Home arrow Blogs & News arrow FLOG! Blog

Search / Login

Quick Links:
Latest Releases
Browse by Artist
Love and Rockets Guide
Peanuts books
Disney books
More browsing options under "Browse Shop" above


Search: All Titles

Advanced Search
Login / Free Registration
Detail Search
Download Area
Show Cart
Your Cart is currently empty.

Subscribe

Sign up for our email newsletters for updates on new releases, events, special deals and more.

New Releases

Spawn of Mars and Other Stories (The EC Comics Library)
Spawn of Mars and Other Stories (The EC Comics Library)
$29.99
Add to Cart

Creeping Death from Neptune: The Life and Comics of Basil Wolverton Vol. 1
Creeping Death from Neptune: The Life and Comics of Basil Wolverton Vol. 1
$39.99
Add to Cart

Massive: Gay Erotic Manga and the Men Who Make It
Massive: Gay Erotic Manga and the Men Who Make It
$35.00
Add to Cart

Foolbert Funnies: Histories and Other Fictions
Foolbert Funnies: Histories and Other Fictions
$24.99
Add to Cart

all new releases

Upcoming Arrivals

A Valentine for Charlie Brown [Pre-Order]
A Valentine for Charlie Brown [Pre-Order]
Price: $9.99

Treasury of Mini Comics Vol. 2 [Pre-Order]
Treasury of Mini Comics Vol. 2 [Pre-Order]
Price: $29.99

Sam Zabel and the Magic Pen [Pre-Order]
Sam Zabel and the Magic Pen [Pre-Order]
Price: $29.99

more upcoming titles...
 

Archive >> September 2011

Ghost World discussion at Heroes Aren't Hard to Find Sept. 24
Written by Mike Baehr | Filed under eventsDaniel Clowes 8 Sep 2011 2:36 PM

Ghost World: Special Edition by Daniel Clowes

Comics fans in Charlotte, NC, surely Heroes Aren't Hard to Find is your #1 comics shopping destination and surely you keep up with all the happenings there so this is surely not news to you, BUT ANYWAY they are having a discussion group meeting on September 24 to talk about Daniel Clowes's Ghost World, and they're offering a 10% discussion-group discount on Ghost World: Special Edition (which is already available in comic shops at a newly reduced price)! More info & details here.

Things to See: Introducing Joseph Lambert
Written by janice headley | Filed under Things to seeMomeJoseph Lambert 8 Sep 2011 11:13 AM

Mome 22 has graduated, and is leaving home. I guess they all have to grow up sometimes.

As the swan song volume rolls out into stores and mailboxes, we're shining the spotlight on Mome newbies... who will now never appear in Mome again ever!

Today, we take a look at the work of Joseph Lambert... who was just recently nominated for two (TWO!) Ignatz awards!  One for Outstanding Artist, and one for Outstanding Anthology or Collection (for I Will Bite You! and Other Stories).  Find out at SPX if he wins 'em!

panel by Joseph Lambert

Here's a panel from a comic he'll have in the upcoming NoBrow 6. As Joseph notes on his blog, it may not be yellow in the final printing.

original art for Mome from Joseph Lambert

 And here's the original artwork...

Joseph Lambert for Mome 22

...for his extraordinary piece in Mome! DAMN! I'm crazy about his lettering, it makes me think of Ray Fenwick.

By golly, get yourself Mome 22 if you haven't yet already!

Diaflogue: Kevin Huizenga Exclusive Q&A
Written by janice headley | Filed under Kevin HuizengainterviewsDiaflogue 8 Sep 2011 11:13 AM

Ganges 4 by Kevin Huizenga

This interview was conducted by Fantagraphics intern Sam Chattin. Thanks to Sam and Kevin!

Ganges 4 hits stores in October, or get your mitts on an early copy at SPX, September 10th & 11th in Betheseda, Maryland!  Kevin will be signing at the Fantagraphics table from 1:00-3:00 PM on Saturday, and 3:00-4:30 PM on Sunday. -- janice

NOTE: THERE ARE SOME SPOILERS IN THIS INTERVIEW [esp. #8]. READ THE COMIC FIRST IF YOU DON’T WANT SOME STUFF RUINED FOR YOU. -- Kevin H.

