Cartoonist, journalist and lover of all comics! Here to encourage you to read Fantagraphics books and then pass them on to your friends AND family. Especially those Eros ones. Graduate of The Center for Cartoon Studies.
The longest, unabridged edition of Online Commentaries & Diversions:
• Review: The Village Voice is almost hospitalized while reading Michael Kupperman's Tales Designed to Thrizzle Vol. 2. "Kupperman heaps absurdity upon absurdity…The result is a jubilant rococo, the strips all thrilling ornamentation…No exaggeration: I coughed hot soup out of my nose while reading the new hardbound volume of deadpan dadaist Michael Kupperman…" states Alan Scherstuhl.
• Review: Comic Book Resources looks at Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. Brian Cronin loves the Moon 69 story. "The devolution of the ads as the story continues might be my favorite part…The second collection of Kupperman’s individual Thrizzle issues JUST came out and it includes [Moon 69]! So go buy it, dammit!"
• Review:Tales Designed to Thrizzle Vol. 2byMichael Kuppermanshines at The AV Club. "Kupperman's work only gets funnier when read in bulk... Kupperman's comics take pre-existing popular culture-TV shows, advertising, other comics-and tweak them just a little until they become hilariously absurd," states Noel Murray.
• Review: Glen Weldon reviews The Comics Journal #302 on New Republic, exclusively the Maurice Sendak interview conducted by Gary Groth. "Why on earth would I want to read 100 pages of caustic carping? Because Sendak is funny. Deeply, passionately so. Read in full, Sendak’s zingers lose their venom and evince a sincere and surprising warmth. He comes off as bitter, but not embittered—a fine distinction, perhaps, but a real one."
• Plug:USA Today's Pop Candy mentions TCJ #302. "This week I've been reading the wonderful (and massive) issue No. 302, which contains a huge Maurice Sendak tribute as well as his final interview"
• Revew: Chris Estey of KEXP writes on some of our new titles like The Comics Journal #302, edited by Gary Groth, Kristy Valenti and Michael Dean. "Probably my favorite single issue magazine of 2013, it is actually a freakily-elevated edition of the long-running only-trustable trade magazine devoted to comics…it gives us a chance to sample the gamut of an ever-evolving and surprisingly inspiring art-form."
• Revew: Chris Estey of KEXP reviews our newest book of music criticism The Grammar of Rockby Alexander Theroux. "Ripping through this hilarious rage on banality and unexpected pleasures I thought, they don’t make writers like this anymore…Drop that boring band biography and fetch this, if only for the mountains of lists of rarely-heard missing gems he has sampled and tasted beforehand for you."
• Review: Pop Matters has to tune into The Grammar of Rock by Alexander Theroux. John L. Murphy writes, "Naturally, the fun of The Grammar of Rock lies in its acerbic prose as well as its aesthetic insight…You’ll either laugh or you won’t. I laughed."
• Review:Washington Independent Review of Books also looks at Alexander Theroux's The Grammar of Rock. "Reading Alexander Theroux’s The Grammar of Rock is like hitching a ride with a suspiciously awake truck driver who talks endlessly for hours…All in all, this book is a very cold love letter," says DJ Randy Cepuch.
• Plug: Wired runs 10 sketches by Janet Hamlin featured in her upcoming book,Sketching Guantanamo. Hamlin remembers sketching Khalid Sheikh Mohammed, "He would turn and pose — a deliberate turn, facing me, holding very steady."
• Review:Julio's Day by Gilbert Hernandez gets reviewed on on The AV Club. "Julio's Day(Fantagraphics) is as much about what's not on the page as what is...Fashions, mores, and technologies change; but desires and disappointments do not," writes Noel Murray.
• Review:Nerds of a Feather give an outstanding rating and review a recent reprint of Jack Jackson's work. Philippe Duhart writes, "Los Tejanos and Lost Cause are the products of serious historical research, and as such they are clear exhibitions of comics' potential as a viable media for academic and journalistic work…I appreciate that Johnson sticks with the perspective of the “losers” -- Juan Seguin's struggles against racism following Texas’ rebellion and Texan Confederates' struggle to regain a sense of honor following the defeat of their cause."
• Review:Fingers on Blast reads Linda Medley's Castle Waiting Vol. 1. "The tales weave their way together seamlessly thanks to Medley's art. There is no simple way to describe it, but to say it draws you ever deeper into the story."
• Revew: Chris Estey of KEXP writes on some of our new titles Peter Bagge's Other Stuffwhich" features Bagge doing some sharp-witted journalism (on comedy festivals, especially) and historical stories…it is an electric, howlingly funny, bona-fide classic mangle of manic music history, prickly satire, and perfectly rendered cartooning."
