An exhibit of Jim Flora's curiously sinister art opens tomorrow night, Saturday, November 19th, in the curiously sinister city of New York, and you do not want to miss this!
The Dorian Grey Gallery is proud to present the very first posthumous New York exhibit and sale of Jim Flora original art, curated by our own Flora archivist Irwin Chusid, in conjunction with gallery owner Luis Accorsi and director Christopher Pusey.
It's gonna be a doozy: Offerings include temperas on paper; woodcut prints (vintage and new); medium and large acrylics on canvas; pen & ink drawings on paper; fine art and screen prints, and branded Flora paper merchandise. Many of these exhibited works have NOT been previously published in our three Fantagraphics anthologies!
The opening reception is this Saturday night from 6:00 - 9:00 PM, and will include a live music set by the Cracked Latin trio, featuring gallery owner/vocalist Accorsi along with guitarist/vocalist Lane Steinberg and percussionist Charlie Zeleny. Zowie!
The Dorian Grey Gallery is located at 437 East 9th Street (between 1st and A) in New York City. The exhibit runs through January 8th.
It's that time of year again! The time of year where a flock of Fantagraphics artists participate in the annual Giant Robot Post-It Show, and like last year, it will be curated by the inspirational husband-wife team of Esther Pearl Watson and Mark Todd.
The Giant Robot Post-It Show 7 runs from December 10th through 29th at GR2 [ 2062 Sawtelle Blvd., Los Angeles, CA ] with an opening reception event on Saturday, December 10th from 6:30 - 10:00 PM. It's "cash-and-carry," so don't forget your bag-and-board!
Comics and Autobiography:Mark Kalesniko on Freeway, Jason Shiga on Empire State: A Love Story (or Not); Jennifer Hayden on Underwire. Moderated by John Hogan, editor, Graphic Novel Reporter
Both panels take place at the Prometeo Theatre (Building 1, 1st Floor, Room 1101), and the whole Miami Book Fair takes place at the Miami Dade College Wolfson Campus in downtown Miami. The whole weekend is jam-packed with literary good times, so don't miss it!
Both Steve Duin, columnist for The Oregonian, and Eisner-winning artist Shannon Wheeler will be in attendance from 6:00 - 9:00 PM.
Get your copies of Oil and Water signed, and find out more about what happened when ten Oregonians traveled to the Gulf Coast in August 2010 to plumb the devastation wrought by the Deepwater Horizon spill.
This event is free and open-to-the-public, so be sure to drop by! Bridge City Comics is located at 3725 N. Mississippi Ave. in the bridge-festooned city of Portland.
Comedian and Emmy-award winning Daily Show writer Elliott Kalan has devised the "Closely Watched Films" series, for "hardcore movie nerds and beginning cinephiles alike." And on Wednesday, December 7th, Kupperman will join him at 92Y Tribeca [ 200 Hudson Street, NYC ] for a look at the 1934 film The Scarlet Empress, starring Marlene Dietrich.
Together, they will discuss "rare bursts of Hollywood madness, von Sternberg’s Svengali relationship with Dietrich and whether historical accuracy is ever necessary." And based on Kupperman's latest, Mark Twain's Autobiography 1910-2010, I'm gonna say the answer to that last part is... naw.
Well, whether or not you wear underwear is really more of a personal decision, but you can now get yourself a snazzy tee featuring artwork from long-running Harvey-award-nominated comic Underworld by Kaz!
And to celebrate the opening of their shop, all tees are discounted for the first week only. We're not entirely sure when this offer expires, so click over there today!
The 2011 convention runs November 13th through 18th in St. Pete Beach, Florida, and unfortunately, it's only open to members of the ISCA, but if you happen to be one, you can look forward to what's sure to be a delightful keynote address from Drew!
CORRECTION: Drew informs us that day passes to the convention are available to the general public! –Ed.
You can all have Female Trouble this coming Friday, November 11th as our friends at Meltdown Comics kick off their latest exhibit, Pretty? Pretty? A Divine Art Show -- a tribute to the one-and-only John Waters ingenue!
That's a sneak peek of one of Johnny Ryan's pieces above, and as he mentions on his blog, the other "is a 'mixed media' piece [he] can’t reveal just yet." (Mike Baehr to me, "I hope it's Johnny in drag!")