The Wild Kingdom by Kevin Huizenga
The Wild Kingdom ©2010

SAM CHATTIN: Your stories are marked by this deep comprehension of the various sciences (everything from zoology to physics). Why do you choose to include those expository elements in your stories (which often take up multiple pages)?

KEVIN HUIZENGA: That’s nice of you to say, but I feel like my knowledge of these subjects is still pretty superficial. Laying out things and looking at things is more interesting to me than dramatic storytelling. That’s not a value judgment; it’s how my brain is wired. Other writers I know can effortlessly think up dramatic situations —characters who want things and have conflicts — but my story ideas tend to be more like “what is chlorophyll?” or “walking around/oxytocin” or “terrifying TV commercial,” which are the kinds of things that reveal how solitary and lonely a life I live. I’m terrified that if I really indulged myself and my instincts I would just make comics that are diagrams of how things fit together, like complicated diagrams or giant flowcharts, and become a completely hopeless case.

CHATTIN: The often anti-climatic endings and rambling narratives add a sense of realism to your stories. It feels as though we’re peeping at not only the life but also the working mind of some stranger. What made you go this particular route?

HUIZENGA: I wish I had a more interesting answer, but really it’s just as simple as writing in a way that seems least gross to me. I feel pretty good about how things turn out, for the most part, but at the same time there’s little voices saying “what are you doing?” and “you thought this was a good idea why?” But you have to ignore these voices and start another one and keep moving. Judging by the kinds of ideas I start out with, I maybe could be writing essays or poems, but I got mixed up in comics. I thought it would be a good idea to draw comics and build upon and around Glenn Ganges as a blank character, and now it’s too late. I’m only being half-serious here. Because there are limitations to writing prose without pictures that would be very frustrating to me. I want to see what things look like and I want to see things diagrammed. When I read pictureless prose I’m often imagining illustrations or emblems or diagrams of whatever I’m reading about, and part of me is frustrated that those don’t exist.

Or Else #2 by Kevin Huizenga
Or Else #2 ©2004

CHATTIN: Sometimes your panels veer off into the uncharted areas of the subconscious. They appear to depict the convoluted and distracted thoughts that occur in us daily (well, at least some of us). What is your creative and drawing process for such panels?

HUIZENGA: I write notes, I think about a story, I get irritable and crabby, I eventually start drawing it, etc. I don’t think I go very deep into my subconscious. I’d like to try doing that more in the future. It’s a way of thinking and trusting your gut that’s not my usual method, I guess. In this issue “the Wanderer” was improvised in an attempt to, I don’t know, go from panel to panel with a different kind of story logic than usual.

There’s an interview where Dan Clowes says (this is pre-Ice Haven days, I think) something about how he thought he’d get faster over time as his skills improved but that he found himself getting slower because he kept trying out complicated effects and tricks in each panel. That really fits my experience drawing this issue. It took me a long time. There was a lot of trying something, then changing my mind, then going back and forth, etc. 

CHATTIN: How heavily do the misadventures of your characters (specifically Glenn Ganges) reflect your own personal experiences?

HUIZENGA: It’s not autobiographical. I take things from my life, like any writer does, and I try to make a new thing out of it that others can identify with and hopefully enjoy.

CHATTIN: How do you choose which experiences will work best in the comic medium?

HUIZENGA: You just sort of know. Or sometimes you think it won’t work, and the trick is in finding a way to make it work. The point isn’t really the ostensible subject, the point is figuring out how to package the ideas in an interesting form. It’s like a puzzle. I like puzzles when there’s no pressure, and no one cares about how you perform. I think that explains a lot about my career and my personality.

CHATTIN: Glenn Ganges’ latest adventure concerns a restless night. What is your preferred method for combating these moments of temporary insomnia?

HUIZENGA: A bowl of cereal (low sugar) and a book that is kind of boring and/or hard to read.

CHATTIN: How would describe the structure of Ganges #4?

