Home arrow Blogs & News arrow FLOG! Blog

Search / Login

Quick Links:
Latest Releases
Browse by Artist
Love and Rockets Guide
Peanuts books
Disney books
More browsing options under "Browse Shop" above


Search: All Titles

Advanced Search
Login / Free Registration
Detail Search
Download Area
Show Cart
Your Cart is currently empty.

Subscribe

Sign up for our email newsletters for updates on new releases, events, special deals and more.

New Releases

The Complete Peanuts 1991-1994 Gift Box Set (Vols. 21-22)
The Complete Peanuts 1991-1994 Gift Box Set (Vols. 21-22)
$59.99
Add to Cart

Sock Monkey: Into the Deep Woods
Sock Monkey: Into the Deep Woods
$16.99
Add to Cart

Set to Sea [Softcover Ed.]
Set to Sea [Softcover Ed.]
$14.99
Add to Cart

The Complete Peanuts 1993-1994 (Vol. 22)
The Complete Peanuts 1993-1994 (Vol. 22)
$29.99
Add to Cart

all new releases

Upcoming Arrivals

Walt Disney's Uncle Scrooge and Donald Duck: Return to Plain Awful (The Don Rosa Library Vol. 2) [U.S./CANADA ONLY - Pre-Order]
Walt Disney's Uncle Scrooge and Donald Duck: Return to Plain Awful (The Don Rosa Library Vol. 2) [U.S./CANADA ONLY - Pre-Order]
Price: $29.99

Aces High (The EC Comics Library) [Pre-Order]
Aces High (The EC Comics Library) [Pre-Order]
Price: $29.99

Arsčne Schrauwen [Pre-Order]
Arsčne Schrauwen [Pre-Order]
Price: $34.99

more upcoming titles...
 

Jason Miles's Blog
Description:
laugh child

On Safari...
Written by Jason Miles | Filed under Olivier SchrauwenKim ThompsonJim WoodringAdventures in Slumberland 28 Oct 2011 2:51 PM

We're off road and on safari and I'm disappointed by the scenery and lack of wildlife. Who knew safari would be a web-ready-low-res-jpg. Tim Root is at the helm of his beautiful van  and very-sludgy-slow-dirge-metal spills from the speakers, punctuated by off-tempo-crunchy-fat-dub-beats. Eric Reynolds is sitting to my left and is giving me shit for not paying attention to Africa (both politically and aesthetically). I'm trying to draw comix despite the bumpy ride and "exotic" locale. Three dimensional shapes made of crosshatching rise from the panels I'm drawing. Sitting across from me is Kim Thompson, chortling. Kim's finding endless laffs and curiosity from my magical crosshatch comix. "Whatcha doing Jason? Haw! That's silly! Har Har! Are you cross-eyed from all that cross-hatching? Heh heh!" With every pot-hole my .001 Rapidograph slips resulting in a loud-sputtering-snort-guffaw from Kim. Rather pissed, I scold Kim, telling him he should expand his view of comix and that what I'm attempting is similar to what Lars Von Trier (one of Kim's favorite filmmakers) has done with Dogme 95 and his film-obstructions experiments. Without warning, Jim Woodring's visage oozes from the van's dome-light and declares "The content and flatulent ass eats horse-meat and white-corn from The Field of Ignorance and Tranquility." Kim overflows with laughter pointing at me and alleging, "I did that!"

Why is Eric kicking out the back window of Tim's van? "We've got company!!" yells Eric.

Eric, Olivier Schrauwen and myself are sitting with our legs dangling from the van's back window as a charging Audi approaches. The Audi is stuffed with spitting camels garbed in saris. The camels are keeping pace with us as they start cocking their Kalashnikov rifles.  

Jason: "What the fuck are we going to do!" Eric: "I don't know but I'm not happy about this and I'm not going to stand for it!" Eric tries to stand up. "Fucking camels! I'm not partial to their kind and I'll be damned if this will be the end of me!!"

Sparkly tears are streaming down Olivier's face. His tense cheeks frame the biggest-most-genuine-smile I've ever seen. Cheesy-retro-computer-generated-rotateey-things undulate around Olivier's eyes. He lovingly looks at the aggressive camels and starts barking. At this point I'm uncertain as to whether or not Olivier Schrauwen is Jesus Christ. With each bark the camels disintegrate. Eric sits down. The camels are almost gone. 

