Cate McGehee attended the 30th Anniversary party for Love and Rockets held at the Fantagraphics Bookstore and wrote about it in The Stranger. Gilbert and Jaime Hernandez were in attendance in addition to hundreds of people ready to see the brothers during their auspicious celebration. Flanked by a gorgeous wall of original art, punk show posters (draw by the brothers) and alt-weekly covers, curated by Larry Reid and editor Kristy Valenti, the room held more wonder than of those in The Mask of the Red Death!

Nearly thirty years of work is laid out on prismatic display (more not pictured). Why has Love and Rockets held up so long? The facts as stated in The Stranger: "It was one of the very first comics to include LGBT characters and people of color, to draw from an underground urban demographic, and to have kick-ass female leads." Or as Larry put it the comics "foreshadowed the contemporary multicultural society." With characters who age, die and get revisited via that time machine called comics, Gilbert and Jaime have created some of the most complex and human characters in the industry.

The article goes on to describe some of the more familiar faces to the Hernandez brothers off the bristol board, their returning fans. One man brought his future wife, who became the bigger fan eventually, then their baby who in turn grew up and "she said her mom couldn't make it, and then rolled up her sleeve to show Jaime her Love and Rockets tattoo." But success hasn't slowed the two cartoonists down, they can't imagine a life without comics or a life without Love and Rockets. And neither can we.

Pictures: Gilbert and Jaime pose with fan, the Love and Rockets Library collection and Gilbert signs for a fan in front of the wall.

The last peanut of a day of Online Commentaries & Diversions aka the news you missed while present shopping, latke eating and flying:

• Review: The Comics Journal and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough's artistic collaboration, Observed While Falling (the memoir) and The Lost Art of Ah Pook is Here. (the art book) "The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs’s middle period.  He mixes a true-adventure story with bitter anti-establishment scenarios, gay sexual fantasies, science-fictional visualizations of chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering—the best pictures of dicks that I’ve ever seen. . . ."

On the memoir "One of the pleasures of McNeill’s memoir, Observed While Falling, is reading about hear about his conversations with Burroughs.  Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus.  Study these new books and enjoy the disease."

• Interview: Jaime and Gilbert Hernandez of Love and Rockets are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on The Comics Journal. Jaime talks about becoming more popular cartoonists, "So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw’s East Coast? Love and Rockets is West Coast. And they go, 'So West Coast is primitive and old-fashioned?' Fine. It’s not art school."

• Review: Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On the Love and Rockets Library Collection, by Gilbert and Jaime Hernandez Andy Khouri states,  “This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order."

• Plug: Ode to Love and Rockets and Sonic Youth by a fan on Buzzfeed.

• Review: Douglas Wolk reviews Harvey Kurtzman’s EC stories in Corpse on the Imjin! for the New York Times. "Kurtzman’s writing could be bombastic — nearly all of these stories’ titles end in exclamation points — but, as the United States became mired in the Korean War, his reeling disgust at the horrors of war (and his thick, slashing brush strokes) made for shockingly bold rhetoric."

•Review: The Atlantic lists Mark Twain's Autobiography 1910-2010 by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says "Kupperman’s brilliance isn’t just in his humor, though. Mark Twain’s Autobiography is meant to be read in small doses, no more than half a dozen pages at a time. Trust me: You don’t want to gorge on a book that’s this weirdly amusing. But after a peek into Kupperman’s hysterically twisted mind, you’ll keep wanting to go back for more."

• Plug: Liquid Television spotlights Michael Kupperman, Mark Twain's Autobiography 1910-2010 and Tales Designed to Thrizzle Vols. 1 and 2 ."You may recognize him (or not) from some of his comedy writing for legit platforms (SNL, Huff Post, etc). He does a comic called Tales Designed to Thrizzle that’s pretty good."

• Review: The Denver Westword is proud of their hometown hero, Noah Van Sciver, and his critical acclaim for The Hypo. Read on!

• Review: Comics Bulletin releases its 2012 Best Graphic Novel List and The Hypo by Noah Van Sciver makes it. "Van Sciver's toolkit includes the pens and pins of pathos and pain, self-doubt and angst, as much as it contains determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner," writes Daniel Elkin.

