You remember of the horrors of Josh Simmons from Jessica Farm or House. That copy of The Furry Trap sits on your bookshelf behind a picture or totem of any kind so when you pass it at night you don't recall images of "Demonwood" or "Night of the Jibblers." Now there is a new type of Simmons horror and it is the kind that arrives as a small, unassuming mini-comic. Flayed Corpse is the first in a line of new Simmons mini-comics published by Charles Forsman's micro publishing company, Oily Comics. Dip your toes in the eerily calm lake that is the world Simmons built for you, just so he could hear you scream.
Get ready for a second helping of silliness and Sluggo in Nancy Likes Christmas: Complete Dailies 1946-1948 by Ernie Bushmiller, coming this November! It's another three years of goofy gags and graphic genius packaged with pop-art panache, and featuring an intro by Zippy creator and Nancy aficionado Bill Griffith. Our advance copies have arrived here at HQ (obviously) which means we'll be bringing you more previews and sneak peeks in the days to come; in the meantime you can get your pre-order in here, and find a money-saving deal on a combo of this and the previous volume here.
The exhibit opens on Saturday, November 3rd, and the next day, Sunday, November 4th, curator Patrick Dean, a cartoonist himself who sits on the board of the Jack Davis Foundation, will give a talk from 3:00 to 4:00 PM with a reception to follow.
Dean says, “The point of the show isn’t to shun his more popular sports drawing, but to bring attention to his work that may not be as well known to the general public. Visitors may recognize some of these images, but I hope they appreciate the level of detail Davis put into his work. Some of that detail gets lost when the images are shrunk down and printed on paper stock of varying quality. Studying Jack Davis’ crosshatching and brushwork will be a real treat to anyone who’s admired this man’s work.”
The Georgia Museum of Art is located at 90 Carlton Street in Athens, GA, at the University of Georgia. This exhibit runs through January 6th, 2013.
'Since 1991, the awards are presented to authors and publishers of books, articles, liner notes, and monographs, to recognize outstanding published research in the field of recorded sound. In giving these awards, ARSC recognizes outstanding contributions, encourages high standards, and promotes awareness of superior works. Two awards may presented annually in each category—one for best history and one for best discography. Certificates of Merit are presented to runners-up of exceptionally high quality. The 2012 Awards for Excellence honor works published in 2011.'
"Reviewers will compare [Everything Is an Afterthought] to Lester Bangs’s Psychotic Reactions and Carburetor Dung, but Avery’s palpable esteem for his subject elevates the book above anthology to research-rooted valentine; indeed, the book is partly a biography of a Minnesota-grown rock journalist whose lean style recalls the film noir he adored." – Heather McCormack, Library Journal
"Paul Nelson's writing meant a lot to me emotionally at the time, enough to just flick that switch so that when you went on onstage that night you remembered: Hey, you're working on a promise to keep, not to just yourself but to him. He put his ass on the line for you in that last story, so you better be good." – Bruce Springsteen
Join Mr. Bennett and his spouse, artist C. Mehrl Bennett, for an evening of art and music at the It Looks Like It’s Open Gallery from 7:00 to 9:00 PM. C. is also one of four contributing editors of The Last Vispo Anthology. She did research at The OSU Avant Writing Collection, for which John is curator, to research visual poetry to recommend to our editors Nico Vassilakis & Crag Hill, and to help develop her essay in the book. (Profits from book sales will be for the gallery/studio collective’s benefit.)
Work from The Last Vispo Anthology will be on display alongside mail art from The 70 Project, and John will perform his poetry in collaboration with sound artists & musicians: Jeff Chenault, Larry Morratto, Ryan Jewell, Mike Shiflet, and Byron Smith.
How did the band Lavender Diamond manage to score the great Ron Regé, Jr. to do their album cover? Oh, I dunno... maybe they asked their drummer... Ron Regé, Jr. Yes, not only is the guy an amazing artist, he's also an amazing musician. Yes, your parents were right: life is not fair.
The new album is titled Incorruptible Heart, and it is out today on Paracadute Records. Go stream their awesomeness on their Soundcloud page. For a limited time only, the band is offering a "deluxe package" including an original, hand-drawn piece of artwork from Ron, an exclusive tote bag, the limited edition vinyl (on lavender, natch), and a digital download.
And hey, east coast! Lavender Diamond is heading over for a short lil' tour, so don't miss them!
09.26.12 - Mercury Lounge [ New York, NY ] 09.27.12 - Kung Fu Necktie [ Philadelphia, PA ] 09.29.12 - Glasslands [ Brooklyn, NY ] 09.30.12 - Brighton Music Hall [ Cambridge, MA ]
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review:NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview:Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review:We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug:Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary:The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review:The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review:The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyoby Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review:Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Interview:Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.
It's beginning to look a lot like Christmas around here, with more advance copies of holiday-themed books arriving at our door. Hitting shelves in November, it's the third book in our smash hit Carl Barks Library series, Walt Disney's Donald Duck: A Christmas for Shacktown! Another snappy hardcover collection of some of the greatest comics ever made, presented with our usual commitment to quality... need we say more? How about a 24-page excerpt with the Table of Contents and a big chunk of the featured title story? See that, and pre-order copies for under the tree and on your shelves, right here.
Visitors to "The Horror: Selections from the EC Comics Library" on Saturday, October 13 at Fantagraphics Bookstore & Gallery will have the added pleasure of viewing "Apopalyptic America," an exhibition of new works by Jem Eaton. His postmodern paintings combine pop culture motifs with fine art techniques to create colorful comments on classic cartoon characters. The show is at the One Night Stand Gallery space directly above the bookstore and Georgetown Records, the site of a free concert that evening by Berlin-based recording artist Molly Nilsson. These events coincide with the lively Georgetown Art Attack featuring visual and performing arts presentations throughout the historic arts community. See you all then.
Congratulations to Ellen Forney for her prestigious Stranger Genius Award in literature announced last Saturday evening at the Moore Theater in Seattle. She joins 2010 genius Jim Woodring as Fantagraphics affiliates so honored. Don't miss Ellen's presentation of her courageous new graphic memior Marbles: Mania, Depression, Michelangelo & Me on Saturday, November 10 at 7:00 PM in the Microsoft Auditorium at the Seattle Public Library central branch, sponsored by Fantagraphics Bookstore & Gallery.
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