|A Drawing from Jack Davis|
|Written by Jen Vaughn | Filed under Jack Davis, fan art, Drew Friedman||30 Aug 2012 3:34 PM|
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Walt Disney's Uncle Scrooge and Donald Duck: The Son of the Sun (The Don Rosa Library Vol. 1) [Pre-Order - U.S./CANADA ONLY]
An Age of License [Pre-Order]
Snoopy's Thanksgiving [Pre-Order]
more upcoming titles...
In case Prison Pit: Book 1 isn't enough to hold you, now available from comiXology is Prison Pit: Book 2 by Johnny "Prisoner number 206" Ryan.
This 118 page digital book continues with Cannibal Fuckface, the shirtless outer space barbarian antihero who remains damned to the Prison Pit (a vast wasteland beneath the crust of a barren planet, populated by the worst of the worst, where violence is the only law and evil creatures roam free). In this second volume, CF tries to get revenge against the evil behemoth that took his arm, and then winds up playing an unwilling participant in an elaborate escape attempt from the Pit.
This Johnny Ryan graphic novel combines his love for WWE wrestling, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal showcase of violence, survival and revenge. Imagine a blend of old-fashioned role playing fantasy games like Dungeons & Dragons crossed with contemporary adult video games like Grand Theft Auto, filtered through Ryan’s sense of humor.
Not only can you carry this book with you anywhere on your digital reading device but you can show gruesome panels to people encroaching on your personal space on the bus in backlit brillance for only $9.99 at the comiXology store.
"Prison Pit Two is one of the most gruesome and beautiful new comics I've seen. It's the comics equivalent of Voivod's Rrröööaaarrr. Buy buy buy. Die die die." – Nick Gazin, Vice
The newly folded and stapled Online Commentaries & Diversions:
• Review: The Quietus enjoys The Furry Trap. Mat Colegate says, "Put simply, [Josh] Simmons understands the pace of nightmare. That hideous inexorability that stops you from screaming yourself awake, the slow thudding heartbeat of moment on terrifying moment that, if you think about it, comics are a perfect medium to provide."
• Review: Indie Wire and Leonard Maltin take a look at Volume 3 of Walt Disney's Mickey Mouse: "High Noon at Inferno Gulch" by Floyd Gottfredson (edited by David Gerstein with Gary Groth): "The latest in this handsome, lovingly-edited hardcover series of Mickey Mouse daily comic strips (covering 1934-35) is, again, a tribute to the artistry and storytelling skill of the long-unappreciated Floyd Gottfredson."
• Review: Comics Heroes of the UK chimes in on some Hernandez Brothers books. After reading The Adventures of Venus by Gilbert Hernandez Matt Bielby says "...in fun little adventures full of rests, comic books, football and sci-fi daydreams. Kids may not love it, but we certainly did." In regards to God and Science by Jaime Hernandez, Bielby states, "It's a lightweight, bouncy superhero. . . but there's some touching stuff about madness, motherhood and the dangers of getting what you want along the way."
• Review: Tom Spurgeon of The Comics Reporter describes a variety of consumer options that come before purchasing the series Beyond Watchmen. These include buying Love and Rockets in addition to some Popeye or Barnaby from Fantagraphics. "These [Love and Rockets] paperback books they've been doing strike me as super-accessible, lovely little volumes. You can get them for cheap enough that I'm also tossing in the first four issues of the New Stories iteration of the title, which has included some of the best work anywhere over the last half-decade. Los Bros forever."
• Commentary: We missed this but more praise to Larry Reid for being an example on the Huffington Post on how to save bookstores! By effectively hanging regular shows and inviting guest community curators, you bring in new and/or different audiences. Yay, Larry!
Campaigning for truth, justice and surreal worlds is Steven Weissman! His new uncut sheets of adhesive vinyl feature three color prints red, black and metallic copper art straight from his new graphic novel, Barack Hussein Obama. You could wait to find these decals eventually via Stinckers vending machines or you could get your hands on the limited-edition, signed production sheets NOW.
There is more Johnny Ryan available digitally than you can shake a raggedly amputated alien arm at now thanks to comiXology. Prison Pit is an original graphic novel from the pen of Johnny Ryan combining his love for WWE wrestling, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal showcase of violence, survival and revenge. Imagine a blend of old-fashioned role playing fantasy games like Dungeons & Dragons crossed with contemporary adult video games like Grand Theft Auto, filtered through Ryan’s sense of humor.
This 122 page digital book begins with Cannibal Fuckface being thrown into the Prison Pit, a barren negative-zone populated by intergalactic, violent monster criminals. In this first volume, C.F. gets into a bloody slorge war (a slorge is a giant slug that excretes a steroid-like drug called “fecid” that all the monster men are addicted to) with ultraprisoner Rottweiler Herpes and his henchmen Rabies Bloodbath and Assrat. The ensuing bloodbath is an over-the-top, hyperviolent yet hilarious farce worthy of Ryan’s inspiration, Kentaro Miura.
Not only can you carry this book with you anywhere on your digital reading device but you can show gruesome panels to bratty children or smug cubical co-workers in backlit brillance for only $9.99 at the comiXology store.
To read more on the horrors, grab a copy of Simmons' graphic novel The Furry Trap today. While you're in the mood close the blinds, lock the door and boot up the computer to see a frightening trailer for Simmons' short film "The Leader".
