This turkey-filled holiday season, we at Fantagraphics would like to treat all of our dedicated, loyal, and sometimes-rabid fans to a full weekend sale. None o' that one-day, trampling-your-nephew-on-the-way-to-your-computer nonsense.
Starting Friday, November 28th at 12:00am, we are putting almost all of our 2014 releases—including current pre-orders—up for sale at 30% off.
However, our special signed edition of The Complete Zap Comix, limited to 250 copies and containing giclée prints signed by five of the ZAP artists, will be discounted by 10%, this weekend only! Look a little deeper, and you'll even find a few gift box sets and bundled gift sets of books are marked at 40% off!
So enjoy your turkey this Thursday, relax and digest easily knowing you won't need to claw your way to any computers come Monday to reach our sale. We'll be here for you, all weekend long. We, however, cannot guarantee that all the books will be received in time for Xmas Celebrations.
Here's a recap of some of the beautiful books we published this year:
Wilfred Santiago hits it outta the park with 21: The Story of Roberto Clemente, and we brought it back in softcover this year for an even more affordable format in which to enjoy Santiago's gorgeous artwork and storytelling.
More goodness coming in from abroad, including Vols. 6 and 7 of Shimura Takako's critically acclaimed Wandering Son, a deluxe boxset collecting Jacques Tardi's Goddamn This War! and It Was the War of the Trenches, Olivier Schrauwen's surreal biography Arsène Schrauwen, and Spanish cartoonist Max's Vapor, and Inio Asano's Nijigahara Holograph.
The epic, Arthurian adventures of Prince Valiant continue in our tenth volume collecting Hal Foster's timeless comic strip. Volume 10 contains strips from 1955 to 1956, and in this 14-page downloadable excerpt, Prince Val must make his way back to his homeland in Thule from the Misty Isles. With ships full of northerners eager to make the journey home as well, Val sets off, dealing with hostile barbarians, long, grueling portages, and greedy strangers along the way.
Prince Valiant Vol. 10: 1955-1956 comes ashore in January, and it is available for pre-order right now. Grab your copy now, and be on the lookout for more previews in the upcoming weeks!
Cats galore adorn the final cover design for our eagerly awaited debut graphic novel from alternative comics creator Ed Luce. Starring a gay ex-wrestler on a quest to find true love, Wuvable Oaf is a "fairy tale" of sorts set in modern-day San Francisco. Also, there might be a few cats throughout.
Luce has been a well-known indie cartoonist in the Bay Area since he began Wuvable Oaf in 2008, and we are excited to collect his first 4 issues, plus additional short stories and extra material, into this hardcover volume and give it a wider audience!
In award-winning artist Peter Bagge's Sweatshop, Mel Bowling is a an out-of-touch cartoonist with a studio full of slave workers assistants who must cater to his every whim. When Bowling receives a letter informing him that he has been nominated for the "Ham Fisher Award," his arrogance and ego fly through the roof, much to the chagrin of his studio assistants.
Sweatshop is due to arrive in stores in February, but you can (and should) pre-order this first-time collection of Bagge's six-issue series now.
We are pleased to reveal for you the final cover design for Ignatz-nominated cartoonist Noah Van Sciver's (Blammo, The Hypo: The Melancholic Young Lincoln) new upcoming graphic novel, Saint Cole. Continuing his interest in pathos and the human condition, Van Sciver is back with a story of 28-year-old Joe, a pizza server with a girlfriend and infant child who retreats further and further into alcohol as life continues to throw curve balls in his path.
After the teeth-rattling one-two punch of West Coast Blues and Like a Sniper Lining Up His Shot, Jacques Tardi makes a third appointment with ace crime writer Jean-Patrick Manchette for his wildest adaptation yet.
Peter Hartog, a rich industrialist, hires a troubled young woman, Julie, straight out of the psychiatric asylum to which she has been consigned for several years, to work as a nanny for his bratty kid Peter. But Hartog's seemingly altruistic impulse to help rehabilitate a troubled soul hides a darker motive: He plans to stage a fake kidnapping of his son, and use Julie as a scapegoat.
Unfortunately for Hartog, Julie proves infinitely more tough and resourceful than he expected, the kidnapping goes horribly, bloodily wrong, and now Julie and Peter are on the run, pursued both by the police and by Hartog's goons, led by the aging but fantastically dangerous contract killer Thompson — one of Manchette's most unforgettable creations, a golem of Terminator-like tenacity who is barely slowed down by physical punishment that would instantly kill a lesser man (he does not end the book with the same amount of eyes and feet as he started).
As with the other Tardi/Manchette books, Run Like Crazy... is full of moments of pitch-black humor, and a strong current of socio-political satire runs beneath its bleak surface. It's a ride to hell, but a devilishly fun one.
In Ofelia, the sisters, the kids, and the cousins are all settled comfortably in California after leaving Palomar in Luba and Her Family. Luba and her cousin Ofelia’s relationship has always been fraught, but when Ofelia threatens to write a book about Luba, past memories, secrets, resentments, and pain resurface. Meanwhile, Luba’s children—genius Socorro, recently out-and-proud Doralís, and prickly Maricela—show that a talent for trouble may be hereditary. Luba’s sisters, Fritz and Petra, swap lovers (as usual), but…are Fritz and family friend Pipo sittin’ in a tree? These vividly drawn characters are charged with Hernandez’s trademark complexity; they live, love, age, fight— and die—in this sweeping, multigenerational saga.
Cochlea & Eustachia appear to be twin human girls, but this has yet to be confirmed. Their actions seem to be motivated less by curiosity than boredom and an inclination towards purposeless destruction. Any connate objective remains to be determined. They never stray apart from each other, out of an unspoken proclivity. Perhaps they keep together because they resemble each other; a mixture of vanity and comfort is the foundation of their constant companionship. They seem to consider any creature with dissimilar features as inept or untrustworthy. They are suspected of giving hypnotic suggestions to cats. They do not seem particularly malicious, just meddlesome. This new graphic novel from the author of the acclaimed Squirrel Machine is lighter in tone than his previous works, yet its myriad charms remain as sinister as Rickheit fans would expect.
New York Times best-selling cartoonist Lucy Knisley paints a warts-and-all portrait of contemporary, twentysomething womanhood, like writer Lena Dunham (Girls). In the next installment of her graphic memoir series, Displacement, Knisley volunteers to watch over her ailing grandparents on a cruise. (The book's watercolors evoke the ocean that surrounds them.) In a book that is part graphic memoir, part travelogue, and part family history, Knisley not only tries to connect with her grandparents, but to reconcile their younger and older selves. She is aided in her quest by her grandfather's WWII memoir, which is excerpted. Readers will identify with Knisley's frustration, her fears, her compassion, and her attempts to come to terms with mortality, as she copes with the stress of travel complicated by her grandparents' frailty.
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