The Comics Journal Library series is the most comprehensive series of lavishly illustrated interviews conducted with cartoonists ever published. To celebrate our republication of the legendary EC line, we proudly present the first of a two-volume set of interviews with the artists and writers (and publisher!) who made EC great. Included in the first volume: career-spanning conversations with EC legends Will Elder, John Severin, Harvey Kurtzman, and Al Feldstein, as well as short interviews with EC short-timers Frank Frazetta and Joe Kubert. Also: EC Publisher William Gaines on his infamous Senate subcommittee testimony, and probing conversations between Silver Age cartoonist Gil Kane and Harvey Kurtzman, as well as contemporary alternative cartoonist Sam Henderson and MAD great Al Jaffee.
Part of what made EC the best publisher in the history of mainstream comics was some of the most beautiful drawing ever published in comic books, and every interview is profusely illustrated by pertinent examples of the work under discussion. The EC artists were renowned for their attention to detail, and the reproduction here takes full advantage of the oversized art book format.
So many new readers of all ages discover Stan Sakai's wonderful, multiple-award-winning, now-classic Usagi Yojimbo as the years go on that we keep having to go back to press — twelve times on Book 1: The Ronin now! Read the rabbit ronin's first adventures in this compact softcover, sporting the new trade dress designed by Jacob Covey a few years back. Fresh copies in stock now and in stores soon!
Virgil Partch burst onto the scene in the nation’s magazines with his zany, sometimes surreal, but always hilarious cartoons, catapulting his career virtually overnight. Known to millions by his signature, “Vip,” this comedic genius was unlike anything the world had seen before. His unique brand of humor and trendsetting approach to cartooning ushered in a new era of the gag cartoon and pioneered a standard of madcap humor across the spectrum of comedy that was reflected in the cutting-edge sensibilities of comedians like Ernie Kovacs, Sid Caesar, and Jonathan Winters, and the trailblazing pages of Mad magazine. Inspiring a new breed of cartoonists, Vip became the most sought-after cartoonist of his generation, as well as one of the most prolific and influential cartoonists of his era. He not only transfigured the pages of an incredible array of the nation’s magazines, he also wrote jokes for other cartoonists; illustrated books, album covers, and advertisements; and his boozy drawings adorned merchandise such as cocktail glasses, beer cans, and napkins. Vip: The Mad World of Virgil Partch is the only comprehensive collection celebrating Partch’s rollicking life and career. His brilliant artwork and writings are reprinted from original art, primary-source publications, and family archives. Finally, Vip’s place in the world of cartooning and humor is distilled in this “lush” appreciation.
Gilbert Hernandez continues his metafictional realization of the film career of his troubled heroine Rosalba "Fritz" Martinez, who abandoned her psychotherapy practice to become queen of the Z-grade exploitation movies. Now she's starring in the role she was literally born to play, in a dramatization of her own mother's life! The "true" story of Maria M. was told in Hernandez's classic Poison River, collected from the pages of Love and Rockets; this original graphic novel embodies the first part of the film version. Maria's life consorting with the underworld makes for a sordid tale of sex, drugs, violence, and power that fits right in with Fritz's other film credits.
Praise for other books in the "Fritz B-Movie" series:
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!'" – Sean T. Collins, Robot 6
"Gilbert Hernandez is one of the great craftsmen of modern comics... Hernandez’s new Fritz book, Love from the Shadows, is as bracing as a slug of bottom-shelf rotgut...." – Douglas Wolk, The New York Times Sunday Book Review
"If alternative comics can be equated to independent film, then Hernandez has become the medium's David Lynch or Guy Maddin, rolling his personal obsessions and freewheeling abstractions into stories that present as pulp, then take some very weird turns." – The A.V. Club
"The rich emotions and passionate characters of [Gilbert] Hernandez are translated to a welcome new graphic novel, which fills B-movie situations with real drama... Hernandez takes his readers on a harrowing journey.... It's heavy stuff, but highly recommended." – Publishers Weekly
A woman comes to the U.S. from Latin America to escape her shady past, only to fall into a new shady life. After a go at the adult entertainment business, Maria marries a drug lord and her dangerous past is nothing compared to her new life in America. The drug lord's son, Gorgo, secretly falls in love with her and he watches over her like a guardian angel. Danger and corruption (and of course sex) drive the first half of this love story.