• Review: Unshelved comics review The Hypo by Noah Van Sciver. Gene Ambaum writes,"The mood of Lincoln’s life in Springfield, Illinois, is well-expressed via the rough-hewn, cross-hatched skies, floorboards, and backgrounds."

• Review: Tim Callahan has nothing but love for Spacehawk by Basil Wolverton on Comic Book Resources. He states, "Wolverton's world is a weird and ugly and beautifully innocently horrible charmingly delightful one, and it has more in common with the absurd genre riffs from something like Pendleton Ward's Adventure Time or Jesse Moynihan's Forming or Tom Gauld's Goliath than it does the bland superhero melodrama of 'Marvel Mystery Comics'."

• Review: Comics Bulletin's Favorite Reprints Books of 2012 include Gary Panter's Dal Tokyo and our Carl Barks reprints. In reference to Carl Barks' Uncle Scrooge and Donald Duck, "I would not hesitate to say that Fantagraphics’ reprints of Barks’ Duck comics may very well be the best collection series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail," states Nick Boisson. Jason Sacks writes "[Dal Tokyo is] a freaking godsend from the reprint editors at Fantagraphics because it unearthed an amazing, surreal, brilliant lost classic that's like an artifact from some amazing parallel dimension.. . Readers are asked to bring our perceptions to these pages, to bring our intelligence and passion and appreciation for abstraction and love for everything that feels different and yet the same as everyday life."

• Review: School Library Journal files Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says "[It] features another 200 pages of master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition. . .  the Barks books are great comics for kids and adult fans of the medium."

• Review: Uncle Scrooge: Only a Poor Old Man makes the Best of or Our Favorite Books of 2012 list on the Village Voice. Alan Scherstuhl states, “Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period.”

• Plug: J. Caleb Mozzocco reveals the many coats of Uncle Scrooge (SO FAR). Find a cut that works and get it in every color, right?

• Review: Brooklyn Based thinks Sexytime edited by Jacques Boyreau is for you and suggests books for reading and giving. "This book is a journey into the aesthetic of porn," states Jon Reiss.

• Interview: Alex Dueben interviews Lilli Carré on Comic Book Resources about comics and animation. "I loved designing and arranging the [Heads or Tails]. Figuring out which pieces to include and the best order for them took quite a while, since I wanted each story to speak to the one before and after it, and to have a good flow despite the shift in styles. It was like making a high-stakes mix tape."

• Review: North Adams Transcript and John Seven look at Heads or Tails by Lilli Carré. "The multi-faceted Lilli Carre -- author, illustrator, animator -- presents stories that are as gentle as they are cryptic, in which the darkness of her themes meld perfectly with the sweetness of her style. . .Carre’s short work is collected and celebrated, revealing a creator of power, easily on the level with lauded types like Chris Ware."

• Review: Hooded Utilitarian makes it through Josh Simmons' The Furry Trap (probably with all the lights on in the house). James Romberger writes it is “packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader’s mind having already been prepared by the foregoing tales to expect the worst.”

• Review: Lettering master Todd Klein on the Complete Peanuts Vol. 18 1985-1986 . "Thirty-five years into his fifty year run on this strip, Charles Schulz continues to keep me smiling and laughing. . .Highly recommended."

• Review: Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On The Complete Peanuts Collection box sets by Charles M Schulz. Andy Khouri writes, “Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.”

• Review: School Library Journal looks at Charlie Brown’s Christmas Stocking by Charles M. Schulz. J. Caleb Mozzocco says, "Schulz’s Peanuts has always been unique in its ability to speak to audiences of adults and children simultaneously. . . Nice then to have a comic that can speak to kids, adults and the little kids the adults used to be all at the same time—even if only for a quick 40 pages or so."

• Review: HeroesOnline looks at The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" by Walt Kelly. “Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time.  The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious . . . Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material,” states Andy Mansell.

• Review: Dungeon Quest 3 by Joe Daly is the Best of Year 2012 on the Forbidden Planet International site.  Clark Burscough writes, “Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that – it’s laugh out loud funny. I can’t go into precisely why, because it’s also laugh out loud filthy. Something for everyone in these books.”

• Interview: Comic Book Resources and Alex Dueben interview James Romberger on his collaboration of 7 Miles a Second (and Post York). On his love of New York-centric books, “It is strange that I'll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,” says Romberger.

