Short notice: Tomorrow night at Big Brain Comics in Minneapolis there's a book release party for Zak Sally's Like a Dog and John Porcellino's Map of My Heart (from D&Q). Festivities start at 5 PM - more info at the La Mano blog. Twin Cities comics fans, this is a Must Do!
... Steven Weissman says of this week's strip "THIS COMIC WILL CHANGE AMERICA FOREVER!" and I cannot disagree! The President earns his Nobel Peace Prize right here!...
Today only (we think... it's not entirely clear), you can download Paul Hornschemeier's short prose story "The Spoils of the Fair" (which originally ran in Mome and is now collected in All and Sundry) to your "smart phone" for free at cellstories.net. Paul has a bit more info at his blog.
• Review: "Giraffes in My Hair: A Rock ‘N' Roll Life... is deeply personal but doesn't get bogged down with self service or making a Titan out of a man. I love that here we have a view of some of the seedier sides of counterculture that doesn't have an agenda beyond the act of sharing...of storytelling. It feels like a recounting, almost a journalistic telling of the facts of his personal history. But it also feels like you're having a great dinner with an old friend. ... As a graphic novel it is very strong. Carol Swain’s rough-layered pencils are distinct and complex with texture. ... Giraffes achieves a fusion of art and story where each serves the other in a mutually empowering way. An ideal comic. It is sharp and witty visual commentary on sharp and witty writing. There is a great eye for details at play with Swain's artwork. ... It is as though the story and memory of the story are more important than the teller himself. Brilliant." – Jared Gniewek, Graphic NYC
• Review: "The fact is that comics have always had an abstract artistic potential — and as far as my memory goes, one that is accepted by all worthwhile theoretical definitions of comics. But, until now, its role was secondary, relegated to isolated experiments. It is here that the anthology does its job: presenting an overview and organizing it, Abstract Comics creates a movement. From it, abstraction in comics can move beyond an experiment and become a legitimate possibility — a process that began in the visual arts years ago." – Eduardo Nasi, Universo HQ (translated from Portuguese on the Abstract Comics Blog)
• Review: "West Coast Blues is Fantagraphics' first offering in what one hopes will be am ambitious Tardi reprint project... It's an elegant, somewhat unorthodox set-up, at least with Tardi's narration, and indeed Tardi makes a number of creative, idiosyncratic choices in adapting the novel. ... The '70s milieu shouldn't put anyone off, and in fact that's one of the book's charms, with Tardi's clean line depicting classic old Mercedes and Citroens, and plenty of legwork and driving rather than digital assistance. Tardi has a really appealing style, clear and photorealistic in the details and yet messy with life. ... Tardi doesn't shy away from the violence of the story, but he doesn't revel in it, either, his pages all varying grids, many with tall, narrow panels that keep the pace brisk." – Christopher Allen, Comic Book Galaxy
• Plug: "As Orson Welles and Terry Gilliam have film adaptations of Don Quixote as their great incomplete masterworks; Al Columbia has Pim and Francie. A work over 15 years in the making, and never now likely to be ‘finished', the pieces of it have been assembled as Pim & Francie: The Golden Bear Days." – Marc Arsenault, Wow Cool
• Interview: The folks at The Comix Claptrap kick off another season of comics podcasting by talking to Jaime Hernandez, in streaming and downloadable audio
• Things to see: The Covered blog is a Fantagraphics intraoffice special today, as Jason T. Miles pays homage to Eric Reynolds
Dash Shaw posted this announcement about his animated short film on his blog:
"The Unclothed Man in the 35th Century A.D. will be playing November 2nd and 5th at Cinema Tous Ecrans, a film festival in Switzerland. Here's the info."
The book of the same title was a hit debut at APE last weekend and should be available for pre-order here soon. Read our news release for more info about the film and book.
This weekend Fantagraphics will be exhibiting at the first annual Seattle Bookfest in the Columbia City neighborhood of South Seattle. The event takes place Saturday and Sunday from 10AM to 6PM each day. We'll have a slew of recent releases for sale, as will our pals from Top Shelf, who will be exhibiting right next to us. On Saturday from 3 to 4PM, our own Gary Groth will interview Megan Kelso and Ellen Forney on a panel and they will sign books afterwards. Should be a fun event, come on down!
Now available for preview and pre-order following sell-out debuts at SPX and APE: Ganges #3 by Kevin Huizenga. The eagerly-awaited new issue of this Eisner-nominated, critically-adored series (in our deluxe, oversized "Ignatz" format) finds everyman Glenn Ganges dealing with a bout of insomnia and traversing strange mental landscapes. The first three pages can be previewed here. This issue is scheduled to be in stock and ready to ship sometime in the next 2 weeks and in stores approximately 4 weeks after that (subject to change).
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View a photo & video slideshow preview of the book embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended).
BONUS! Here are two newly-uploaded slideshow previews of this summer's Ignatz releases, Delphine #4 by Richard Sala (open in new window) and Grotesque #3 by Sergio Ponchione (open in new window).
On Saturday, October 31 at 3 PM, join artist Femke Hiemstra at the American Book Center in Amsterdam to celebrate the release of her new book Rock Candy: The Artwork of Femke Hiemstra. Femke will be signing books and prints of her artwork will also be for sale. RSVP on Facebook here.
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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