My crosshatched comic is now a finished book and as I ruefully hand a copy to Kim and point out that he's paid for the printing and distribution. Kim giggles as he flips through my book, "It's good work, Jason. My mother loves it." 

And then I woke up.

Carl Barks and Stuffed Lions
Written by Jason Miles | Filed under Carl Barks 8 Jul 2011 1:55 PM

Carl Barks

"I don't hardly think that a way will come in which they can draw those comic book panels on the monitor screen with a mouse. It may be that they can. It may be that that's the form it will take – just make up these whole comic book pages on the screen and draw in all the things with the mouse. It wouldn't have the spontaneity, the look of reality that you get from drawing these out with the blue pencil... You get a thoroughness in the expression and all which I don't think you could ever get with a mouse and a line on the computer. I remember what Mark Davis, who was one of Disney's 'Nine Old Men," had to say about The Lion King, that they looked liked stuffed lions. Yeah, his opinion of animation done with the mouse was that it never quite came up with a real expression that looked genuine, or an action that looked genuine." 

Barks Does Lena The Hyena
Written by Jason Miles | Filed under Jim WoodringJack ColeCarl BarksBasil Wolverton 7 Jul 2011 1:48 PM

In 1946 Al Capp held the now infamous contest to see who could conjure the true image of the world's ugliest woman, Lena Hyena from Lower Slobbovia. Amongst the 500,000 + submissions was this ghastly beaut by Carl Barks.

Lena The Hyena by Carl Barks

The, ahem, judges for this contest were three of the worlds ugliest men: Salvador Dali, Boris Karloff and Frank Sinatra and as you may know, they aptly awarded Basil Wolverton's warped rendering "The Champ."

Li'l Abner and Lena The Hyena

Here we have Lena by Basil Wolverton as colored by Jim Woodring from Wolvertoons.

Lena The Hyena by Basil Wolverton

I think it's worth noting and more than a coincidence that Carl Barks, Basil Wolverton and Jim Woodring all hail from the great pacific northwest, a region rife with grotesque power drawers, past and present.

Side note: It's rumored that Jack Cole sent in a drawing of the wonderful Lena. What I'd give to see that!

The Duck Man
Written by Jason Miles | Filed under DisneyCarl Barks 6 Jul 2011 2:01 PM

Carl Barks

"I hope that the stories you have read in the Duck and Scrooge books have helped to give you a broader understanding of life, as well as entertainment. I always tried to write a story that I wouldn't mind buying myself. In my attempts to make comics worth 10¢ or 12¢ or 15¢ I seem to have produced some passages that were even worth remembering. If more of my readers grow up to sit in the Senate chamber than to sit in the gas chamber, I'll have been richly rewarded for trying to turn out a good product." 

Barks on Gottfredson
Written by Jason Miles | Filed under Floyd GottfredsonDisneyCarl Barks 5 Jul 2011 5:51 PM

"When you look at my stories in the comic books you'll see that I was trying to follow in the format that Gottfredson established, having Mickey and the other guys involved in funny situations at the same time as they were having serious problems. And [then] they solved their problems by funny means." 

Floyd Gottfredson and Carl Barks

(Floyd Gottfredson on the left and Carl Barks on the right) 

SKID ROAD TO FLOATING WORLD
Written by Jason Miles | Filed under Jim Woodringart 27 May 2011 3:26 PM

A curated selection of Seattle’s finest contemporary drawing.

Remarkably, artists were selected by the unjaundiced eye and not chosen because of their reputation in either the fine art or cartoon art world, ahem.

Artwork was chosen by proximity, spiritual connection and contribution to the Northwest Tradition as pioneered by the likes of Morris Graves, Mark Toby, Peter Bagge and Jim Woodring.

Remarkably (yes, again), the artwork featured in SKID ROAD TO FLOATING WORLD is a mixed miasma of drone drawing, figure drawing, pattern cartooning, metamorphic automatism, cartography, illustration, totem drawing and good ole rain soaked mysticism.
 
We will also have advance copies of Jim Woodring’s new graphic novel, CONGRESS OF THE ANIMALS, available for sale.
 
 
We will also have advance copies of Jim Woodring’s new graphic novel, CONGRESS OF THE ANIMALS, available for sale.
 

 LISTING INFORMATION:


WHO: Skid Road art collective, artists in attendance TBD
WHAT: Art exhibit & book release for Jim Woodring’s CONGRESS OF THE ANIMALS
WHEN: Thursday, June 2nd, 6-10pm
20 NW 5th Ave #101
Portland, OR 97209
(503)241-0227

Artwork on display until June 30th.