• Review: Listen, Whitey! on NPR Music for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. "There's no way that Sony or EMI were going to [automatically] say yes to the Bob Dylan or John & Yoko tracks, because they get those requests all day. Years ago, Pat went to Bob Dylan's office and got those guys to approve it. The same thing with Yoko. . ."

• Plug: Speaking of 2013, Johanna Draper Carlson of Comics Worth Reading can't wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out! 

• Review (reprint): Publishers Weekly reissues their prime reviews on Blacklung, Heads or Tails, and Los Tejanos and Lost Cause . 

• Plug: Nick Gazin of VICE posts pictures a friend sent of the Spain Rodriguez tribute murals made this month in Brooklyn.

• Plug: Why doesn’t Richard Sala take on the Caped Crusader? A question posed by Michael May on CBR.

• Plug: Johnny Ryan's Prison Pit shirts and vinyl figurines are on sale at Monster Worship for the truly tainted souls.

• Plug: Justin Hall (editor of No Straight Lines) has a new comic in the comics edition of SF Weekly. Enjoy!

Is this happy-go-lucky holiday season getting on your nerves? Are increasingly sentimental anthropomorphic animals for the flippin' birds? Johnny Ryan is here to serve you. This week comiXology and Fantagraphics released Angry Youth Comix issues #11-14 for you to enjoy in the midst of madness. In addition to the sex, violence and scatological filth on display, Angry Youth Comix delivers equal opportunity antagonism toward every race, gender, sexual orientation, political persuasion and religion, as well as jokes about international and humanitarian tragedies, in abundance. That being said, it is only available via the filthy filthy web so buy it and read it on your computer instead of going to that meeting.

$1.99 is the crazy amount of money for the eyeball tickling guffaws you'll emit when reading Angry Youth Comix. Head over to comiXology now to download. Then you'll get to find out exactly what happens to Loady McGee, Sinus O'Gynus and Blubbina LaQuiche.

"Let me tell you something: In this increasingly cynical world of happily self-imposed isolation and sneering judgement, one graphicish novella, with pixie-like tickles, appears through the misty mist to take us all by the hand gently unto the night. You hold in your hand that very thing. Johnny Ryan's Angry Youth Comix. Now go away." – David Cross

Following the releases of Heartbreak Soup and Human Diastrophism (Books 1 and 2 of the Palomar series from Love and Rockets) by Gilbert Hernandez, we're releasing the third book via comiXology called Beyond Palomar.

Beyond Palomar collects two of Gilbert's groundbreaking works about the Central American hamlet of Palomar in one affordable book."Poison River" is a dizzying period piece often hailed as one of Hernandez's masterpieces. It traces the pre-Palomar childhood of Luba, her teenage marriage to gangster Peter Rio, the secrets behind her mysterious mother, all the way up to her subsequent escape and arrival in Palomar.

Meanwhile, "Love and Rockets X," set in the early 1990s (in the waning years of Bush I's post-Reagan hangover, with Gulf War I in the background), takes us from plush Beverly Hills to the dangerous east side and introduces us to a dizzyingly diverse cast of characters, including a lowlife rock 'n' roll band, a "posse" of black youths, a ditzy Hollywood mom and her spoiled son, a gay activist filmmaker and his rebellious, half-Iraqi daughter, and a group of racist thugs whose violent attack on an older woman sets the plot in motion. These fantastic stories are now a swipe of the finger away on comiXology, 260 pages of fantastic comics at $14.99. A steal of a deal.

"In a real world, not the screwed-up world we have now, [Gilbert Hernandez] would be considered one of the greatest American storytellers. It's so hard to do funny, tragic, local and epic, and he does all simultaneously, and with great aplomb." – Junot Diaz

"In Gilbert's Palomar stories, there's a rawness that dominates the proceedings: raw anger, raw sexuality, raw passion for life, death and art." – Rob Clough, High-Low

 

• Review: Metroland's Simcoe reviews Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks and The Complete Peanuts: 1985 to 1986 by Charles M. Schulz. Glenn Perrett states, "Reading Carl Bark's "Donald Duck" stories from 60 years ago was entertaining. The animation and colours are excellent and sections such as "Story Notes" [etc.] . . . complement the wonderful comics making this book a nice addition to any library." And "The Complete Peanuts: 1985 to 1986 are sure to make the holidays more entertaining and makes a nice gift and keepsake."

