THE SATIRICAL MASTERPIECE THAT USHERED IN THE GRAPHIC NOVEL ERA TO EUROPEAN COMICS… FINALLY AVAILABLE IN ENGLISH
One of the earliest full-length, standalone graphic novels to be published in Europe, and certainly one of the best and most original, Ici Même was serialized in the adult French comics monthly (A suivre) in the early 1980s and then released in book form. A quarter of a century later, this dark, funny, consistently surprising masterpiece has finally been translated into English.
An unexpected yet smoothly confident collaboration between the darkly cynical Jacques Tardi and the playful fantasist Jean-Claude Forest (of Barbarella fame), You Are There is set on a small island off the coast of France, where unscrupulous landowners have succeeded in overtaking the land from the last heir of a previously wealthy family. That heir, whose domain, in a Beckettian twist, is now reduced to the walls that border these patches of land he used to own, prowls the walls all day, eking out a living by collecting tolls at each gate.
His seemingly hopeless struggle to recover his birthright becomes complicated as the government sees a way of using his plight for the sake of political expediency, and the romantic intervention of the daughter of one of the landowners (who has her own sordid history with the politician) engenders further difficulties, culminating in an apocalyptic, hallucinatory finale.
Set in Tardi’s preferred early 20th century milieu, You Are There is drawn in his crisp 1980s neo-“clear line” style, gorgeously detailed, elegantly stylized, with impossibly deep slabs of black: You Are There is a feast for both the eyes and the brain.
NOTE: Because of our contract with the licensor this book cannot be sold to customers in the United Kingdom. If you reside within the UK please do not try to order it from our website; your order will not be processed.
• Review: "[The Squirrel Machine is a] darkly disturbing, brilliantly drawn story... B&W pen and ink drawings elucidate complex machines and Victorian-era architecture in baroque detail, while surrealist imaginings take turns for the truly repugnant. Sexual perversion, putrefaction and serial-killer style artworks are all ornately portrayed, as are the buildings, shops, horse-drawn carriages and crumbling mansions of a 19th-century small town. The story, while told primarily in pictures, includes a stilted and formal dialogue that only adds to the perversity. ... Though not for the faint of heart, this obscure tale will offer rich rewards to the right kind of reader, one who appreciates grotesque horror, angry mobs and the creative explosion of a repressed Victorian sexuality." – Publishers Weekly
• Review: "In this memoir [Giraffes in My Hair], [Bruce] Paley openly shares his stories of the '60s and '70s, and by the end you'll feel like he's a long-lost uncle. ... At some point, this book will probably become a movie, but I suggest you check out the uncensored version with [Carol] Swain's great artwork, which sets the scene perfectly. It's a miracle Paley survived to tell these anecdotes, but I'm glad he did." – Whitney Matheson, USA Today Pop Candy
• Profile: Joe Heller, editorial cartoonist for the Green Bay Post-Gazette, talks to the Philadelphia Inquirer's Tirdad Derakhshani in a syndicated article about the influence of Prince Valiant ("The release of Prince Valiant, Vol. 1: 1937-1938, the first in a new series of gorgeously printed, hardcover Valiant collections from Fantagraphics Books, served as a bittersweet reminder of the century-long rise and eventual decline of a great American art form, the comic strip"), with accompanying video
• Onomatopœia: Stephen Worth at the ASIFA-Hollywood Animation Archive Project Blog presents a great Basil Wolverton rarity: an article Wolverton wrote for the Daily Oregonian in 1948 titled "Acoustics in the Comics." Learn the difference between "SCHALAMPF!" and "PFWUMPFPH!" (It's a re-run, but still worth a look)
• Things to see: Is Steven Weissman (a) prepping for Halloween, (b) inventing a new superhero, or (c) hoping to get cast on the next season of Project Runway? Whatever it is, I like it
Back to the color! Back to the gags! Back to the standalone strips from Steven Weissman's Chocolate Cheeks, the next collection of the Yikes! gang's adventures! This week coins a phrase that I might have to incorporate into my vocabulary....
