Description:
Cartoonist, journalist, designer and lover of all comics! Here to encourage you to read Fantagraphics books and then pass them on to your friends AND family. Especially those Eros ones. Graduate of The Center for Cartoon Studies.
Fantagraphics and comiXology have heard your desperate pleas for more digital Love and Rockets, we know you have precious bookshelf space and move every year. In the fifth Love and Rockets book from Jaime Hernandez's Locas series, Esperanza features mores stories to thrill you.
Picking up where Book 4 Penny Century collection left off: An older and wiser Maggie faces down her demons while Ray tussles with the volatile bombshell Vivian. Taking its title from Hopey Glass's birth name, Esperanza follows the somewhat settled-down ex-punkette in her new life as a schoolteacher's assistant — which doesn't mean that her romantic travails have gotten any simpler.
"…if there’s one thing Jaime’s Locas stories in general, and this volume in particular, tell us, it’s that sometimes you have to be a grown-up for a long time before you grow up. It’s worth the work, and the wait." – Sean T. Collins, The Comics Journal
"This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order." –Andy Khouri, Comics Alliance
The fullest mailbox of Online Commentaries & Diversions:
• Interview: Alex Dueben interviews Richard Sala about Delphine on CBR . "The main story, which is depicted with ruled borders, was always linear. But I allowed myself more room with the main character's inner life. All of that -- the memories, dreams, fantasies, wishful thinking -- all of that is depicted in panels with soft, cloud-like, non-ruled borders. And so I was able to add to the character's inner life -- his thoughts and fears and confusion -- as I went along." And,edit to the article, we also have The Hidden and The Grave Robber's Daughter available at comiXology.
• Interview:Wilfred Santiago is interviewed by Christopher Borelli about Bull on Parade for the Chicago Tribune and Michael Jordan's 50th birthday. "[Santiago] said a graphic novel seemed like a perfect medium for exploiting athleticism, then added: 'But also, Jordan, as a figure, never seemed that interested in satisfying people. Which is interesting to me.'"
• Plug: Tom Spurgeon on the Comics Reporter talks about TCJ 302, edited by Gary Groth, Kristy Valenti and Michael Dean. "There's an amazing Roy Crane section in there that's as good as you can imagine practical advice from a practical-minded comics craft master being. The Sendak is hilarious and sad." Spurgeon gives a review for TCJ 301 as well. "Publishing Groth's big interviews in print like this is an effective use of one of comics' most versatile thinkers and aiming a very good and only intermittent writer like Kreider at something as odd yet Journal-appropriate as the entirety of Cerebus seems to me fine editorial planning."
• Review:Page 45 reviews 7 Miles a Second by David Wajnarowicz, James Romberger and Marguerite Van Cook. "Romberger painfully captures the frailty of forms and tenderness of touch, but equally the delirium of David’s mad fucking visions and dreams. Marguerite Van Cook’s colours are virtually toxic…This is not a beautiful book; it’s an ugly book, a brilliant book, a Last Will & Testament which I hope you will hear," writes Stephen L. Holland.
• Interview: James Romberger interviews Tom Kaczynski about Beta Testing the Apocalypseon the Hooded Utilitarian. Kaczynski made a list, we love those: "Overall I can cite 3 primary ways I use color in the book. 1. Color as a naturalistic element (as lighting, depth, etc.) 2. Color as pure design element. 3. Color as information."
• Review: Julien of the D&Q Bookstore is excited to read Moto Hagio's The Heart of Thomas. "Like the other Magnificent 49ers (the legendary first wave of female comic artists), Hagio's work is fearlessly avant-garde and visually stunning. Over her fruitful and now slightly less under-translated career, she has set the bar for all manga artists to follow, up to this day, and not just shonen-ai or shoujo mangaka."
• Review:Publishers Weekly loves Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. "Kupperman deploys a stunning arsenal of art styles to bring home the laughs, from stilted woodcut art to a kind of Tintin lite…Kupperman is pretty much his own genre of humor now."
• Interview: Gary Panter was interviewed by Nick Gazin on VICE on Dal Tokyo, creativity and other fun. Gazin describes the book, "…trying to follow the story like it was a traditional comic is hard it feels like we're seeing the inside of Panter's brain. We go where he wants to take us and the landscape reflects his current mood and interests. Not everybody can do whatever they feel like and make it as interesting as this book."
• Plug: Jeff Kinney from Diary of a Wimpy Kid reminisces about his father and their shared love of Carl Bark's duck comics at Disney Dads. Kinney says, "I consider [Carl Bark's comics] to be the best form of storytelling I’ve ever read. My father always made sure to leave the comics page open in the newspaper in the morning so we kids could read them. I think that without my father, I wouldn’t have ended up on the career path that I’m on.
