Cartoonist, journalist, designer and lover of all comics! Here to encourage you to read Fantagraphics books and then pass them on to your friends AND family. Especially those Eros ones. Graduate of The Center for Cartoon Studies.
A+ B, Down, Down + Forward, Down + Back, Pencil, Ink, Fail. GAME OVER.
To celebrate Geek Girl Con and PAX Prime, Fantagraphics Bookstore and Gallery presents “GAME OVER.” This exhibition, opening on Saturday, August 11th, will feature the “box art” of some of our most famous graphic novels reimagined as failed videogame adaptations. No set of killer button combos or brute force could make these “graphic novels as games” playable, but Prison Pit for Nintendo 64 is even gorier than Mortal Kombat, and you can bemoan Pete Bagge's Hate-come-to-virtual-life as a CD-ROM. You can even draw your own failed videogame adaptation!
The opening on Saturday, August 11, from 6:00 to 9:00 PM, coincides with the Georgetown Art Attack, which features visual and performing arts presentations throughout the historic arts community.
Come see why readers voted Fantagrahics Bookstore & Gallery “The Best Comic Book Store” in the current “Best of Seattle” edition of the Seattle Weekly. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street at Airport Way S. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
No need to choose between the Old People issue, #5, or the issue with those charming Cockney grave robbers, #6, when they are such a steal of a deal! Now with too much color!
"Seriously, go to your local comics shop and buy this. In fact, buy everything Michael Kupperman's ever done. Not only is he hysterical, he's a major influence on my comedy." – Graham Linehan, creator of Father Ted and The IT Crowd
The sun is shining on the newest Online Commentaries & Diversions:
•Interview: Creator of the epic series Dungeon Quest, Joe Daly, is interviewed about the third graphic novel on The Comics Journal by our own Eric Buckler. "I liked the idea of creating a character without shame, and a almost healthy polymorphous sexuality, and within that a kind of an innocence, or at least a pureness. I also try to challenge myself to see what cartooning can achieve, what it can get away with. There seem to be things that cartoon characters can get away with, that would be far less acceptable if they were real people."
•Interview:David Gerstein, editor of the Mickey Mouse books (with Gary Groth) is interviewed on Comics Alliance. Chris Sims asks, "[Sorcerer's Apprentice] Mickey seems like a completey different chaacter than the one we see in Gottfredson's work." To which Gerstein replies, ". . . Mickey didn't need to share as much screen time with his supporting cast in his early days; he got adventure shorts largely to himself, and got to be this urgent, driven little squirt in a wild, swashbuckling world."
•Commentary:Filmmaker Magazine makes a nice comparision to Gabriella Giandelli's Interiorae and David Lynch's Blue Velvet film. ". . . a sudden surge the perspective into one of the panels suddenly seems impossible, breaking with the traditional formula of one panel = one captured frame of time. [In the example panel] the character exists in unfolding time not in separate spaces, but the same space all at once." It is also a classic Burne Hogarth tool!
•Plug:Steven Heller, top designer and professor, posted his summer reading list at the SVA school site which included *drumroll please* Significant Objects. "Contributions from writers explaining why things like a rabbit candle, mermaid figurine and Santa nutcracker are worth writing about."
•Review:HeroesCon Online reviews Jaime Hernandez's God and Science: Return of the Ti-Girls. Andy Mansell says, "The story is fun, exciting, fast paced and way over the top, but it is not a satire of superheroes. The difference between Jaime’s work and a genre parody is one of tone. God and Science is a genuine love letter to super-hero comic books."
•Plug: Our friends at Love & Maggie have compiled a lovely list of Love and Rockets related-links for your perusal.
•Review: D&Q's storefront, Librairie Bookstore, enjoyed Flannery O'Connor: The Cartoons. Jade says, "In terms of artistic ability, she’s far from the genius of woodcut and linocut artists Frans Masereel, Lynd Ward, and Giocomo Patri. Yet considering how O’Connor produced these works during her teenage years, there is some undeniable talent here."