• Review: Noel Murray of The AV Club continues the Christmas coverage with Schulz's Charlie Brown's Christmas Stocking which "is mainly meant to serve as a nice little accessory to holiday decorations, to be brought out every December with the ornaments and Andy Williams records. For that reason, it’s hard to humbug it…" With Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks, Murray notes "These stories—nearly all published in the early ’50s—are mostly non-Christmas-y, but the title tale is a sweet one. . . For those who do want a surefire present for the comics buff in their lives." 

• Review: School Library Journal goes over some of the favorite holiday graphic novels of 2012 like Charlie Brown's Christmas Stocking by Charles Schulz. J. Caleb Mozzocco states "It’s beautifully designed, a breezy, five-minute read, and about the size of a Christmas card, making it a pretty great gift. And, this being Schulz’s Peanuts, it’s the sort of gift you’ll never grow out of." As for Carl Barks' holiday and title story in Walt Disney's Donald Duck: "A Christmas for Shacktown", "It’s one of about 20 of the top-notch comics in the book, which range from one-page gags to the sort of sprawling adventures Barks was best-known for."

• Review: Noel Murray of The AV Club takes a peak at Heads or Tails by Lilli Carré. "Carré loves to constrict her characters, because she knows that limiting their options won’t necessarily limit their imaginations. . . her comics work often has the feel of avant-garde cinema, as she weds surreal images to everyday situations to enchant audiences and spark ideas. . . "

• Review: Christopher Borrelli of The Chicago Tribune writes a loooong article on Lilli Carré and her new book Heads or Tails "that best captures the range, humor and vague sense of ennui she's made her name on. . . "

• Review: Noel Murray of The AV Club enjoys Tom Kacynski's Beta Testing the Apocalypse. "Kaczynski’s comics are frequently nightmarish, starting from a slightly askew place and then tipping further into darkness. . . But while his stories have characters and plots—often with haunting endings—they’re more like essays than conventional narratives."

• Review: Noel Murray of The AV Club finished the You'll Never Know series with Book 3: A Soldier's Heart by Carol Tyler. "This is Tyler’s magnum opus: her thoughts on art, work, relationships, music, war, and anything else that came to her mind while she was piecing together her dad’s story."

• Interview (audio): Dean Haspiel of Welcome to Trip City interviews Josh Simmons about The Furry Trap, Jessica Farm, living the life and accidental erections.

• Review: Danel Olson of the Weird Fiction Volume 3 writes on Richard Sala and The Hidden . "Sala has become one of my favorite American sequential artists because of his subtle tributes and expansions to four of the most memorable twentieth century American cartoonists - Charles Addams, Edward Gorey, Gahan Wilson, and Basil Wolverton. . .  Forbidding and weird seem like weak adjectives for Sala's The Hidden, and I urge you to open it. . . Give a standing order to Fantagraphics for any noirishly weird fictions forthcoming from Sala."

• Review: Chris Estey of KEXP reviews the Bill Griffith collection called Bill Griffith: Lost and Found - Comics 1969-2003. Chris Estey writes that it is "a luxurious and generous Fantagraphics big book collection of his non-Zippy work, is required reading for those who may have missed his parodies and punk rock operas in the past, or want them all bound together. It’s also for those like me who were never really that much into Zippy in the first place."

• Plug: One step forward, two steps back. The Adele Blanc-Sec movie is inching along towards distribution in America. Johanna Draper Carlson gets the scoop on DVDs Worth Reading on Jacques Tardi's graphic novel adaptation.

*let's be real, it's like our tenth glass of that local dairy's eggnog

The comics world lost a great cartoonist this month as Spain Rodriguez drove his wild hog one last time. As an influential members of underground comics, his reach was large. The New York Times wrote an excellent obituary on Spain and Bruce Weber profiled him as "part of a wave of artists — including R. Crumb, S. Clay Wilson and Bill Griffith, who created the character Zippy the Pinhead — who established the irreverent, profane, highly sexed, antiwar, anti-capitalist spirit of underground comics (often, in this context, spelled comix)." Below is a sketch Spain made for Associate Publisher Eric Reynolds.