HUIZENGA: An infinite grid of panels, only some of which you can see and read, but occasionally you catch a glimpse of it fading off into infinity, and also the grid contains itself nested within itself at different levels.

CHATTIN: Was it an aesthetic or symbolic choice — or neither — to break up the panels on the bottom of pages 10-13?  

HUIZENGA: I’m not sure what you’re asking, but I probably wouldn’t want to answer anyhow, since this seems like the kind of thing where I’m being tempted into explaining the thinking behind a story. Obviously I have to do some of that in an interview, but I try to keep it to a minimum. As a reader I often want a writer to explain their thinking behind a short story or a poem, but at the same time I really don’t want to know, either. And the same thing holds for writers too, I think—they often want to know what readers think, but at the same time they don’t, really.

Ganges 4 by Kevin Huizenga
Ganges #4 ©2011

CHATTIN: How did you tackle, visually, working with so much moonlight and shadow in Ganges #4?

HUIZENGA: Experimenting with tones and shadows in Photoshop, making a mess of it, and settling for the least gross-looking version of the panel. I wanted to try to draw Glenn walking around the house at night, and it took some experimentation to get something interesting that worked. I’m still not satisfied with it, but I think I know how to fix it for the collection.

CHATTIN: What are some of the challenges of depicting Death, who appears in your latest work?

HUIZENGA: It didn’t feel like it was a challenge at all. As I understand it, it’s been pretty well established that Death is a skeleton in a cloak with a scythe. I’d like to think that death appears in many of my comics so far.

Ganges 4 by Kevin Huizenga
Ganges #4 ©2011

CHATTIN:  I found the connection with Earth’s calendar and Glenn’s calendar amusing. What kind of thought process goes into making these connections?

HUIZENGA: I don’t think it gives anything away to say that Ganges is largely about time, and different ways representing and thinking about it. The Earth’s calendar thing is a pretty common illustration in popular geology books and natural histories, and since Glenn is reading Basin and Range in the story, it was an obvious way to go.

Kevin Huizenga

CartoonInk! Exhibit Opening Friday in Chicago
Written by janice headley | Filed under Lilli CarréJeremy Tinderjeffrey browneventsChris Wareart showsAnders Nilsen 8 Sep 2011 9:13 AM

CartoonInk! poster

There's a fantastic exhibit opening this weekend in Chicago featuring several Fantagraphics artists, including Chris Ware, Lilli Carré, Anders Nilsen, and Jeffrey Brown

CartoonInk!: Emerging Comics in Context spotlights the work of students and alumni of the School of the Art Institute of Chicago, all curated by SAIC faculty Christa Donner, Surabhi Ghosh, and Mome contributor Jeremy Tinder!

Bump!!!

After a few delays (hence the past date on the poster above, which was gorgeously designed by Marc Bell), CartoonInk! runs this Saturday, September 10th through October 15th at the Betty Rymer Gallery at SAIC. And on Friday, September 9th, there will be an opening reception from 4:30 – 7:00 PM!

Anders reports he'll have a full wall painting there (see pics up on his blog), and Lilli says she'll have some original pages and animation frames on display!

The Betty Rymer Gallery is located at 280 South Columbus Drive, between Jackson Dr & Monroe St. in Chicago.

Celebrate Even More Old Jewish Comedians with Old Jewish Comedians
Written by janice headley | Filed under eventsDrew FriedmanAl Jaffee 8 Sep 2011 8:13 AM

Friars Club Even More Old Jewish Comedians invitation

Celebrate the release of Even More Old Jewish Comedians with some old Jewish comedians, and the guest of honor, artist Drew Friedman, on Thursday, September 15th at the legendary Friars' Club in New York City.

The Friars' Club is the very one, infamous for all those celebrity roasts, and on that note... please excuse their use of "comic sans" in the flyer up there! OOOH! I did a roast!

I kid, I kid! We love The Friars Club for hosting this event. They helped us celebrate the release of More Old Jewish Comedians back in 2008 , and an estimated 400 people were there! And this time around, the event is open to the public! That's right, you do not have to be a friar to attend, and you do not have to RSVP. Just get yourself to The Friars Club from 6:00-8:00 PM... Why so early? Oh, right, 'cause it's the OLD Jewish Comedians trilogy! Ha, ha, ha! I'm gettin' a hang of this "roasting" thing!

