The Georgetown Second Saturday Art Attack returns on Saturday, October 10. Join us from 6:00 to 9:00 PM for this festive cultural and social outing in the heart of Seattle's historic industrial arts quarter.
Among the highlights on Saturday, October 10: Industrial sculpted paintings by Alex Rue and an original Butoh performance by Danse Perdue at Georgetown Arts Center; an exhibition and book signing by Los Angeles cartoonist Johnny Ryan with a provocative "Prison Pit" performance piece by Ardent Vein at Fantagraphics Bookstore & Gallery; Tina Witherspoon of Glamspoon unveils her new "Frida" collection with an exhibition of Dia de los Muertos linocut prints by Sam Hamrick at Georgetown Tile Works/Frida; Bella Vitale Gallery Studio presents an exotic show of photographs by Zoey Gillespie of Mexico with recent sensual circus paintings and prints by Angielena Chamberlain; the Twilight Artist Collective presents a multimedia exhibition curated by Ryan Horvath featuring Brandon Aleson, Matthew Burke, David Halsell and Ryan Horvath at the Stables; indie rock with To the Sea and Portland's Bradley Wik and the Charlatans at the MIX; diverse dining and imbibing at countless boisterous Georgetown establishments including Stellars Pizza & Ale, Calamity Jane's, 9 Lb. Hammer, Georgetown Liquor Company, Two Tartes Bakery, Jules Maes Saloon, Smarty Pants, Squid & Ink, Hangar Café, All City Coffee, and Via Tribunali.
The Georgetown Second Saturday Art Attack is a monthly promotion of the Georgetown Merchants' Association. For additional information and a participants map visit: www.georgetownartattack.com.
The Cartoon Art Museum in San Francisco welcomes author Todd DePastino on Friday, October 2, 2009 from 7:00 to 9:00pm for a special presentation on the life and art of multiple Pulitzer Prize-winning cartoonist Bill Mauldin. This presentation is based on DePastino's excellent and critically acclaimed biography Bill Mauldin: A Life Up Front (W.W. Norton, 2008). DePastino is also editor of our complete collection of Mauldin's World War II cartoons, Willie & Joe: The WWII Years. More info here.
October, when kingdoms rise, and kingdoms fall, but Online Commentary & Diversions goes on and on:
• Review: "If the world of alt-comics feels appealing but intimidatingly vast (what doesn’t these days), MOME is the perfect place to start. ... The volume is thick, slick and printed in what looks like Technicolor. An anthology is only as good as the sensibilities of those who compile it, of course, so it’s worth noting that a subscription of MOME equals four issues per year of work culled from the depths by an outfit that not only has keen vision in such matters, but also a stake in finding the very best. What’s not to trust?" – Molly Young, We Love You So
• Review: "...[Locas II,] the latest collected chunk of the (mis)adventures of locas Maggie and Hopey (and the occasional 'loco,' like Ray, the consort of sexy Frogmouth -- does it seem like a good soap opera yet? -- and their sprawling, recurring cast of compelling, sometimes hard-to-figure supporting characters) all brought me squarely back to Los Angeles. In the 80s. ... But returning to L&R, even sporadically, isn't simply an exercise in nostalgia. ...[W]hat's ultimately compelling about the L&R saga is the way the characters change over the years. ... So it's not just a [madeleine] cookie from our past, but something still fairly warm from the oven." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "There is such a relentlessly fervid, even crazed, sheen to all [Fletcher Hanks's] work, that you can't look away. ... Hanks seemed nearly demon-driven in these stories of constant fighting, killing, betrayal and revenge. The panels are often cramped, and the color schemes are nearly incandescent, and you're not sure whether to liken the rawness of it all -- elastic, rubber-boned physiognomies included -- to listening to a record by Fear, circa 1980, or watching a half-dressed man shouting on the corner." – Mark London Williams, The SF Site: Nexus Graphica (same link as above)
• Review: "Tardi's intricate, cartoony, and beautiful art perfectly expresses Forest's ideas and words. The humorous You Are There masterfully satirizes French society and politics unlike any comic before or since." – Rick Klaw, The SF Site: Nexus Graphica
• Plug: "It always amazes me how [Kevin] Huizenga can take everyday moments, like, in [Ganges #3], trying to get to sleep, and turn them into extravagant, elaborate displays of cartooning genius." – Chris Mautner, Robot 6
• Interview: At Comic Book Galaxy, Alan David Doane poses 5 questions to our favorite Associate Publisher, Eric Reynolds
• Profile: "Comics creator Hans Rickheit's new graphic novel, The Squirrel Machine, is a stylish and surreal tale of brothers dabbling in the forbidden unknown. ... He lives in Philadelphia, but his work pulls from the style and antiquity of 19th Century New England. 'The objects, places, and people from that time period in New England grabbed my imagination," Rickheit says. 'I find them visually more interesting than modern trappings, modern buildings. And they're more fun to draw, because they're just so ornate.'" – John Seven, Worcester Magazine
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