|KING OF THE FLIES Halloween preview - page 3|
|Written by Kim Thompson | Filed under previews, Pirus and Mezzo, Coming Attractions||27 Oct 2009 7:47 AM|
See part 1 for more info about the book.
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Archive >> October 2009
Robert Williams' solo show In The Service of the Hypothetical opens Oct. 31, at Tony Shafrazi Gallery in New York City, and the opening will feature the premiere of Robert's new book from Fantagraphics, CONCEPTUAL REALISM: IN THE SERVICE OF THE HYPOTHETICAL. The book features over 25 new paintings, complete with essays on each piece by the artist, insights into the process behind each painting (including sketches, underpaintings, etc.), and many other surprises, including an introduction by painter, tattoo artist and international tattoo cultural advocate Don Ed Hardy.
The show runs through Jan 31. Art Nouveau Mag has a preview. The show features new paintings, drawings, and for the first time, sculptures. The show will continue in February at Cal State Northridge.
Today brings some big-deal Online Commentary & Diversions:
• Review: "Translated into English for the first time since it was written, more than 25 years ago, Jacques Tardi & Jean-Claude Forest’s You Are There proves well worth the wait. Forest’s satirical, minimalist writing lampoons French society and human greed with equal skill, and Tardi has never done better art: It’s all deep, dark pools of blackness that perfectly match the pitch-dark humor of the writing. Equal parts Beckett and Kafka, the story explores the conflict between greedy speculators and the last heir of an aristocratic family whose land has been reduced to a series of precarious walls and towers. Tardi’s intricate, gorgeous art gets better and better until the book’s spectacular ending. It’s an absolute must-read for anyone interested in how European comics got to where they are today. Had this been translated earlier, it likely would be counted as one of the masterpieces of the rich period of the mid-’80s… [Grade:] A" – The A.V. Club
• Review: "One of the best things about Mome is that, as a reader, I feel like I'm getting work from each artist that's their 'A' material. [Lilli] Carré and [Dash] Shaw have many other outlets for publication, but it's clear that they take a special delight in having an outlet for their short story ideas. [Nate] Neal and Kurt Wolfgang have Mome as their primary outlet for publication, and clearly go all-out in every story. ... I'd like to see young artists like [Conor] O'Keefe and [Sara] Edward-Corbett grow more ambitious and perhaps even serialize a story in the anthology. Of course, seeing outstanding work from old favorites along with translated short stories of European artists has been another welcome trend for what continues to be a must-read book, issue after issue." – Rob Clough
• Interview: Art historian and critic Catherine Spaeth talks to Abstract Comics editor Andrei Molotiu: "One thing that is interesting to me about abstract comics is exactly that they contain no preexisting narrative and therefore no excuse for a sense of diegetic time. You’re not following a story, so what you are left with are the actual visual elements on the page (panels, shapes) that move your eye from panel to panel but outside of a fictional time frame."
• Events: Vince Keenan has a brief recap of the Fantagraphics-sponsored comics panel at Seattle Bookfest
There are a dozen things each week that I'm not Flogging due to No Time. I hope to soon do some postings on recent and upcoming books that I've been involved with. Until then, I've made a habit of annually encouraging Flog readers to support artists with their holiday shopping and this year I'm digging into it a little deeper. Some of these notes are aimed at artists who are looking to connect with audiences and some are aimed at audiences looking to support artists.
• Chuck Close as recorded here has some thoughts about Art and its cultural importance. Especially relevant are "Justifying Public Art Expenditures" and "Advice to Artists During a Crisis". (Though, contrary to Close, I think the WPA projects of people like Lester Beall epitomize great art concepts aligning with popular public receptivity, making the 1930s/40s an amazing time for Art to speak to the mainstream. And in that way, we may be in a similar place with this economy. But I digress.)
• Economy tips for artists: Etsy. The only time I've used Etsy was to buy art, starting back when I bought a beautiful and ridiculously-cheap print ("Helpful") from John Hankiewicz on Etsy. And Souther Salazar does it right by offering up doodles and art that he doesn't otherwise have an art show home for. Work sells as quickly as it goes up and I know it means a lot to me to get to buy an affordable, small piece of art from him. I wish established artists would do this more often.
• Turns out Etsy also has a lot of poster artists offering work and Dan Grzeca has found a way to use it for unusual offerings like a tube of misprints for cheap.
• Aspiring cartoonists might be interested in the Kickstarter site and, specifically, Jamie Tanner's model for publishing his next book. By offering special offers to people who preorder the not-yet-made book, he's managing to make it a reality on his own.