Okay, no, I'm not, but you can meet some real comedians at this event who could easily show me a thing or two, and roast me to the ground: Friars comedians Freddie Roman and Stewie Stone (the cover "model" on the new book) will host the event, with special guests Larry Storch, "Professor" Irwin Corey, Bobby Ramsen, Joe Franklin, and our own MAD legend Al Jaffee! Plus, special surprise guests to be announced, and a tribute to the late Mickey Freeman.

So, come buy a book, get it signed by Drew, and meet some of the legends depicted in his books in person! The Friars Club is located at 57 East 55th Street, in New York City.

Now in stock: Prison Pit Book 3 by Johnny Ryan
Written by Mike Baehr | Filed under new releasesJohnny Ryan 8 Sep 2011 12:24 AM

Just arrived in our warehouse and ready to ship:

Prison Pit Book 3 by Johnny Ryan

Prison Pit Book 3
by Johnny Ryan

120-page black & white 6.5" x 8.5" softcover • $12.99
ISBN: 978-1-60699-497-9

See Previews / Order Now

Prison Pit blends Angry Youth Comix creator Johnny Ryan’s fascination with WWE wrestling, grindhouse cinema, first person action video games, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal and often hilarious showcase of violence like no other comic book ever created. Even the lead character’s name, which is only one letter away from “Cannibal Duckface” (hint: “Cannibal” is correct) is unprintable.

Prison Pit is so deranged and twisted that even the author’s plot description, while admirably reflecting the spirit of the book, has to be edited into a sea of asterisks in order to be bearable to normal human beings: “A mysterious new a**hole has descended into the Prison Pit. He’s looking for Cannibal F***face and he wants revenge. Revenge for what? Probably for some f***ed up evil s***. But before he can get his hands on the CanMan he’s got to battle his way through some pretty vicious motherf***ers. S***’s about to get real.”

Well, yes, exactly.

Advance Praise:

"Hey are you doing any more scary guys made out of tar ripping each other's dicks off? You know why I like those? Because you don't have to read all them stupid words and stuff. Right? Haa ha, hey Johnny wanna come over and play? Ha Ha!" – Tony Millionaire

Prison Pit: Book 1 Prison Pit: Book 2 [with FREE Signed Bookplate] Prison Pit: Book 3 [Pre-Order]

Exclusive Savings: Order Prison Pit Books 1-3 together and get the complete series so far for 20% off! Click here to order the Prison Pit 3-pack.

Now in stock: Mark Twain's Autobiography 1910-2010 by Michael Kupperman
Written by Mike Baehr | Filed under new releasesMichael Kupperman 8 Sep 2011 12:18 AM

Just arrived in our warehouse and ready to ship:

Mark Twain's Autobiography 1910-2010 by Michael Kupperman

Mark Twain's Autobiography 1910-2010
by Michael Kupperman

160-page two-color 6" x 8.25" hardcover • $19.99
ISBN: 978-1-60699-491-7

See Previews / Order Now

"Here Mister Kupperman," he said, thrusting a manuscript into my hands. "Publish this, and let the world read of my adventures."

My name is Mark Twain, and I write these words to you in the good old days of August 2010. "What's that," you say? "Didn't you die a hundred years ago, you old coot?"... The truth is I never died, but the same old rumors got exaggerated and then a bunch of other stuff happened, so people forgot I was still alive.

And with that preface, the celebrated man of letters — thought to be dead for a hundred years but actually surviving due to a wizard's spell — returns with a sequel to his best-selling autobiography, aided and abetted by humorist and cartoonist Michael Kupperman. From WWI to the Great Depression, WWII to Woodstock, and through the present, Twain details his careers as an ad man, astronaut, hypnotist, Yeti hunter, porn star, drifter, grifter and more, rubbing shoulders and having never-before-told adventures with many major figures of the 20th Century.

