Within his tiny village, Ralph Azham is considered an insolent good-for-nothing layabout, a virtual pariah — particularly since he was supposed to be a Chosen One. (Things didn’t work out.) Yet his odd azure coloration and a few unique abilities (he can predict births and deaths) suggest that there may be more to him than meets the eye. And when the terrifying Horde stages one of its regular raids on his village, Ralph takes the young Raoul under his wing and sets out for a series of adventures...
Trondheim is already well known to fantasy buffs for the worldwide success Dungeon, the complex set of interlocking series he created with fellow cartoonist Joann Sfar and a raft of artists. While Ralph Azham works within the same genre, this is a far more tightly focused, single-character-starring new series for which Trondheim is solely responsible — that is, except for the stunningly rich coloring, provided by his longtime collaborator Brigitte Findakly working in hand-executed watercolors for the first time in over a decade.
Witty and fleet-footed like all of Trondheim's work, madly inventive in terms of characters, creatures, and events, Ralph Azham is scheduled to run for at least six volumes and is presented in a distinctive "landscape" format.
"Trondheim is a master! Fun, irreverent, and filled with moments of truthiness! Just when you think you know where he's taking you, he suddenly turns sideways and surprises." – Jeff Smith, creator of Bone
In 1970, William S. Burroughs and artist Malcolm McNeill began a small collaborative project on a comic entitled The Unspeakable Mr. Hart, which appeared in the first four issues of Cyclops, England’s first comics magazine for an adult readership. Soon after, Burroughs and McNeill agreed to collaborate on a book-length meditation on time, power, control, and corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. Ah Pook Is Here was to include their character Mr. Hart, but stray from the conventional comics form to explore different juxtapositions of images and words.
Ah Pook was never finished in its intended form. In a 1979 prose collection that included only the words from the collaboration, Ah Pook is Here and Other Texts (Calder, 1979), Burroughs explains in the preface that they envisioned the work to be “one that falls into neither the category of the conventional illustrated book nor that of a comix publication.” Rather, the work was to include “about a hundred pages of artwork with text (thirty in full-color) and about fifty pages of text alone.” The book was conceived as a single painting in which text and images were combined in whatever form seemed appropriate to the narrative. It was conceived as 120 continuous pages that would "fold out." Such a book was, at the time, unprecedented, and no publisher was willing to take a chance and publish a “graphic novel.”
However, Malcolm McNeill created nearly a hundred paintings, illustrations, and sketches for the book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook. (Burroughs’ text will not be included.) McNeill himself is an exemplary craftsman and visionary painter whose images have languished for over 30 years, unseen. Even in a context divorced from the words, they represent a stunning precursor to the graphic novel form to come.
Sara J. Van Ness contributes an historical essay chronicling the long history of Burroughs’ and McNeill’s work together, including its incomplete publishing history with Rolling Stone’s Straight Arrow Press, the excerpt that ran in Rush magazine, and the text that was published without pictures.
Observed While Falling is an account of the personal and creative interaction that defined the collaboration between the writer William S. Burroughs and the artist Malcolm McNeill on the graphic novel Ah Pook Is Here. The memoir chronicles the events that surrounded it, the reasons it was abandoned and the unusual circumstances that brought it back to life. McNeill describes his growing friendship with Burroughs and how their personal relationship affected their creative partnership. The book is written with insight and humor, and is liberally sprinkled with the kind of outré anecdotes one would expect working with a writer as original and eccentric as Burroughs. It confirms Burroughs’ and McNeill’s prescience, the place of Ah Pook in relation to the contemporary graphic novel, and its anticipation of the events surrounding 2012. The book offers new insights into Burroughs’ working methods as well as how the two explored the possibilities of words and images working together to form the ambitious literary hybrid that they didn’t know, at the time, was a harbinger of the 21st century “graphic novel.” McNeill expounds on the lessons of that experience to bring Ah Pook into present time. In light of current events, Ah Pook is unquestionably Here now.
Observed While Falling presents a unique view of the creative process that will be of interest to artists, writers and general readers alike. A perspective evoked by a literary experiment that has endured for forty years and still continues to “happen.”
Add Lilli Carré's acclaimed debut The Lagoon to your order for just $9.99 ($5 off)! Use the option menu when ordering.
The creator of 2008’s acclaimed graphic novel The Lagoon — named to many annual critics’ lists including Publishers Weekly and USA Today’s Pop Candy — is back with a stunningly designed and packaged collection of some of the most poetic and confident short fiction being produced in comics today. These stories, created over a period of five years, touch on ideas of flip sides, choices, and extreme ambivalence.
Carré’s elegant short stories read like the gothic, family narratives of Flannery O’Connor or Carson McCullers, but told visually. Poetic rhythms — a coin flip, a circling ferris wheel — are punctuated by elements of melancholy fantasy pushed forward by character-driven, naturalistic dialogue. The stories in Heads or Tails display a virtuosic breadth of visual styles and color palettes, each in perfect service of the story, and range from experimental one-pagers to short masterpieces like "The Thing About Madeline" (featured in The Best American Comics 2008), to graphic novellas like "The Carnival" (featured in David Sedaris’ and Dave Eggers’ 2010 Best American Nonrequired Reading, originally published in MOME), to new work created for this book.
Hey, we got our hands on some more copies of last year's hardcover reprint of Jim Woodring's classic The Frank Book! These went fast when we first offered them and we don't expect these copies to last long either, so get yours while you can.
Okay everybody, here's what we're going to do: since we went on record saying we weren't going to do slipcased Pogo sets when Volume 1 came out, and then we were convinced otherwise (with the first set out soon), we're gonna throw in the slipcase at no extra charge for everybody who orders Volume 2 from our mail-order outfit (unless you opt out). We'll even eat the extra packing and shipping costs! So no matter where you bought your Volume 1 from, you can get a slipcase for FREE, but only if you order Volume 2 from us — you won't be able to purchase the slipcase separately. Deal? Deal! But this is a limited-time offer so don't delay!
Our production department has been cranking away and all the rest of our books coming out in 2012 (and one for next year) are now at the printer. I have a bunch of new cover images and excerpts to share, so let's take a peek, shall we?
We are happy to reveal these first glimpses of Pogo - The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash" by Walt Kelly and the Pogo Vol. 1-2 Box Set! (Another, "CGI" view of the box set is below.) And that's not all we have to share! Check out a big 34-page excerpt from Vol. 2 including the detailed Table of Contents, 16 pages of dailies, 5 Sunday pages, and incidental artwork right here. These pics are of advance copies; these megillahs will be arriving in 4-6 weeks, though why not pre-order yours right now? (And yes, box set slipcases WILL be available one way or another — details forthcoming!)
You may remember last year when we shared news about MTV putting their classic Liquid Television shorts from the 19mumbledy-somethings online, including work by Charles Burns, Richard Sala and other cartooning greats. We were all waiting for new original material from our comics heroes and MTV has not disappointed, rolling out a new series Worldword! the new episode of which, "Heal Everything, Heal Everyone," features artwork by Ron Regé Jr.! Ron tells us "I did drawings for a second one too, that will be coming out! Future installments will feature art by Leif Goldberg, Brian Chippendale, Kevin Hooyman, Megan Whitmarsh, and probably other people that I don't know about... um.... yeah! ????"
Jason has returned home to Montpellier from his Montreal jaunt and is back to posting images from his next graphic novel Lost Cat (coming in May 2013) on his always-delightful blog, including what he says will probably be the final cover illustration, above.
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