Another two-day Online Commentary & Diversions (running a little off schedule, sorry):
• Review: "Hollywood is probably the most likely to misrepresent any culture, but their casting of punks as Neolithic, abusive, drug addicts with candy-colored hair and an inexplicable amount of chains is far too amusing to turn away from. [Destroy All Movies!!!] editors Zack Carlson and Bryan Connolly seem to have noticed this trend, and their commentary about each of these films borders on hilarious at several points. [...] In the end, you get both a compendium of thoughtful ruminations on punk culture and a hilarious collection of movie missteps..." – Thorin Klosowski, Denver Westword
• Review: "[Jason] is without immediate peer, and perhaps the closest I can get to him is Jim Jarmusch, the indie film director... Werewolves of Montpellier is less about the grand sweep of its pseudo-horror set-up (which is utterly demolished by a delicious final page denouement), and more about its mundane aspects, which resonate further than the book's forty-odd pages. ★★★★ [out of 5]" – Michael Leader, Den of Geek
• Review: "...Blake Bell has crafted an excellent look at one of comics' most underappreciated creators: compelling, well paced and entertaining. [...] Bell kept Fire & Water moving at an excellent pace, never dwelling too long on any details but giving us Everett's life in relation to his comic career. And that's the key: Bell is a comic fan and knows his audience is as well so that's the focus. [...] While the tale of Everett's life held my attention the art is the real star. Covering everything from early doodles to his last published page we get to see thirty plus years of material. [...] The fit and finish for Fire & Water is exceptional. A heavy matt paper is used that really shows off the material and gives it an almost period feel. The size is perfect for admiring the art and is easy to read; a new perfect package. I can't get enough of the dust jacket image and its design is stunning: a real eye catcher. At $40 it's a great value." – Scott VanderPloeg, Comic Book Daily
• Review: Sean T. Collins's "Love and Rocktober" review series at Attentiondeficitdisorderly moves on to Gilbert Hernandez's oeuvre, starting with Heartbreak Soup: "Whether in terms of family, sexuality, physicality, or deformity, biology is destiny for the people of Palomar... And although biology is obviously among Beto's primary concerns, destiny is the operative word. I don't think the Palomarians have the ability to escape the way the Locas do. Not all of them need to escape, mind you — there's a lot of really warm and adorable and hilarious and awesome stuff going down in Palomar — but whatever walks alongside them in their lives is gonna walk alongside them till the very end."
• List: At Robot 6, guest contributor Van Jensen names Josh Simmons's House as one of his "six favorite horror comics & movies" (and, by reduction, one of his three favorite horror comics): "Simmons uses no words through the entire story, but his real accomplishment is utilizing the design of the pages to deliver an increasingly claustrophobic, disorienting and terrifying story."
• Plug: At Robot 6, Sean T. Collins highlights our duo of creepy all-ages releases, David B.'s The Littlest Pirate King and Stéphane Blanquet's Toys in the Basement
• Interview:The Daily Cross Hatch's Brian Heater concludes his 3-part chat with Drew Weing: "What’s funny is, I’ve got Google Alerts for my name, so if somebody says it on the Internet, I show up like Beetlejuice. I click on it, like, 'ooh, this guy just dissed me.'" [Hi, Drew.]
At top, left to right, Rip M.D. creative team Mike Vosburg (inker), Mitch Schauer (creator) and Justin Yamaguchi and Michael Lessa (color) at the Borders in Glendale CA last Friday. Those eyeball cupcakes look good. See many more photos (including adorable costumed kids) in this Facebook album. The final stop of the Rip M.D. Southern California mini-tour is this Saturday at 3 PM at the Long Beach Comic Con!
Our warehouse manager and poet-in-residence Nico Vassilakis would like to share this recent blog post by Matt Madden examining seemingly (or actually) incongruous juxtapositions of text and image in comics, using the work of Chris Ware, Ben Katchor, and, of primary interest to Nico, practitioner/progenitor of the Flarf school of poetry Gary Sullivan (seen above) as examples. Thought-provoking stuff!
You don't want to miss this: Charles Burns returns to his native Seattle this Saturday, October 30 from 6:00 to 9:00 PM for a festive reception commemorating the publication of his amazing new graphic novel X'ed Out.
Start your Saturday night at Fantagraphics Bookstore & Gallery to welcome Charles Burns back home. The evening features a brief slide talk, ambient screening of Burns' scary animated movie "Fear(s) of the Dark," spooky tunes by DJ Russ Fallout, complimentary beverages, and collectible Halloween comix treats. Costumes optional. All ages. Free! 1201 S. Vale Street in the heart of Georgetown. Phone 206.658.0110.
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