|Written by Mike Baehr | Filed under Jack Davis||31 Oct 2011 6:49 PM|
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Archive >> October 2011
Today's Online Commentary & Diversions:
• Review: "Sala’s new book, The Hidden, does not wholly depart from the campy fascination with the morbid that marks his previous work, but is even darker in tone, despite the vibrant watercolor work. The visual markers of Sala’s humor are present — the affected font, the twisted faces — but there is arguably something more serious and disturbing at play here." – Jenna Brager, Los Angeles Review of Books
• Reviews (Video): "This week on the Comics-and-More Podcast, Patrick Markfort and I discuss Richard Sala's work, including his Peculia books and his new graphic novel The Hidden, perfect books to read for Halloween." So says co-host Dave Ferraro — watch the multi-part video at the link
• Review: "EC is often at the center of the story [of Pre-Code horror comics]... Four Color Fear strives to provide an accessible sampler of everything else. Editor Greg Sadowski is adept at such missions.... Sadowski keeps endnotes, often heavy with hard publication facts and extensive quotes from artists and observers, in the back of the book in order to structurally foreground the sensual, aesthetic experience of reading old comics." – Joe McCulloch, Los Angeles Review of Books
• Review: "Thirty years after the debut of their Love and Rockets series, the Hernandez Brothers continue to impress readers with their incredible Love and Rockets: New Stories #4.... More than ever, Jaime demonstrates a mastery of line and pacing, making for emotional realism that is rarely matched in the world of comics.... As for Gilbert, he presents readers with the captivating 'King Vampire,' a story which revolves around killer vampires.... The result is a gripping tale filled with plot twists, violence, and absolutely gorgeous art.... With Love and Rockets: New Stories #4, the Hernandez Brothers establish once more their immeasurable contribution to the world of comics. Instead of producing works that are stale and predictable, the duo is creating comics that are as imaginative and fresh as ever." – Jason Grimmer, 211 Bernard (Librairie Drawn & Quarterly)
• Review: "David B. is one of the most important cartoonists in France. A member of L'Association, his most important work is Epileptic... But I will confess that I like the stories in The Armed Garden more. These are stories about heretics. Heresy is a subject of particular interest for certain storytellers -- for example, Jorge Luis Borges.... These bizarre fable-like tales may seem far from us, but they show want can happen when societies are stressed." – Robert Boyd, The Great God Pan Is Dead
• Review: "The stories [in The Man Who Grew His Beard] are funny, ironic and absurd. In that, he reminds me of his fellow Belgian cartoonists, Kamagurka and Herr Seele. But he also reminds one of the avant garde Belgian cartoonists of Freon (later Fremok). These are more 'art comics,' where the visual aspect is paramount. This is not to say the narratives are unimportant, mere hangers onto which to hang the art. They are amusing, weird and compelling -- the visual aspect makes them all the more so." – Robert Boyd, The Great God Pan Is Dead
• Review: "Told with great confidence and uncomfortable frankness across a sprawling 450 pages, [Today Is the Last Day of the Rest of Your Life] is a coming-of-age narrative that inevitably places itself in the tradition of German travel literature, perhaps unwittingly joining the company of such august figures as Goethe and Hesse.... Despite its trauma, the journey ends up being one of liberation. Though its description of the risks inherent to the only semi-aware need for independence characteristic of youth is sobering, the book is never judgmental. There is a distinct undertone of empowerment to this story of one woman’s instinctive search for enlightenment. It is a grand tour." – Matthias Wivel, The Metabunker (Look for our edition of this book in Summer/Fall 2012.)
• Interview: On the day Gary Groth was to have interviewed Robert Crumb on stage at his canceled appearance at the GRAPHIC Festival in Sydney, Gary called Crumb up for a nice long phone chat instead, now transcribed and posted at The Comics Journal, posing questions asked by the Hernandez Bros., Tony Millionaire, Trina Robbins and more in addition to his own
• Commentary: "Long gone publisher St. John's line of romance comics has a chronicler in the person of John Benson. He edited [Romance Without Tears] from Fantagraphics in 2003. He argues that this line was superior to just about everybody else's line of romance comics and he is good at peopling his argument, particularly in a second book [Confessions, Romances, Secrets and Temptations] he put together in 2007." – Eddie Campbell
• Plug: "Two — count ’em — two books fold into one in Everything Is an Afterthought. First, we get a heartbreaking biography of the late, great rock critic Paul Nelson. Then, to prove the greatness part, the author of the first section (Kevin Avery) compiles Nelson’s most incisive hits." – Jim Farber, New York Daily News
• Plug: On Librairie Drawn & Quarterly's 211 Bernard blog, Jason Grimmer runs down some highlights from Mark Twain's Autobiography 1910-2010 by Michael Kupperman, saying "Come on, that's a helluva CV know matter how you slice it. The least you could do is read about it."
