|The Hate Bat|
|Written by Eric Reynolds | Filed under misc||11 Mar 2010 12:33 PM|
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Yes, Gary Groth talks Manga! What's next, Jim Shooter talking Fort Thunder?! Deb Aoki conducts the interview for about.com, further fleshing out the story of our forthcoming initiative to bring Moto Hagio and Shimura Takako to American readers. Choice quote: "Due to my almost complete ignorance of the manga publishing industry and the editorial strictures that guide it, and my pitiful lack of guile in these matters, I was insufficiently aware of how timid and craven our editorial choices should've been."
I love this playlist of some of Joe Sacco's favorite songs that he put together for the New York Times. For one, Joe cites Wings' "Magneto & Titanium Man," describing it as a song about "made-up superheroes." Joe has to be the only comic book artist in America whom I could believe loves this song yet doesn't recognize Magento and Titanium Man as the iconic Marvel super-villains that they are. Joe, your FOOM card is revoked. I also love it because Joe cites Charlie Patton's "Down the Dirt Road Blues." Around the time Joe was working on Safe Area Gorazde, after one of our hundreds of conversations about music that we've had over the years, Joe gave me a mix tape of classic delta blues that he titled, Feels Like Murder Here. It's a phrase that routinely flitters through my mind...
I'm listening to the Stones' Exile on Main Street right now, in honor of Mr. Sacco.
Above image: Paul McCartney and Jack Kirby revoke Joe Sacco's nerd cred.
Announcing the STRAND Tote Bag Design Contest! WIN BOOKS from Fantagraphics, Toon Books and Drawn & Quarterly! The Strand Book Store has partnered with the School of Visual Arts, TOON Books,
Beginning today, March 1, 2010, artists from around the world are invited to submit original illustrations representing the Strand Book Store.
In June 2007, the Strand unveiled the first Artist Tote Bag: Pulitzer Prize-winning cartoonist Art Spiegelman loaned his iconic Maus image for the first time ever to celebrate the Strand's 80th birthday. Three years later, the Spiegelman tote bag is still a best seller! Now, the Strand Book Store wants to give emerging artists the opportunity to have their artwork featured on a Strand tote bag. One lucky winner will receive over $1000 worth of free books, with hefty runner-up prizes available as well.
Go HERE for full submissions details.
One of my favorite books I've received lately is this handsome, considered little tome from Spain's Blur Ediciones, Rotulando in Spanish • Lettering en Español, collecting something that on the face of it might sound a bit loopy: lettering by the cartoonist Nono Kadáver created for the Spanish editions of work by American greats R. Crumb, Daniel Clowes, Joe Sacco, Johnny Ryan, Peter Bagge and Gilbert Shelton.
Nono worked throughout most of the 1990s at Barcelona's Ediciones La Cúpula, one of Spain's leading comics publishers, and was one of the last of an era when book production was done largely by hand, not computers. Nowadays, most publishers get fonts created for an artist, but thru the 1990s, Nono spent many of his days mimic-ing the lettering styles of Bagge, Crumb, etc. the old fashioned way, with a pen and paper (and maybe a lightbox). He was a real master at trying to maintain the integrity of the original artwork, putting his ego aside in an effort to seamlessly blend the Spanish text into the artist's page compositions as unnoticeably as possible. Kind of like the old saw that the best movie soundtrack is the one you don't notice, Nono's work could probably make you forget that Daniel Clowes wasn't Spanish when you're reading Bola Ocho.
I am a lettering nerd and it makes me a bit sad that hand-lettering like this is becoming a dying craft, because it can make or break a translated foreign book and typeset fonts are rarely as effective. Kadáver likens his work to a forger in the excellent introductory text:
"I feel a great admiration and respect for counterfeiters... I think that even falsifying, we leave our mark... What you have to do is forget your personal style and adapt to the artist's. This is accomplished by reading a lot, dissecting his work, and learning from it; in the end the only thing that matters is as close a possible resemblance to the author's style."
UPDATE: Here's a direct link for ordering.
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