Cartoonist, journalist, designer and lover of all comics! Here to encourage you to read Fantagraphics books and then pass them on to your friends AND family. Especially those Eros ones. Graduate of The Center for Cartoon Studies.
Imaginations come no wonkier, no dafter than Kupperman’s. His idea of a crime-fighting, daring, dynamic duo à la Bruce and Dick (Batman and Robin) is Twain and Einstein (Mark and Albert)-that is, when it's not a snake and a strip of bacon. When he thinks Odd Couple, it's Oscar and Felix Dracula…Kupperman draws all this strangeness in a manner that derives about equally from Chester Gould (Dick Tracy), 1950s romance comics, visualpun cartoonist Glen Baxter, and art deco. –Ray Olson
Sala’s high-class horror sensibility is equal parts sinister and gleeful: a wild cackle of frights steeped in the grand gothic tradition of Edward Gorey… Sala’s quavery lines dish out plenty of unsettling images, and he ratchets up the eeriness with stylized, hand-drawn lettering. Though he sacrifices some narrative sense in favor of creepy atmospherics and downright baffling transitions, Sala does a fine job of keeping everything just slightly out of balance and off-kilter. –Ian Chipman
Jackson is one of the founders of the 1960s underground comics movement (his 1964 God Nose predates Zap Comix by four years), but he's best known for…relating the unvarnished history of his native Texas... This hardcover volume gathers two of his later works: 1989's Los Tejanos, the story of Juan Seguin, a hero of the Texas revolution…later labeled a traitor…; and Lost Cause, a 1997 post-Civil War account of unreconstructed Texans who had supported the Confederacy... Jackson spins these sprawling, complex yarns with a skilled hand, imparting them with a rugged authenticity that makes them all the more compelling, never shying away from the violence and racism endemic to the period. His rough-hewn, craggy illustrations are an ideal vehicle for these tales of the rugged men who carved out the Lone Star State. –Gordon Flagg
Yesterday, Publisher Gary Groth's interview with the team from Tell Me Something I Don't Know went live on Boing Boing. Jason Lex, Jim Rugg, and Ed Piskor asked for some of Gary's Fantagraphics recommendations. Here are the quick descriptions and links to the books Gary mentioned.
Good Dog by Graham Chaffee is a beautiful black and white graphic novel that chronicles the tales of stray dog, Ivan, on his search for a home, friends and more. Ivan is a good dog - if only someone would notice. Chaffee combines illustrative gravitas with cartooning verve for a richly textured, dog's-eye view of the world. Coming this May 2013.
Wake Up, Percy Gloom is the second Percy Gloom graphic novel by Cathy Malkasian. Kindhearted Percy awakens from (what he thinks is) a 200-year nap and finds himself in a strange new land. As Percy goes on a quest to locate his mother in addition to his long-lost love and soul mate, Miss Margaret. Coming out this April 2013.
Willard Mullin's Golden Age of Baseball is a collection of the sports comics by Willard Mullin. Mullin was to baseball players what Bill Mauldin was to soldiers: advocate and critic, investing them with personality, humanity, dignity, and poignancy; Mauldin had Willie & Joe and Mullin had the Brooklyn Bum, his affectionate 1939 character representing the bedraggled figure of the Brooklyn Dodgers. Coming this April 2013.
Finally, His Wife Leaves Him by Stephen Dixon is a new book from the Fantagraphics' prose line. One of America's great literary treasures has completed his first novel in five years - a long, intimate exploration of the interior life of a husband who has lost his wife. Coming this May 2013.
So for the next month or so people will tell you all the reasons why you should read The Comics Journal #302. It has the last interview with Maurice Sendak, an amazing How to Draw section with Roy Crane and his ghost artist (it's worth at least one semester of comic book school credit), a tribute to Dylan Williams, an extensive interview with Jacques Tardi, a new Joe Sacco comic, a Percy Crosby examination and so much more. But I'm here to tell you how you could use TCJ 302 to sweat. At 672 pages, this tome is not just a brick of knowledge, it's a heavy-ass brick of knowledge.
While the matte cover could potentially soak up a lot of sweat, wrist bands and occasionally toweling yourself will keep your TCJ 302 fighting fit.
The single arm row is a great workout for your back. Kneeling over a chair or bench, place one knee and hand on it. Hold TCJ 302 in other arm fully extended towards the ground. With your back parallel to the ground, slowly bring the book up to your midsection and then return to the starting position. Remember to keep your back still as you shakily lift up TCJ 302.
Now the triceps are a problem area for most Americans. Standing completely straight, feet planted firmly hip-width apart on the floor, start with your TCJ 302 in your hand extended straight up in the air. Using not gravity or momentum but your own muscles, bend your elbow and slowly bring your forearm behind your head. If you do this move too fast, you might get a papercut on your ear as the pages flip around a bit. Make sure not to move your elbow or upper arm. Then return your arm to the fully extended position. Feel free to place your free hand on your hip or wrap it around your face to cradle your elbow to ensure it doesn't dip down during the rep.