Participating Artists:

Ajax Wood Storm
Blair Wilson
CM Ruiz
Eroyn Franklin
Jason T. Miles
Jesse Paul Miller
Jim Woodring
Kelly Froh
Martine Workman
Max Clotfelter
Scott Davis
Stacy Rozich
Stefan Gruber
Tim Miller

Curated by Jason T. Miles









Murder by High Tide Teaser
Written by Jason Miles | Filed under previewsMaurice TillieuxComing Attractions 31 Mar 2011 2:33 PM

As we've been working on M. Tillieux's Murder by High Tide I've become gripped by Tillieux's cartooning, especially his panel composition and pitch-perfect, push-pull blend of "naturalist" and "cartoony" figure work.  What follows are a series of panels from Catch as Catch Can (the second story featured in Murder by High Tide) that I've been particularly struck by. Note: these panels, in their finished form, will be colored and lettered.

M. Tillieux - from Murder by High Tide

This panel reminds me of Toth or Xaime, what with how the acting, lighting and composition leads the eye to read Gil Jordan's darkened face and arm as he slowly creeps the door open to… what???

M. Tillieux - from Murder by High Tide

That's Gil Jordan dashing into the shadows as he's hot on the heels of Joe The Syringe. This panel stopped me cold.

M. Tillieux - from Murder by High Tide

I love this panel. I half expect to see my reflection in the rearview mirror. I used to think panels like this didn't work… or that you had to be Xaime to make them work, but time and time again Tilleux subtly or overtly places the reader's sightline in such a way to immerse your eye into Gil Jordan's four color world.

M. Tillieux - from Murder by High Tide

What could've easily been a throwaway panel graciously offers Tillieux's masterful drawing as acting equals cartooning!

M. Tillieux - from Murder by High Tide

Bonus! Six panel action sequence from Catch as Catch Can. (Click to see bigger.)

Tillieux's best work stands tensely between Hergé's ligne claire and Franquin's reverent bounce. It's the hearing-the-ice-crack tension of Tillieux's ink that brings it for me as it flawlessly meets the gestalt of the mystery thriller genre.  And if that weren't enough, Tillieux, like American film director Howard Hawks, is a master of characterization and letting the scene play out. As a fan of the comfortable character interaction of Hawks' Rio Bravo and Hatari, I could spend all day hanging out with Gil Jordan and his assistant, Crackerjack!

JUSTIN GREEN ART ON DISPLAY!
Written by Jason Miles | Filed under Justin GreenFantagraphics Bookstoreeventsart shows 8 Dec 2010 5:09 PM

If you happen to find yourself in Seattle this Saturday December 11th then truly find yourself at the Fantagraphics Bookstore & Gallery 4th Anniversary Party , to study Justin Green's contribution to the Medieval Thinkers portion of the event. Justin illuminated the piece below especially for the show and having had the opportunity to work with such a titan of ink and ideas is a dream come true for me. If this is your first time encountering Justin's work than I heartily recommend you track down a copy of Binky Brown Meets The Holy Virgin Mary and Sacred & Profane as both truly rank amongst the rare masterpieces of comic art. 

 Art by Justin Green

"The piece was a convergence of many factors, not the least of which was a dream. It was about a new 'green' industry that used many thicknesses of recycled corrugated cardboard to prop up young saplings prior to laying in a foundation."

 -Justin Green on his drawing, "Natura Dominata"

Diaflogue: BEFOR I WUS BORN an interview with Zak Sally
Written by Jason Miles | Filed under Zak SallyDiaflogue 2 Dec 2010 8:11 AM

An interview with cartoonist, publisher, musician, professor and friend Zak Sally. Prompted by the release of Sammy The Mouse #3 and Zak's forthcoming appearance and performance at the Fantagraphics Bookstore & Gallery 4th Anniversary Party.

SAMMY THE MOUSE 3

JASON T. MILES: Sammy The Mouse is one of the funnest comics I've read.

I think it's hilarious, it makes me laugh out loud and I find myself happier after reading and re-reading each issue to date. How much fun is it for you to make these comics? Is the process as excruciating as you describe in Like A Dog?

