Cartoonist, journalist and lover of all comics! Here to encourage you to read Fantagraphics books and then pass them on to your friends AND family. Especially those Eros ones. Graduate of The Center for Cartoon Studies.
Yesterday, the Fantagraphics Bookstore and Gallery hosted Koyama Press's Nathan Bulmer (born-and-bred Seattlite). With Zachary David Jammin' signing and laughing in the background, it was a beautiful time with I must say, a lower age median than usual. Larry Reid, Janice and excellent new intern Lilly hosted a great time. Nate's mother provided tasty tiny cookies so you could like, totally five and the platters still looked full.
Not one to cut in line just because I work at the company, I waited in line and undulated with the rest of the crowd to the music. My typical line at artist signings is "Jen with one 'n' – don't waste the ink." Lucky for all, Nate is a funny man at heart and pulled out a pencil instead of a pen. He proceeded to "waste lead like a boss." Sunday afternoons have never been more adorable.
Why are there so many cups?! It was party, please ignore the cups. Pick up your copy of Eat More Bikes at the Fantagraphics Bookstore or from Koyama Press.
The most returned sweater of Online Commentaries & Diversions:
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review:Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug:Comic Book Resources and Brian Cronin investigate the legend around the FBI examining Pogo comic strips searching for hidden messages.
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review:Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review:Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Plug:NO releases its Best Comics of 2012 list and Sean Collins breathtakingly writes about The Furry Trap, "Josh Simmons shits in your heart, again and again in ways that grow exponentially more refined and chilling as the book progresses. A perfect statement of rancid intent."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review:Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man"she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review:Robot 6 enjoys SpacehawkbyBasil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review:Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review:Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review:Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review:Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year.Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review:Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug:Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review:The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug:NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug:Michael Kupperman'sTales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review:Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview:The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review:Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
While trampsing around the suburbs and backwaters of Texas, I happened to find the majestic Webb Gallery in Waxahachie for there lay a treasure trove of Esther Pearl Watson paintings. With fading painted trim in still vibrant oranges and teals matched with iron statues and odd toys from people long since dead, it reminds you of an open range and that mix of culture which is a side-step from Southwestern.
Watson's paintings, unlike her Unlovable comics Fantagraphis printed, are deeply personal and autographical. As the daughter of the local color, Watson watched her father build several large-scale UFOs. Out on the lawn.
Bitter-sweet nostaglic scenes in dirty brown skies and abandoned women's clinics, Watson paints a darker time in her childhood. But that ever-hovering presence, the idea of 'what-if', the UFO. (They Might Be Giants might have called it her 'hovering sombrero')
Compared to Watson's Unloveable, which also runs in Bust Magazine, the unapolagetic Tammy Pierce is nearly the opposite of these quiet moments with tension bubbling under the surface. Each canvas, most of them wooden, are akin to a diary page created in paint, dirt and the occasional glitter patch instead of words. Notes are scribbled in the corners of most of the paintings to enhance or detail the scene. Often a new town, a new landscape to explore.
Details of the paintings. They practically vibrate.
So all these gorgeous paintings hang on the high-ceilinged walls of the Webb Gallery amongst their antique carnival posters, including Coney Island originals. The perfect place for the painted recollections of hazy memories. Something almost most too incredible to believe.
The Webb Gallery is open Saturdays and Sundays from 1-5 or by appointment, (972) 938-8085. A quick 30 minute drive from downtown Dallas or 2 hours up from Austin, be sure to see it! 209 West Franklin Street Waxahachie, TX 75165. The current exhibition by Esther Pearl Watson will be up through January 20th, 2013.
The 30th anniversary Love and Rockets celebration continues with this third of three volumes. Perla La Loca collects the adventures of the spunky Maggie; her annoying, pixie-ish best friend and sometime lover Hopey; and their circle of friends. As usual, Jaime Hernandez spotlights a wide range of headstrong female characters found in previous volumes Maggie the Mechanic and The Girl from H.O.P.P.E.R.S.