• Review: Johanna Draper Carlson reviews Young Romance edited by Michel Gagné on Comics Worth Reading. "It’s neat to read these long-ago tales of girls acting out of jealousy or determining how to make the right love decision in such an easy-to-hold hardcover with restored coloring. I love seeing more of this forgotten period of comic history, particularly since it was so widely popular and yet so ignored these days," writes Carlson.
• Plug: Jim Hanley's Universe blog creates The Definitive Love & Rockets Reading Guide and Full Bibliography by Jeffrey O. Gustafson to whet your appetite for our Love and Rockets Companion and Reader. "Featuring mature, character based stories, the quality in art and story of the work of [Hernandez brothers] represent the high-water mark of independent, creator-owned comics, indeed comics period."
• Plug:Peter Bagge 'hates' on Beavis and Butthead in this month's MAD magazine, reported by Paste.
• Plug:Noah Van Sciver continues the funny at Denver Westword with the 10 biggest buzzkills at a concert. Read this and laugh or maybe recognize the horrible person that you are.
As a recent thank you to Publisher Kim Thompson and editor Kristy Valenti (and more) for moving offices, I hatched up a scheme to paint the library door in our basement. If you haven't visited the Fantagraphics office recently, the lovely 70s shag carpet was ripped up awhile ago leaving the basement aesthetics a bit similar to that of a cattle kill floor. NO LONGER!
Inspired by Guy Peellaert's smashingly neon art in Jodelle, Office Manager Steph Rivers and I pulled out the carbon paper to adapt the drawing to our door. Also called graphite paper and available at art or architecture stores, it is an invaluable tool for mural making or large scale painting projects.
And then we let the Vitamin-C-infused paint hit the door. Now our library door matches the library door in Jodelle! Steph on the left as I sneakily took a photo.
The finished product may have worked too well. Now everyone at the office wants a new door. Maybe a Graham Chaffee one or Johnny Ryan....
Now time to paint all the book spines to match the ones in this library. Mwuhahahaha!
On Friday, the hard-hitting graphic novel 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook hit the New York Times Best Seller's List at #5. As profiled by George Gene Gustines "It chronicles his life as a young hustler on the streets of New York City." Check out the vibrant story of a man in the midst of the AIDS crisis coming to terms with his anger and impending death.
Fantagraphics and comiXology continue the reign of terror created by Richard Sala's comics. The Hidden poses many questions to its reader: Is this the end of the world? How did it happen? Why did it happen? There is one man who knows...
Take a walk with the dazed survivors of a mysterious worldwide catastrophe. They are bound for a place, somewhere in the desert, where a terrible truth awaits them. This is the full-color, unadulterated horror graphic novel that Sala fans have been waiting for. This nightmarish story combines classic and modern horror themes and genres with a unique twist, and Sala's painted artwork has never looked better (or more gruesome). The bits and bytes will haunt you long after you've powered down your tablet, you may have to even cover it up with a blanket. $14.99 gets you 136 pages of beautiful and horrifying comics at comiXology.
"Sala’s work is like a fusion of Hergé and Charles Addams, yielding a simple, cartoon-like style that makes his moments of gothic horror all the more disturbing. ...[The Hidden] is a beautifully pulpy and incredibly imaginative book that gives a fresh spin on a well-used set-up." – Publishers Weekly
"Sala's unique brand of creepy quirk combines Edward Gorey, Chester Gould, and Charles Adams with his own unclassifiable magic. The Hidden, from Fantagraphics Books, is his most ambitious work -- an intimate apocalypse." – FEARnet
Hey, you're a busy person. We get that. Or maybe you and your sweetie boo said you weren't doing anything but then you found a six pack of that craft brew you love so much or the full Battlestar Galactica series on DVD waiting for you. Well, we've got some cards for you to print out fast at work, while everyone is reading the cards their moms mailed to the office. They aren't going to save you but its better than handing someone a Slim Jim you bent in the shape of a heart while filling up your car at the gas station. Or is it? (Valentine above uses panels from Prison Pit 4 by Johnny Ryan)
The lovely Penny Century demanded to be available digitally along with Maggie, Hopie, Ray and Luba. Fantagraphics and comiXology present the fourth Locas volume in Jaime Hernandez's Love and Rockets series.
First... wrestling! Penny Century starts off with a blast with “Whoa, Nellie!,” a unique graphic novelette in which Maggie, who has settled in with her pro-wrestler aunt for a while, experiences that wild and woolly world first-hand.
Then it’s back to chills and spills with the old cast of Hopey, Ray Dominguez, and Izzy Ortiz — including Maggie’s romantic dream fantasia “The Race” and the definitive Ray story, “Everybody Loves Me, Baby.” Many more stories hid behind this digital cover and257 pages of comics are yours for $14.99.