Now, some of you think you can just read TCJ 302 on the bus or in bed without any training or conditioning. Unless you want a repeat of the late 90s-2000s "Harry Pottered Nose" or to generations before that "Unabridged Les Mis" we suggest you read sitting upright until you've conditioned your forearms to proper reading strength. Be alert and well-hydrated while reading.
Now don't think I've forgotten about cardio! Run your usual one mile, three miles, sprints or what have you, but while holding TCJ 302 and imagining Maurice Sendak's mischievous beasts breathing down your neck. For added horror, run while holding the TCJ 302 above your head.
Some of you might be cartoonists yourselves who have a love of history, the craft and critical analysis. Bully for you! This excersize will whip your arm into shape. Strap TCJ 302 onto your drawing arm and work on your 1000 pages of bad comics until the good ones show up (per Dave Sim's advice). Soon you'll be one-arm push upping your way to glorious two-page spreads and switching from nib to brush to tech pen with the greatest of ease.
The thinly-veiled excuse to come over of Online Commentaries & Diversions:
• Review:The Comics Reporter reviewed Prince Valiant Vol. 6: 1947-1948by Hal Foster. Tom Spurgeon writes, "The comic in this attractively-packaged and produced edition gives off the handsome sheen of mass entertainment that knows its commercial value. Prince Valiant may be 75, but this material at least still has all its hair and a hell of a tan." Damn, did Tom Spurgeon pick an excellent image or what?
• Review:Rain Taxi looks at The Last Vispo edited by Crag Hill and Nico Vassilakis. Chris Funkhouser writes, "With each turn of a page in The Last Vispo Anthology, we experience yet another imaginative method uniting thought and expression through visual representation.…The Last Vispo Anthology contains an abundance of wordless, asemic writing that by definition demands a type of integral participation, far beyond interpretation, by the reader."
• Review:Tales Designed to Thrizzle Vol. 2 by Michael Kupperman is reviewed by Richard Pachter in the Miami Herald. "Humor and profundity collide and embrace once again, as his straight-faced retro art illuminates the never-ending, laugh-out-loud absurdity."
• Review: The Miami Herald and Richard Pachter look at Beta Testing the Apocalypse by Tom Kaczynski. "He combines socioeconomic fact, fantasy and farce in this seriously paranoid criticism of modernity, and the result is a disturbing but hilarious tale of identity loss and consumerism run amok."
• Review:The Morton Report and Bill Baker interview Tom Kaczynski about Beta Testing the Apocalypse. Kaczynski says, "J.G. Ballard was big influence, especially on the first four stories in the book. I was reading all of his books at the time I worked on them and his world view contaminated everything I was doing."
• Review:The Comics Journal and Sean T. Collins review Johnny Ryan's Prison Pit Book 4. It "made even a seasoned hand at the rough stuff like me emit weary moans of repulsion and disgust with seemingly each new pustule-encrusted beast that appeared…To spend a prolonged period of time in Prison Pit is to open your mental orifice to Ryan’s razor-studded art-cock"
• Plug: University of Texas (El Paso) is fundraising for "The Hernandez Brothers Collection of Hispanic Comics and Cartoon Art at the University of Texas at El Paso (UTEP), which is named after Jaime, Gilbert and Mario Hernandez and has as its mission the preservation and sharing of comics materials from or featuring Hispanics/Latino/as/Chicana/os" as posted on the Comics Reporter. There is a Jaime special edition art print available so act now!
• Review: Martin Wisse profiles Joost Swarte in video form. A must.
Read more here: http://www.miamiherald.com/2013/02/03/3210819/zombies-teen-angst-and-more-in.html#storylink=cpy#storylink=cpy"
•Read more here: http://www.miamiherald.com/2013/02/03/3210819/zombies-teen-angst-and-more-in.html#storylink=cpy#storylink=cp
"They were all there, the pimps, the fags, the whores, the curious, the alcoholic, the weird of the late '50s... blues lovers, Canadian bikers, thrill seekers, junkies, insomniacs, hepcats..." So begins "Down at the Kitty Kat," one of the 20-plus never-before-collected memoirs and yarns by Spain, one of the original gang of Zap Comix provocateurs. Although he's best known for his two-fisted tales of the chopper-riding Trashman, Spain's blunt graphic style and uncompromising gift for caricature, rendered in eye-punishing slabs of black and white, work equally well for more subtle fare -- such as these memoirs of his misspent youth.
For $17.99, you can read this newly-inducted Eisner Hall of Fame cartoonists' work on life, hogs, and the fifties on your world of tomorrow devices.