From the Latino Comics Expo, Ricardo Padilla remembers some of his favorite moments. "We were touched by his generous spirit, his kindness, and his willingness to support and encourage artists and their dreams. He even agreed to be part of our Art Show, LA RAZA COMICA, which premiered at the Cartoon Art Museum after our Expo. . . I will always treasure these memories of Spain Rodriguez and will never forget the encouragement and support he lent to the Latino Comics Expo. He was a True Revolutionary and and an honorable man. My fondest memory is of him in the Museum's 'green room' after his panel discussion, smiling with his wife and daughter. . . savoring one of my mom's 'chile verde' burritos. . ." 

Stephen R. Bissette and Skip Williamson taught me everything I needed to know about the history of underground comics including Zap comics and Spain Rodriguez, from there I went on to read his collected comics, thanks to Last Gasp and Fantagraphics. While not everyone was able to meet this amazing creator, we can remember him through friends' stories of Spain and the stories he created. Tom Spurgeon of the Comics Reporter made a thorough list of all the links, stories and pictures of Spain in his collective memory.

For the curious, a retrospective of Spain's career has been hanging at the Burchfield Penney Center in Buffalo, NY since September and will be up through January 20th. Jack Foran of ArtVoice recently visited the exhibit and had this to say, "Rodriguez was a kind of incorrigible rebellious type. . . when abstract expressionism with its two-dimensionality principle was dogma—he was into three-dimensionality, in spades—and his blue-collar employment in Buffalo area manufactories, where the curriculum was the much more interesting subject to him of simmering socioeconomic class warfare." His art will live on.

(The first photo is a panel from Cruisin' with the Hound by Spain released earlier this year while the last on is page six from Hard-Ass Friday Nite).

The cutest Carré animation of Online Commentaries & Diversions*:

• Review: Chris Sims on Comics Alliance looks at the first story (and title story) of the latest Carl Barks collection: Walt Disney's Donald Duck "A Christmas for Shacktown." Sims says, "At 32 pages, it's a sprawling epic (By Barks' standards, anyway) that hits those beautiful Holiday themes of altruism and the spirit of giving. Although to be fair, it does get a little closer to cannibalism than most other Christmas comics.

• Review: Speaking of Christmas comics, John Seven of the North Adams Transcript reads Charlie Brown's Christmas Stocking by Charles M. Schulz. "As with the best of Schulz's work, the humor alternates between deadpan and over the top, and the presentation of religion and holidays both is both irreverent and respectful at the same time. Schulz was a multi-faceted writer and could tackle contradictions through great simplicity. Charlie Brown's Christmas Stocking stands as gift from the past that is greater than the size of the package. It's a real treasure."

• Review (audio): Comic Books are Burning in Hell take you on a whirlwind, family road-trip of a podcast review of Gary Panter, Dal Tokyo and his occasional critics (Andrew Arnold). "Panter is very good at drawing altered states." "What was loose, scrappy and punk rock becomes much tighter." "The later stuff in here is the quote, unquote nicest drawing Gary has ever done, most acceptable comicswise." The evolution of one man's comics.

• Plug (video): Last Gasp makes a cute and cool holiday gift guide featuring Dal Tokyo by Gary Panter, Barack Hussein Obama by Steven Weissman and The Cartoon Utopia by Ron Reje, Jr.

• Plug: Creator of Barack Hussein Obama, Steven Weissman, runs around looking for vintage comics with Love and Rockets co-creator, Mario Hernandez at the Comics Alliance. Need a hot tip? "They stick a lot old stuff in between the new stuff so I always look for the brown spines,"says Mario.

• Review: On the North Adams Transcript, John Seven enjoys Charles Forsman, Oily Comics and The End of the Fucking World. "When I started, I didn't have a real plan for [TEOTFW]," Forsman said. "I just wanted it to be fun. After laboring over the other book, I wanted to have fun again, because when you're working on something for awhile, you can get bogged down in the details."

• Plug: On the Forbidden Planet International site, Simon Moreton praises The End of the Fucking World by Charles Forsman as "It evokes that intoxicating, teen slacker vibe, a cool, calm, detached horror and the intelligence of a well-paced, keenly told tale."