Michael Kupperman describes the book further:

"A mix of illustrated writing and comics, this volume follows Twain as he navigates the Twentieth Century and makes his way into the Twenty-First. His adventures are tense, scary, sexy, mischievous, and sometimes embarrassing. Twain spills the dirt on his secret love affairs with Marilyn Monroe and Mame Eisenhower, tells about his spying and private detective work, and dishes about his involvement in film, TV and advertising. The time he took LSD, the day he tried to hypnotize a donut clerk. Where he first met Einstein and how they travelled through time together. How to build your own raft and the life of a hobo. And who really killed JFK…? All this and much, much more."

Now in stock: The Man Who Grew His Beard by Olivier Schrauwen
Written by Mike Baehr | Filed under Olivier Schrauwennew releases 8 Sep 2011 12:12 AM

Just arrived in our warehouse and ready to ship:

The Man Who Grew His Beard by Olivier Schrauwen

The Man Who Grew His Beard
by Olivier Schrauwen

112-page full-color 8.5" x 10.25" softcover • $19.99
ISBN: 978-1-60699-446-7

See Previews / Order Now

The Man Who Grew His Beard is Belgian cartoonist Olivier Schrauwen’s first American book after having staked a reputation over the last decade as one of Europe’s most talented storytellers. It collects seven short stories, each a head-spinning display of craft and storytelling that mixes early twentieth-century comics influences like Winsor McCay with a thoroughly contemporary voice that provokes and entertains with subversively surreal humor and subtle criticism of twentieth-century tropes and images. The stories themselves, though each stands alone, are intertwined thematically, offering peeks into the minds of semi-autistic, achingly isolated men and their feverish inner worlds and how they interact and contrast with their real environment. Though Schrauwen taps "surrealist" or "absurdist" impulses in his work, you will not read a more careful and precise collection of stories this year.

The stories included are: “Hair Types,” a hilarious piece that on the surface explores the pseudoscientific classification of personality as a function of hair but becomes something more akin to a fable about self-fulfilling prophecy; “Chromo Congo,” a silent story about two men on safari who meet a corpulent and obnoxious hunter; as well as “The Task,” “The Man Who Grew His Beard,” “The Lock,” “The Cave,” and “The Imaginist.”

Though this is Schrauwen’s first U.S. edition of comics, he has wowed American fans with his appearances in the anthology MOME over the last few years, and one of his MOME stories was one of three comics selected for the 2009 edition of Dave Eggers's influential Best American Nonrequired Reading.

“I don’t know much about Olivier Schrauwen, [but I] know that he’s some sort of postmodern comics genius.” — Eisner Award-winning comics critic Tom Spurgeon

Now in stock: The Art of Joe Kubert, edited by Bill Schelly
Written by Mike Baehr | Filed under new releasesJoe KubertBill Schelly 7 Sep 2011 11:48 PM

Just arrived in our warehouse and ready to ship:

The Art of Joe Kubert

The Art of Joe Kubert
edited by Bill Schelly

232-page full-color 9.25" x 12.25" hardcover • $39.99
ISBN: 978-1-60699-487-0

See Previews / Order Now

Joe Kubert is one of the great comic book artists. His career literally traverses the history of comics, beginning in 1938 when he became a professional at age 12, to today as one of the greatest draftsmen working in the field. Kubert is known and respected as much for his sinewy, passionate drawing as he is for his consummate storytelling skills. Over his 70-year career in comics, he has worked as an artist, an editor, a publisher, an entrepreneur, and a cartooning auteur. The Art of Joe Kubert is a deluxe, full-color coffee table book that honors this legendary creator with beautifully reproduced artwork from every phase of his career as well as critical commentary by the book’s editor, comics historian and Kubert biographer Bill Schelly.

