|Ryan & Millionaire at Family this THURS!|
|Written by Eric Reynolds | Filed under Tony Millionaire, Johnny Ryan, events||13 Sep 2010 8:11 AM|
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Walt Disney's Uncle Scrooge and Donald Duck: Return to Plain Awful (The Don Rosa Library Vol. 2) [U.S./CANADA ONLY - Pre-Order]
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Archive >> September 2010
Esther Pearl Watson is participating in a number of events in the coming weeks, beginning with a discussion of her graphic novel Unlovable along with a slideshow of process, inspiration and oddities at the Houston Public Library on Saturday, September 18th at 2:30 PM as part of Graphic Novel Day. Looks like a fun event:
Then, Esther will be speaking at the West Hollywood Book Fair on Sunday, September 26th at 1:30 PM.
The event is free of charge and features more than 300 artists and writers and 150 exhibitors.
Last but not least, Esther has some new work available through Webb Gallery.
We are pleased to report that Ganges by Kevin Huizenga, which was nominated for all 3 major industry awards this year (Eisner, Harvey & Ignatz), took home the Ignatz brick for Outstanding Series at the award ceremony at SPX this past weekend. (See the complete list of winners in all categories here.) Congratulations!
To celebrate, all 3 issues of the series are now 20% off for a limited time! There's never been a better time to fill in the gaps in your collection or catch up on the whole series at once!
We mentioned this in passing in the last Things to See, but it bears noting on its own: the new issue of the Oxford American includes comics stories by Drew Weing and Josh Simmons — and that's just what we know of. Who else might be in the issue? Pick up a copy and find out — and then tell us, we'd love to know...
Periodic clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• The cover of a new minicomic Miss Lasko-Gross is debuting at SPX (via Facebook)
• Relatedly, at his Wood Paneled Basement blog Robert Goodin says "The Criterion Collection curated a film festival for this year's All Tomorrow's Parties in New York. Comic artists were asked to create posters for the different movies and I did the one above for Gomorrah."
New strips from the Steves this week:
Originally run as an experiment on Stephen's blog starting in 2008, Monday's Strip is re-presented here. This strip is seen here in color for the first time.
Today's Online Commentary & Diversions:
• Review: "This is too much of an event to ignore: Fantagraphics, Seattle’s eclectic and prolific comics publisher,... is publishing its first volume of manga — comics that may be Japan’s most popular and influential art form. [...] A Drunken Dream and Other Stories is a four-decade anthology of graphic short stories by Moto Hagio, the 'founding mother' and premiere creator of shojo manga... Does Hagio’s work justify the hype? Her visual storytelling and graphic invention, by turns fluid, crisp, and stately, certainly do. ...Moto’s other later [stories] do indeed raise manga to literature." – Eric Scigliano, Seattle Met
• Review: "...[F]ew comics fans should have difficulty getting into A Drunken Dream and Other Stories... The stories in A Drunken Dream range from weird, powerful allegories... to dreamy tales of love and loss... But the best pieces here focus on memories of childhood, of playmates treated cruelly or parents and children misunderstanding each other. [...] Few stories in the entire history of the medium have been more overwhelming than 'Hanshin: Half-God,' a tale of conjoined twins — one haggard, one gorgeous — and their spiteful, symbiotic relationship. It’s a potent metaphor rendered with the intensity of an EC comic. [Grade] A-" – The A.V. Club
• Review: "Blake Bell’s Strange and Stranger: The World of Steve Ditko set the recent standard for how to put together a coffee-table book about a legendary comics artist, and Bell takes on another innovator of the medium with Fire & Water: Bill Everett, the Sub-Mariner, and the Birth of Marvel Comics... Because Everett didn’t have as long or as consistent a career as Ditko, Bell doesn’t subject Everett’s work to the keen analysis he brought to Strange and Stranger. But he makes up for the diminished insight with page after page of Everett’s vivid, varied work, showing how it all emanated from a man who was a lot like his most famous creation: a destructive antihero, always a little angry at the puny humans around him. [Grade] B" – The A.V. Club
• Review: "...The Complete Peanuts, Vol. 14: 1977 - 1978... shows just how much Schulz was all over the map during that time. [...] This is still a worthwhile volume of Complete Peanuts, though; it has a charming introduction by Alec Baldwin, the usual top-quality production of the whole Fantagraphics reprint library, and some fun story arcs..." – The A.V. Club
• Review: "Only a brain incubated in the warm, nourishing goo of Looney Tunes and vintage Disney cartoons could have produced Sammy the Mouse. [...] As always, Sally’s use of silent panels and dynamic perspectives guide readers’ eyes toward nightmarish horizons and grotesque situations... A grimy, metaphysical malaise drips from every line of Sally’s lush yet unwholesome artwork, especially when he’s plundering the iconography of innocence and youth in the service of disorienting discomfort. [Grade] A-" – The A.V. Club
• Review: At What Things Do, Jordan Crane writes "In the new issue of Love and Rockets (New Stories, no.3), Jaime has a story called Browntown. It just might be the best thing he’s ever done. In fact, I’d go so far as to say, it just might be the best comic I’ve ever read. Its construction is durable yet intricate, a bunch of simple parts working together flawlessly. It’s put together like a watch."