• Review: Filth and Fabulations includes Dungeon Quest 3 by Joe Daly in a Best of 2012 list. "The riffing on classic roleplaying tropes is often hilarious, but the true comedic brilliance of the series lies in the way Daly writes the often drawn out pages of dialogue between the main characters. He manages to capture the way people talk in real life perfectly."

• Review: MTV Geek's Best of Graphic Novel 2012 List includes Athos in America by Jason. "A series of short stories that put Jason's insecurities and imperfections on display in an occassionally uncomfortable and frequently moving way," states Eddie Wright.

• Review: MTV Geek's Best of Graphic Novel 2012 List counts Noah Van Sciver's The Hypo as Numbah One! "A big-budget movie can't capture the subtlety of Lincoln's personality like it's done here," states Valerie. Eddie Wright chimes in and says, "In Van Sciver's well-researched, moving portrait of the troubled president, he's painted as a nuanced, difficult, intriguing and most of all, human figure."

• Review: Noah Bertlatksy of The Hooded Utilitarian looks at Johnny Ryan's Prison Pit 4, the importance of genitals in an invulnerable society. "Prison Pit is a hyberbolic, endless series of incredibly gruesome, pointless, testosterone-fueled battles with muscles and bodily fluids spurting copiously in every direction. . .  everybody, everywhere, is a sack of more or less constantly violated meat, to whom gender is epoxied (literally, in this sequence) as a means of more fully realizing the work of degradation."

• Plug: David Allen of the Daily Bulletin takes a look at all the comic strip reprints out currently, ready to read Pogo: The Complete Syndicated Strips Vol. 2 "Bona Fide Balderdash" by Walt Kelly. "Through his nonsense-spouting critters in the Okefenokee swamp, Kelly often satirized government and national politics, taking on the Red Scare and coining the phrase "We have met the enemy and he is us. But 'Pogo' also had slapstick combined with wordplay and whimsy. Nice to have 'Pogo' back."

*referring to Lilli Carré's looping animation she made for Heads or Tails! Too irresistable. 

In this January's issue of Booklist you can find a review of our recent releases, excerpted below:

Heads or Tails by Lilli Carré: "Most of these stories are concerned with alternatives—overlapping realities, different explanations of a single phenomenon, evolving contradictions. . . As a graphic artist, Carré carries forward the design tradition that stems from the gossamer surrealism of Cocteau; as a verbal artist, she may be the most successful prose poet going. . . Her Wanda Gag-meets-Gene Deitch drawing style and new-weirdness literary bent make her work acutely interesting to both read and scrutinize." — Ray Olson (Starred Review)

The Love and Rockets shirts have been on sale since summer and people are popping up all over the world, looking AWESOME. Friend, cartoonist and puppeteer Andy Warner works on his collaborative puppet show, Frown Town, while rockin' the chocolate and cream dream shirt. What do you do while you wear your Love and Rockets shirt? (We sit behind our desks and read books) This e-mail address is being protected from spam bots, you need JavaScript enabled to view it pictures and we'll share them next week!

Also, Seattlites, the Hernandez Brothers are in town this Saturday for a party, party, party at our Fantagraphics store. Wear your Love and Rockets shirt there for an EPIC group picture or pick one up. 

The most symmetrical cake slice of Online Commentaries & Diversions:

• Review: Publishers Weekly occasionally lets smart and famous people recommend books. Jeopardy Master Ken Jennings "skipped the obvious Marjane Satrapi and Alison Bechdel entries in favor of this lesser-known three-volume masterpiece, about Tyler’s complicated relationship with her distant dad, a World War II vet. With her playful, fluid brush line and busy patchwork of watercolor woodgrain, Tyler’s art looks like the past feels." Carol Tyler's complete series You'll Never Know is available.

• Review: Booklist Online cooks up a review from some Pogo (The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash"). Ian Chipman writes, "[Walt Kelly's] hallmarks of deft wordplay, daft swamp critters, and poisonously sharp sociopolitical satire are in full blossom here. The highlight is the 1952 election season that saw Pogo’s first and entirely reluctant presidential run and the birth of the “I Go Pogo” slogan. Mimicking “I Like Ike. . . A must for all collections of comic-strip history."

• Plug: Forces of Geek throws out some good gift recommendations for kids like Walt Disney's Uncle Scrooge "Only a Poor Old Man" by Carl Barks. "Comic books have always been an excellent gateway into reading, and when it comes to smart, imaginative and engaging, you don't have to go much further than Carl Barks. . . What better way to introduce your own Huey, Dewey or Louie to comics?"