ZAK SALLY: Yeah, Sammy is a totally different deal; I really and truly enjoy writing and drawing the thing. I won't say that it's all roses, there's always still the problem solving and running up against your own limitations and inevitable crises of faith, but, you know: that's COMICS! There definitely is a feeling of "holy crap this is great there's nothing I'd rather be doing" more often than not while working on Sammy.

And yeah, in a lot of ways Sammy was a reaction to the whole thing I had going on with comics up until the Like A Dog and Recidivist material; by the time I finished Recidivist #3 I just thought – this is ridiculous. If I can't find some way to get some kind of happiness through this then I ought to just give up, for real. I'm supposed to LOVE comics, not hate them. I wasn't sure it'd work at the time, but it did, somehow.

RECIDIVIST 3

I think I'd gotten too wrapped up in that "comics are SERIOUS" thing, and forgotten what a great medium comics are for just...telling a story. That writing an entertaining, engaging comic is... as big a deal as some snooty-assed art comic. Like those old issues of Hate ... man, each one came out and it was JAM PACKED-- after reading it you felt like you'd been to the free buffet at the casino but all the food was GOOD: more story than you could handle, at least a couple for-real-laugh-out-loud moments, great characters and art, a LETTERS PAGE... GOD that was a great comic book. Pete Bagge is an AMERICAN TREASURE!!

Sammy is still pretty slow and boring compared to that stuff, but what you wrote there at the top makes me feel really good; I want it to be fun, and funny.

I think it's funny, and it makes ME happy, so...

My only problem is that I can't find more time to work on them, get out at least a couple a year or something.

MILES: As you know, I'm also a big Bagge fan and similar to his work Sammy possesses a real sense of terror and consequence. In Sammy I think the hardest laffs quiver shoulder to shoulder with disaster. Can you speak a little more to how you're making comedy with dread and horror in Sammy? I mean, the skeletal bastard is simply awful! and when Pat the rabbit bartender hammers a nail into Feekes forehead...!!!

HG FEEKES

SALLY: Actually, I'm not entirely sure I can speak to that. Again, sort of in response to how I used to make comics, I really consciously set out with Sammy to not... over-think too much (as that hadn't got me anywhere all that useful in the past). I mean, yeah-- I've got a tendency to take stuff too seriously in real life, but I don't really walk around all day in a haze of existential dread, you know? I'm a FUNNY GUY, and... I think really hard about the story, and the structure and the mood and all that; I really do sweat the details but when I'm writing and drawing the thing, a lot of it is really, "Does this feel right?" If it does you nail it to the ground and if not you burn it off (note: this is harder than it sounds).

If something makes ME laugh, then... it's right, period. Thinking TOO much about it will kill it dead (I know this from experience).

And, you know: the "terror" of life is so subjective, and so is humor.

some folks will say that ALL humor is based on suffering... but all those people are pretentious, insufferable windbags, and can go get fucked.

With that said, I think when Sammy's all said and done, what it might be "about" is consequence. Maybe. We'll see I guess.

I need to work on being more inscrutable and mysterious: it increases sales.

How am i doing so far?

MILES: I think you're doing good-- wait! Do you mean "how am I doing at being inscrutable and mysterious?" or "how am I doing sales-wise?"

SALLY: (long, uncomfortable pause.)

I'm not telling.

[Read more...]


The Strange Case of Edward Gorey 2ND EDITION!
Written by Jason Miles | Filed under Edward GoreyAlexander Theroux 17 Sep 2010 1:58 PM

  

Over the past week I've had the distinct pleasure to proofread the newly edited and exceptionally expanded The Strange Case of Edward Gorey by scribe extrodinare Alexander Theroux . When Gary first told me we would be publishing an expanded 2nd edition I was more than curious not only because I'm a student of Gorey but because I consider Theroux's first edition to be the definite prose representation of Figbash's father, Ogdred Weary. While you wait for the 2nd edition of The Strange Case of Edward Gorey (completely redesigned by Jacob Covey and presented as a hardcover!) I implore you to peruse Chris Seufert's amazing photographs  documenting O. Müde's house.

