörer, and Virginia Paine. I have to say, Megan has been doing some amazing planning and research for this panel, and it is not to be missed!
---> 2:40 PM : The World of Comics // A survey of comics around the globe with Jason T Miles, Pat Moriarity, David Lasky, and Leonard Rifas. (Inspired by our own Kim Thompson.)
But, wait! There's more... The day before Short Run Small Press Fest, Friday, November 29th, they'll be hosting Read/Write, a day of panels, workshops, and more at the Vera Project, including...
---> 2:00 PM : DIY Publishing in the Digital Age Panel // With our Associate Editor Eric Reynolds, plus Bruce Rutledge (Chin Music Press), self-publisher Alec Longstreth, and moderator Zack Soto (Study Group).
• And for full-disclosure, I, Janice, your friendly Flogger, should mention I'm one of the organizers this year, so there's that...!
For the complete Short Run Seattle schedule, including Read/Writeon Friday, November 29th at the Vera Project [ Warren & Republican Ave North ], and Short Run Small Press Fest on Saturday, November 30th at Washington Hall [ 153 14th Avenue ], visit shortrun.org! Both events are FREE and open to the public! See you there!
80-page two-color 6" x 9" hardcover • $16.99 ISBN: 978-1-60699-746-8
The precocious sock monkey Uncle Gabby, his innocent pal Mr. Crow, and their tiny doll-friend, Inches, are the heroes of this funny, unsettling, and all-new Sock Monkey storybook. Convinced that their human, Ann-Louise, has been kidnapped by a vicious monster dubbed the Amarok, our heroes bravely venture into the Haunted Woods to rescue her. The epic quest that follows takes them by sea, land, and air through many fantastic lands and introduces a cast of fanciful characters and creatures including the Trumbernick (the pixie shaman of the forest), a giant sea monster, the Guardsmen of Bear Town, and a flock of flying harpies. Beloved by adults and children, Sock Monkey hearkens back to all-ages fantasy-adventure such as The Wizard of Oz or Alice in Wonderland.
360-page black & white (with spot color) 8.25" x 6.5" softcover • $22.99 ISBN: 978-1-60699-763-5
The bestselling, award-winning, critically acclaimed series that sparked a renaissance for fans of classic comic strips upon its debut in 2004 is now in softcover! This first volume, covering the first two and a quarter years of the strip, features hundreds of strips rarely reprinted before this series. Three major cast members — Schroeder, Lucy, and Linus — initially show up as infants and only “grow” into their final “mature” selves as the months go by. Even Snoopy debuts as a puppy! The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day. This volume is rounded out with Garrison Keillor’s introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
180-page color/black & white 9" x 12" softcover • $29.99 ISBN: 978-1-60699-669-0
"Robbins is pretty well known for doing these 'Women in comics' type books over the years. But this larger-sized format, with bright colors really makes this much more than a simple updating of a years old exercise." –Benn Ray, Atomic Books
224-page color/black & white 7.5" x 11" hardcover • $34.99 ISBN: 978-1-60699-747-5
This is the definitive account of the boldest and most audacious of the legendary underground cartoonists: the taboo busting, eyeball blistering S. Clay Wilson. This first volume contains all of his underground comic stories from ZAP Comix, Snatch, Gothic Blimp Works, Bogeyman, Felch, Insect Fear, Pork, Tales of Sex and Death, and Arcade magazine as well as the many adventures of the Checkered Demon, Star-Eyed Stella, and Captain Pissgums, and even his earliest collaborations with William Burroughs. Also: selections from his teenaged and college years, both in comics and painting form. First person accounts from his peers, as well as Wilson’s own words, offer a revealing portrait of the artist who hid his shyness behind brash behavior and bluster. This first of a three-volume biography and retrospective gets to the heart and soul of an artist who lived his dreams and his nightmares.
160-page full-color 9" x 12" hardcover • $34.99 ISBN: 978-1-60699-731-4
Featuring approximately 75 full-color portraits of the pioneering legends of American comic books, including publishers, editors, and artists from the industry's birth in the '30s, through the brilliant artists and writers behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Wertham... it’s a Hall of Fame of comic book history from the man Boing Boing calls "America’s greatest living portrait artist!"
(Note that the final cover art will feature Drew's portrait of Jack Kirby, rather than Siegel & Shuster as shown here.)
We've hit the halfway mark in the month of our Kickstarter campaign. To celebrate comics, and hitting our goal, we're offering a quartet of signed, limited-edition prints featuring artwork from our upcoming book The Blighted Eye. (You can also just get the book, signed by Glenn Bray.)
We also have the iconic cover of one of the seminal 1972 autobiographical underground comics: Binky Brown Meets the Holy Virgin Mary as a $150 print. Scanned from the original black and white art and signed by cartoonist Justin Green.
Also from The Blighted Eye is a six-panel painted comic strip titled “Henry Webb” (1992), starring Gary Panter’s every-idiot; a stand-alone painting and of course, signed for $150.
Also from The Blighted Eye and $150, Kim Deitch's “Hell.” A giclee print from a 25” x 18 ½” ink & watercolor masterpiece, 1985.