• Review: Paste Magazines's 10 Best Collections of 2012 include two Fantagraphics titles. Hillary Brown loved Young Romance, by Joe Simon and Jack Kirby edited by Michel Gagné who "painstakingly restored them (without making them look exactly new, thus giving the book the feel of a vintage compilation that just happens to be in amazing shape). . . Simon and Kirby tried to bring as much excitement to primarily psychological and interpersonal goings-on as to punching and flying." And this might be the last year anything by Carl Barks is on the list, "We’ll just grant it permanent honorary status as the best of the best, like when John Larroquette removed himself from Emmy consideration after winning four straight for Night Court. . . [Walt Disney's Donald Duck "A Christmas for Shacktown] once again proves Barks to be one of the finest draftsmen and storytellers we’ve ever had." Well put, Garrett Martin.

• Plug: The KUER Radiowest Show hosted many book sellers with their holiday gift ideas. Ken Sanders of Rare Books chose Walt Disney’s Donald Duck: “A Christmas for Shacktown” by for the "brilliant, brilliant artwork by Carl Barks" and Walt Disney’s Mickey Mouse: Volume 4 “House of the Seven Haunts” by Floyd Gottfredson to top his 2012 list for kids.

• Plug: The Scotsman lists some of the Best of 2012 as told by the best scotsman. Withered Hand's singer/songwriter Dan Willson has eyes only for Ron Rege, Jr. and states, "[The] Cartoon Utopia , his magnum opus, is quite a head-trip. Thousands of very dense little drawings and words resemble a psychedelic illuminated manuscript peppered with themes of spiritual redemption and good versus evil. It’s a very unusual and beautiful work."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. On Ron Rege Jr.'s The Cartoon Utopia , "The first esoteric text of the new century. The harbinger of the New Aeon. This book will be a staple of Esoteric Lore for millennia to come."

• Plug: Boing Boing makes my job easy by providing the Best Damn Comics of 2012. Compiled by Brian Heater, a lot of creative people offered up their favorite books of the year. Nick Abadzis thinks Kolor Klimax (edited by Matthias Wivel), "feels startling and vital to me and features a wide variety of styles, each as absorbing as all the others contained within these pages. I don't think I've enjoyed an anthology as much as this one in years."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown on Barack Hussein Obama, "Steven Weissman does stuff with actual analog comic materials that most dudes can't even do with photoshop." Jeffrey Brown chimes in on BHO, "Strange, funny and beautiful. Weissman reinvents his comics with the kind of book I wish I would make." Will Dinksi agrees, "Barack Hussein Obama is pretty much my favorite book of the year. . . I get a better appreciation for Weissman's craft in the printed collection where it can feel like you're actually looking at the finished artwork." Mari Naomi says,"I just love what this book is. If I didn't know better, I wouldn't even recognize this as Weissman. And I like that."

• Review: Paris Review checks out The Last Vispo, edited by Nico Vassilakis and Crag Hill. Nicole Rudick states,"it makes sense that in visual form poetry would elicit a kind of motion, an unfolding over the space of a page, and that even its sound would be voiced as a series of discoveries. Movement disrupts the continuity of a sentence, a phrase, a word. And language, unsettled, is unbound."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown continues to wax poetic on Josh Simmons' The Furry Trap, "Funny, even as it makes your hair stand on end and your skin start to crawl... Horror comics that gash their way below the surface."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Shaenon K. Garrity says that The Heart of Thomas by Moto Hagio "is a book I've been awaiting for over ten years, and it exceeds my expectations."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Nate Powell on Interiorae by Gabriella Giandelli, is "just what I look for in a narrative: patient, dreamy, full of seemingly endless layers of shadow, slowly revealing the sweetness inside the rotten, all within the confines of a single high-rise apartment building, surrounded by snow and static."

• Review: Slate finds themselves choosing Heads or Tails, going for broke. Dan Kois says, "Lilli Carré’s short stories are dreamy, unlikely, and unsettling. What transforms the stories from nightmares to fables is Carré’s artwork, which varies with each story. . ."