• Review: Guttersnipe's Shawn Conner on the "Counterculture Comix" exhibit at Bumbershoot last weekend, with photos by Robyn Hanson: "Curated by Larry Reid of Fantagraphics Books, it was an eye-popping display, even if you were familiar, as I was, with most of the work..."
• Commentary: At Amazon's books blog Omnivoracious, Alex Carr discovers John Stanley via The Best American Comics Criticism and remarks that the book "is a worthwhile resource: a go-to supply of top-notch comics writing..."
The Beguiling presents Blake Bell, author of Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics, and Bill Everett's daughter Wendy Everett, at Innis College Town Hall, 2 Sussex Ave. in Toronto, on Saturday, September 25, 4:30pm - 6:00pm, for a signing and discussion of the new book and the life and career of Bill Everett. RSVP on Facebook.
Just arrived in our warehouse and ready to ship:
204-page full-color 8.25" x 10.75" hardcover • $29.99
"Too Soon?" you ask?
It's a collection of the last 15 years' worth of Drew Friedman's illustrations, caricatures and portraits lampooning the rich, the famous, the infamous, and the never-will-be-famous.
And — promise! — no "Friends."
Too Soon? gathers Friedman's best, most strident and scathing work from some of the most popular publications including Time, Newsweek, The New Yorker, The New York Times, Rolling Stone, Entertainment Weekly, The New Republic, The Weekly Standard, Blab! and more — yes, even Field & Stream.
Too Soon? casts its net over the entirety of the forced-smiling-celebrity/politico congregation, political animals on one side of the aisle, showbiz beasts on the other... and the sad, innocent victims of their crimes that languish in the middle.
Too Soon? is naturally replete with liver spots, wrinkles, burst capillaries, blood, sweat and tears. No one is spared, no matter which side of the aisle he or she inhabits.
Too Soon? is Friedman's first book of artwork produced in HI-DEF, so be prepared. Drew Friedman's work is always brutally honest, WARTS & ALL.
Too Soon? is in fact not TOO SOON — it's about time.
Praise for Drew Friedman:
"I'm grateful to Drew Friedman for every new piece of his vast, riveting panorama of the jacked-up, hellbent American spectacle: comic and horrific, loving and appalled, obsessive and devil-may-care, brilliant and vulgar, familiar and uncanny. He's our William Hogarth and Thomas Rowlandson and George Grosz all wrapped into one." – Kurt Andersen, host of NPR's "Studio 360"
"I would like Drew Friedman to draw me, but I’m scared of what he’d uncover, what he’d reveal about my inner nature that I’d rather not see. Because that’s what he does—he’s not a mere caricaturist, he’s a ridiculously talented artist who’s practically an x-ray machine. One that makes you laugh your balls off.” – Chip Kidd, author of The Cheese Monkeys
"Friedman's liver-spots-'n'-wrinkles style of cartoon realism is completely mesmerizing..." – Entertainment Weekly
"The Thomas Nast of our time." – Slate
"Friedman distorts the images we've grown comfortable with, skewering the way we've let addicts and half-wits become our national idols..." – The Onion
"Friedman remains the finest, most excruciatingly mordant, somehow most humane caricaturist going". – Booklist
"Of low artistic quality." – Rush Limbaugh, big fat idiot.
Bonus Savings: To celebrate the release of this latest collection, we're offering Drew Friedman's previous books, including Any Similarity to Persons Living or Dead is Purely Coincidental, Warts and All, Old Jewish Comedians, More Old Jewish Comedians and The Fun Never Stops!, for at least 20% OFF for a limited time!
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