First Online Commentary & Diversions post from my shiny new computer:
• Profile: "Published in 1982, the [Hernandez] brothers’ Love and Rockets #1 is considered to mark a creative resurgence in comics, and for good reason. From the beginning the Bros. produced work that was subversive and masterfully crafted, combining the punk ethos with their own crisp intelligence." – Molly Young, We Love You So (the official blog of the Where the Wild Things Are movie — !!!)
• Review: "...Jaime [Hernandez]... confirm[s] my beliefs in the heights of his cartooning powers as he delivers the finale to a raucous, yet still quite moving, tale of female superheroes [in Love and Rockets: New Stories #2].... I'd follow him to the gates of hell at this point. With the brothers still working at such a high level of quality after over 25 years, anything they do is worthy of attention and analysis. I don't think I'll ever tire of experiencing their work." – Matthew J. Brady
• Interview: At Marvel.com, Sean T. Collins's series of interviews with Strange Tales contributors continues with R. Kikuo Johnson: "And I also felt like out of the entire Marvel U., Alicia Masters as a young artist, living and struggling after college, was the character I could put the most autobio into. I think the fact that she's a blind artist is hilarious. She's just a hilarious character."
Washingtonians, don't forget Tony Millionaire is in Puyallup tonight (we can only hope he goes to the Puyallup Fair in that getup) and Seattle tomorrow night with Chris Onstad. (Details here.) Here they are at Powell's Books in Portland OR on Wednesday. Photo courtesy Tugboat Press.
• Review: "West Coast Blues is an adaptation of a 70s crime novel by Jean-Patrick Manchette (Le Petit Bleu de la Côte Ouest), and it is a reminder of how good they did paranoid crime thrillers in the 70s. It is also a reminder of how good Tardi has done comics for forty years. ...Tardi's remarkable energy and range as a visual storyteller... will have you gobbling this book up in one gigantic gulp and then going back to appreciate the details and the nuance." – Jared Gardner, Guttergeek
• Reviews/Preview: The Abstract Comics blog has links to several reviews of the anthology from around the world (and their translations), plus a video preview of the book which accompanies one of the reviews
• Profile: For the AIGA website, Michael Dooley casts a spotlight on Harvey Kurtzman: "Either directly or indirectly, he’s had an effect on everything and everybody: from Saturday Night Live to The Daily Show, from the Zucker brothers to the Wayans brothers, from National Lampoon to The Onion, and from John Kricfalusi to Matt Groening."
Ted Stearn has launched a new, improved version of his website and it's chock full of comics, examples of his animation and illustration work, samples from his sketchbook (such as the above), news, info, and things you can buy from him. Swell!
• Plug: "Fantagraphics Books is now reissuing the first two years of Prince Valiant in the rich original colors — the pages are reproduced from Foster’s own engraver’s proofs. Every panel packs a one-two punch. A witch named Horrit once prophesied that Val would 'never know contentment,' but fans of the strip will find it here." – Cullen Murphy, Vanity Fair
• Review: "There hasn't been a bad time to be a fan of Los Bros Hernandez since they started making comics almost 30 years ago, but it's sure a good time to be a fan now.... [I]t's clear that the brothers are both still full of stories, and here [in Love and Rockets: New Stories] they take advantage of the new format to try out a number of new ideas, with a high rate of success. Looking forward to 2010." – Christopher Allen, Comic Book Galaxy
• Profile: At Graphic NYC, Christopher Irving enjoys a nice long chat with Gahan Wilson: "Circus freaks were also a big influence. My father used to take me to the circus, and though I loved circuses, what I really wanted to see was the sideshow. I dug the sideshow."
• Events/things to buy: Find out what's new with Dame Darcy — includes teacups and a lecture at Pacific Northwest College of Art
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