FANTAGRAPHICS BOOKS ANNOUNCES THE ACQUISITION OF SIGNIFICANT OBJECTS STORY COLLECTION
SEATTLE, WA, JUNE 9, 2010 --- Since its debut, Significant Objects, the bold online inquiry into the relationship between narrative and the value of everyday objects, has been the subject of speculation by everyone from NPR to litbloggers to The New York Times' Freakonomics crew. Some theorized about the project's hypothesis, others about its methods and results.
Some just wanted to know: Will there be a book?
This last question can now be answered: Yes!
A collection of one hundred Significant Objects stories, seductively illustrated by top artists, will be published in 2011 by Fantagraphics Books.
This represents the most pleasing plot twist yet to the story of a very unlikely project that began as an experiment, turned into an experimental literary magazine secretly published on eBay, and currently raises money for youth tutoring nonprofits.
Significant Objects and its contributing writers sold piles of flea-market flotsam for thousands of dollars and, as The Economist's More Intelligent Life blog put it, "proved Walker and Glenn's theory that stories add immeasurable value to objects."
Some observers suggested the Significant Objects experiment had invented a new business model: "This is just one (fun) example of many of content creators smartly using infinite goods (the stories) to make a scarce good (the trinket) more valuable, and putting in place a business model to profit from it," according to Techdirt. Cool Hunting speculated that the project had created "the first pay scale for writers based on emotional impact."
Of course, Significant Objects was never just about the marketplace. Most importantly, it was about writers "finding magic in unexpected things," as NPR's All Things Considered put it. The project has published first-rate fictions by best-selling novelists and pathbreaking up-and-comers, by literary stars and experimentalists, writers for The Daily Show and other TV programs, innovative improv comics, cartoonists, journalists, and writers of young-adult fiction, mysteries, thrillers, sci fi and much more.
"The roster of authors is beyond impressive." - the blog BookSlut "It's a heck of a great idea and Walker and Glenn have assembled a really terrific collection of writers to participate" - Media Bistro's UnBeige blog "Like a Salvation Army staffed by brilliant writers, Significant Objects has created a new kind of online journal - publishing and selling on eBay" - the blog GalleyCat
"If this is a cynical marketeer's scam," a columnist for The Independent (UK) suggested, "then consider me conned. Significant Objects combines one of the oldest of all media - the near-improvised short story - with the reinvigorated writer-reader relationship afforded by Web 2.0."
The experiment, in short, was a smash hit. With enthusiastic reader/buyers from Texas to Alaska, from New York to California, and everywhere in between, Significant Objects decided to funnel auction proceeds from its second and third volumes of stories to the tutoring programs 826 National and Girls Write Now.
Does the project point the way towards a new business model for literary publishing? Are we 21st-century skeptics in thrall to talismans and totems? Once the auction sales figures have been correlated with, say, narrative exposition strategy, will Significant Objects reveal the key to the relationship between narrative and value?
All of these questions and more will be addressed (and some answered) by the Significant Objects book, which will not only feature one hundred moving, absurd, surprising, and always entertaining stories from the project's three volumes. Thanks to Fantagraphics, it will also feature new illustrations by artists from the worlds of comics, skate graphics, rock posters, children's books, and the commercial and gallery arts. The Significant Objects book will change the way you look at things, forever.
About the Editors of SIGNIFICANT OBJECTS
Joshua Glenn is a Boston-based journalist, editor, and cultural semiotics analyst. He cofounded the website HiLobrow.com; he's been a columnist for the Boston Globe's Ideas section and a contributing editor to other publications. He edited the nonfiction collection Taking Things Seriously (2007) and coauthored, with Mark Kingwell, The Idler's Glossary (2008). In the 1990s he published the critical-culture zine Hermenaut.
Rob Walker writes Consumed, a column that mixes business and anthropology, for The New York Times Magazine. He is the author of Buying In: The Secret Dialogue Between What We Buy and Who We Are, named by Salon as one of the best nonfiction books of 2008. His work has appeared in many media outlets, from The Wall Street Journal to The New Republic, from GQ to public radio program Marketplace. He is often called on as an expert on consumer culture, most notably in the recent Gary Hustwit documentary Objectified.
At each event, Jim will entertain audiences a fantastic slide show and discussion of the hidden meanings behind every mysterious idea and totem in WEATHERCRAFT. And in Brooklyn, on June 18, New Yorkers will have the opportunity to view all of the original artwork from the book, as well as many preliminary pieces that went into making it.
ABOUT WEATHERCRAFT: After 30 years of making acclaimed comic books, Jim Woodring has created his first-ever, long-form original graphic novel. WEATHERCRAFT sends Jim's sloth-like character, Manhog, on a psychedelic quest for enlightenment. Woodring's transformative imagination lures the reader in and makes that person part of a looping story in which actions speak and words don't exist. Wooodring's fluid panels and detailed linework makes this journey though the "Unifactor" universe one that rewards with exquisite new discoveries upon every reading.