Schelly’s text parallels the visual evolution of the artist’s work, tracing his life and career from his early days drawing Hawkman in the Golden Age, to his creation of Tor, his involvement in creating 3-D comics in the 1950s, his tour de force stints on DC’s war comics — Sgt. Rock, The Unknown Soldier and the groundbreaking Enemy Ace — in the 1960s, to illustrating the adventures of Tarzan in the 1970s. And before finding a creative safe haven at DC Comics in the ’50s, Kubert drew for many smaller and more obscure companies, including Holyoke, Quality, Fiction House, Harvey, St. John, and others — all of which are represented, including a 50-page section of comic-book stories in the horror, crime, and SF genres from the pre-Comics Code era, reprinted in full color for the first time.

Although Kubert is known for his contributions to pop culture icons such as Tarzan and Sgt. Rock, he has also invested his creative energy in more personal projects over the last 20 years, including journalistic and historical graphic novels such as his Eisner Award-winning Fax from Sarajevo and Yossel: April 19, 1943, all of which are illustrated along with Schelly’s insightful analysis that places these later, more mature works in the context of Kubert’s career.

The Art of Joe Kubert + Man of Rock: A Biography of Joe Kubert

Exclusive Savings: Order The Art of Joe Kubert together with Man of Rock: A Biography of Joe Kubert and save 20% off the combined cover prices! Click here to order.

Now in stock: The Armed Garden and Other Stories by David B.
Written by Mike Baehr | Filed under new releasesDavid B 7 Sep 2011 11:37 PM

Just arrived in our warehouse and ready to ship:

The Armed Garden and Other Stories by David B.

The Armed Garden and Other Stories
by David B.

112-page two-color 7.5" x 10.75" hardcover • $19.99
ISBN: 978-1-60699-462-7

See Previews / Order Now

David B., the creator of the acclaimed Epileptic, gives full rein to his fascination with history, magic and gods, not to mention grand battles, in this literate, witty, and absorbing collection of stories — all based on historical fact, or at least historical legend, and delineated in a striking stylized two-color format.

“The Veiled Prophet”: During the 8th century (the time of Harun al-Rashid, the Caliph of 1001 Nights fame), Hakim al-Muqanna, the lowly Persian fabric dyer, is assaulted and enveloped by a piece of white cloth come from the sky. When a bystander recognizes in the folds of the cloth the visage of Abu-Muslim, defender of the oppressed, al-Muqanna becomes a prophet and great leader — and within a year his followers have defeated seven armies sent to stop him!

“The Armed Garden,” set in the 15th century, tells the story of the bloody quest for a Paradise on Earth. Rohan, a humble Prague blacksmith, is visited by Adam and Eve, who urge him lead his fol- lowers, soon dubbed “Adamites,” on this mission. They soon must contend, bloodily, with the rival Paradise-seekers the “Taborites,” led by John Zizka.

“The Drum Who Fell in Love,” a sequel of sorts, begins with Zizka’s death: His people have him skinned and his skin stripped onto a drum, and the drum, speaking in Zizka’s voice, leads the Taborites into battle anew. But the touch of a beautiful girl softens Zizka’s spirit, and the unlikely couple begin a journey together…

Special Offer: Order The Armed Garden and Other Stories and add David B.'s Babel #2 to your order for half price! Make your selection when placing your order.


