"I also think a comic, because of repeated images, can create an atmosphere of a place. There are certain things going on in the background that you don't have to mention over and over again. If you're writing about how much graffiti was on the wall in prose, you write it once, you don't write it every paragraph. Whereas in comics, it can be in the background on every panel so it sort of sinks into the reader's consciousness."
Starting Monday (Dec. 24th) we will be conducting our end of the year inventory. You will still be able to place orders with us through our website or over the phone, but we will be be unable to ship out any orders until the inventory is complete, which should be sometime during the first week of Jan. '08.
Please keep this in mind when selecting any of our Rush shipping methods. We apologize for any inconvenience, and look forward to serving you in 2008!
On behalf of everyone at Fantagraphics I'd like to extend our heartfelt congratulations to our good pals Jessica Abel and Matt Madden on the birth of their daughter, Aldara Abel Madden. Wahoo!
The Drinky Crow Show pilot is re-running on Jan. 1 at 11:15pm on the Cartoon Network. Not New Year's Eve but the night after. If you missed it the first time around, don't let that happen again, it's a riot. And looks so much better on the boob tube than the clips you've possibly seen on YouTube. Help us boost those ratings and ensure that the CN orders a slew of new episodes for 2008!
Seattle's Crocodile Cafe unceremoniously closed down this weekend, the latest in a slew of old school Seattle venues going the way of Fallout Records & Comix and the old Rendezvous. The Croc was the best rock club in Seattle in the 1990s - just off the top of my head I can recall seeing a slew of pretty huge bands in its not-so-huge confines: Guided By Voices, Nirvana, Built To Spill, Cheap Trick, Yo La Tengo, Mudhoney, Pearl Jam (opening for Cheap Trick), Sebadoh, Dead Moon, The Shins, The Go-Betweens, Mike Watt, Jonathan Richman, Iron & Wine, Low, etc.
The club was always good to Fantagraphics - we put on several events there over the years, including a Comic Book Legal Defense Fund benefit with Neil Gaiman in 1997 or so that was one of the most successful regional fundraisers the Fund had ever done at the time and even garnered a Seattle city award for "Best Fundraiser (Under $200,000 category)" of the year, which I accepted from the Mayor in a gigantic gala ball. In 2000, the Croc lent us its space to put on a special Built To Spill concert to raise money for a serious debt we were in when our then-distributor went out of business owing us $80,000 - the event raised almost $10,000 and literally may have been the difference in keeping us in business at that moment. We helped organize a series of "ATM art shows" at the Croc in the 1990s (named so because every piece was an ATM-friendly $40, with pieces from Chris Ware, Dan Clowes, Peter Bagge -- you name it) with then art school student Kirsten Anderson, an experience which she parlayed into opening Roq La Rue, one of the most vital galleries in Seattle for going on a decade now. The club's booker at that time, Peter English, was also my next door neighbor for a few years and became one of my best pals, so there was a personal connection, as well. We took care of each others' cats when the other traveled.
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