WEATHERCRAFT: Black-and-white, 104 pages, 7" by 9.75" • ISBN: 978-1-60699-340-8 • $19.99 US
This is a somewhat cheesy post, but hey, I'm desperate. I'm selling 300 Gasoline Alley Sunday newspaper tearsheets by Frank King from 1935-1950 on eBay and you should bid on them! I'm also selling a copy of COMIX 2000 from L'Association and a Crumb portfolio. Baby needs a new pair of shoes!
Kelso will be making a rare return to New York since moving back to her hometown of Seattle, WA a few years ago. She will give a multimedia talk called "Big and Small": How do you construct a story that includes the big wide world, history, culture, sweeping events like war and political change, but that also includes personal, intimate character-driven things like friendship, family relationships, love, sex, babies and dying? How do you meld the two together into a believable whole? How do you humanize important historical players, kings, queens and presidents, and also show how the personal lives of ordinary people are affected by grand events that take place outside their doors? This are the essential questions that Kelso asked herself throughout the creation of Artichoke Tales, and she answers them through examples of her own work, as well as other artists who are engaged with similar issues, from Joe Sacco to Lynda Barry.
Meanwhile, underground comix and New York legend Deitch will present a visual tour through his "universe," which features a a sprawling, multi-generational cast of characters both fictional and real, spanning comics and animation history of the 1920’s and 30’s through the present day, with a particular focus on his latest epic, The Search for Smilin' Ed. Deitch will explicate his incredibly intricate yet organic page and panel constructions, which he employs with unparalleled excellence in the creation of structurally complex narratives concerning equally complex characters.
These lively talks will be followed by a question and answer session with the audience and book signing.
WHO: Megan Kelso and Kim Deitch WHAT: Multimedia talk and book signing WHERE: The Strand Bookstore, 12th & Broadway, New York, NY WHEN: Thursday, June 24, 7PM
ARTICHOKE TALES is the long-awaited graphic novel from Megan Kelso, a six-years-in-the-making family saga spanning three generations and an entire continent. This coming-of-age story is about a young girl named Brigitte whose family is caught between the two warring sides of a civil war, taking place in a world that echoes our own, but whose people have artichoke leaves instead of hair. Influenced in equal parts by Little House on the Prairie, The Thorn Birds, Dharma Bums, and Cold Mountain, Kelso weaves a moving story about family amidst war. Kelso’s visual storytelling, uniquely combining delicate linework with rhythmic, musical page compositions, creates a dramatic tension between intimate, ruminative character studies and the unflinching depiction of the consequences of war and carnage, lending cohesion and resonance to a generational epic. This is Kelso’s first new work in four years; the widespread critical reception of her previous work, THE SQUIRREL MOTHER, makes Artichoke Tales one of the most eagerly anticipated graphic novels of 2010.
THE SEARCH FOR SMILIN' ED is the latest of Kim Deitch’s graphic novels to showcase his obsessive burrowing into the nooks and crannies of vintage American popular culture. A long-gone children’s show host propels Deitch into a pop-culture investigation.
Where Deitch's earlier books focused on the earliest days of the animation industry (in THE BOULEVARD OF BROKEN DREAMS), the history of comic strips (ALIAS THE CAT), and vintage movie serials (SHADOWLAND), THE SEARCH FOR SMILIN' ED explores the surreal landscape of children’s TV shows. Launched on his latest investigation by a remark from his brother about a shared childhood favorite (“Y’know, I heard that when Smilin’ Ed died... his body was never found!”), Deitch begins to uncover some mysterious things about the kiddie-show host and his malevolent sidekick, Froggy the Gremlin. Ranging across the entire twentieth century, replete with flashbacks and stories within stories, The Search for Smilin’ Ed! is a narrative whirligig that shows Deitch at his wildest and woolliest.
Seattleites, you won't want to miss this: "The Lobster and the Liver," a feature-length documentary about the great Jim Woodring, will play at the Seattle True Independent Film Festival this Friday, June 4th at 7pm at the Central Cinema ( 21st and Union ). I've seen it, and although it will likely embarrass Jim to say so, I thought it was fantastic and one of the best docs about a cartoonist I've ever seen. Watch the trailer here or embedded below.
Drew Friedman will be making a (medium) rare appearance/book signing in Hollywood to discuss, along with journalist/pop culture historian Ben Schwartz, (who's new book, The Best American Comics Criticism, from Fantagraphics sports an adorable cover by Friedman), his new hardcover anthology, "TOO SOON?", a collection of political and Showbiz illustrations covering the last delightful 15 years, and featuring a foreword by Jimmy Kimmel. As Howard Stern says "Everything he does is insanely great!"
