Cartoonist, journalist and lover of all comics! Here to encourage you to read Fantagraphics books and then pass them on to your friends AND family. Especially those Eros ones. Graduate of The Center for Cartoon Studies.
As a recent thank you to Publisher Kim Thompson and editor Kristy Valenti (and more) for moving offices, I hatched up a scheme to paint the library door in our basement. If you haven't visited the Fantagraphics office recently, the lovely 70s shag carpet was ripped up awhile ago leaving the basement aesthetics a bit similar to that of a cattle kill floor. NO LONGER!
Inspired by Guy Peellaert's smashingly neon art in Jodelle, Office Manager Steph Rivers and I pulled out the carbon paper to adapt the drawing to our door. Also called graphite paper and available at art or architecture stores, it is an invaluable tool for mural making or large scale painting projects.
And then we let the Vitamin-C-infused paint hit the door. Now our library door matches the library door in Jodelle! Steph on the left as I sneakily took a photo.
The finished product may have worked too well. Now everyone at the office wants a new door. Maybe a Graham Chaffee one or Johnny Ryan....
Now time to paint all the book spines to match the ones in this library. Mwuhahahaha!
Fantagraphics and comiXology continue the reign of terror created by Richard Sala's comics. The Hidden poses many questions to its reader: Is this the end of the world? How did it happen? Why did it happen? There is one man who knows...
Take a walk with the dazed survivors of a mysterious worldwide catastrophe. They are bound for a place, somewhere in the desert, where a terrible truth awaits them. This is the full-color, unadulterated horror graphic novel that Sala fans have been waiting for. This nightmarish story combines classic and modern horror themes and genres with a unique twist, and Sala's painted artwork has never looked better (or more gruesome). The bits and bytes will haunt you long after you've powered down your tablet, you may have to even cover it up with a blanket. $14.99 gets you 136 pages of beautiful and horrifying comics at comiXology.
"Sala’s work is like a fusion of Hergé and Charles Addams, yielding a simple, cartoon-like style that makes his moments of gothic horror all the more disturbing. ...[The Hidden] is a beautifully pulpy and incredibly imaginative book that gives a fresh spin on a well-used set-up." – Publishers Weekly
"Sala's unique brand of creepy quirk combines Edward Gorey, Chester Gould, and Charles Adams with his own unclassifiable magic. The Hidden, from Fantagraphics Books, is his most ambitious work -- an intimate apocalypse." – FEARnet
Hey, you're a busy person. We get that. Or maybe you and your sweetie boo said you weren't doing anything but then you found a six pack of that craft brew you love so much or the full Battlestar Galactica series on DVD waiting for you. Well, we've got some cards for you to print out fast at work, while everyone is reading the cards their moms mailed to the office. They aren't going to save you but its better than handing someone a Slim Jim you bent in the shape of a heart while filling up your car at the gas station. Or is it? (Valentine above uses panels from Prison Pit 4 by Johnny Ryan)
The lovely Penny Century demanded to be available digitally along with Maggie, Hopie, Ray and Luba. Fantagraphics and comiXology present the fourth Locas volume in Jaime Hernandez's Love and Rockets series.
First... wrestling! Penny Century starts off with a blast with “Whoa, Nellie!,” a unique graphic novelette in which Maggie, who has settled in with her pro-wrestler aunt for a while, experiences that wild and woolly world first-hand.
Then it’s back to chills and spills with the old cast of Hopey, Ray Dominguez, and Izzy Ortiz — including Maggie’s romantic dream fantasia “The Race” and the definitive Ray story, “Everybody Loves Me, Baby.” Many more stories hid behind this digital cover and257 pages of comics are yours for $14.99.
"In reviewing Jaime Hernandez's Penny Century, I could point to the frenetic pace of many of the stories; the cute, odd, and endearing sort of strangeness spawned in this lightly magical universe; or even the beautiful art, which is truly the mark of this master cartoonist. But, no, I am going to hype the very first story, "Whoa Nellie," beyond anything else in this fantastic volume. ... Such a wonderful, and grounded, story is a nice start-off point for the still compelling, yet far stranger and sexier, tales that follow. Soup to nuts, this is a great book." – Jeremy Nisen, Under the Radar
The most evolved finch of Online Commentaries & Diversions:
• Review:Tom Kaczynski'sBest Testing the Apocalypse is reviewed on Bookslut. Martyn Pedler states, "Science fiction is notoriously unreliable when it comes to predicting Saturn dreams, laser beams, and 21st century sex machines. It’s fantastic, however, at taking our present reality and making it strange again. Beta Testing The Apocalypse makes us Martians to better let us see what’s happening all around us. Read it and witness the disquieting Gernsback of Now."