• Review:Novi Magazine picks apart feminist storytelling in Moto Hagio's The Heart of Thomas. "While Thomas depicts male characters, Hagio codes femininity into every element of the story, with every effort towards drawing in her assumedly female audience…" writes Dan Morrill.
•Review:BookDragon plugs The Heart of Thomas by Moto Hagio. "…it’s certainly proved its lasting effects. Never mind the rockets, sometimes turbulent feelings can take you much, much further…" writes Terry Hong.
• Plug:Comics Forge is looking foward to The Adventures of Jodelle by Guy Peellaert as much as we are! "This was one of the trend setting 1960’s comics that you will see echoed worldwide during that time and when this style of pop art was raging as the most important thing since sex was invented…It looks like it is going to be a beautiful book, like most of the books that Fantagraphics puts out, you can feel the love."
• Review:Scoop covers Buz Sawyer Vol. 2: Sultry's Tiger by Roy Crane in one hell of a history lesson on newspaper and adventure comics. "Buz Sawyer may be the peak of the adventure strip as a genre…Crane’s ability to walk a fine line between hyper-realism while still incorporating an easy to read and understand style places him among the greats in comic history," says Mark Squirek.
• Review:Scoop covers Mort Meskin's Out of the Shadows. "He is so skilled at body language that without reading a single word you can see the kid’s enthusiasm for his grandfather’s story grow across the first three panels,"writes Mark Squirek.
• Interview: Comic Book Resources and Alex Dueben interview Tom Kacyznski about his books. Kacyznski says, "There's an easy willingness to imagine the collapse of everything instead of small changes in the political system that could fix a lot of the problems that we're having. Those kinds of themes interest me."
• Review:Beta Testing the Apocalypse by Tom Kaczynski gets a look-see on B-Sides & Rarities. Elizabeth Simins writes, "Kaczynski’s style involves a pretty dedicated commitment to setting scenes with lyrical descriptions as much as imagery, which is something I associate with the space between “regular” fiction and comics…You should read it."
• Review:Grovel reviews The Hypo by Noah Van Sciver. "It’s a surprising but fascinating insight into the psyche of a man that outsiders would normally assume to be a sort of political superhuman, but Sciver adds depth and soul to the two-dimensional image of the man with half a beard and a top hat," penned Andy Shaw.
• Review:Comic Pusher enjoys their read of Chris Wright's new book: "In Black Lung Wright presents a world of ceaseless violence and pain, his reflectively brutal cartooning interwoven with elegiac prose, with the very syntax of comic storytelling breaking down under the memory and transformative agony of loss and obsession," says Jeffrey O. Gustafson.
• Plug: Jade at D&Q Bookstore digs into Your Vigor for Life Appalls Me by R. Crumb. "The extraordinary title is only matched by the incredible insight into the iconoclast’s mind and the ultra-snazzy portrait of an early Crumb on the cover, sporting a corduroy jacket and tie…A definite must-read for any Crumb fan."
• Review:The Comics Journal digs Black is the Color by Julia Gfrörer. Sean T. Collins writes, "Gfrörer’s most moving comic to date, Black Is the Color eroticizes suffering not to glamorize it, but to endure it."
• Interview: Robin McConnell interviews Julia Gfrörer about her webcomic and soon-to-be-in-print book,Black is the Color on Inkstuds.
• Review: Comics Bulletin loves Charles Forsman's The End of the Fucking World. Geoffrey Lapid writes "Instead of allowing you to step back and look at James and Alyssa through wistful adult hindsight, Forsman's fluid and subdued linework take us right into those moments that you only understand when you're 17 years-old, proudly oblivious and doomed…James and Alyssa feel like real, substantial characters rather than simple broad strokes alluding to a deeper history."
• Interview: Ed Piskor is interviewed by Jackie Mantey for Columbus Alive during his Ohio art residency and on Hip Hop Family Tree. "The purity of intent is something that’s important to me with anything I come across," Piskor believes.
• Interview: Kelli Korducki interviews Jaime Hernandez on behalf of Hazlitt about Love and Rockets. Jaime answers, "I like the way women react to situations. Guys in a certain situation mostly try to keep it cool, keep their cover, keep things in control. With a lot of women I know, you get eight different reactions to a situation."
• Review: Jon Longhi looks at Spain Rodriguez in Having a Book Moment.Cruisin' with the Hound, a recent collection, is "it's all gang fights, hot rods, teenage mayhem and its wonderfully entertaining and beautifully illustrated."