Today's Online Commentary & Diversions:
• Review: "The Complete Peanuts 1981-82. Now up to Volume 16, the comic strip shows no signs of getting stale as the years go by and the antics continue.... As usual, the strip reproduction is flawless, each appearing in crisp black and white with 3 daily strips per page and full page Sundays. The handy index to quickly find a favorite character or subject returns as well.... So make sure your trick or treat bag is a big one and fill up on the fun, you’ll enjoy every morsel. It’s almost as if the 'Great Pumpkin' arrived after all!" – Rich Clabaugh, The Christian Science Monitor's lovable gang bring hilarity to the Reagan era in the latest volume of
• Interview: Comic Book Resources' Alex Dueben talks with Steve Duin, Mike Rosen and Shannon Wheeler about Oil and Water, illustrated by some exclusive looks at Wheeler's sketchbooks from the trip that led to the book. Says Duin: "I approached this project as I usually approach my newspaper column: You have to personalize the tragedies, and celebrations, you're writing about. What's more, I was blown away by the characters we stumbled upon."
• Plug: At O Grito's Jazz Metal, Paolo Floro says No Straight Lines: Four Decades of Queer Comics "...is set to be the most important work of its kind ever published.... For those who enjoy history, investigating the gay world or simply love comics and the endless possibilities that it can generate, this book is a treasure." (Translated from Portuguese)
Our weekly strips from Kupperman & Weissman, plus links to other strips from around the web:
Just arrived in our warehouse and ready to ship to our mail-order customers:
96 page full-color 9" x 11.75" hardcover • $24.99
After establishing the world of the prickly heroine with the first two episodes of this classic series (combined in Fantagraphics’ The Extraordinary Adventures of Adèle Blanc-Sec Volume 1), Jacques Tardi plunges us back into Belle-Époque Paris for another double dosage of heroic derring-do, evil and crazy malefactors, mad actresses (yes, "Clara Benhardt" makes a return appearance) and monsters!
In “The Mad Scientist” the science that brought us revived dinosaurs now results in a pithecanthrope stalking the streets of the City of Light, climaxing in an amazing car chase involving a foe from the previous volume. Will the perpetually inept Inspector Caponi just make things worse? Probably. Then in the second episode, “Mummies on Parade,” the mummy glimpsed in Adèle’s apartment in previous episodes comes alive! The volume concludes with the sudden startling (and delightful) incursion of some characters familiar to Tardi fans, and a shocking climax that leaves the future of both Adèle and this series in doubt as World War I erupts. (It’s the only story in the entire series not to feature an “in our next episode” teaser.)
The Extraordinary Adventure of Adèle Blanc-Sec Volume 2 is the lucky seventh book in Fantagraphics’ acclaimed series of Tardi reprints, showcasing the rich variety of graphic novels from one of France’s greatest living cartoonists.The Extraordinary Adventures of Adèle Blanc-Sec Vols. 1 + 2 together and save 20%!
Today's Online Commentary & Diversions:
• Interview: Dan Wagstaff, a.k.a. The Casual Optimist, has a Q&A with Jason: "I have ideas in my brain, just lying there, that I sometimes think about. This can last years. Then suddenly I can get ideas for dialogues. I write this down. It’s maybe four or five pages. I can start working on those, and at the same time think about what’s going to happen next. I don’t write a full script. It’s based on improvisation. I write pieces of dialogue. Or sometimes I sketch out the pages first, the images, and write the dialogue after. I usually work on nine or ten pages at the same time, pencil a bit here , then ink it, and then pencil a bit there and ink that. It’s the completely wrong way of doing it, by the way, but it seems to be the only way I can work."
• Plugs: Martha Cornog of Library Journal spotlights a few of our upcoming releases in the latest "Graphic Novels Prepub Alert":
Creeping Death from Neptune: Horror and Science Fiction Comics by Basil Wolverton: "The line between horror and humor dissolves easily, and Wolverton's extravagantly grotesque drawings drew chortles and chills from readers of MAD magazine and numerous comics from the 1940s to the 1950s.... Now a few years after a successful New York exhibit plus several published collections of illustrations and shorter pieces, this volume reprints important sf/horror sequential work, carefully restored, plus material from his personal ledgers and diaries."