• Review:Beta Testing The Apocalypse is reviewed by Comics Metropolis. "…a book with an elegant and agile format, immediate in its communicative ability, and extraordinarily dense in its content. An essential reading," writes Biri.
• Interview (audio): Michael Kupperman speaks to Julie Klausner on How Was Your Week.
• Review (audio): The Inkstuds roundtable talks about the Best Books of 2012. Joe McCulloch, Robin McConnell, Tom Spurgeon and Bill Kartalopoulos talk about Lilli Carré's Heads or Tails at the 2 hour, 2 minutes mark. All agreed there was a lot of work. And good work. "Lilli is very good at short stories," says Bill. " 'The Rainbow Movement' was a beautiful short story and exquisite."
• Review: In case you missed it, 7 Miles A Second was a Publishers Weekly Pick of the Week. "How do you draw grief"? David Wajnarowicz, James Romberger and Marguerite Van Cook know. "The author’s prose is poetic, arriving with a light touch while delivering a heavy, dark, and understandably angry message."
• Interview: Originally posted on The Comics Journal, then reposted on Boing Boing, Marc Sobel speaks to Ed Piskor at length. In regards to Hip Hop Family Tree, Piskor states, "I think the value that my book has and will have over time as I keep moving forward is that it really does stand a chance of being one of the most comprehensive histories of hip hop culture. There really isn’t one resource that includes all of this minutiae and stuff that I’m focusing on."
• Plug: The Poetry Foundation revisits The Last Vispo after reading another review. "We’re still reading and looking through our copy, enjoying the sheer abundance and diversity of work gathered together," writes Harriet Staff.
• Interview (audio):Gary Groth appears for a full hour on TELL ME SOMETHING I DON'T KNOW now on Boing Boing. Hold onto your comics, it's a great ride.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
672-page black & white/color 7" x 8.5" softcover ISBN: 978-1-60699-603-4
"Business as usual for a publication that was treating the cultural significance of comics as a known fact decades before graphic novels were making the bestseller list."–Noel Murray, The AV Club
"…with over 600 pages of nerding out on comics! In this issue, TCJ gives a heartfelt farewell to Maurice Sendak, featuring his final interview, a comic strip tribute by Art Spiegelman, and various essays on his work…an investigation of R Crumb’s legal battles concerning his famous “keep on truckin’” cartoon, and a touching tribute to the late Dylan Williams." –Jade, D&Q Bookstore
Imaginations come no wonkier, no dafter than Kupperman’s. His idea of a crime-fighting, daring, dynamic duo à la Bruce and Dick (Batman and Robin) is Twain and Einstein (Mark and Albert)-that is, when it's not a snake and a strip of bacon. When he thinks Odd Couple, it's Oscar and Felix Dracula…Kupperman draws all this strangeness in a manner that derives about equally from Chester Gould (Dick Tracy), 1950s romance comics, visualpun cartoonist Glen Baxter, and art deco. –Ray Olson
Sala’s high-class horror sensibility is equal parts sinister and gleeful: a wild cackle of frights steeped in the grand gothic tradition of Edward Gorey… Sala’s quavery lines dish out plenty of unsettling images, and he ratchets up the eeriness with stylized, hand-drawn lettering. Though he sacrifices some narrative sense in favor of creepy atmospherics and downright baffling transitions, Sala does a fine job of keeping everything just slightly out of balance and off-kilter. –Ian Chipman
Jackson is one of the founders of the 1960s underground comics movement (his 1964 God Nose predates Zap Comix by four years), but he's best known for…relating the unvarnished history of his native Texas... This hardcover volume gathers two of his later works: 1989's Los Tejanos, the story of Juan Seguin, a hero of the Texas revolution…later labeled a traitor…; and Lost Cause, a 1997 post-Civil War account of unreconstructed Texans who had supported the Confederacy... Jackson spins these sprawling, complex yarns with a skilled hand, imparting them with a rugged authenticity that makes them all the more compelling, never shying away from the violence and racism endemic to the period. His rough-hewn, craggy illustrations are an ideal vehicle for these tales of the rugged men who carved out the Lone Star State. –Gordon Flagg
Yesterday, Publisher Gary Groth's interview with the team from Tell Me Something I Don't Know went live on Boing Boing. Jason Lex, Jim Rugg, and Ed Piskor asked for some of Gary's Fantagraphics recommendations. Here are the quick descriptions and links to the books Gary mentioned.
