Today's your last day to save at least 30% offcomics and graphic novels by international creators! From manga to bandes desinées, classic to cutting-edge, we have masterpieces from every permanently-inhabited continent (if you count New Zealand as part of Australia, anyway). Our original announcement lists just a few of the amazing creators whose works are on sale. There's never been a better time to discover some of the best comics the world has to offer, and it's almost over, so don't delay!
• Review: "Rendered in a simply stunning panorama of glowing visual passion and precision,Prince Valiant is a non-stop rollercoaster of stirring action, exotic adventure and grand romance; blending human-scaled fantasy with dry wit and broad humour with shatteringly dark violence. Beautiful, captivating and utterly awe-inspiring the strip is a World Classic of fiction and something no fan can afford to miss. If you have never experienced the intoxicating grandeur of Foster’s magnum opus these magnificent, lavishly substantial deluxe editions are the best way possible to do so and will be your gateway to an eye-opening world of wonder and imagination." – Win Wiacek, Now Read This!
40 YEARS AGO… October 13, 1971 Game 4- Pittsburgh Pirates vs. Baltimore Orioles, was the first World Series game held at night ever. Roberto Clemente batted three hits in a Pirates' 4–3 comeback victory! ♥
• Feature: At SF Weekly, Alan Scherstuhl provides you with "10 Reasons Why Prince Valiant Bests All 2011's Adventure Heroes" (starting with "He lances giant crocodiles"), saying "Sure, those glossy lips and that pageboy bob makes him look something like ye olde Ramona Quimby, but don't let that fool you. The star of what is arguably the twentieth century's best-drawn newspaper comic strip, Hal Foster's Prince Valiant is all hero, through and through, for his age and ours. The first four volumes of Fantagraphics' collected Prince Valiant reveal young Foster's creation as both the sum total of the heroic ideals that preceded his debut in 1937 as well as a source of serious inspiration for all the heroes that have followed him, in all media formats, in the decades since."
• Review: "War and disorder [in The Armed Garden and Other Stories] from the creator of the much-admired Epileptic and, more recently, Black Paths, visually styled to each story’s setting. The first was my favourite to look at: a forest of spears, a torrent of arrows and a swirling sandstorm of bleached bones and skulls against a velvety, light mushroom brown — a tremendous sense of space.... So there you have it: religion, jealousy, conflict and a great deal of transmogrification. Oh yes, death; a great deal of death too." – Stephen L. Holland, Page 45
• Review: "It helps if you can illustrate your fever dreams as well as Sala can — lavishly watercolored in brown, saturated orange and yellow, punctuated by bright blue and (especially later) red, [The Hidden] is beautiful to look at, and as usual, he gives us memorable grotesques and lovely girls in equal measure. Those who are fans of the artist’s previous work will find more of what they like here, and will be gratified by the deviation from his usual norm. Those who are new to his efforts will be entertained, I think, by the story, which is a bit of a page-turner, and will like his beautifully colored art. His best since he wrapped up Evil Eye a few years ago." – Johnny Bacardi, Popdose
• Review: "Dense, claustrophobic, intense and trenchantly funny, the self-contained [Nuts] strips ranged from satire to slapstick to agonising irony, linking up over the years to form a fascinating catalogue of growing older in the USA: a fearfully faithful alternate view of childhood and most importantly, of how we adults choose to recall those distant days." – Win Wiacek, Now Read This!
• Analysis:Robot 6's Matt Seneca performs a close analysis of a page from Al Columbia's Pim & Francie: The Golden Bear Days: "The genius of the page above is almost too simple: in four panels that follow the minimalist logic of the gag-strip format, it speaks to both the artificial nature of drawings and to the nature of sequence as something that breaks comics apart as much as pieces them together."
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
80-page black & white 9" x 11.75" hardcover • $19.99 ISBN: 978-1-60699-450-4
"I've seen this Marti Riera graphic novel described as Dick Tracy without a moral anchor, which sounds intriguing; the introduction's by Art Spiegelman, and I suspect it's the same as the one that appeared in the 1987 Catalan edition." – Douglas Wolk, Comics Alliance
"Speaking of [Chester] Gould, The Cabbie draws deeply from the Dick Tracy well but in a way that criticizes the excesses of its underlying worldview rather than blindly celebrating its virtues. I'm really grateful Fantagraphics is doing this work, because it's not always easy to read." – Tom Spurgeon, The Comics Reporter
144-page black & white 8" x 8" hardcover • $19.99 ISBN: 978-1-60699-454-2
"This is Gahan Wilson's National Lampoon strip, an extended meditation on/reaction to the sugary-sweet quality of most kids strips." – Tom Spurgeon, The Comics Reporter
"Some nice archival stuff turned up this week, including Gahan Wilson’s Nuts! from Fantagraphics (a somewhat nostalgic/somewhat terrifying look at childhood)..." – Mike Sterling
"There’s a lot of great stuff out this week, so with $30 I’d have to... get one of two new books from Fantagraphics — either Gahan Wilson’s Nuts or The Cabbie by Italian cartoonist Marti. I’ve raved about Nuts before–it’s a piercingly accurate look at the pain and perils involved in growing up. Cabbie, on the other hand, is a uber-violent Dick Tracy homage by way of Taxi Driver." – Chris Mautner, Robot 6
"CONFLICT OF INTEREST RESERVOIR: I first encountered Marti Riera’s bonkers, politicized Chester Gould parody/riff The Cabbie in the 1987 Catalan edition, now re-translated and to be followed by a never-translated sequel per editor Kim Thompson...; $19.99. And reaching even further back, Nuts collects the entirety of Gahan Wilson’s National Lampoon strips from the ’70s, with a new essay by Gary Groth; $19.99." – Joe McCulloch, The Comics Journal
“Oh, for gosh sakes!” Floyd Gottfredson’s classic 1930s Mickey Mouse is back for another round of thrills, chills, and epic quests — taking him from the depths of teeming jungles to the halls of spooky Blaggard Castle. Mickey’s classic Disney bad guys are here, too, with arch-enemy Pegleg Pete joined for this book by the mysterious “Bill Shakespeare” and hypnosis-happy Professors Ecks, Doublex, and Triplex!
Floyd Gottfredson, artist of Mickey Mouse from 1930-1975, made it the most popular cartoon-based comic of its time. Unafraid to tackle social satire and grown-up action-adventure, Gottfredson produced a Mouse for all ages — truly popular in a way that Mickey’s blander 1950s image could never be.
In this book you’ll relive Mickey’s fight with pirates on desolate Treasure Island; his quest with Goofy to catch ruthless counterfeiters; and his battles to save windy Horace Horsecollar from mad scientists, a robbery frame- up — and himself!
Lovingly restored from Disney’s original negatives and proof sheets, “Mickey Mouse: Trapped on Treasure Island” also includes more than 50 pages of fascinating supplementary features. You’ll enjoy rare behind-the-scenes art, vintage publicity material, and vivid commentary by a full team of seasoned Disney scholars.
Walt Disney often said that his studio’s success “all started with a mouse” — and today Mickey is among the world’s most recognizable icons in the world. Now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson’s Mickey Mouse.
Download and read a 19-page PDF excerpt (3.1 MB) which includes the full Table of Contents, David Gerstein's first chapter introduction, and 15 pages of strips!
The first two volumes of Mickey's thrilling adventures from the early 1930s, packaged in a beautiful and sturdy slipcase and priced cheaper than the individual volumes! A perfect gift and/or collector's item.
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