Perla begins with the "Wigwam Bam" story, arguably Jaime Hernandez's definitive statement on the post-punk culture (what a good song too!). As Maggie, Hopey, and the rest of the Locas prowl Los Angeles, the East Coast, and parts in between trying to recapture the carefree spirit of those early days. "Wigwam Bam" brings us up to date on all the members of Jaime's extensive cast of characters and then drops a narrative bomb on Hopey (and us) in the very last pages. Split up from Hopey yet again, Maggie bounces back and forth between a one-laundromat town in Texas (the "Chester Square" that serves as the title of two of the strongest stories in the book), where she has to contend with both her own inner demons and a murderous hooker, and Camp Vicki, where she has to fend off her aunt Vicki's attempts to make her a professional wrestler and the unwanted advances of the amorous wrestling champ-to-be, Gina.
"'Wigwam Bam' [is] one of the medium's all-time high points..." – The Onion A.V. Club
"For a relatively inexpensive introduction to the joys of Jaime's good stuff, ...I recommend Perla la Loca, a paperback reprint of a 1990-1996 sequence that kicks off with the fantastic ensemble tragicomedy 'Wigwam Bam,' throws in a bunch of wrestling and decline-and-fall-of-punk business that he draws with obvious, infectious relish, and ends with the mistaken-identity tour de force 'Bob Richardson.'" – Douglas Wolk, TIME/Techland
"As a graphic artist, Carré carries forward the design tradition that stems from the gossamer surrealism of Cocteau; as a verbal artist, she may be the most successful prose poet going. . . Her Wanda Gág–meets–Gene Deitch drawing style and new-weirdness literary bent make her work acutely interesting to both read and scrutinize." —Ray Olson
"Wright shows he’s got a deep arsenal of storytelling weapons at his command. Unsettling, upsetting, and strangely touching, Wright’s story arrives at something humane and emotionally true through a sea of aberrance and terror." —Ian Chipman
"Spacehawk's stories may be absurd concoctions of primitive space opera and already-established tropes of the nascent superhero genre, but Wolverton's solid,elemental drawings-already evincing his distinctive use of stippling-combined with his intuitive design sense have a raw power that is rare among comic books of the era and impresses even today." —Gordon Flagg
Cate McGehee attended the 30th Anniversary party for Love and Rockets held at the Fantagraphics Bookstore and wrote about it in The Stranger. Gilbert and Jaime Hernandez were in attendance in addition to hundreds of people ready to see the brothers during their auspicious celebration. Flanked by a gorgeous wall of original art, punk show posters (draw by the brothers) and alt-weekly covers, curated by Larry Reid and editor Kristy Valenti, the room held more wonder than of those in The Mask of the Red Death!
Nearly thirty years of work is laid out on prismatic display (more not pictured). Why has Love and Rockets held up so long? The facts as stated in The Stranger: "It was one of the very first comics to include LGBT characters and people of color, to draw from an underground urban demographic, and to have kick-ass female leads." Or as Larry put it the comics "foreshadowed the contemporary multicultural society." With characters who age, die and get revisited via that time machine called comics, Gilbert and Jaime have created some of the most complex and human characters in the industry.
The article goes on to describe some of the more familiar faces to the Hernandez brothers off the bristol board, their returning fans. One man brought his future wife, who became the bigger fan eventually, then their baby who in turn grew up and "she said her mom couldn't make it, and then rolled up her sleeve to show Jaime her Love and Rockets tattoo." But success hasn't slowed the two cartoonists down, they can't imagine a life without comics or a life without Love and Rockets. And neither can we.
Pictures: Gilbert and Jaime pose with fan, the Love and Rockets Library collection and Gilbert signs for a fan in front of the wall.
The last peanut of a day of Online Commentaries & Diversions aka the news you missed while present shopping, latke eating and flying:
• Review: The Comics Journal and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough's artistic collaboration, Observed While Falling (the memoir) and The Lost Art of Ah Pook is Here. (the art book) "The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs’s middle period. He mixes a true-adventure story with bitter anti-establishment scenarios, gay sexual fantasies, science-fictional visualizations of chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering—the best pictures of dicks that I’ve ever seen. . . ."
On the memoir "One of the pleasures of McNeill’s memoir, Observed While Falling, is reading about hear about his conversations with Burroughs. Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus. Study these new books and enjoy the disease."