Good Dog by Graham Chaffee is a beautiful black and white graphic novel that chronicles the tales of stray dog, Ivan, on his search for a home, friends and more. Ivan is a good dog - if only someone would notice. Chaffee combines illustrative gravitas with cartooning verve for a richly textured, dog's-eye view of the world. Coming this May 2013.
Wake Up, Percy Gloom is the second Percy Gloom graphic novel by Cathy Malkasian. Kindhearted Percy awakens from (what he thinks is) a 200-year nap and finds himself in a strange new land. As Percy goes on a quest to locate his mother in addition to his long-lost love and soul mate, Miss Margaret. Coming out this April 2013.
Willard Mullin's Golden Age of Baseball is a collection of the sports comics by Willard Mullin. Mullin was to baseball players what Bill Mauldin was to soldiers: advocate and critic, investing them with personality, humanity, dignity, and poignancy; Mauldin had Willie & Joe and Mullin had the Brooklyn Bum, his affectionate 1939 character representing the bedraggled figure of the Brooklyn Dodgers. Coming this April 2013.
Finally, His Wife Leaves Him by Stephen Dixon is a new book from the Fantagraphics' prose line. One of America's great literary treasures has completed his first novel in five years - a long, intimate exploration of the interior life of a husband who has lost his wife. Coming this May 2013.
So for the next month or so people will tell you all the reasons why you should read The Comics Journal #302. It has the last interview with Maurice Sendak, an amazing How to Draw section with Roy Crane and his ghost artist (it's worth at least one semester of comic book school credit), a tribute to Dylan Williams, an extensive interview with Jacques Tardi, a new Joe Sacco comic, a Percy Crosby examination and so much more. But I'm here to tell you how you could use TCJ 302 to sweat. At 672 pages, this tome is not just a brick of knowledge, it's a heavy-ass brick of knowledge.
While the matte cover could potentially soak up a lot of sweat, wrist bands and occasionally toweling yourself will keep your TCJ 302 fighting fit.
The single arm row is a great workout for your back. Kneeling over a chair or bench, place one knee and hand on it. Hold TCJ 302 in other arm fully extended towards the ground. With your back parallel to the ground, slowly bring the book up to your midsection and then return to the starting position. Remember to keep your back still as you shakily lift up TCJ 302.
Now the triceps are a problem area for most Americans. Standing completely straight, feet planted firmly hip-width apart on the floor, start with your TCJ 302 in your hand extended straight up in the air. Using not gravity or momentum but your own muscles, bend your elbow and slowly bring your forearm behind your head. If you do this move too fast, you might get a papercut on your ear as the pages flip around a bit. Make sure not to move your elbow or upper arm. Then return your arm to the fully extended position. Feel free to place your free hand on your hip or wrap it around your face to cradle your elbow to ensure it doesn't dip down during the rep.
Now, some of you think you can just read TCJ 302 on the bus or in bed without any training or conditioning. Unless you want a repeat of the late 90s-2000s "Harry Pottered Nose" or to generations before that "Unabridged Les Mis" we suggest you read sitting upright until you've conditioned your forearms to proper reading strength. Be alert and well-hydrated while reading.
Now don't think I've forgotten about cardio! Run your usual one mile, three miles, sprints or what have you, but while holding TCJ 302 and imagining Maurice Sendak's mischievous beasts breathing down your neck. For added horror, run while holding the TCJ 302 above your head.
Some of you might be cartoonists yourselves who have a love of history, the craft and critical analysis. Bully for you! This excersize will whip your arm into shape. Strap TCJ 302 onto your drawing arm and work on your 1000 pages of bad comics until the good ones show up (per Dave Sim's advice). Soon you'll be one-arm push upping your way to glorious two-page spreads and switching from nib to brush to tech pen with the greatest of ease.
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