Jack Jackson's American History: Los Tejanos & Lost Cause: "With the pen name of 'Jaxon,' Jackson (1941-2006) drew Texas history into comics that included Mexican as well as Anglo legacies. Los Tejanos ('the Texans' of Mexican ancestry) fixes on Juan Seguín, a tragic figure in the 1835-75 Texas-Mexican conflict. Lost Cause chronicles the state's turmoil during Reconstruction, in the wake of the Civil War. Jackson's detailed, realistically drawn accounts will be useful for anyone interested in those coordinates of U.S. history or in Latino-Anglo heritage."
No Straight Lines: Four Decades of Queer Comics: "Herewith a color and black-and-white sampler from a little-recognized underground of gay comics from the past four decades, including [Alison] Bechdel and [Howard] Cruse, Europe's Ralf Koenig, and 2011 ALA keynoter Dan Savage. Huh? Dan Savage wrote comics?! Indeedy, indeedy. Fantagraphics promises 'smart, funny, and profound' — and uncensored."
Jim Woodring has recently relaunched his official website with a completely new design and architecture. You can browse galleries of his artwork and comics; download and share various media; purchase artwork, prints, toys, signed-and-drawn-in books (such as below), and other merch in the revamped Jimland Novelties store; and more. So much to explore! So much to enjoy! So much to buy! And that new layout is so clean and inviting. 'At's-a good website! (Update: I just noticed there's a semi-secret adventure starring Pupshaw & Pushpaw as you explore the site — pay attention!) (Updated again to credit Plexipixel with the excellent new design.)
Bryan Connolly, co-author of Destroy All Movies!!! The Complete Guide to Punks on Film, co-directed (with Tommy Swenson) this super-fun music video for "Down with Netflix" by the Charles Edward Cheese Band. Support your local video store!
Today's Online Commentary & Diversions:
• Review: "Graphic novelist Richard Sala cures the zombie apocalypse malaise with a new book that takes the basic set-up of those tales and turns it into an artsy, comical, downright weird exercise in terror that brings together several slices of the horror genre... into something modern and surprising. Equally, Sala’s art style helps the story ride high -- his dark cartoons manage to suck you into the narrative while still highlighting the meta quality of the story. This is a story about horror as much as it is a horror story, examining the themes that draw us into these stories as much as they are utilized by authors to comment on the real world. Somewhere between those two intentions lies The Hidden, a modernist horror tale that acts like the zombies it evokes, cannibalizing the genres from which it sprang and spewing out something new from those entrails." – John Seven, North Adams Transcript
• Review: "The stories [in The Frank Book] are fantastical, phantasmagorical fables full of transmogrification, mostly silent so that you can bring to them what you will and interpret them as you like, and if you were to sit down with someone else and discuss any given piece you’d find it very revealing – both of yourself and of your friend. I often describe them as 'mind-altering, yet legal.' Enlightening too, as I say.... [Jim Woodring] is a visionary, a veritable shaman with a love of Persian architecture and that rare ability to communicate wisdom — and folly (umm, yes, mostly folly!) — with skill. As a visual craftsman he totally floors me, his wrinkled-line textures placed just-so, leaving each panel on the page a perfect composition. A beautiful, beautiful book." – Stephen L. Holland, Page 45
• Interview: Comics Bulletin's Jason Sacks talks to Gahan Wilson about his new collection of Nuts: "The thing that inspired me and put me on the kids' side, kept moving me along on it, was that the grownups -- and more grownups do it wrong than right -- that they don't understand how complicated that little rascal is. How much they're taking in. How alive they are. How much they apprehend. And how seriously they take it. They are astoundingly alive with bad things and good things."
• Interview: Hanna Brooks Olsen of Seattlest talks with Megan Kelso about her upcoming presentation at Richard Hugo House this Friday: "I'm using a series of rotating images on a loop. Unlike when you're reading a comic by yourself, where you can go back and re-read a panel or flip back a page (if someone's reading aloud), suddenly it's going by, almost like a film, and you don't control the page. And I think that that control is what people love about comics. You get to entirely control that space. A lot of the things that are magical about reading comics on a page are lost when they're performed live."
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