And the estimable Robert Williams also has a print. Entitled “Gaudi,” celebration of the architect Antonio Gaudi, originally published in Gothic Blimp Works, 1970. Signed by the artist for $175.
Don Rosa has been nice enough offer color headshot sketches and dedications inside the Uncle Scrooge and Donald Duck: The Son of the Sun. At $500, this is a steal given how much his drawings go for. You choose the character and expression but we all know that hot-tempered and at-the-end-of-their-ropes make the best duck drawings.
Thank your for your continued support and nagging your friends to contribute to our campaign.
Tally ho, adventure lovers, another volume of Hal Foster's masterpiece is coming your way in a couple of months, as heralded by the appearance of advance copies of Prince Valiant Vol. 8: 1951-1952 in our hallowed halls. A theological thread runs through this volume with storylines about the coming of Christianity to Val's Nordic homeland (see Val getting a lesson on the Norse pantheon with a pre-Lee/Kirby Thor on the cover) along with all the usual derring-do, epic battles, domestic comedy, and dramatic life changes. Pre-order now for your express ticket to comics Valhalla!
Fantagraphics Books Partners With ComiXology to Debut Violenzia
Fantagraphics Books’ First Digital Exclusive Comic
November 20th, 2013 – Seattle, WA/New York, NY – Fantagraphics Books, publisher of the world’s greatest cartoonists, partners with comiXology, the revolutionary cloud-based digital comics platform, to debut Fantagraphics’ first original, digital exclusive comic book: Violenzia. Written and illustrated by acclaimed creator Richard Sala (Delphine, Cat Burglar Black), Violenzia is an all-new, full-color, $5.99, 50-page one-shot exclusively available today across comiXology’s entire platform including iPhone, iPad, Android, Kindle Fire, Windows 8 and comiXology.com.
"Let there be no mercy or forgiveness for they have shown none." With these words, whispered into the wind, a mysterious young woman leaps into action with wild abandon, twin automatics blazing. Is she a brave and reckless heroine taking on a monstrous evil? Or is she a deranged angel of death? One thing is clear, whether she is dropping from a high window into a crowd of red-robed fanatical cultists, or facing down a horde of psychotic hillbillies, you don't want to get in Violenzia’s way.
"This is a new model for us," said Fantagraphics Associate Publisher Eric Reynolds. "Not a better model, but a different model. Richard Sala is one of our most beloved authors, and recently he has built up a considerable and new following online, via his Tumblr and other social media, so when he proposed Violenzia it seemed like the perfect opportunity to experiment with a digital-only release."
"We’re thrilled that Fantagraphics partnered with us to bring Richard Sala's beautiful and hilarious Violenzia to comiXology and our worldwide audience," said comiXology co-founder and CEO David Steinberger. "Readers and fans will also be treated to experiencing this amazing work in comiXology’s cinematic Guided View reading technology."
A fast moving, self-contained story, Violenzia is a blast of pulpy fun, told in scenes of audacious action and splashes of rich watercolors. With elements of golden age comics and old movies mixed with Sala's trademark humor and sense of the absurd, Violenzia is serious fun, a bloody enigma masked as eye candy, a puzzle box riddled with bullet holes.
Violenzia is the latest story by Sala featuring heroines (or anti-heroines) who are quirky, mysterious and unpredictable — such as Peculia (PECULIA , PECULIA AND THE GROON GROVE VAMPIRES), Judy Drood (MAD NIGHT, THE GRAVE ROBBER'S DAUGHTER), and K Westree (CAT BURGLAR BLACK), and features the same distinctive mixture of mystery, violence and humor as his books THE CHUCKLING WHATSIT, THE HIDDEN and DELPHINE.
About Fantagraphics Fantagraphics Books has been a leading proponent of comics as a legitimate form of art and literature since it began publishing the critical trade magazine The Comics Journal in 1976. By the early 1980s, Fantagraphics was at the forefront of the burgeoning movement to establish comics as a medium as eloquent and expressive as the more established popular arts of film, literature, poetry, et al. Fantagraphics quickly established a reputation as an advocacy publisher that specialized in seeking out and publishing the kind of innovative work that traditional comics corporations who dealt almost exclusively in super-heroes and fantasy either didn’t know existed or wouldn’t touch: serious, dramatic, historical, journalistic, political, and satirical work by a new generation of alternative cartoonists (including now-legends like Peter Bagge, Daniel Clowes, Gilbert and Jaime Hernandez, Joe Sacco and Jim Woodring) as well as many artists who gained prominence as part of the seminal underground comix movement of the '60s, such as R. Crumb and Kim Deitch. Fantagraphics has since gained an international reputation for its literate and audacious editorial standards in publishing the best cartooning from all eras and regions with exacting production values.
About comiXology ComiXology has revolutionized the comic book and graphic novel industry by delivering a cloud-based digital comics platform that makes discovering, buying, and reading comics more fun than ever before. ComiXology’s Guided View™ reading technology transforms the comic book medium into an immersive and cinematic experience, helping comiXology become one of iTunes' top 10 grossing iPad apps in both 2011 and 2012. Offering the broadest library of comic book content from the top 75 publishers, and including independent creators as well, comiXology will not stop until everyone on the face of the planet has become a comic book fan. A privately held company, comiXology is based in New York City. For more information visit www.comixology.com.
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