72-page black & white (with spot color) 6" x 9" softcover • $14.99 ISBN: 978-1-60699-734-5
A local medical expert and sheriff are summoned to investigate a strange sighting that sets the stage for Conor Stechschulte's debut graphic novella: a severed human head that still seems to be talking. We flash back to a pair of butchers who arrive at work one morning to find not only that there is no meat in their shop but also that they have forgotten completely how to do their job. As customers arrive, they are too fearful for their livelihood to admit their dilemma, leading to increasingly disastrous events. But what has caused their strange amnesia? This often hilarious, enigmatic, and uncomfortable book will establish Stechschulte as an exciting new talent.
240-page full-color 6.75" x 9.75" softcover • $28.99 ISBN: 978-1-60699-739-0
Before Spider-Man and Dr. Strange, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and 1954), Ditko drew tales of macabre suspense that were not yet hobbled by the imminent Comics Code Authority (adopted in Oct. 1954). These stories featured graphic bloodshed, dismemberment, and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko's imagination. Strange Suspense features spectacular full-color reprints of every story from those first two years of his career. Edited by Ditko expert Blake Bell. Now in paperback!
Black is the Color begins with a 17th century sailor abandoned at sea by his shipmates, and as it progresses he endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid. The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst case scenario.
Julia Gfrörer's delicate drawing style perfectly complements the period era of Black Is the Color, bringing the lyricism and romanticism of Gfrörer's prose to the fore. Black Is the Color is a book as seductive as the sirens it depicts.
This weekend, Lilli Carré's acclaimed animation festival Eyeworks will screen at the Pioneer Works Center for Art & Innovation in Brooklyn.
Screenings take place today, Friday, November 15th, at 8:00 PM, and tomorrow, Saturday, November 16th, at 5:00 PM and 8:00 PM. Tickets are available online here, and the duel-day festival pass comes with a free silkscreened poster.
The Eyeworks Festival of Experimental Animation was founded by Carré and Alexander Stewart in 2010 to showcase outstanding experimental animation of all sorts, and the range of animation techniques, including paper cutouts, stop-motion, 3D computer animation, and a wide variety of hand-drawn methods.
Pioneer Works is located at 159 Pioneer Street, between Imlay & Conover streets, in Brooklyn.
That's right! Chapel Hill Comics are gonna funk you right on up with a signing of Hip Hop Family Tree this Saturday, November 16th with the funkmaster Ed Piskor! Join in the fun from 6:00 to 9:00 PM!
If you love hip hop, you will love everything about this book: Piskor's exuberant yet controlled cartooning takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late-1970s New York City in panels bursting with obsessively authentic detail.
Chapel Hill Comics is located at 316 W Franklin Street in the fine, fine city of Chapel Hill, NC. They'll also have copies of Ed's hacker comic masterwork, Wizzywig!
It's time for the Billy Ireland Festival of Cartoon Art, and this year, they've got even more to celebrate as the Billy Ireland Cartoon Library & Museum at Ohio State University is moving into wonderful new, expanded facility in Sullivant Hall! All weekend long, they're breaking in the new building with comics events, including this very special evening with Gilbert & Jaime Hernandez, this Saturday, November 16th!
Kicking off at 7:30 PM, join them for a freewheeling conversation between these alternative comics legends as they discuss their groundbreaking series Love & Rockets, and their ongoing stories about Latino and Latina life, love, and punk rock on both sides of the border.
Admission is free for Ohio State students with BUCK ID, or $5 for the general public, and available online here.
(By the way, check out that sweet festival logo below, designed by our very own Paul Hornschemeier!)
416-page two-color 5.75" x 5.75" hardcover • $28.99 ISBN: 978-1-60699-737-6
Summer vacation is here and Tammy Pierce is back with more sometimes ordinary, often humiliating, occasionally poignant, and usually hilarious exploits! Her hopes, dreams, agonies, and defeats are brought to vivid, comedic life by Watson's lovingly grotesque drawings, filled with all the eighties essentials — too much mascara, leg warmers with heels, and huge hair, etc. — as well as timeless teen concerns like acne, dandruff, and the opposite sex (or same sex, in some cases). Unlovable addresses the mysteries of high school through Tammy's naivete; girls and women in particular will find much that resonates, but men will also relate to Unlovable's universal humor and loser cast of characters. Tammy's life isn’t pretty, but it is endlessly endearing and hilarious.