 

<< Start < Previous Page 1 2 3 4 5 Next Page > End >>

FLOG! Blog

Latest Entries

Archive

Tag Cloud
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Brian Ralph, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, CCI, Charles Burns, Charles Forsman, Charles M Schulz, Charles Rodrigues, Charles Schneider, Chip Kidd, Chris Ware, Chris Wright, Chuck Forsman, classics, Colleen Coover, comic strips, comics industry, comics journal, Coming Attractions, comiXology, Conor OKeefe, Conor Stechschulte, contests, Crag Hill, Craig Yoe, Critters, Crockett Johnson, Daily OCD, Dale Yarger, Dame Darcy, Dan DeCarlo, Dan Nadel, Daniel Clowes, Danny Bland, Dash Shaw, Dave Cooper, Dave McKean, David B, David Collier, David Greenberger, David Lasky, David Levine, david sandlin, David Wojnarowicz, Debbie Drechsler, Denis The Menace, Dennis the Menace, Derek Van Gieson, Design, Destroy All Movies, Diaflogue, Diamond, Diane Noomin, Dick Briefer, digital comics, Disney, DJ Bryant, Doctors, Don Flowers, Don Rosa, Down with OPP, Drawing Power, Drew Friedman, Drew Weing, Drinky Crow Show, Dylan Horrocks, Ebay, EC Comics, EC Segar, Ed Luce, Ed Piskor, Editors Notes, Edward Gorey, Eisner, Eldon Dedini, Eleanor Davis, Ellen Forney, Emile Bravo, Eric Reynolds, Ernie Bushmiller, Eros Comix, Eroyn Franklin, errata, Esther Pearl Watson, Eve Gilbert, events, fan art, Fantagraphics Bookstore, Fantagraphics history, fashion, FBI MINIs, FCBD, Femke Hiemstra, Field Trip, Flannery OConnor, Fletcher Hanks, flogcast, Floyd Gottfredson, Four Color Fear, Francesca Ghermandi, Francisco Solano López, Frank Santoro, Frank Stack, Frank Thorne, Freddy Milton, Fredrik Stromberg, Fredrik Strömberg, From Wonderland with Love, Fucking Nice Guy, Gabriella Giandelli, Gabrielle Bell, Gahan Wilson, Gary Groth, Gary Panter, Gene Deitch, George Carlson, George Chieffet, George Evans, George Herriman, Gil Kane, Gilbert Hernandez, Gilbert Shelton, Gipi, Glenn Bray, Glenn Head, God and Science, good deeds, Graham Chaffee, Graham Ingels, Greg Irons, Greg Sadowski, Guy Peellaert, Hal Foster, Hank Ketcham, Hans Rickheit, Harvey Kurtzman, Harvey Pekar, heiko mueller, Hergé, Hernán Migoya, Ho Che Anderson, hooray for Hollywood, Hotwire, Humbug, Humorama, Ignatz Series, Igort, In-joke Central, Inio Asano, Inspiration, interns, interview, interviews, Irwin Chusid, Ivan Brun, Ivan Brunetti, J Otto, Jack Cole, Jack Davis, Jack Jackson, Jack Kamen, Jack Kirby, Jacques Boyreau, Jacques Tardi, Jaime Hernandez, James Romberger, James Sturm, Janet Hamlin, Jason, Jason T Miles, Jean Schulz, Jeff Smith, jefferson machamer, jeffrey brown, Jeremy Eaton, Jeremy Tinder, Jerry Dumas, Jesse Moynihan, Jesse Reklaw, Jessica Abel, Jim Blanchard, Jim Flora, Jim Rugg, Jim Woodring, JIS, Joe Coleman, Joe Daly, Joe Kimball, Joe Kubert, Joe Orlando, Joe Sacco, Joe Simon, John Benson, John Cuneo, John Hankiewicz, john kerschbaum, John Liney, John Pham, John Severin, Johnny Craig, Johnny Gruelle, Johnny Ryan, Jon Adams, jon vermilyea, Jonathan Barli, Jonathan Bennett, Joost Swarte, Jordan Crane, Joseph Lambert, Josh Cochran, Josh Simmons, Joshua Glenn, Joyce Farmer, JR Williams, Jules Feiffer, Julia Gfrörer, Justin Green, Justin Hall, Kaz, Ken Parille, Kevin Avery, Kevin Huizenga, kevin scalzo, Kickstarter, Killoffer, Kim Deitch, Kim Thompson, Kipp Friedman, Kovey Korner, Krazy Kat, Kremos, Kristy Valenti, Kurt Wolfgang, Lane Milburn, Last Vispo, Laura Park, LB Cole, Leah Hayes, Leila Marzocchi, Leslie Stein, Lewis Trondheim, library, life