Long-time Love and Rockets readers will find the storyline familiar... and that’s because, in an Adaptation-style meta twist, Maria M. is actually the B-movie film adaptation of the life story of Luba's mother Maria, as previously seen in its "real" version in the classic graphic novel Poison River (available in the Beyond Palomar collection) — starring Maria's own daughter playing her own mother.
Confused? Don't be! Maria M. works perfectly on its own terms as the kind of violent, sexy pulp tale that Gilbert Hernandez has proven so adept at these past several years, and the "source material" for the story just provides an extra layer of delight for the cognoscenti.
Austin! Tonight at Mondo Gallery from 7-9 is the opening of "It Didn't Rot Our Brains," an art exhibit in tribute to EC Comics and Tales from the Crypt! The undisputed star of the show: this brand new piece depicting Bill Gaines and the Crypt Keeper palling around by legendary TFTC artist Jack Davis! Also included: work by Jim Rugg, Chris Wright, our pals Eric Skillman and Mark Todd, and numerous others. See more sneak peeks and get more info at Collectors Weekly.
2012 Eisner Award Winner: Best Archival Collection/Project – Strips
2012 Harvey Award Nominee: Best Domestic Reprint Project
"Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history… I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
"Gottfredson drew Mickey with a nosy snout and the bright eyes of an adrenalin junkie. The mouse’s diminutive size inspired Gottfredson to have the character attempt daredevil races, leaping stunts, and develop a flurry-fisted fighting style.... This beautiful volume gives the Great Rodent his humanity." – Ken Tucker, Entertainment Weekly
"From the beautifully reproduced strips to the densely packed ancillary features, this must be the book that editors David Gerstein and Fantagraphics’ co-founder Gary Groth wanted for years for their own libraries. Their enthusiasm shows in the wonderfully designed package." – Rich Clabaugh, Christian Science Monitor
"Gottfredson's strips are jammed with incident and detail, energized with a loopy energy that matches the spunky determination of Mickey himself.... The quite visible specter of the Depression and occasional dark humor, as when Mickey tries multiple times to kill himself and fails comically, only add to the sense of heroic grit." – Publishers Weekly (Starred Review)
"Great lover, scholar, soldier, sailor, singer, toreador, tycoon, jockey, prizefighter, automobile racer, aviator, farmer. Mickey Mouse lives in a world in which space, time, and the law of physics are nil. He can reach inside of a bull's mouth, pull out his teeth and use them as castanets. He can lead a band or play violin solos; his ingenuity is limitless; he never fails." – Time (1931)
Praise for Vol. 1:
"What I really took away from this book... was Gottfredson's considerable (and very nuanced) compositional and storytelling skills...an entertaining read and still a thrill to see what Gottfredson work out and then master this longer styled-format. Disney fans — or just fans of solid, entertaining comics in general — won't be disappointed." – Chris Mautner, Robot 6
"The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper." – Johanna Draper Carlson, Comics Worth Reading
He's faster than a speeding arrow... more powerful than the Sheriff of Nottingham... able to leap high taxes in a single bound! He's Mickey Mouse! He's back in color — and traveling back in time: battling evil medievals in our second book of Floyd Gottfredson's Sunday classics. Donald Duck, Goofy, and mischievous Morty and Ferdie are invited along too... if they dare!
Standout stories in this volume include "The Robin Hood Adventure," in which Mickey joins the Merry Men: swordfighting, jousting, and risking his life to rob the rich! Then Mickey faces Gold Rush gun-slingers as the "Sheriff of Nugget Gulch" — and outwits the ever-sneaky Mortimer Mouse in "Mickey's Rival!"
Restored from Studio art sources and enhanced with a meticulous recreation of the strips' original color, Robin Hood Rides Again also includes more than 30 pages of swashbuckling extra features. You'll enjoy coveted non-Mouse Disney comics by Gottfredson; rare behind-the-scenes art; and commentary by a Round Table of Mickey scholars.
Two volumes of Mickey's thrilling adventures, comprising Floyd Gottfredson's complete full-color run of Sunday Mickey strips, packaged in a beautiful and sturdy slipcase and priced cheaper than the individual volumes! A perfect gift and/or collector's item.
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