144-page full-color/b&w 7.5" x 9.875" softcover • $24.99 ISBN: 978-1-60699-740-6
Eleanor Davis's How to Be Happy is the artist's first collection of graphic/literary short stories, and it’s about time. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such connoisseurial venues as Mome, Nobrow, and Lucky Peach, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills — sketchy drawing, polished pen-and-ink line work, and meticulously designed full-color painted panels — which are always in the service of a narrative that builds to a quietly devastating climax.
Do you like beautiful books? Do you like gorgeous illustration? Do you like fun, inventive comics? Then you will love Perfect Nonsense: The Chaotic Comics and Goofy Games of George Carlson, coming in January. Collecting Carlson's mostly youth-oriented work from the first half of the 20th century, Perfect Nonsense is brimming with clever whimsy and swoon-worthy artwork in a package so lovely we all crowded around designer Tony Ong and his pup Otis (out of frame) to congratulate him on a job well done when the first advance copies arrived.
Join him on Thursday, December 5th starting at 7:00 PM at the Bergino Baseball Clubhouse for a signing and discussion about the great Willard Mullin, voted "Sports Cartoonist of the Century" upon his retirement by his peers. (We're also told this talk will be filmed for a later podcast, so stay tuned!)
Bergino Baseball Clubhouse is located at 67 East 11 Street in the landmark Cast Iron Building in Greenwich Village, New York City. Be sure to get there early to check out the handcrafted baseballs they've got in stock!
220-page full-color 8" x 8" softcover • $29.99 ISBN: 978-1-60699-738-3
SuperTrash is the awaited, mutagenic sequel to Trash: The Graphic Genius of Xploitation Movie Posters (2002, Chronicle), the book that became a prophecy of the lasting influence of grindhouse and a model describing the shared evolution between art and trash. Now, original Trash author and curator Jacques Boyreau returns to the gonzo archives of 20th century design in pursuit of more bionic art-agony and trash-ecstasy. Serving together a mix of traditional movie signage and transgressive shout-outs, SuperTrash collages a trail of freakish delights and intellectual spin-kicks that track the co-dependencies of art and trash through sly, uncompromising essays about new wave hookers, bad gods, hermaphro chic, and, of course, Lee Marvin. Part psychedelic psychotronic, part poster book, part album cover book, part paperback pulp book. Interdisciplinary, quantal, and polyglottal, SuperTrash is Surrealism for the 21st century.
608-page black & white/color 8.5" x 11" two-volume hardcover boxed set • $94.99 ISBN: 978-1-60699-744-4
When the formulaic constraints, censorious nature, and onerous lack of creators' rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-published witzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzend in this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz.
If you run over to our Kickstarter page, you'll find a few new -- and good -- premiums.
1. Paul Karasik and Mark Newgarden will collaborate on a drawing, and they will do this exactly five times before collapsing in exhaustion (the drawings will be that good). Plus, they'll throw in an original, 10" x 17" vintage syndicate proof for a week of 1960s Nancy dailies! This is the promotional part of the pitch because it primes the pump for their groundbreaking 200+ page analysis and historical monograph of Nancy, How to Read Nancy, coming up in our Fall 2014 season. All this for a mere $250 beans.
2. Do you like Peanuts? Well, of course you like Peanuts, and, if you're the kind of right-thinking comics fan I know you are you adore Charles Schulz for all the right reasons. We're offering a print of the last Sunday Peanuts strip he drew, which ran on February 14, 2000 (literally the day after he died). This is his farewell strip because he knew he couldn't carry it on, and certainly one of the most moving strips ever drawn. It even comes framed. $100.
3. As you may know, we have embarked on another classic comics reprint series: Don Rosa's complete Duck run. The first volume comes out in June, titled Uncle Scrooge and Donald Duck: The Son of the Sun. We have offered signed copies of the book, but Don has now offered to do a full-color sketch in your copy of a character of your choice. And that for $500.
There will be some amazing works of art for sale later this week. Stay tuned.
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!