• Interview:Jaime and Gilbert Hernandez of Love and Rockets are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on The Comics Journal. Jaime talks about becoming more popular cartoonists, "So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw’s East Coast? Love and Rockets is West Coast. And they go, 'So West Coast is primitive and old-fashioned?' Fine. It’s not art school."
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On the Love and Rockets Library Collection, by Gilbert and Jaime Hernandez Andy Khouri states, “This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order."
• Review: Douglas Wolk reviews Harvey Kurtzman’s EC stories in Corpse on the Imjin! for the New York Times. "Kurtzman’s writing could be bombastic — nearly all of these stories’ titles end in exclamation points — but, as the United States became mired in the Korean War, his reeling disgust at the horrors of war (and his thick, slashing brush strokes) made for shockingly bold rhetoric."
•Review:The Atlantic lists Mark Twain's Autobiography 1910-2010 by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says "Kupperman’s brilliance isn’t just in his humor, though. Mark Twain’s Autobiography is meant to be read in small doses, no more than half a dozen pages at a time. Trust me: You don’t want to gorge on a book that’s this weirdly amusing. But after a peek into Kupperman’s hysterically twisted mind, you’ll keep wanting to go back for more."
• Review:Comics Bulletin releases its 2012 Best Graphic Novel List and The Hypo by Noah Van Sciver makes it. "Van Sciver's toolkit includes the pens and pins of pathos and pain, self-doubt and angst, as much as it contains determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner," writes Daniel Elkin.
• Review:Unshelved comics review The Hypo by Noah Van Sciver. Gene Ambaum writes,"The mood of Lincoln’s life in Springfield, Illinois, is well-expressed via the rough-hewn, cross-hatched skies, floorboards, and backgrounds."
• Review: Tim Callahan has nothing but love for Spacehawkby Basil Wolverton on Comic Book Resources. He states, "Wolverton's world is a weird and ugly and beautifully innocently horrible charmingly delightful one, and it has more in common with the absurd genre riffs from something like Pendleton Ward's Adventure Time or Jesse Moynihan's Forming or Tom Gauld's Goliath than it does the bland superhero melodrama of 'Marvel Mystery Comics'."
• Review:Comics Bulletin's Favorite Reprints Books of 2012 include Gary Panter's Dal Tokyo and our Carl Barks reprints. In reference to Carl Barks' Uncle Scrooge and Donald Duck, "I would not hesitate to say that Fantagraphics’ reprints of Barks’ Duck comics may very well be the best collection series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail," states Nick Boisson. Jason Sacks writes "[Dal Tokyo is] a freaking godsend from the reprint editors at Fantagraphics because it unearthed an amazing, surreal, brilliant lost classic that's like an artifact from some amazing parallel dimension.. . Readers are asked to bring our perceptions to these pages, to bring our intelligence and passion and appreciation for abstraction and love for everything that feels different and yet the same as everyday life."
• Review:School Library Journal files Walt Disney's Donald Duck: A Christmas for Shacktownby Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says "[It] features another 200 pages of master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition. . . the Barks books are great comics for kids and adult fans of the medium."
• Review: Uncle Scrooge: Only a Poor Old Man makes the Best of or Our Favorite Books of 2012 list on the Village Voice. Alan Scherstuhlstates, “Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period.”
• Review:Brooklyn Based thinks Sexytime edited by Jacques Boyreau is for youand suggests books for reading and giving. "This book is a journey into the aesthetic of porn," states Jon Reiss.
• Interview: Alex Dueben interviews Lilli Carré on Comic Book Resources about comics and animation. "I loved designing and arranging the [Heads or Tails]. Figuring out which pieces to include and the best order for them took quite a while, since I wanted each story to speak to the one before and after it, and to have a good flow despite the shift in styles. It was like making a high-stakes mix tape."
• Review: North Adams Transcript and John Seven look at Heads or Tails by Lilli Carré. "The multi-faceted Lilli Carre -- author, illustrator, animator -- presents stories that are as gentle as they are cryptic, in which the darkness of her themes meld perfectly with the sweetness of her style. . .Carre’s short work is collected and celebrated, revealing a creator of power, easily on the level with lauded types like Chris Ware."