FLOG! Blog

Latest Entries

Archive

Tag Cloud
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alan Abrahams, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, Anne Ishii, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Brian Ralph, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, CCI, Charles Burns, Charles Forsman, Charles M Schulz, Charles Rodrigues, Charles Schneider, Chip Kidd, Chris Ware, Chris Wright, Chuck Forsman, classics, Colleen Coover, comic strips, comics industry, comics journal, Coming Attractions, comiXology, Conor OKeefe, Conor Stechschulte, contests, Crag Hill, Craig Yoe, Critters, Crockett Johnson, Daily OCD, Dale Yarger, Dame Darcy, Dan DeCarlo, Dan Nadel, Daniel Clowes, Danny Bland, Dash Shaw, Dave Cooper, Dave McKean, David B, David Collier, David Greenberger, David Lasky, David Levine, david sandlin, David Wojnarowicz, Debbie Drechsler, Denis The Menace, Dennis the Menace, Derek Van Gieson, Design, Destroy All Movies, Diaflogue, Diamond, Diane Noomin, Dick Briefer, digital comics, Disney, DJ Bryant, Doctors, Don Flowers, Don Rosa, Down with OPP, Drawing Power, Drew Friedman, Drew Weing, Drinky Crow Show, Dylan Horrocks, Ebay, EC Comics, EC Segar, Ed Luce, Ed Piskor, Editors Notes, Edward Gorey, Eisner, Eldon Dedini, Eleanor Davis, Ellen Forney, Emile Bravo, Eric Reynolds, Ernie Bushmiller, Eros Comix, Eroyn Franklin, errata, Esther Pearl Watson, Eve Gilbert, events, fan art, Fantagraphics Bookstore, Fantagraphics history, fashion, FBI MINIs, FCBD, Femke Hiemstra, Field Trip, Flannery OConnor, Fletcher Hanks, flogcast, Floyd Gottfredson, Four Color Fear, Francesca Ghermandi, Francisco Solano López, Frank Santoro, Frank Stack, Frank Thorne, Freddy Milton, Fredrik Stromberg, Fredrik Strömberg, From Wonderland with Love, Fucking Nice Guy, Gabriella Giandelli, Gabrielle Bell, Gahan Wilson, Gary Groth, Gary Panter, Gene Deitch, George Carlson, George Chieffet, George Evans, George Herriman, Gil Kane, Gilbert Hernandez, Gilbert Shelton, Gipi, Glenn Bray, Glenn Head, God and Science, good deeds, Graham Chaffee, Graham Ingels, Graham Kolbeins, Greg Irons, Greg Sadowski, Guy Colwell, Guy Peellaert, Hal Foster, Hank Ketcham, Hans Rickheit, Harvey Kurtzman, Harvey Pekar, heiko mueller, Hergé, Hernán Migoya, Ho Che Anderson, hooray for Hollywood, Hotwire, Humbug, Humorama, Ignatz Series, Igort, In-joke Central, Inio Asano, Inspiration, interns, interview, interviews, Irwin Chusid, Ivan Brun, Ivan Brunetti, J Otto, Jack Cole, Jack Davis, Jack Jackson, Jack Kamen, Jack Kirby, Jacques Boyreau, Jacques Tardi, Jaime Hernandez, James Romberger, James Sturm, Janet Hamlin, Jason, Jason T Miles, Jean Schulz, Jeff Smith, jefferson machamer, jeffrey brown, Jeremy Eaton, Jeremy Tinder, Jerry Dumas, Jesse Moynihan, Jesse Reklaw, Jessica Abel, Jim Blanchard, Jim Flora, Jim Rugg, Jim Woodring, JIS, Joe Coleman, Joe Daly, Joe Kimball, Joe Kubert, Joe Orlando, Joe Sacco, Joe Simon, John Benson, John Cuneo, John Hankiewicz, john kerschbaum, John Liney, John Pham, John Severin, Johnny Craig, Johnny Gruelle, Johnny Ryan, Jon Adams, jon vermilyea, Jonathan Barli, Jonathan Bennett, Joost Swarte, Jordan Crane, Joseph Lambert, Josh Cochran, Josh Simmons, Joshua Glenn, Joyce Farmer, JR Williams, Jules Feiffer, Julia Gfrörer, Justin Green, Justin Hall, Kaz, Ken Parille, Kevin Avery, Kevin Huizenga, kevin scalzo, Kickstarter, Killoffer, Kim Deitch, Kim Thompson, Kipp Friedman, Kovey Korner, Krazy Kat, Kremos, Kristy Valenti, Kurt Wolfgang, Lane Milburn, Last Vispo, Laura