imitates comics, Lilli Carré, Linda Medley, Liz Suburbia, Lizz Hickey, Lorenzo Mattotti, Lorna Miller, Los Bros Hernandez, Lou Reed, Love and Rockets, Lucy Knisley, Lyonel Feininger, Maakies, Mack White, Malachi Ward, Malcolm McNeill, manga, marc bell, Marc Sobel, Marco Corona, Marguerite Van Cook, Mario Hernandez, Mark Bode, Mark Fertig, Mark Kalesniko, Mark Martin, Mark Newgarden, Mark Todd, Marschall Books, Marti, Martin Cendreda, Martin Kellerman, mary fleener, Matt Broersma, Matt Danner, Matt Thorn, Matthias Lehmann, Matthias Wivel, maurice fucking sendak, Maurice Tillieux, Max, Max Andersson, McSweeneys, Meg Hunt, Megahex, Megan Kelso, merch, meta, Mia Wolff, Michael Chabon, Michael Dowers, Michael J Vassallo, Michael Kupperman, Michel Gagne, Mickey Mouse, Milt Gross, Mineshaft, misc, miscellany, Miss Lasko-Gross, Mister Wonderful, MK Brown, Molly Kiely, Mome, Monte Schulz, Mort Meskin, Mort Walker, Moto Hagio, Nancy, Nate Neal, Neil Gaiman, Nell Brinkley, New Comics Day, new releases, Nick Drnaso, Nick Thorburn, Nico Vassilakis, nicolas mahler, Noah Van Sciver, Norman Pettingill, OCD, office fun, Oil and Water, Olivier Schrauwen, Original Art, Pat Moriarity, Pat Thomas, Patrick Rosenkranz, Paul Hornschemeier, Paul Karasik, Paul Nelson, Peanuts, Peter Bagge, Peter Kuper, Pirus and Mezzo, Playboy, podcast, Popeye, Portable Grindhouse, press, previews, Prince Valiant, production, queer, R Kikuo Johnson, Rand Holmes, Ray Fenwick, Raymond Macherot, RC Harvey, Rebel Visions, Renee French, reviews, Rich Tommaso, Richard Sala, Rick Altergott, Rick Griffin, Rick Marschall, RIP MD, rip-offs, Rob Walker, Robert Crumb, robert fiore, Robert Goodin, Robert Pollard, Robert Williams, Roberta Gregory, rock, Roger Langridge, Ron Regé Jr, Rory Hayes, Rosebud Archives, Roy Crane, Russ Heath, S Clay Wilson, sales specials, Sammy Harkham, Samuel R Delany, Sara Edward-Corbett, Sequential, Sergio Ponchione, Seth, Shag, Shannon Wheeler, shelf porn, Shilling, Shimura Takako, Short Run, signed bookplates, Significant Objects, Simon Deitch, Simon Hanselmann, slimy marketing, Some Douchebag, Sophie Crumb, Souther Salazar, spain, Spain Rodriguez, staff, Stan Sakai, Stephane Blanquet, Stephen DeStefano, Stephen Dixon, Stephen Weissman, Steve Brodner, Steve Ditko, Steve Duin, Steven Brower, Steven Weissman, Storm P, Supermen, T Edward Bak, Taking Punk to the Masses, tattoos, Ted Jouflas, Ted Stearn, television, Terry Zwigoff, The Comics Journal, The Stranger, Things to see, Thomas Ott, Tim Hensley, Tim Kreider, Tim Lane, TMNT, Tom Kaczynski, Tommi Musturi, Tony Millionaire, Tori Miki, toys, Trina Robbins, TS Sullivant, Tyler Stout, Ulli Lust, Umpteen Millionaire Club, Under the Covers, Usagi Yojimbo, Vaughn Bode, Victor Kerlow, Victor Moscoso, video, Virgil Partch, VIVA LA COMIX, Wallace Wood, wallpapers, Wally Wood, walt holcombe, Walt Kelly, Wandering Son, Warren Bernard, webcomics, Wendy Chin, Wilfred Santiago, Will Elder, Willard Mullin, William S Burroughs, Willie and Joe, witzend, Zak Sally, Zap, Zippy the Pinhead

Upcoming Events

11.14.2014 | 18.00
Marathon II: A Short Run Art Show
more events...

Our Bookstore

The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.

Get all the latest store updates on Flog! The Fantagraphics Blog and on Facebook!

Related Sites

Visit our sister sites (links open in a new window):

Free Membership Benefits

Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!

RSS Feeds

FLOG! Blog
New Releases
Fanta Events
more feeds...