• Review: Page 45 looks at Heads or Tails by Lilli Carré. "The art reminds me a little of Lynda Barry and the flow of the pages reminded me a little of Walt Holcombe. . .I recently recommended this book to a customer who named their favourite film as Amelie (good choice!) precisely because it has that feeling of whimsy about it."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Jeremy Tinder on Heads or Tails by Lilli Carré, "A nice encapsulation of many of the ways Lilli has been pushing herself both narratively and stylistically over the last few years. If only there was a way to squeeze her animation in there too." Will Dinksi comments on Heads or Tails by Lilli Carré, "Beautiful artwork. Thoughtfully paced. "Of The Essence" is one of the best comic book short stories I've ever read."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Robert Kirby on No Straight Lines edited by Justin Hall, "Long overdue, this beautifully-produced, sharply edited retrospective may usher in a new era of respect and recognition for a long-neglected realm of the alt-comics world."

• Review: Blacklung by Chris Wright is whittled on by Tucker Stone at TCJ. It's called "the big, trippy brother to Drew Weing’s Segar influenced Set To Sea. . . . [and] Gore saturates this comic. . .  Brutality for its own sake is the point of some entertaining movies, no reason it can’t be the point of some entertaining comics as well."

• Review: On Filth and Fabulations, Jeppe Mulich states that Chris Wright's "[Blacklung is] not a work of splatter punk or mindless gore, but rather an engaging, breathless, and humorous tale of the dregs of the sea, including a colorful assortment of pirates and madmen, quite clearly drawing inspiration from both Melville, Stevenson and Peckinpah."

• Review: Paste Magazine reviews Charlie Brown's Christmas Stocking by Charles M. Schulz. "Seeing this work isolated and expanded only reinforces the sheer timelessness and brilliance inherent; Schulz was a master of mood and line in equal measure. . . it’s some of the finest nostalgia porn you can put under the tree," quips Sean Edgar. 

•Review: Pheonix New Times unwraps their present early and Jason P. Woodbury interviews Nat Gertler on Charlie Brown's Christmas Stocking by Charles M Schulz. "[Schulz] had done a Christmas book, Christmas is Together-Time, using red and green," Gertler says, explaining the minimal color palette. "We wanted to keep that simplicity and Christmas-sense in there." The stable of Schulz characters transcend fads and time because as Gertler points out "It's not the way kids talk, but they way they feel is the way that kids feel."

• Plug: Drawn blog tops off another the Best of 2012 list with some Ernie Bushmiller. John Martz points out, "Nancy seems to be a love-it-or-leave-it strip, and I am firmly in the Love It camp. . . Often surreal, and always impeccably drawn, there is nothing quite like it. . . these books are a virtual masterclass in cartooning."

• Review: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Tom Kaczynski on Ernie Bushmiller's Nancy is Happy, "The minimalism of the art, the quirky humor, the amazing consistency, it all started with these strips." 

• Review: Getting ready for the hardback release of Delphine by Richard Sala, Carrie Cuinn of SF Portal reviews the tale complete with "dark duotone inking style, little dialogue, and gothic, shadowy, art. . . Overall I think that Sala’s retelling of that well-known love story is affectingly tragic. . . It is, in a word, creepy."

• Review: If MTV Geek knows about The End of the Fucking World then the secret is out: Charles Forsman is amazing! "[It] pulls you in like no other comic this year. Stunning in its simplicity and brave in its subject matter. Charles Forsman is a future force. . . [it] is like stumbling onto the ultimate secret in comic books, but based on how great TEOTFW is, it won't be much a secret longer." 

• Review: Ashley over at Bibliophibien looks at Wandering Son series by Shimura Takako, "While the story is focused on transgender topics, I think that this is a wonderfully moving coming-of-age story and captures the complexities of sexual identity, friendships, and family that teens face."

• Review: Rick Klaw at SF Site enjoys the glossy glory of Action! Mystery! Thrills!, edited by Greg Sadowski. "As in his previous volumes. . . Sadowski supplies copious end notes and annotations. Though this time, the information additionally reads as an entertaining history of early comics. . . Sadowski once again delivers an essential book for anyone with an interest in comics history."

• Plug: John McMurtrie of SF Gate (San Francisco Gate) lists Listen, Whitey! by Pat Thomas as one of the Music Books to Buy of 2012.