• I finally acquiesced to Facebook and, sure enough, within a day I had people I went to high school trying to contact me. Man I hated high school. But I've noticed one thing on Facebook that was interesting: Martin Ontiveros making a request for a ride to the airport, saving himself $30, and offering the ride-giver a small piece of art. That's a great use of Facebook and alternative economy. (Tip to artists: if you use Facebook for getting news out to fans and "the industry," I quickly discovered that I end up hiding anyone who posts more often than a fifteen-year-old girl gone off ritalin.)
• Most of the artists who aren't utterly canonized have some online presence where you can buy original art or at least limited run prints. And a lot of artists like Steven Weissman and Zettwoch/May/Huizenga have affordable commissions available and set up to click-n-buy. Many of the bigger "names" will do commissions but you have to approach them about it... and pay considerably more. (Tony Millionaire told me his commissions start at $1,000 but I happen to know he also wants a radiometer. If you hand-forged him a giant one for his den then, hey, maybe you'd get a break.)
• My biggest holiday tip is obvious: find those links to buying art from your favorite artists and then forward the links to your friends, Santa Claus, and your mom. Especially your mom. (Seriously, I don't know what you get but I got a Tommy Hilfiger coat one year and burlesque-rocket-ship table lamps another and I'm about fed up with surprises.) You'll find tons of original art being sold in one place at the old stand-bys: Comic Art Collective and The Beguiling, among others.
• Lastly, you could just buy some books. Fantagraphics sells those all over this site you're looking at. Artists like their books selling.
Rebel Visions author Patrick Rosenkranz sent us some photos of the sights (including the Hernandez Bros.) at the Wonder Woman Day charity event at Excalibur Books & Comics in Portland, OR yesterday to share with you. Below: The Bros., their artwork for the charity auction, and Rosenkranz & friend. More of Patrick's photos are in our Flickr set, including the cutest little Supergirl you ever did see.
Feast your peepers on this amazing window display for Rock Candy: The Artwork of Femke Hiemstra at the American Book Center in Amsterdam featuring just some of Femke's collection of creepy/cute toys and figurines (more of which can be seen in the book). The book launch for Rock Candy takes place at the ABC on Saturday — Halloween day, appropriately.
The first volume of Mezzo and Pirus's extraordinary suburban horror trilogy, KING OF THE FLIES, will be released early next year. As an advance teaser, we're serializing the first chapter, "Hallorave" (which is also the title of the book) right here, a page a day. Since it takes place on Halloween, it seems appropriate to run it this week.
This is the first foreign book of ours in a while I didn't translate, control freak that I am; fortunately I found Helge Dascher and John Kadlecek to pick up the slack, and they did a superb job on it.
Volume 2, "The Origin of the World," will be released at the end of 2010, and Volume 3, assuming Mezzo and Pirus have it finished by then, will (we hope) premiere by San Diego 2011.
If this looks at all familiar, a few chapters of this book were published in HEAVY METAL five or six years ago - probably to the bafflement of readers since even though the book looks like it's a series of short stories, they're a very tightly interwoven narrative, and HM only published a couple of them.
Each volume will be in the traditional European hardcover format, 64 big, very dense, full color pages. The cover price will be $18.99. It will be worth every penny.
(click image to enlarge)
Some Online Commentary & Diversions to wrap up your week:
• Review: "Artist Carol Swain brings a sober British reserve to her husband Bruce Paley's tales of hippie and punk excess for a nostalgic feel with the winning Giraffes In My Hair: A Rock ‘n' Roll Life. ...[F]rom the late ‘60s through the early ‘80s, his peripatetic adventures with drugs, women, and punker Johnny Thunders make for a series of fun, roguish vignettes. ... Swain uses pencil to understated effect, and works up a lyrical, nostalgic vibe. Her simple scenes arrange a loose chronological narrative into a warm experience conveyed as in a film or a song—at its best, Giraffes plays like Dylan's 'Tangled Up in Blue,' if you will. ... Highly recommended." – Byron Kerman, PLAYBACK:stl
• Review: "West Coast Blues is just the right mixture of action, suspense, and surprise to keep just about any reader’s attention. ... It’s hard to ignore the strength of Tardi’s art in making West Coast Blues such a strong graphic novel. ... West Coast Blues is a sharp, beautiful book. ... For people looking for a noir thriller, you’ve come to the right place." – Greg McElhatton, Read About Comics
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