•Interview:Comics Book Resources covers the Gilbert Shelton interview conducted by Gary Groth at Comic-Con International. Bridget Alverson quotes Shelton, "I could only have animal comics and Little Lulu, but Donald Duck and Little Lulu are great stuff."
Charles Forsman of future Fantagraphics titles Celebrated Summer and The End of the Fucking World, is a mini-comics publisher in his own right. Forsman is curating a great set of cartoonists and publishing their work via his Oily Comics Boutique. If you become a "Friend of Oily Comics" you get ANY publication created from July - September ($30) or July - December ($60) via monthly deliveries through September or December (respectively). Check out what our local mailmain delivered this month!
Comics by Max de Radigues, Aaron Cockle, Melissa Mendes, Forsman and Andy Burkholder. Forsman was recently interviewed about his comic creations plus publishing & distributing excursions on Comic Book Resources and on the Inkstuds podcast with Robin McConnell.
When de Radigues gave Forsman Moose #1, he couldn't believe it, "I could tell he wasn't laboring over the artwork and he was having fun. I wanted to have fun again. . . Readers responded to it almost immediately." Here is the first page of Belgian cartoonist, Max de Radigues' Moose #9.
And one more taste of FOOC: east coast cartoonist Melissa Mendes.
While Forsman's The End of the Fucking World will be printed via Fantagraphics next year but you can still get a taste of the mini-comic by subscribing to Friends of Oily Comics.
TODAY is the last day to get the fancy subscription supersale complete with buttons, patchs, etc. Plus, you get a membership card with a personalized portrait. Just sayin'. It's worth it.
Just when you think Professor Van Sciver couldn't find a more complicated member of the extended Todd-Lincoln family, BLAMMO: Ninian Wirt Edwards arrives. "Ninian married Elizabeth Porter Todd, Mary Todd’s older sister, and played a key role in Mary and Abraham Lincoln’s marriage. . . After the Whig party’s successes, Ninian would invite all of his friends over to the house for oysters and cigars to celebrate." And this is where Mr. Lincoln started to really garner some attention. Read more about Noah Van Sciver's historical research for The Hypo on his blog and preorder The Hypo today!
Love and Rockets by the Hernandez Brothers is filled from indicia to back cover with a love of music, creating jams, going to concerts and odes to punk songs. Robert Boyd recently compiled a nice list of songs in Jaime and Gilbert's comics. Then LA-based comic store, Secret Headquarters, went ahead and built a playlist around said list of music. Listen away on Spotify, whether you are drawing, walking around town, hanging with friends or generally being a badass. Playlists Locas by Jaime and Palomar by Gilbert.
The newest, brightest bulb Online Commentaries & Diversions:
•Review: Sarah Hansen of Autostraddle looks at No Straight Lines. "I like my queer comic anthologies like I like my women. Handy AND beautiful. . .What No Straight Lines really achieves is putting all of these influential comics in one place. Together, they contextualize each other and the LGBTQ scene at the same time."
•Review:Paste's 'breeder' journalist Sean Edgar cracks open No Straight Lines and has a baller time. "The work in this book illustrates a sweeping chronology of our generation’s greatest civil conflict with all of the tears and smiles that follow. It’s a fascinating read and an essential perspective historically and socially. Even if you’re a breeder."
•Commentary:Publishers Weekly's coverage of Comic Con International in San Diego is THOROUGH. Shannon O'Leary talks up No Straight Lines. " . . .Hall focused on collecting 'literary queer comics in danger of being lost' with the focus instead on literary, self-contained works that would give the reader the experience of being 'satisfied' with each of the stories."
•Review: From the Librairie Drawn and Quarterly Bookstore, Jade reviews her six years of love for Love and Rockets, including keeping the store stocked with them."After all these years, the Hernandez Brothers continue to knock it out of the park with some of the best work in the industry."
•Commentary: Heidi MacDonald runs down the things that stuck out to her at Comic-Con in San Diego. The 30th Anniversary of Love and Rockets was a big one featured on THE BEAT. "While Los. Bros didn’t get the skywriting and theme park they deserved, they got a lot of love, and that will last longer. . . .We’ll give the final word to Jamie Hernandez, because he is the final word."