"Rodriguez was a kind of incorrigible rebellious type. . . when abstract expressionism with its two-dimensionality principle was dogma—he was into three-dimensionality, in spades—and his blue-collar employment in Buffalo area manufactories, where the curriculum was the much more interesting subject to him of simmering socioeconomic class warfare." -Jack Foran, ArtVoice
"Spain Rodriguez is one of the legends of the original underground comics wave, and he tells his own origin story in Cruisin’ with the Hound: The Life and Times of Fred Tooté, a collection of short stories about coming of age in Buffalo in the ’50s and ’60s. ...Cruisin’ with the Hound... gives a real flavor both of Rodriguez’s work — which was so different in its point of view than the other underground comics of the late ’60s and early ’70s — and from whence it came." – Noel Murray, The A.V. Club
Congratulations to Ed Piskor for being awarded the second annual Columbus Museum of Art and Thurber House residency! Piskor follows last year's winner and Fantagraphics creator, Paul Hornschemeier, to Ohio and has a panoply of events planned during his three-week residency. Ed will be staying at the historic home of author and New Yorker cartoonist, James Thurber, and hopefully taking more righteous photographs. Piskor's Hip Hop Family Tree book is currently serialized on BoingBoing before its print debut this fall.
Wednesday, March 20, 6:00-8:00 PM
Young Writers' Studio at the Thurber House led by Ed Piskor. Visit thurberhouse.org for more information
March 15 - June 2, 2013
Ed Piskor's Brain Rot: This exhibition features original artwork from Piskor's comics at CMA.
Wednesday, March 20 2013
Ed Piskor will meet with the high school interns enrolled in CMA's Art Lab program.
Sunday, March 24, 2:00 pm 2012
Artist's Talk and Interview: Ed Piskor speaks about his creative process with interviewer, comics writer, and blogger Jared Gardner, a professor of English and Film Studies at OSU. Free with museum admission.
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."
Fantagraphics and comiXology continues the line of exquisite Richard Sala comics with Delphine. A mysterious traveler gets off the train in a small village surrounded by a thick sinister forest. He is searching for Delphine, who vanished with only a scrawled-out address on a scrap of paper as a trace.
Richard Sala takes the tale of Snow White and stands it on its head, retelling it from Prince Charming's perspective (the unnamed traveler) in a contemporary setting. This twisted tale includes all the elements of terror from the original fairy tale, with none of the insipid saccharine coating of the Disney animated adaptation: Yes, there will be blood. At comiXology or a local comic book store today.
"I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date." –Mark Frauenfelder, BoingBoing
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
69-page full color 9" x 12" hardcover • $19.99 ISBN: 978-1-60699-614-0
"...arriving with a light touch while delivering a heavy, dark, and understandably angry message. Part of what makes the book unusual is that it does not go out of its way to be uplifting... Romberger and Van Cook's art is hyperactive, with splattery color that suggests the out-of-body acid-trip world of contradictory values and constantly shifting danger that Wojnarowicz lived in." –Publishers Weekly
"One of the most widely-admired (and unfairly obscure) releases from the ’90s Vertigo line sees new life…" –Joe McCulloch, The Comics Journal
176-page full-color 7.25" x 10" hardcover • $24.99 ISBN: 978-1-60699-615-7
"Tales Designed to Thrizzle Volume Two has its place in the construct. It is 'silver and exact' like Sylvia Plath's Mirror and reflects the 'terrible fish' that has become our understandings of the world." –Daniel Elkin, Comics Bulletin
"The stories serve as beautiful and brutal snapshots of a brilliant life lived too hard and extinguished too soon. It is not too much to say that we all owe a great cultural debt to Mr. Wojnarowicz…" –Matthew Rosenbery, Forbidden Planet's Daily Planet
Hal Foster, creator of the legendary strip Prince Valiant (and the happy haircut of the same name) and the comics strip adaptation of Tarzan, has a solid group of friends. In 2002 “The Friends of HalFoster Society” began in Halifax, Nova Scotia by a group of 'Haligonians' after Brian Kane's Foster bio was published. Their goal? Educate tourists and citizens about Foster and currently working on a permanent memorial to Hal’s birthplace. Hal’s Pals resident researcher, Kevin Sollows has continued delving into Foster’s childhood in Halifax, and has created a website with his findings.
Please take the time to scroll through the pages to see the house Foster grew up in, and other interesting things about Hal’s past! How much do you think influenced the lush landscapes of Prince Valiant? For that you may have to visit Halifax yourself.
Wanna join the gang? Call at 902.425.2140 or send a letter to "Friends of Hal Foster", 5262 Sackville Street, Hallifax, Nova Scotia, B3J 1K8
"I spent so much time on the waterfront that I still exhale a pungent aroma of tarred rope & dried codfish." –Hal Foster.
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