Wednesday is here yet again and we have a new digital release through comiXology just for you. A visionary work of comic art for all-ages: Portable Frank. Readers who haven't discovered Jim Woodring's Frank stories have a colossal treat waiting for them in this all-ages gem collecting the character's greatest adventures.
Frank is a unique, visionary comic, exquisitely drawn and so fully realized that adults and children alike find themselves drawn deeply into Woodring's hallucinatory mindscape. The stories, almost entirely wordless, unravel like a good puzzle, rewarding re-reading, providing an experience as immersive as that first love affair, that first samadhi, or that first breath. Simply put, the world of Frank must be experienced to be understood. For all its mystery, the world of Frank is a simple, delightful, mesmerizig example of world-building at its most fanciful, surely to delight parents and children alike, for only $14.99 at comiXology.
"The ancient myths and folk tales of all cultures which have been preserved for so many centuries have meaning for us today because the fantastic elements in them are rooted in immutable reality. The Frank stories belong to this class of literature." – Francis Ford Coppola
"Jim Woodring may be the most important cartoonist of his generation. The Frank stories are masterpieces, each and every one. Read them. Re-read them. Re-re-read them. Every cell in your body will remember this spellbinding, visionary work." – Scott McCloud
The Comic Book Legal Defense Fund continues to bless objects with Jaime Hernandez's artwork. They have taken his Libby image from the Membership Card seen below (and shirts and hoodies) to make gorgeous limited edition prints. Utilizing the press at Aardvark Letterpress and help from CBLDF Member Store The Secret Headquarters in LA this 11 x 14 inch print is available to people pledging at the DEFENDER Level ($250) and higher.
Here Jaime is approving the design by cartoonist Malachi Ward to accompany his own artwork. Deputy Director Alex Cox states, "Mr. Hernandez was involved in the design process, and as you can see, an enormous amount of love and care went into to getting these prints just right." Visit their site to see how the prints turned out, here's a hint: GOOOOOOOOOLLLLLDDD.
In the wake of 9-11, alleged terrorists were housed on a U.S. military base in Guantanamo, Cuba. While there, these terrorist suspects were confined in "indefinite detention," off the American mainland, unaccountable to the U.S. judicial system, nameless and faceless to the world. At the military trials of Guantanamo, which started in 2006, no photographs were permitted in the courtroom. Only one person was allowed to cover the trials, not with a camera but with her pencils and pastels. Janet Hamlin has been the only sketch artist covering the trials from 2006 to the present, granting the suspects humanity and dignity while allowing the world to see the process through an unapologetic lens.
Sketching Guantanamo is both a collection of her most potent and revealing sketches drawn during this period, as well a chronicle of her experience at Guantanamo.
Fantagraphics publisher Gary Groth states, "Janet's courtroom sketches and commentary comprises a significant moral document, of interest to every citizen who cares about what the United States government is doing in his and her name. Sketching Guantanamo helps bring out of the shadows and into the light of public scrutiny these extra-judicial trials."
Before entering the viewing booth at the back of court, Hamlin is subjected to daily thorough searches, wanding, and metal detecting in three separate checkpoints. All a reader needs to do is open the book to be transported to the infamous base. Hamlin's drawings and accompanying text provide a rare insight into the military courts of Guantanamo; they've appeared on ABC News and Comedy Central's The Daily Show, and were recently featured in The Colbert Report's story on censorship of the trials. With nearly 150 drawings, the book will also include photographs of the surrounding facilities to enhance Hamlin's illustrations and commentary. It also includes a foreward by Robert F. Kennedy Journalism Award winner Carol Rosenberg, a member of a reporting team that won a 2001 Pulitzer Prize.
ABOUT THE AUTHOR: Janet Hamlin graduated with honors from Art Center College of Design and lives in New York. Her clients include Time Warner, Universal Studios, The New York Times, The Wall Street Journal, IBM, HarperCollins and Associated Press to name a few.
176-page full-color 11" x 8.5" hardcover Cover price: $28.99 ISBN: 978-1-60699-691-1 Published by Fantagraphics Books
Since Fantagraphics and comiXology shook hands that fateful weekend last summer, the hits just keep a-galloping through the gate. Here are the books we have kickin' around in our digital stable ready to be rode hard, combed down and fed oats (in the form of your high-star ratings).
Here's a run-down of the digital comics we currently have available to read on your tablets, iPads, eReaders, myPads, ThinkTouches and more. Click on titles to be taken to their page at comiXology.