The opening reception for Pretty? Pretty? A Divine Art Show is from 8:00 - 11:00 PM, featuring a live DJ, free booze, drag’s finest performers and more special Divine-themed surprises. The exhibit runs through November 17th at Meltdown Comics [ 7522 Sunset Boulevard, Los Angeles ].
As we were preparing for the art show, I thought it'd be fun to chat with the organizers of Short Run -- that would be, Martine Workman , Kelly Froh, Jenny Gialenes, Eroyn Franklin -- about the inaugural event:
So, how did the idea of Short Run come together?
Martine: I've been going to comics events since 2004, even though I don't really make comics. I always wanted to attend an event that welcomed all sorts of makers and small publishers of comics, writing, poetry, zines, and artist books. Last year Eroyn saw my work and contacted me out of the blue since we were both publishing our own books in Seattle. Our friendship grew out of conversations about self publishing, art, craftsmanship, and wanting to create a community for ourselves. Around this time, Profanity Hill was up and running for a bit, and it was exciting and surprising to see so much local work being made. After talking to my pal Jenny, who works in literary event promotion and moonlights as a zinester, it seemed possible to bring the self publishers of our region together by organizing a small press fest! She came up with the name -- which I love! -- and agreed to help coordinate the event. Kelly, a true blue mini-comix maker and fantastic organizer, joined us soon after and rounded out the group. We've had a lot of fun and I feel really lucky we work so well together as a team.
Jenny: The first night Martine and I spoke about Short Run, we were talking about the need for this kind of event - I had just come back from SF Zine Fest and felt like I found my mission in life. There was this sense of community there that I had only seen small glimpses of in Seattle.
What do you see as the main focus of Short Run?
Eroyn: Short Run hopes to extend Seattle's exposure to the small press world that exists within and around it. We want to expand the audience for small press work and let artists engage directly with the people who like what they do. Short Run will build on the small press community that we do have and foster communication between artists who work in different mediums and styles. As a group we don't commit to any particular medium or aesthetic -- we are not a comic-con or a craft fair or a zine festival but we encompass aspects of all of these because we think they can all be engaging.
How do you define what is "small press" to you?
Kelly: Small press, in regards to what you will see at Short Run, are hand-made, self-published, “short run” art books, comics, zines, and literary works. You’re going to see a lot of work that has been photocopied, screen-printed, side-stitched, glued, covered in gold leaf, stencil-cut, and folded in ways you can’t conceive of! Many of the artists and writers have had one or more of their books “professionally” published, or hope to some day, but Short Run’s heart is the home made.
Even though Fantagraphics won't have a table, several of our artists will be in attendance... like Megan Kelso! How did you get Megan involved?
Kelly: We are totally excited that Michael Dowers will be at Short Run! We don’t think mini-comix ever went away, but the people creating them scattered and many new comic artists were not aware of any kind of “scene”. Seattle does not have a Fallout Comix anymore, or a Confounded Books, or even a Pilot Books. Besides a few dusty spin racks, there is no physical hub for selling and sharing mini-comics. There are lone creators and drawing groups all over Seattle that meet on different nights in difference places, and mini-comics are being made.
Eroyn: The capability to self publish is more attainable than ever and people are definitely taking advantage of new technologies and affordable printing to produce great work.
Eroyn: Along with these stores and a few independent distros like Jason T. Miles’ Profanity Hill, we hope to help foster underground press in Seattle.
And, finally, what sort of future do you guys envision for Short Run? Do you hope to keep it small and local? Or will it eventually be the Seattle-version of an APE or Stumptown?
Jenny: I would like to see Short Run grow into itself organically. Big is not necessarily better - unless there is a solid community there providing the support. It's the difference between a stadium concert and going to see a local band at your favorite club - both have equal measure, they are just two very different experiences.
Kelly: It was our experiences at these larger festivals that helped us to decide what we did and didn’t want to be. We want to always be free to the public, and we want to always have low cost tables. Being local was really important to us as well, and one aim of Short Run was to draw out first-time tablers and try to reach people who had maybe shied away from other larger conventions. Looking over our exhibitor list, you will see that we have a lot of exhibitors from Portland. We can learn a lot from the comics community that they have built but Seattle has its own history of alternative cartoonists, and we need to grow from there. Short Run not only has a few of these “legends” of small press in attendance, but we have a ton of more obscure artists and writers, not only from comics, but from zines, animation, and the literary world. It’s a great showcase of artists and writers and we are really excited to share Short Run with Seattle!
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