•Commentary: Eisner Award winner, Charles Hatfield, writes at Hand of Fire speaks about the Hernandez Brothers at Comic-Con International. "I love L&R, and credit it for keeping me in comics as a grownup. Great, great work."
•Plug: Longtime Love and Rockets reader, Robert Boyd, created a long and annotated list of the music found in the thirty-year series. "Each brother does his own very different stories, but both were (and presumably still are) punk rock fanatics and music lovers in general. This is reflected in their work."
•Plug: Sean T. Collins was spotted sporting the newest Love and Rockets shirts on television while discussing the tragic events of Aurora, CO.
•Review:Shelfari picked up two of our titles for the Graphic Novel Friday. Alex Carr starts with Joe Daly's Dungeon Quest Vol. 3: "if you can laugh at your obsession while still poring over weapon and armor upgrades, the Dungeon Quest series should be on your couch next to the game manual and open laptop. . .It's absurd, engrossing, very adult, and pitch perfect." On Jaime Hernandez's God and Science: Return of the Ti-Girls, "It's oversized and billed as a director's cut,ť with 30 additional pages."
•Interview: Timothy Callahan over at Comic Book Resources got the shimmy on new(er) cartoonist, Chuck Forsman, who has two books out next year from Fantagraphics: Celebrated Summer and The End of the Fucking World. "While at Forsman's studio, I saw the finished pages for 'Celebrated Summer' and it's such a fully-realized work, it's no surprise [Associate Publisher Eric] Reynolds was so quick to jump on it, even after seeing only a few pages."
•Commentary: The Best-Manga-Worst Manga panel of 2012 Comic-Con International has transcribed their views a la Deb Aoki at About.com. Shimura Takako's Wandering Son falls into the BEST MANGA (series) for Kids/Teens. Shaenon Garrity said, "I picked this as best manga for kids, but it's really a great manga for everybody. . . It's done in such a beautiful, sensitive way." Meanwhile, The Heart of Thomas by Moto Hagio is one of the Most Anticipated. Garrity again states, "Moto Hagio is probably the greatest manga artist after Osamu Tezuka. . . It's one of the two manga stories that practically invented the boys' love genre, along with Keiko Takemiya's Song of the Wind and Trees.
•Review:Jazz-Institute covers Listen, Whitey!: The Sights and Sounds of Black Poewr 1965-1975 and via a rough translation, Wolfram Knauer says, "Pat Thomas's book is a very valuable addition to the musical history of the 1960s and 1970s, precisely because the author attempts to establish and explain the political context. The coffee-table book is generously illustrated with album covers, rare photos, newspaper articles, and ads. A thorough index and a separately available CD with examples of the music mentioned in the text complete the concept."
•Review: Forbidden Planet makes people choose their eight favorite comics should they ever end up on the dreaded desert island. Some of those books included E.C. Segar's Popeye and Daniel Clowes' Twentieth Century Eightball. Across-the-pond artist Steve Tillotson states, "The Fantagraphics collections are great, and the character of Popeye is brilliant- I like how he just punches anyone who pisses him off, but he’s also got a really strong sense of morality, and he talks funny."
•Plug: Did you know Carl Barks was unknown for the first 16 years of his work on Disney comics? He was merely known as the good Disney artist, more on THE BEAT and MetaFilter.
While reading a particularly engrossing book or graphic novel, it is not abhorrent to combine the experience with a fine drink. We are not above such fun.
In the weekly article from iFanboy, Comic Shots picks one tasty drink and pairs it with a delicious read: Walt Disney's Uncle Scrooge: Only a Poor Old Man. Josh Christie waxed on quite a bit about Carl Barks' stories. "I was, perhaps, predestined to love these new editions of Barks’ classics. Nevertheless, these stories tap into something deeper – they are, at their core, good stories. Barks’ characters are funny and charming, and their constant scheming (be it in an attempt to save a dollar or to thwart the Beagle Boys) is wildly creative."
