HARLAN ELLISON - Wednesday, September 29 2010 18:36:3
Due to the (uh)(ahem) inordinately "strained" relations passim one of his publishers and me, I never got a chance to tell the astonishingly wonderful artist/caricaturist Drew Friedman that I am, and was from the beginning of his career, a cockeyed fan of his merciless honesty. He once did a caricature of me and I always wanted to tell him that I considered it a memento mori of exquisite meanness. His is absolutely imperial iconography, and next to his hilarious portrait of my friend Patton Oswalt, his two books of Old Jewish Comedians are so dear to me, that I had them Lucite-boxed. I mention this now, in hopes someone will impart yet another Old Jew's admiration, because I have just now finished gasping, giggling, guffawing and geshrying over his latest collection of portraits.
Being a bit of a bohkun myself, it has been delightful to watch Drew Friedman chase Hogarth, Kley, Nast and them guys over the hill. He is to fine art what Guernica was to human observation.
This Saturday is the first inaugural Jet City Comic Show here in our own backyard of Seattle, and we will be there. Come by and say hi to Larry Reid and Jacq Cohen, and in the afternoon, look for Peter Bagge and newly-crowned GENIUSJim Woodring, who will be signing books for an hour or two. Stop by an pick up a coupon for 20% off at our bookstore and gallery!
Right Thing the Wrong Way: The Story of Highwater Books
October 1st-October 24th
Opening Reception October 1st 6-9pm
Fourth Wall Project 132 Brookline Ave Boston, MA 02215
For seven years (and one miscounted eighth anniversary party) Highwater Books was snobby, high-concept, iconoclastic, poorly-business modeled publishing company that ran itself into the ground. Highwater published books late, promised them and never published them at all and even withheld its books from distributors on principle. The company asked its artists to fold mini-comics and stand behind convention tables and sell their wares to a public that did not know what to make of them. It hatched plans, plots and schemes, and it may have been the most important comic publisher of the early part of the century. Over those seven or so years, Highwater elevated the concept of design in the comics world; It emphasized independent and DIY attitudes in an increasingly corporate society, and it published some of the most important artists in comics. In October, Fourth Wall Project celebrates Highwater and a selection of its artists with a group art exhibition: Right Thing the Wrong Way: The Story of Highwater Books.
Starting with the opening party on October 1st and on view for three weeks, Right Thing the Wrong Way will display new and archival works by the artists central to Highwater Books: Brian Ralph, Greg Cook, Jef Czekaj, Jordan Crane, Kurt Wolfgang, Marc Bell, Megan Kelso, and Ron Rege. Along with the artists work, there will be an installation celebrating the strange history of the company. The organizers (TD Sidell, Emily Arkin, Brooke Corey, Jef Czekaj, and Greg Cook) will construct a mini-museum within the gallery, displaying ephemera (both finished and unfinished), half formed concept pieces, and plain old junk that made Highwater special. In lieu of a traditional catalog the organizers, in conjunction with Bodega Distribution, have put together an oral history of the company that will manifest in a short-run publication (natch!) for the show. Compiled and edited by Highwater artist and Phoenix art critic Greg Cook, the oral history will act as a companion to the show with the artists and "employees" of Highwater telling the story themselves.
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