The ink is still wet on these Online Commentaries & Diversions:
• Review: Andrew Wheeler of the Antick Musings rolls the dice with Dungeon Quest Vol. 3 by Joe Daly. "Dungeon Quest is so mellow and stoner-joyful that there's nothing to do but go along with it. . . it's an entirely amiable, perfectly cromulent wander through well-emulated quest-fantasy tropes, enlivened by cursing, drugs, and just a hint of sex."
• Review (audio): Factual Opinion with Tucker Stone, Joe McCullogh and Chris Mautner rattle on about Dungeon Quest from the 5 minute mark on. They love Daly's descriptions of his characters like Steve's bulkiness is a "vest of fat" and the fight scenes play out like manga. "The rules of the world operate around the rules of the quest. . ."Listen to many reasons on why Dungeon Quest is a fun read.
• Review: Round table review of Noah Van Sciver's The Hypo on Comics Bulletin . Danny Djeljosevic writes ". . . most people perceive Lincoln not as a person, but as a series of signifiers: a stovepipe hat, a beard . . . a figure we put that much emphasis on could use a re-injection of humanity, and it appears that Van Sciver is just the man for the job." Jason Sacks reiterates, "Van Sciver takes Lincoln off of Mt. Rushmore and puts him on a human level."
• Plug: Fritz the Cat by Robert Crumb makes the Top 10 Cats of Comics at Comics Bulletin. Jason Sacks says, "Fritz always depicted himself as the downtrodden, yet always came off as the only character in the story that seemed to have it at least somewhat together. . . Crumb held a mirror up to youth culture and all they caught were the dick jokes."
• Plug: Speaking of the man himself, Crumb answers questions on other people at Crumb Products.
• Review: Gene Ambaum of Unshelved rates Wandering Son Vol. 2 by Shimura Takako which explores the lives of middle school kids who come to realize they enjoy wearing clothes typically reserved for the opposite sex. "Even though Shuichi and Yoshino keep one another’s secrets, I felt their embarrassment when hanging out and trying to decide how to address one another / refer to each other. The story felt even more real when their teacher asked them to share their dreams and neither could."
Creator of the seminal NANCY comic strip in addition to Fritzi Ritz, Ernie Bushmiller would have been 107 today. A truly 'algebraic' comic, the oddly yet perfectly balanced strip was and still is hugely popular with comic strip readers despite its squat protagonist and cornball comedy. A cartoonist who rarely took a day off, Bushmiller inspired generations of future cartoonists and Fantagraphics is proud to reprint the strips. As Tom Spurgeon was so nice to point out, when Fantagraphics was located in Stamford, Connecticut, our neighbor WAS Ernie Bushmiller! Celebrate the love of Bushmiller and read some Nancy today. The strip below was reformatted to fit the blog.
But why stop at reading Nancy in appreciation of Bushmiller, you could also a Nancy tattoo! OSU Librarian Caitlin McGurk sports Nancy's head while cartoonist and Fantagraphics intern Ben Horak flexes a Sluggo tattoo. But we're still looking for the elusive 'three rocks' tattoo. Happy Birthday, Mr. Bushmiller.
Gary Panter’s Dal Tokyo exhibition and book signing at Fantagraphics Bookstore!
August 23, 2012 – Seattle, WA. Cartoonist Gary Panter has indelibly influenced four decades of American popular culture. Fantagraphics Bookstore & Gallery celebrates this remarkable artist with an exhibition of original drawings and colorful prints on Saturday, September 8, from 6:00 to 9:00 PM. Panter will appear to sign copies of his new collection Dal Tokyo, published by Seattle-based Fantagraphics Books.
Gary Panter’s manic “Jimbo” comix and dense illustrations were emblematic of California’s punk movement in the 1970s and later became fixtures in Art Spiegleman’s avant garde RAW Magazine anthology. In the 1980s, Panter cultivated a broader audience as set designer for the unlikely hit children’s television franchise Pee Wee’s Playhouse, where his singular aesthetic was recognized with multiple Emmy Awards. He is widely regarded as one on the most innovative artists in contemporary comix, and in 2006 was included in the sensational “Masters of American Comics” traveling exhibition. In recent years, his work has been published by Matt Groening’s Bongo Comics, Drawn & Quarterly, Picture Box, and two previous volumes from Fantagraphics Books: Jimbo in Purgatory and Jimbo’s Inferno. Panter was the recipient of the prestigious 2012 Klein Award, presented by the Museum of Comic and Cartoon Art in New York.
The ambitious Dal Tokyo concept occurred to Panter in the early 1970s – (the title is an amalgam of Dallas in his native Texas, and Tokyo, which he once considered an exotic faraway land.) It imagines a frenetic future society on Mars combining cultural motifs from America and Japan. Visual puns, punk, and psychedelic imagery coalesce in this alluring allegory. The strip was serialized for a year in the weekly L. A. Reader and later published monthly in the Japanese magazine Riddum for more than a decade.
Please join us on Saturday, September 8 to welcome this extraordinary artist to Seattle. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle’s Georgetown arts community. This event coincides with the colorful Georgetown Art Attack featuring visual and performing arts throughout the historic neighborhood.
Questions? Contact store curator Larry Reid at 206.669.9059. The exhibition will continue through October 10th, 2012.
The fully charged Online Commentaries & Diversions:
• Review: School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review: AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looks Sexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug: Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review: San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review: Chicago Tribune likes the premise of the Significant Objects edited by Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lung before it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.