Memoirs of the artist's misspent youth. Raunchy, hilarious, and often violent as hell, an unsentimentally nostalgic trip to half a century ago — the anti- Happy Days, set to a true rock ’n’ roll beat. - See more at: http://www.fantagraphics.com/index.php?keyword=cruisin%27+with+the+hound&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.zYJMZj3B.dpuf7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.
Note that most of these books are available at your local comic book store or our website in print form but we know you have to save that shelf space. Every Wednesday we have 1-2 new digital releases, sometimes same-day releases as the book. Buy a book for yourself or someone you love today.
The first peak of sun of Online Commentaries & Diversions:
• Review: Noah Berlatsky on Slate reviews 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "That feared and desired encounter is in part the collision of comics and art—but it's also, and emphatically, the intermingling of queer and straight…7 Miles a Second still represents a road largely avoided…even if 7 Miles a Second never went mainstream, this new edition remains a stirring reminder that everything pushed to the side isn't gone."
• Review:Full Page Bleed and Tom Murphy read 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "Like David Wojnarowicz's vision of himself, this is a volume that has an impossible amount of energy and emotion packed into its slim dimensions. It's a blistering book that, having been revived by Fantagraphics in the format it deserves, should now take its rightful place in the comics/graphic memoir canon."
• Review: The North Adams Transcript blog reviewed Delphine by Richard Sala. "Prince Charming’s journey is creepy and jarring, and the trappings of the likes of the Grimm Brothers take on a heightened presentation that becomes more personal than you would ever expect them to be," John Seven.
• Plug:The D&Q bookstore is ready to read prose book The Grammar of Rock by Alexander Theroux. Jade writes, "Cliché lyrics, diva meltdowns, and inarticulate diction are all up for close examination in Theroux’s comprehensive exploration of language in pop, rock, jazz, folk, soul, and yes, even rap (Ghostface Killah!)."
• Plug:LAMBDA announces nominees for awards and includes Justin Hall's No Straight Lines. Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. More information here!
• Review:The Savage Critic looks at Gilbert Hernandez's Love from the Shadows. "It’s the work of a comics master tearing into the stained brown paper parcel of his unconscious, and finding a piping hot slurry composed of decades of pop culture detritus."
• Plug:The Daily Optimist shows off a few panels of Nancy Likes Christmas by Ernie Bushmiller. Dan Wagstaff writes, "I do have a strange and peculiar love of Ernie Bushmiller’s ‘Nancy’ comic strips… Fantagraphics are doing a great job of collecting them properly into books (designed by Jacob Covey)."
• Plug: Tom Heintjes on Cartoonician gives a short and concise history of Fritzi Ritz aka Aunt Fritzi from Ernie Bushmiller's Nancy. She was the star of her own strip before that created by Larry Whittington. "A young cartoonist named Ernie Bushmiller took the reins and went with his strength: the simple gags that would forever earn both the scorn and admiration of millions of comics fans."
• Interview: The Comics Reporter and Tom Spurgeon interviews Publisher Gary Groth: "I can look at most books and come up with a pretty accurate estimate as to how it will sell. Occasionally I'm wrong."
• Plug: Fantagraphics fan and friend, JT Dockery has a fundraising campaign/pre-order for his Despair book which features art from Chris Wright and Julia Gfrörer. I hope they are on a ship.
• Plug: Sam Costello at Full Stop lists The End of the Fucking World by Charles Forsman as one of the most anticipated books of 2013. "While there’s certainly violence and horror here, Forsman handles the subject as a character study, not a lurid glorification, making James sympathetic and his deeds all the more monstrous."
• Review: Michael May reviews Mr. Twee Deedle by Johnny Gruelle on School Library Journal. In reference to Good Comics for Kids, "There’s plenty for children to enjoy in the collection, but parents and educators will be even more rewarded. Not only by the history and context that Marschall provides, but by the sheer sweetness and transportive beauty of the illustrations as well. Each of the full-page, full-color strips is something not only to linger over, but to revisit often."
• Review: The Weekly Crisis looks at West Coast Blues by Jacques Tardi. "The narrative is almost a ‘dark twin’ of Hitchcock’s North by Northwest as George is forced to adapt and go on the run as the forces arrayed against him close in."
• Plug:Jessica Abel posted some cool ideas on visual scripting and laying out your ideas she learned from Alison Bechdel.