• Review:Hooded Utilitarian makes it through Josh Simmons' The Furry Trap (probably with all the lights on in the house). James Romberger writes it is “packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader’s mind having already been prepared by the foregoing tales to expect the worst.”
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On The Complete Peanuts Collection box setsby Charles M Schulz. Andy Khouri writes, “Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.”
• Review:School Library Journal looks at Charlie Brown’s Christmas Stocking by Charles M. Schulz. J. Caleb Mozzocco says, "Schulz’s Peanuts has always been unique in its ability to speak to audiences of adults and children simultaneously. . . Nice then to have a comic that can speak to kids, adults and the little kids the adults used to be all at the same time—even if only for a quick 40 pages or so."
• Review: HeroesOnline looks at The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" by Walt Kelly. “Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious . . . Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material,” states Andy Mansell.
• Review:Dungeon Quest 3 by Joe Daly is the Best ofYear 2012 on the Forbidden Planet International site.Clark Burscough writes, “Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that – it’s laugh out loud funny. I can’t go into precisely why, because it’s also laugh out loud filthy. Something for everyone in these books.”
• Interview:Comic Book Resources and Alex Dueben interview James Romberger on his collaboration of 7 Miles a Second (and Post York). On his love of New York-centric books, “It is strange that I'll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,” says Romberger.
• Review:Listen, Whitey!on NPR Music for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. "There's no way that Sony or EMI were going to [automatically] say yes to the Bob Dylan or John & Yoko tracks, because they get those requests all day. Years ago, Pat went to Bob Dylan's office and got those guys to approve it. The same thing with Yoko. . ."
• Plug: Speaking of 2013, Johanna Draper Carlson of Comics Worth Reading can't wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out!
Is this happy-go-lucky holiday season getting on your nerves? Are increasingly sentimental anthropomorphic animals for the flippin' birds? Johnny Ryan is here to serve you. This week comiXology and Fantagraphics released Angry Youth Comix issues #11-14 for you to enjoy in the midst of madness. In addition to the sex, violence and scatological filth on display, Angry Youth Comix delivers equal opportunity antagonism toward every race, gender, sexual orientation, political persuasion and religion, as well as jokes about international and humanitarian tragedies, in abundance. That being said, it is only available via the filthy filthy web so buy it and read it on your computer instead of going to that meeting.
$1.99 is the crazy amount of money for the eyeball tickling guffaws you'll emit when reading Angry Youth Comix. Head over to comiXology now to download. Then you'll get to find out exactly what happens to Loady McGee, Sinus O'Gynus and Blubbina LaQuiche.
"Let me tell you something: In this increasingly cynical world of happily self-imposed isolation and sneering judgement, one graphicish novella, with pixie-like tickles, appears through the misty mist to take us all by the hand gently unto the night. You hold in your hand that very thing. Johnny Ryan's Angry Youth Comix. Now go away." – David Cross
Beyond Palomar collects two of Gilbert's groundbreaking works about the Central American hamlet of Palomar in one affordable book."Poison River" is a dizzying period piece often hailed as one of Hernandez's masterpieces. It traces the pre-Palomar childhood of Luba, her teenage marriage to gangster Peter Rio, the secrets behind her mysterious mother, all the way up to her subsequent escape and arrival in Palomar.
Meanwhile, "Love and Rockets X," set in the early 1990s (in the waning years of Bush I's post-Reagan hangover, with Gulf War I in the background), takes us from plush Beverly Hills to the dangerous east side and introduces us to a dizzyingly diverse cast of characters, including a lowlife rock 'n' roll band, a "posse" of black youths, a ditzy Hollywood mom and her spoiled son, a gay activist filmmaker and his rebellious, half-Iraqi daughter, and a group of racist thugs whose violent attack on an older woman sets the plot in motion. These fantastic stories are now a swipe of the finger away on comiXology, 260 pages of fantastic comics at $14.99. A steal of a deal.
"In a real world, not the screwed-up world we have now, [Gilbert Hernandez] would be considered one of the greatest American storytellers. It's so hard to do funny, tragic, local and epic, and he does all simultaneously, and with great aplomb." – Junot Diaz
"In Gilbert's Palomar stories, there's a rawness that dominates the proceedings: raw anger, raw sexuality, raw passion for life, death and art." – Rob Clough, High-Low
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!