• Review: "It’s probably not fair to expect Hernandez to issue another creative virtuoso like Palomar, but in the pages of Luba, he comes closer than might be expected. ... Although Luba doesn’t hit as hard as Palomar, it remains a compelling portrait of family in all its messy glory. Alternately sexy and vulgar, beautiful and mean, optimistic and intolerant, Luba and her family encompass all the ugliness and amazement that comes with being part of the human entity." – Michael C. Lorah, Newsarama
• Profile: "Cartoonist Bill Mauldin was a genius at bringing the experiences of World War II home to the moms and dads, kids, wives or girlfriends of the GIs on the front lines in a very human way. ... To my knowledge, none of our wars since has produced a chronicler anywhere near the greatness of Mauldin." – Wesley G. Hughes, San Bernadino County Sun (via Newsarama)
• Video: A massive Peanuts ice sculpture depicting A Charlie Brown Christmas is being constructed in Nashville; The Daily Cartoonist has the PR and a promo video featuring members of the Schulz family
• Industry: Our own Eric Reynolds takes part in a roundtable on the topic of "Comics in the Age of Digital Piracy" at Graphic Novel Reporter
As if you might need more of an excuse to go, Drew Friedman and Irwin Chusid will be at the WFMU Record Fair in NYC this coming Saturday from 2-5 PM hawking their respective wares: "My new prints will be on display and available to order, along with Old Jewish Comedian books, Jim Flora prints and calendars, and bottles and bottles of Durkee Sauce. Come one come all," says Drew.
Found on YouTube, a TV commercial for Excedrin pain reliever circa 1970 using an animated series of drawings by Burne Hogarth, cartoon classicist and great Comics Journal interview subject (as evidenced in The Comics Journal Library Vol. 5: Classic Comics Illustrators). Gary Groth, who passed this along, says "This is very fucking weird... I wish I'd known about this so I could've asked him about it."
Jules Feiffer and Chris Ware appear at the Chicago Humanities Festival at the Francis W. Parker School on Friday, Nov. 7. From 1-2 PM, Feiffer presents a lecture on "Depression-Era Humor": More info here. And from 4:30-6:00, Feiffer and Ware appear on a panel titled "The Not-So-Funny Situation of Alternative Comix" alongside Lynda Barry, Matt Groening and moderator Michael Miner of The Chicago Reader: More info here.
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to asSashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Portlanders! Catch Beto & Xaime this weekend as part of the Wonder Woman Day benefit festivities, which include a signing, door prizes and a silent art auction where you can bid on the above WW art from the Bros. Details below from the official Wonder Woman Day website, where there is loads more information:
Thursday, October 22, 7–9PM powerHouse Arena · 37 Main Street (corner of Water & Main St) · DUMBO, Brooklyn
Come celebrate the release of this essential volume of the year’s best American comics at The powerHouse Arena. Series editors Jessica Abel and Matt Madden will join the authors for a discussion, readings, slide shows, signings and more.
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!