Also to be discussed will of course be Old Jewish Comedians, (Family is located conveniently across the Steet from Old Jewish Comedian Jack Carter's favorite deli, Cantor's!) and the third and final in the trilogy, "Even MORE Old Jewish Comedians", due out in early 2011. Other topics surely to arise will include Milton Berle's appendage, Danny Thomas's love of Coffee tables, Bingo the Chimp, Joe Franklin, Abe Vigoda, Side Show Freaks, meeting Groucho and of course Shemp.
The PERFECT father's day gift for Dad!!
WHERE: Family Books 436 N. Fairfax Ave. Los Angeles, CA 90036 USA 323.782.9221
Tom Spurgeon is reporting this morning that Kees Kousemaker, founder of the great Galerie Lambiek comic book store, passed away yesterday in the Netherlands at the age of 68. The staff of Fantagraphics Books would like to extend its sympathy to his family and to the entire Lambiek staff. Lambiek is not only the world's oldest comic book shop, it is arguably the very best, a true treasure trove of great cartooning spanning centuries. I've had the good fortune of visiting several times, and Kees was always gracious and generous, even putting me up in the legendary apartment above the store for several days during a trip in 1997 or so, a space which featured dozens of 'thank yous' to Kees and Lambiek in the form of cartoons drawn by the likes of Chris Ware, Dan Clowes, and many others on one of the walls. I've always felt immensely grateful to have been welcomed, even briefly, into the amazing Lambiek family and even if I never visit again it will always stand out in my memories as a near-magical environment for people who love good cartooning, and I am truly saddened to hear this news this morning. R.I.P., Mr. Kousemaker. Long live Galerie Lambiek.
FANTAGRAPHICS BOOKS AND ROSEBUD ARCHIVES ANNOUNCE PARTNERSHIP, LAUNCHING WEB SALES OF RARE AND BEAUTIFUL CARTOON ART IN A VARIETY OF FORMATS
SEATTLE WA, / DUMONT NJ, APRIL 8, 2010 --- Fantagraphics Books and Rosebud Archives have announced an agreement to market a wide variety of products related to vintage comics and posters, historical cartoons, advertising images, and illustration. The product lines will include prints, posters, framed art, books, stationery, and a hybrid format called the Rosebud PadFolio. The products are available for sale immediately on Fantagraphics.com:
“We are proud to be allied with Fantagraphics, whose commitment to quality and the advancement of the graphics arts has been notable for decades,” announced Rosebud Archives founding partners Rick Marschall and Jonathan Barli. “Our own commitment to preservation, restoration, and high historical standards are a perfect match with Fantagraphics.”
The core of Rosebud Archives’ image bank is arguably America’s largest private resource of comics-based popular culture, the collection of Rick Marschall, to which is added the collections of Jonathan Barli and several other major sources in the US and in Europe. Barli, veteran proprietor of Digital Funnies, is a specialist in restoration and themed compilations of cartoon art. He is a graduate of the School of Visual Arts.
Rosebud Archives releases will also include collectors’ editions of artwork created for, and featured in, Fantagraphics publications, including The Comics Journal and Nemo magazine. “The availability of Rosebud’s customized art objects is a perfect complement to the Marschall Books imprint we previously announced,” said Fantagraphics President Gary Groth. “Rick Marschall’s imprint will be a series of substantial volumes by individual cartoonists, thematic anthologies, and cultural collections of cartoon-related imagery. Rosebud will produce customized and short-run cartoons in various popular formats, which we’re very happy to provide on our website.”
Rosebud Archives was established in 2009 and has already released several lines of products that reflect the company’s vision. These early releases feature the work of George Herriman, ZIM, and Charles Dana Gibson; cartoon series by Gluyas Williams; prints of cartoons by Winsor McCay, Harrison Cady, and John T McCutcheon; and special art by Cliff Sterrett, George McManus, and Milt Gross. Specialty items include a “Krazy Kat” triptych and a Limited Edition portfolio of Marlene Dietrich photographic portraits. Boxed editions of works by great black-and-white cartoonists are issued under Rosebud’s “Shwartz and Weiss” imprint. Stationary items include notecards, postcards, and envelopes. Framed, frame-ready, and gallery-wrapped prints are also offered. The Rosebud Padfolio is a bound portfolio with detachable prints, a uniquely devised format.
Rosebud Archives offers its products on its own website (www.rosebudarchives.com), and has made all products available on the Fantagraphics Books website (www.fantagraphics.com). “A perfect synergy of serving the sophisticated comics connoisseur, and reaching collectors far and wide with proven integrity,” is how Marschall characterized the agreement between the two companies. Fantagraphics’ website offers all its books — by such cartoonists as R. Crumb, George Herriman, Charles Schulz, Hal Foster, Basil Wolverton, Gahan Wilson, Steve Ditko, Robert Williams, Daniel Clowes, Jim Woodring, Jaime and Gilbert Hernandez, and many others— directly to consumers. “We have tried to publish the best cartooning in the world, and Rosebud’s beautifully conceived art objects fits right into our aesthetic,” said Groth.
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