Christie read the book while sipping only the fanciest beer imaginable at a whopping $150 a bottle. So we here at the ol' homestead came up with our own drink that you can make at home (if you are of drinking age) that also rings true to Scroogian sensibilities. It's a lil' take on the screwdriver called the Scrooge Diver.
1 part vodka (cheap, of course)
1/2 part cranberry juice
one stolen sugar packet (Scrooge's kitchen is FULL of free condiments)
Orange juice to the top with three ice cubes and enjoy while reading the best of Carl Barks in "Only a Poor Old Man." In the end, we actually used FREE VODKA which is better than cheap (in Scrooge's eye) thanks to the Jason Sacks of the Comics Bulletin who handed out special apple vodka at Comic-Con this year. Uncle Scrooge enjoys a soda below.
If mixing drinks isn't your thing, maybe you'd enjoy drinks with comics labels. For the past seven months, Elysian Brewing Company in Seattle has created some very special beers with Charles Burns art as part of the 12 Beers of the Apocalypse. With names like Maelstrom, Ruin and most recently, Torrent: you know that these are not your average beers. We claim no responsibility for you waking up in the post-apocalyptic/neo-punk/dystopian world of your dreams.
If you are in Seattle and have missed such excellent apocalyptic parties at Elysian Brewing Company and its satellite pubs, Tangletown and Elysian Fields, you've got August through December to make up for it! Check with your local co-op or grocery store to see if they carry Elsyian's 12 Beers of the Apocalypse.
•Interview (audio): NPR affliate 89.c KPCC interviewed both Significant Objects' editor Joshua Gleen and contributor Mark Frauenfelder (of BoingBoing and MAKE). Madeleine Brand says, "One's man trash is another man's treasure, especially if it comes with a really good story."
•Review:The Comics Journal shakes down Flannery O'Connor: The Cartoons, edited by Kelly Gerald.
•Interview (video):Bill Moyers interviews on comics journalist Joe Sacco "I'm not interested in tears, I'm not even interested in sentimentality. But I am interested in telling peoples' stories who are repressed or are poor." Sacco and collaborator Chris Hedges will join Bill Moyers for a chat TONIGHT, Wednesday, July 25 at 2 PM ET.
•Commentary: More insight on upcoming books from Fantagraphics as Bleeding Cool covered the SDCC Fantagraphics/D&Q panel. On Chris Wright's Black Lung:"The story was hard to follow, but that’s a good thing, because it sounds like the sort of surreal, go for broke, graphic storytelling that readers expect when they buy a Fantagraphics book. . . lyrical, anthropomorphic, violent and layered. Enough praise couldn’t be shed for this book. . ." On Ron Rege, Jr.'s Cartoon Utopia: "Beings from the future try to help us evolve, sending us messages, trying to show us what life can be like without “forced entertainment” (i.e. television). Drawn in an idiosyncratic, gorgeous, dense style. . ."
•Review:The Comics Journal locks their tractor beam onto Josh Simmon's collection called The Furry Trap. Brandon Soderberg says, "Josh Simmons’ work eschews the cheap thrills and glib cynicism of most horror comics. . .Simmons is a belligerent cartoonist, drawing without censure, adding a nervous energy to an ostensibly pleasant, bubbly style — like Gary Panter doing Where’s Waldo?, or Peanuts with all the existential despair laid completely bare. And he’s fully dedicated to simple, panel-to-panel pay-off, . . ."
•Plug: Summer art sales continue, this time with Johnny Ryan's A Famous Night (gig posters for concerts the never happened). Buy one for your walls and never have to entertain you in-laws at home again.
•Review:Comic Book Resources focuses on Barry Windsor-Smith's The Freebooters. While examining the first page, Greg Burgas said,"It’s amazing that Barry Windsor-Smith didn’t go blind drawing this page and the two that follows it, but luckily for readers, he managed to produce many beautiful pages after this. This is a fantastic way to begin this comic. . ."
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