"In reviewing Jaime Hernandez's Penny Century, I could point to the frenetic pace of many of the stories; the cute, odd, and endearing sort of strangeness spawned in this lightly magical universe; or even the beautiful art, which is truly the mark of this master cartoonist. But, no, I am going to hype the very first story, "Whoa Nellie," beyond anything else in this fantastic volume. ... Such a wonderful, and grounded, story is a nice start-off point for the still compelling, yet far stranger and sexier, tales that follow. Soup to nuts, this is a great book." – Jeremy Nisen, Under the Radar
The most evolved finch of Online Commentaries & Diversions:
• Review:Tom Kaczynski'sBest Testing the Apocalypse is reviewed on Bookslut. Martyn Pedler states, "Science fiction is notoriously unreliable when it comes to predicting Saturn dreams, laser beams, and 21st century sex machines. It’s fantastic, however, at taking our present reality and making it strange again. Beta Testing The Apocalypse makes us Martians to better let us see what’s happening all around us. Read it and witness the disquieting Gernsback of Now."
• Review:Beta Testing The Apocalypse is reviewed by Comics Metropolis. "…a book with an elegant and agile format, immediate in its communicative ability, and extraordinarily dense in its content. An essential reading," writes Biri.
• Interview (audio): Michael Kupperman speaks to Julie Klausner on How Was Your Week.
• Review (audio): The Inkstuds roundtable talks about the Best Books of 2012. Joe McCulloch, Robin McConnell, Tom Spurgeon and Bill Kartalopoulos talk about Lilli Carré's Heads or Tails at the 2 hour, 2 minutes mark. All agreed there was a lot of work. And good work. "Lilli is very good at short stories," says Bill. " 'The Rainbow Movement' was a beautiful short story and exquisite."
• Review: In case you missed it, 7 Miles A Second was a Publishers Weekly Pick of the Week. "How do you draw grief"? David Wajnarowicz, James Romberger and Marguerite Van Cook know. "The author’s prose is poetic, arriving with a light touch while delivering a heavy, dark, and understandably angry message."
• Interview: Originally posted on The Comics Journal, then reposted on Boing Boing, Marc Sobel speaks to Ed Piskor at length. In regards to Hip Hop Family Tree, Piskor states, "I think the value that my book has and will have over time as I keep moving forward is that it really does stand a chance of being one of the most comprehensive histories of hip hop culture. There really isn’t one resource that includes all of this minutiae and stuff that I’m focusing on."
• Plug: The Poetry Foundation revisits The Last Vispo after reading another review. "We’re still reading and looking through our copy, enjoying the sheer abundance and diversity of work gathered together," writes Harriet Staff.
• Interview (audio):Gary Groth appears for a full hour on TELL ME SOMETHING I DON'T KNOW now on Boing Boing. Hold onto your comics, it's a great ride.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
672-page black & white/color 7" x 8.5" softcover ISBN: 978-1-60699-603-4
"Business as usual for a publication that was treating the cultural significance of comics as a known fact decades before graphic novels were making the bestseller list."–Noel Murray, The AV Club
"…with over 600 pages of nerding out on comics! In this issue, TCJ gives a heartfelt farewell to Maurice Sendak, featuring his final interview, a comic strip tribute by Art Spiegelman, and various essays on his work…an investigation of R Crumb’s legal battles concerning his famous “keep on truckin’” cartoon, and a touching tribute to the late Dylan Williams." –Jade, D&Q Bookstore
A helpful guide on how to work out with your copy of TCJ 302.
Imaginations come no wonkier, no dafter than Kupperman’s. His idea of a crime-fighting, daring, dynamic duo à la Bruce and Dick (Batman and Robin) is Twain and Einstein (Mark and Albert)-that is, when it's not a snake and a strip of bacon. When he thinks Odd Couple, it's Oscar and Felix Dracula…Kupperman draws all this strangeness in a manner that derives about equally from Chester Gould (Dick Tracy), 1950s romance comics, visualpun cartoonist Glen Baxter, and art deco. –Ray Olson
Sala’s high-class horror sensibility is equal parts sinister and gleeful: a wild cackle of frights steeped in the grand gothic tradition of Edward Gorey… Sala’s quavery lines dish out plenty of unsettling images, and he ratchets up the eeriness with stylized, hand-drawn lettering. Though he sacrifices some narrative sense in favor of creepy atmospherics and downright baffling transitions, Sala does a fine job of keeping everything just slightly out of balance and off-kilter. –Ian Chipman
Jackson is one of the founders of the 1960s underground comics movement (his 1964 God Nose predates Zap Comix by four years), but he's best known for…relating the unvarnished history of his native Texas... This hardcover volume gathers two of his later works: 1989's Los Tejanos, the story of Juan Seguin, a hero of the Texas revolution…later labeled a traitor…; and Lost Cause, a 1997 post-Civil War account of unreconstructed Texans who had supported the Confederacy... Jackson spins these sprawling, complex yarns with a skilled hand, imparting them with a rugged authenticity that makes them all the more compelling, never shying away from the violence and racism endemic to the period. His rough-hewn, craggy illustrations are an ideal vehicle for these tales of the rugged men who carved out the Lone Star State. –Gordon Flagg