No Straight Lines: Four Decades of Queer Comics was announced as a finalist for the Lambda Literary Awards in the LGBT Anthology category. Edited by Justin Hall, No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT artooning, like legendary NYC artist David Wojnarowicz (whose work has now been reprinted in 7 Miles a Second)and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
Tony Valenzuela writes in the press release: Now in their twenty-fifth year, the Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. Winners will be announced during a ceremony on Monday evening, June 3, 2013, at The Great Hall at Cooper Union,7 East 7th Street, New York City 10003. Details on the annual after-party location are forthcoming. For more information and to buy tickets, click here.
Fantagraphics and comiXology continue to roll out the beautiful Jason classics with Werewolves of Montpellier. A faux werewolf-cum-burglar named Sven runs afoul of a real society of werewolves who don't take kindly to the pretender. So while Sven spends his days playing chess and poker with his friends, sketching his way through his picturesque chosen hometown, and coping with romantic dilemmas — both his and those of his best friend, the Breakfast-at-Tiffany’s-obsessed Audrey, who has girl troubles of her own — little does he realize that a genuine threat to his life, and for that matter his humanity, is closing in on him.
This lycanthropic thriller, a romantic comedy, and an existential drama – basically, your typical Jason book – can be yours digitally for only $9.99. Beware the full moon!
"What elevates Werewolves of Montpellier into the top rank of Jason’s work is the way he manages to dovetail the story’s genre elements with the emotional narrative. ... Overall, this is a pitch-perfect, expertly-crafted story by an artist who is clearly working in his comfort zone. It’s remarkable to see a creator go to the same well so many times and yet continue to produce nuanced and powerful variations on the same themes." – Rob Clough, The Comics Journal
"Werewolves [of Montpellier] has an artsy feel, but also plenty of humor, even in (or especially in) its more dramatic moments. [...] But it’s mostly the subtle characterizations that still bring the greatest amount of personality out of his creatures that look like animals, but act so much like humans. [...] Overall, it’s another great book from Fantagraphics in the Jason catalog. It doesn’t shake the foundation of his style, but it does try a few new ideas and tells another fun story." – William Jones, Graphic Novel Reporter
Fantagraphics with comiXology releases Oil and Waterthe gripping collaboration between Steve Duin and Shannon Wheeler. This devastating look at the worst environmental disaster in U.S. history follows ten Oregonians to the Gulf Coast to gather first-person accounts of the destructive impact of the Deepwater Horizon oil spill.
In this 144-page graphic novel — written by Steve Duin, a columnist for The Oregonian, and illustrated by Eisner-winning New Yorker cartoonist Shannon Wheeler — readers will tour the shark-pocked beach at Grand Isle with the local head of Homeland Security; step aboard the crabbing boat of a 20-year-old Mississippian who works 16-hour days and spends his nights dreaming of M.I.T.; enter the “Hot Zone” where volunteers work desperately to save brown pelicans drenched in British petroleum; and hear shrimpers, Vietnamese and good ol’ boys alike, describe what happens to their livelihood when 200 million gallons of oil flood the scene. The readers’ perspective on what hope and what mission remains along a ravaged coastline, and one awash in both seafood and oil, will be changed as irrevocably as that of these ten Oregonians.
For $17.99, read the true-life story of volunteers who worked (and are still working) in the wake of the Deepwater Horizon oil spill. And take the bus or walk to work!
"A powerful eco-report, Oil and Water also manages to be a report on the gap between classes that isn’t about who has what, but rather about what 'having' means to different groups of Americans.... The large black-and-white images are realistic and create individual characteristics for the cast; its smudged texture is an excellent vehicle for the intrusion of oil on beaches, birds, livelihoods, and prospects for the future. Quick to read, but of lasting weight for readers from either side of the divide." – Francisca Goldsmith, School Library Journal
"A lot of our goals had to do with keeping the environmental disaster on the radar nationally, saying 'This is something that what we did that's a travesty,' basically, and 'How do we keep paying attention to it so it gets cleaned up and never happens again?' It's a big deal." –Jason Sacks, Comics Bulletin
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
272-page full-color 8" x 10.5" softcover • $35.00 ISBN: 978-1-60699-580-8
"Krigstein treated each assignment as a chance to put theory into practice, and even among EC’s formidable roster of stylists, Krigstein stands out as one for whom the words around the pictures almost don’t matter, because the art’s so mesmerizing that it’s hard to pay attention to anything else…" –Noel Murray, The AV Club
"Krigstein’s stories are sometimes epic and sprawling, sometimes compressed and confined…His mastery of chiaroscuro, and his dramatic composition and layout, applied across a very wide range of subject matter, are what make this gorgeous collection so essential." –Publishers Weekly, Starred Review
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