Park, LB Cole, Leah Hayes, Leila Marzocchi, Les McCann, Leslie Stein, Lewis Trondheim, library, life imitates comics, Lilli Carré, Linda Medley, Liz Suburbia, Lizz Hickey, Lorenzo Mattotti, Lorna Miller, Los Bros Hernandez, Lou Reed, Love and Rockets, Lucy Knisley, Lyonel Feininger, Maakies, Mack White, Malachi Ward, Malcolm McNeill, manga, marc bell, Marc Sobel, Marco Corona, Marguerite Van Cook, Mario Hernandez, Mark Bode, Mark Fertig, Mark Kalesniko, Mark Martin, Mark Newgarden, Mark Todd, Marschall Books, Marti, Martin Cendreda, Martin Kellerman, mary fleener, Matt Broersma, Matt Danner, Matt Thorn, Matthias Lehmann, Matthias Wivel, maurice fucking sendak, Maurice Tillieux, Max, Max Andersson, Max Riffner, McSweeneys, Meg Hunt, Megahex, Megan Kelso, merch, meta, Mia Wolff, Michael Chabon, Michael Dowers, Michael J Vassallo, Michael Kupperman, Michel Gagne, Mickey Mouse, Milt Gross, Mineshaft, misc, miscellany, Miss Lasko-Gross, Mister Wonderful, MK Brown, Molly Kiely, Mome, Monte Schulz, Mort Meskin, Mort Walker, Moto Hagio, Nancy, Nate Neal, Neil Gaiman, Nell Brinkley, New Comics Day, new releases, Nick Drnaso, Nick Thorburn, Nico Vassilakis, nicolas mahler, Noah Van Sciver, Norman Pettingill, OCD, office fun, Oil and Water, Olivier Schrauwen, Original Art, Pat Moriarity, Pat Thomas, Patrick Rosenkranz, Paul Hornschemeier, Paul Karasik, Paul Nelson, Peanuts, Peter Bagge, Peter Kuper, Pirus and Mezzo, Playboy, podcast, Popeye, Portable Grindhouse, press, previews, Prince Valiant, production, queer, R Kikuo Johnson, Rand Holmes, Ray Fenwick, Raymond Macherot, RC Harvey, Rebel Visions, Renee French, reviews, Rich Tommaso, Richard Sala, Rick Altergott, Rick Griffin, Rick Marschall, RIP MD, rip-offs, Rob Walker, Robert Crumb, robert fiore, Robert Goodin, Robert Pollard, Robert Williams, Roberta Gregory, rock, Roger Langridge, Ron Regé Jr, Rory Hayes, Rosebud Archives, Roy Crane, Russ Heath, S Clay Wilson, sales specials, Sammy Harkham, Samuel R Delany, Sara Edward-Corbett, Sequential, Sergio Ponchione, Seth, Shag, Shannon Wheeler, shelf porn, Shilling, Shimura Takako, Short Run, signed bookplates, Significant Objects, Simon Deitch, Simon Hanselmann, slimy marketing, Some Douchebag, Sophie Crumb, Souther Salazar, spain, Spain Rodriguez, staff, Stan Sakai, Stephane Blanquet, Stephen DeStefano, Stephen Dixon, Stephen Weissman, Steve Brodner, Steve Ditko, Steve Duin, Steven Brower, Steven Weissman, Storm P, Supermen, T Edward Bak, Taking Punk to the Masses, tattoos, Ted Jouflas, Ted Stearn, television, Terry Zwigoff, The Comics Journal, The Stranger, Things to see, Thomas Ott, Tim Hensley, Tim Kreider, Tim Lane, TMNT, Tom Kaczynski, Tommi Musturi, Tony Millionaire, Tori Miki, toys, Trina Robbins, TS Sullivant, Tyler Stout, Ulli Lust, Umpteen Millionaire Club, Under the Covers, Usagi Yojimbo, Vaughn Bode, Victor Kerlow, Victor Moscoso, video, Virgil Partch, VIVA LA COMIX, Wallace Wood, wallpapers, Wally Wood, walt holcombe, Walt Kelly, Wandering Son, Warren Bernard, webcomics, Wendy Chin, Wilfred Santiago, Will Elder, Willard Mullin, William S Burroughs, Willie and Joe, witzend, Zak Sally, Zap, Zippy the Pinhead

Our Bookstore

The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.

Get all the latest store updates on Flog! The Fantagraphics Blog and on Facebook!

Related Sites

Visit our sister sites (links open in a new window):

Free Membership Benefits

Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!

RSS Feeds

FLOG! Blog
New Releases
Fanta Events
more feeds...